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Gary Barlow promises Take That will return in 2023, but not all five will return

25 November 2021, 16:09

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Take That will return on tour in two years, but which members will making a comeback with Gary Barlow?

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Gary Barlow has confirmed that Take That are getting back together and will go on tour in 2023.

He said that he will reunite with bandmates Mark Owen and Howard Donald for a series of live dates in a year's time.

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However, he had hoped to get Jason Orange back on board, but despite the group's attempts to convince him, the band are returning as a trio.

Robbie Williams will also likely be absent from the line-up, He returned to the group in 2010 and for some sporadic appearance here and there, but a full-time reunion is not on the cards.

Take That as a five-piece in 2011

Speaking to The Sun , Gary said: “Jason isn’t coming back. Take That is Mark, Howard and me for the next few years.

“By the time Christmas comes, it will be the end of a big chapter for me. I’ll have toured two albums and it’ll be the end of this solo chapter for me and I’ll be getting ready for the next wave of Take That.

“We’ll have a nice planning year in 2022. I don’t think we’ll release anything or tour, but the following year – 2023 – will be a big year for Take That.

"It’s been a while since 2019. I’m ready to get back to my day job now. That’s my thing, being in the group."

The last time Take That performed together was back in 2019, during their sold-out Odyssey: Greatest Hits Live Tour. Jason and Robbie also did not appear during that campaign.

Take That will return as a trio

After parting ways in 1996, Take That reunited to great fanfare in 2005, minus Robbie. Five years later, Robbie returned to the fold for the Progress album and tour, but they have not performed with Jason since their Olympics Closing Ceremony show in 2012.

Gary Barlow is currently on tour in support of his new festive album The Dream of Christmas , released this Friday (November 26).

Earlier this week, Gary unveiled his latest single - 'How Christmas Is Supposed To Be' - a duet with actor Sheridan Smith.

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Progress (Live)

Progress Live, a document of Take That’s full-band reunion tour with Robbie Williams, is proof that nothing is impossible. The camaraderie between the lads is palpable. They sound characteristically sentimental on the epic “Rule the World,” while a high-energy encore of 1993’s disco-pulsing “Relight My Fire” shows that age hasn’t tempered their exuberance. They display their versatility on the sinister, pounding “Kidz” and prove masterful balladeers on “Back for Good.” Jason Orange might have since left the group, but the fantasy of forever lives on in this stunning live recording.

January 1, 2011 22 Songs, 1 hour, 48 minutes ℗ 2011 Polydor Ltd. (UK)

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Take That

Take That – review

T he doom-mongery about the music business is put into sobering perspective by the eyewatering statistics concerning Take That's live reunion with Robbie Williams, touring with them for the first since 1995. Progress Live, named after last year's best-selling reunion album, the fastest selling of the century, is the UK's biggest stadium tour of all time.

A mind-boggling 1.76 million people will see 27 UK dates, eight of them at Wembley Stadium (breaking the record seven set by Michael Jackson's Bad tour). Some 1.34 million of those tickets were snapped up within 24 hours of going on sale, more than doubling Take That's own record, set on 2008's Circus tour. This tour involves 238 trucks, six weeks of rehearsals, a rumoured £15m budget and the Pet Shop Boys as the support band, whose scaled-down yet typically classy performance felt a bit like Michelangelo in to do the kitchen ceiling. It's hard to imagine a bigger pop event short of Britain's biggest boy-turned-manband actually playing on the moon: when an Apollo-style countdown was accompanied by a crowd noise like several hundred rockets, it felt like they were.

The opening night had been given extra bang by the sense that, if anything went wrong, it would be on a scale not seen since Williams popped out for a drink at Glastonbury and came back a decade and a half later.

Prior to the tour, the erstwhile prodigal confessed to a nerves-induced "meltdown". Then the band's head almost blew away – that's the giant sculpture dominating the stage, not, thankfully, songwriter-leader Gary Barlow. So it felt like a bad omen when the band appeared as a quartet, before Barlow quickly explained: "We've got someone else joining us later."

Not even explosions of ticker tape, elevating platforms, glowing stages, ghost-like dancers wielding flaming torches, dancing trees, roller-skating bees, and even a giant caterpillar could match the collective gasp when Williams finally appeared, alone, carried aloft on a glass chariot.

The gigantic metal stage may well have been created from melted down unsold CDs of the former bad boy's last two wobbly solo albums, but pop has missed his showmanship and unpredictability. He delivered Let Me Entertain You and Angels so effortlessly he could have been singing in the pub, not for 54,000 people.

But when he suddenly sang "I've just done some coke and I've shagged a whore, that's what a superinjunction is for", it was hard to know whether he was heading dangerously off message or it was part of the show. Moments later, it was just like the old days. "When Robbie left…" said Howard Donald. "Sacked, not left!" his bandmate corrected him.

Grins and a group hug later, the band upstaged their jawdropping visuals with the sight of five men performing the classic pop anthems that made them – Pray, Relight My Fire, and Back For Good – and dancing and smiling like they'd never been away. How long the reunion will last is the multi-million dollar question. But when the quintet sang Never Forget in front of an illuminated robot so tall it towered above the stadium, it felt like that almost mythical event: a once in a lifetime pop experience.

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Join us in 2024 — events to get your teams AI-ready

Feb 28, 2024 | Takeshi Numoto - Executive Vice President and Chief Marketing Officer

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2023 was a year of exciting growth and innovation here at Microsoft. This year’s focus is to empower our customers and partners through AI transformation, and we’re excited to share what will be an impactful lineup of events for 2024. Attending any of these events provides you with the opportunity to learn, grow and make defining connections with experts from around the world.

Expect to see enhancements in some of this year’s events. Azure AI-powered natural language assistants will provide personalized session recommendations, summarize content and answer your event-related questions. To meet the needs of a global audience, we are also offering options to participate in person, online and on-demand so you can choose what format works best for you. We structure these events to support the goals of our audiences and ensure that anyone attending has a great experience.

Visit our events site to find out which ones are right for you.

Microsoft AI Tour  

It’s not too late to register for this ongoing series of one-day, in-person experiences around the world. These events bring together those on the cutting edge of innovation — including decision-makers, industry experts, thought leaders and developers — to focus on how AI will revolutionize work. So far, we’ve welcomed thousands of senior leaders and developers in six locations around the globe with keynotes highlighting the latest innovations in AI. Tour stops remain in Berlin, Paris, São Paulo and Seoul, where you can attend interactive workshops and learn how you can unlock the power of AI. Go to the Microsoft AI Tour   site to sign up.

Microsoft Build

In-demand experts, distinguished engineers and developers are gathering in Seattle for our annual Microsoft Build. This celebration of technology is a chance to hear the latest announcements and get hands-on with new technology. Learn how to create new features and opportunities with AI and copilots, dive deep into the latest tech, and develop the skills that are needed for tomorrow — today.

Seattle, Washington & online | May 21-23, 2024

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We are evolving the event previously known as Microsoft Inspire. In July, we will kick off our fiscal year with partners in tandem with our Microsoft sellers by providing a digital engagement to share strategic priorities, investments and key program changes. We look forward to sharing more details soon. Online | July 2024

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Join IT professionals, implementers, developers, architects and more in checking out the latest tech Microsoft has to offer. With demos and firsthand access to new AI solutions and copilots, this is your chance to explore the latest tools, receive deep technical training and get questions answered by Microsoft experts. We’re bringing the best of our customer and partner event experiences to the Windy City and online so you can participate in the festivities and discover how AI can enhance your organization.

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American Songwriter

P.O.D. Announces I Got That Tour 2024: How To Buy Tickets and Upcoming Dates

G rammy-award nominated metalheads P.O.D. have just announced their I Got That Tour for 2024, bringing special guests Bad Wolves, Blind Channel, and Norma Jean with them. They’ll be starting their latest tour in Phoenix, Arizona in April before wrapping up in Dallas, Texas later in June.

P.O.D. has also announced a new album called Veritas which is slated to come on May 3rd. It’s their first studio album in over 6 years and fans can’t wait to hear what the band’s been cooking. Tickets are moving quickly for the band’s return to touring, so if you want to see P.O.D. live in action, we suggest acting swiftly. 

If you want to see P.O.D. live on their latest tour, tickets are available now through StubHub where orders are 100% guaranteed through StubHub’s FanProtect program. StubHub is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand. 

P.O.D. has been around for well over 30 years and has some of the most popular songs in Christian metal. They’ve sold over 12 million records worldwide, including hits like “Youth of the Nation”, “Goodbye for Now”, and of course “Alive”.

Their supporting acts have plenty of heavy-hitting jams of their own and fans can look forward to rocking out to Bad Wolves’ “Remember When”, Blind Channel’s “Don’t Fix Me”, and Norma Jean’s “Bayonetwork: Vultures in Vivid Color”.

P.O.D.’s I Got That Tour will be one of the most exciting heavy metal tours this summer. If you’re a fan of the band and want to see what their new album is all about, you couldn’t ask for a better chance. Get official tickets to any of P.O.D.’s shows directly through StubHub or by clicking here .

P.O.D. I Got That Tour 2024 Dates

04/26 – Phoenix, Arizona – 98 KUPD U Fest

04/28 – San Diego, California – House of Blues 

04/29 – Santa Ana, California – Observatory

05/01 – Los Angeles, California – The Belasco Theater

05/02 – Las Vegas, Nevada – House of Blues

05/04 – Colorado Springs, Colorado – Sunshine Studios Live

05/05 – Wichita, Kansas – TempleLive at Wichita Scottish Rite Center

05/07 – Moline, Illinois – The Rust Belt

05/09 – Charlotte, North Carolina – Neighborhood Theatre

05/10 – Atlanta, Georgia – Buckhead Theatre

05/11 – Jacksonville, North Carolina – Hooligans Music Hall

05/12 – Dayton Beach, Florida – Welcome to Rockville 2024

05/15 – Milwaukee, Wisconsin – The Rave / Eagles Club

05/16 – Columbus, Ohio – Sonic Temple Festival 2024

05/17 – Reading, Pennsylvania – Reverb

05/18 – Mashantucket, Connecticut – Foxwoods Resort Casino

05/19 – Sayreville, New Jersey – Starland Ballroom

05/21 – Pittsburgh, Pennsylvania – Preserving Underground

05/23 – Joliet, Illinois – The Forge

05/24 – Turtle Lake, Wisconsin – St. Croix Casino Turtle Lake Hotel

05/25 – Minneapolis, Minnesota – Uptown Theater

05/26 – Sioux City, Iowa – Hard Rock Hotel and Casino

05/28 – Lubbock, Texas – The Garden

05/29 – Austin, Texas – Come and Take It Live

05/30 – Houston, Texas – House of Blues

05/31 – San Antonio, Texas – Vibes Event Center

06/02 – Dallas, Texas – So What?! Music Festival 2024

When do tickets for the P.O.D. I Got That Tour go on sale?

Tickets for all of P.O.D.’s shows are on sale now.

Where can I purchase official tickets to the P.O.D. I Got That 2024 Tour?

You can buy official tickets to see any of the shows on P.O.D. tour directly through StubHub .

Are there any presale codes or early access opportunities for the P.O.D. I Got That Tour?

There aren’t any presale codes or early access opportunities for the P.O.D. I Got This Tour as all tickets are already on sale now. The early access code the band was using before the tickets went on general sale was “IGOTTHAT2024”.

How much do P.O.D. I Got That Tour tickets cost? Are there different pricing tiers?

Tickets come in different pricing tiers depending on how close you sit to the stage, what concert venue you choose to attend, and what comes with the price of a ticket. Check StubHub for specifics on pricing no matter where you choose to attend.

Is there a limit to how many tickets I can buy?

Yes, StubHub currently has a limit of 16 tickets per transaction. If you want to buy more tickets than that, you may be able to do so in a separate transaction. 

What’s the difference between VIP tickets and regular tickets?

VIP tickets usually come with a wide range of added benefits, sometimes including an exclusive entrance into the stadium/arena, a line-free merchandise shopping experience, free food or drinks, and front-row seating. 

Regular tickets usually just cover the cost of admission and guarantee your seat.

Are there any meet-and-greet or backstage pass opportunities for the P . O.D. I Got That 2024 Tour?

P.O.D. is offering a meet-and-greet package for their 2024 I Got That Tour. It comes with one General Admission ticket, early entry into the venue, an exclusive meet-and-greet with the band, a photo with the band, and much more. 

What are the P.O.D .I Got That Tour 2024 dates and locations?

While we’ve listed all of P.O.D.’s latest shows for their 2024 tour run, they may add another leg to their tour later in the year. Check back later if you don’t currently see a tour date near you.

Is there an age restriction for the P.O.D. I Got That 2024 Tour?

Age restrictions or requirements may vary depending on the venue for the latest P.OD. tour but check with your local concert venue through StubHub for confirmation. 

Can I get a refund or exchange my ticket if I can’t attend?

Ticket refunds and exchanges are subject to the venue’s policy. Please contact the venue directly for more information.his

Can I bring a camera or recording device to P.O.D.’s concert dates?

You can bring personal recording equipment like the camera on your phone but you won’t be allowed to bring professional camera equipment or a camera bag.

Will merchandise be available for purchase at the concert?

Yes, P.O.D. merchandise should be available for purchase at the concert venue. 

Are there opening acts or special guests for the P.O.D. I Got That Tour 2024?

P.O.D. will be joined by Bad Wolves, Norma Jean, and Blind Channel for their 2024 I Got That Tour.

What happens if the concert is postponed or canceled?

If the concert is postponed, your tickets will be valid for the new date. If the concert is canceled, you will be eligible for a refund. Please note that this information is subject to change.

How can I avoid scams or counterfeit tickets?

You can avoid scams and counterfeit tickets by purchasing official tickets through StubHub, or by clicking here .

When you purchase through links on our site, we may earn an affiliate commission.

The post P.O.D. Announces I Got That Tour 2024: How To Buy Tickets and Upcoming Dates appeared first on American Songwriter .

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IU gazes into the camera on the red carpet.

We’re already counting down the days.

From July 15 through Aug. 2, international sensation IU aka Lee Ji-eun  is scheduled to headline six huge concerts at arenas all over the U.S. as part of her “HER World Tour.”

The sprawling tour, which officially got underway in IU’s home country South Korea on March 2, will mark the first time that the “LILAC” singer will perform in North America.

In fact, as of now, she’s never performed outside of Asia.

Once she arrives stateside, IU will kick off the tour at Newark, NJ’s Prudential Center on Monday, July 15.

After that, she’ll drop into Atlanta’s State Farm Arena (July 19), Washington, D.C.’s Capital One Arena (July 22), Rosemont’s Allstate Arena (July 25), Oakland’s Oakland Arena (July 30) and Los Angeles’ Kia Forum (Aug. 2).

Given the novelty of the tour, tickets to see the pop icon live are not cheap.

At the time of publication, the lowest price we could find was $287 before fees on Vivid Seats.

Other shows have tickets starting anywhere from $299 to $448 before fees.

Curious how much it will cost to see IU near you?

We’ve got everything you need to know and more about the North American leg of the ‘HER World Tour’ below.

All prices listed above are subject to fluctuation.

IU best ticket prices

A complete calendar including all tour dates, venues and links to the cheapest tickets available can be found here:

(Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and include additional fees at checkout .)

Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand. 

They offer a 100% buyer guarantee that states your transaction will be safe and secure and your tickets will be delivered prior to the event.

IU set list

On Saturday, March 2, IU kicked off the ‘HER World Tour’ at Seoul’s KSPO Dome.

Here’s what she played that night, according to Set List FM :

Part 1 – Hypnotic

01.) “Holssi” 02.) “Jam Jam”

03.) “Ah puh” 04.) “BBIBBI” 05.) “Obliviate” Part 2 – Energetic

06.) “Celebrity” 07.) “Blueming” 08.) “Coin” 09.) “eight” 10.) “Hold My Hand” 11.) “I stan U”

Part 3 – Romantic

12.) “Havana” 13.) “Meaning of You” 14.) “Friday” 15.) “strawberry moon” 16.) “Through the Night” Part 4 – Ecstatic

17.) “Shopper” 18.) “Above the Time” 19.) “YOU&I” 20.) “Love wins all” Encore – Heroic

21.) “Shh..” 22.) “Twenty-three” 23.) “Holssi” En-encore

24.) “Leon” 25.) “Every End of the Day” 26.) “You Know” 27.) “Epilogue”

IU new music

On Feb. 20, IU dropped the five-song EP “Love Wins All.”

The five-track mini-album gets things going with the energetic anthem “Shopper” that will have listeners grooving in no time.

After that, the 30-year-old singer delivers the hypnotic “Holssi,” which mashes the sensibilities of ’00s R&B with modern K-Pop to create a delectable bop.

“Shh..” is a bit slower and bluesier than the aforementioned bangers but serves as an excellent palate cleanser ahead of the gorgeous, romantic ballad “Love Wins All.”

To close the album out, IU wraps things up with “I Stan U,” a cross between Sheryl Crow quirk and unforgettable Avril Lavigne grandiosity.

All in all, IU makes the most of “Love Wins All’s” short run time; by the time it’s over, you’ll want to hear it all over again.

Want to listen?

You can find “Love Wins All” here .

IU new Netflix movie

On top of the tour, IU is starring in the upcoming romantic Netflix K-drama ‘When Life Gives You Tangerines.’

The film, which co-stars Park Bo-gum, Moon So-ri, and Park Hae-joon, follows the remarkable rebel Ae-sun (IU) along with Gwan-sik who has been crushing on her since they were young.

As of now, there is no release date.

K-Pop stars on tour in 2024

Many major stars that have blown up all over Asia are swinging into the U.S. this year.

Here are just five of our favorites you won’t want to miss live.

•  Ive

•  Enhypen

•  Twice

•  P1Harmony

Who else is on tour? Check out our list of the  50 biggest concert tours in 2024 here  to find out.

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Quillette

Rediscovering the Meaning of Diversity: Lessons from Generation X

Gen X is young enough to take civil rights and integration for granted—but old enough to appreciate how much progress America has made

Monica Harris

Amidst the tribalized culture-war rhetoric that pits Baby Boomers (born 1946–64) against much younger Millennials (1980–94) and members of Generation Z (1995–2012), my own cohort—Generation X (1965–79)—often gets sidelined. That’s too bad, because our unique historical vantage point could help the United States bridge its generational differences. 

The oldest among my fellow Gen Xers were born in the waning years of the Civil Rights Movement—the end of an era during which color not only defined one’s identity in America, but also did much to predetermine social class, access to education, and economic opportunity. Most of us were raised by parents who started families and careers in a  Mad Men  society that catered almost exclusively to White males, but then came of age as that world began to fade from view. 

For Gen Xers, who are now in their 40s and 50s, the state of race relations can seem mystifying. We were taught that everyone should be judged as unique individuals, irrespective of their immutable characteristics. Now we’re told that this kind of attitude is, itself, a form of racism . It’s as if we spent our youth climbing the mountain that Martin Luther King Jr. envisioned the night before he was assassinated—then, just as the peak came into view, we tumbled backward. Quietly, we wonder:  It seemed like we were heading in the right direction. What went wrong?

One factor that sent us tumbling down that mountain, in my view, is the generational schism in our understanding of what diversity should look like. 

Boomers, many of whom spent their formative lives in a segregated society, had modest expectations for diversity. Gen X, by contrast, came of age in an integrated society (for legal purposes, at least), and so embraced a more expansive view of what a diverse society should look like. Yet Gen X wasn’t so chronologically removed from the pre-Civil Rights era that its members lacked a sense of historical context: We could trace the arc of progress, and were optimistic that more progress was on the way. 

This latter aspect distinguishes us from Millennials and members of Generation Z, whose understanding of history is more limited. Rather than putting their faith in an arc of progress, they tend to immerse themselves in social media that encourages a totalizing fixation on the injustices of the moment. As a result, they tend to embrace radicalized social-justice ideas that present the status quo as a dystopian dead-end. 

Obviously, I’m partial, but I happen to think Gen X got the balance right: Our vision of diversity in America was advanced enough to reject the bigotries of the past, but not so unrooted from America’s historical reality as to lend itself to ideological extremes. 

I entered college six years after the U.S. Supreme Court decided  Regents of the University of California v. Bakke , the landmark 1978 case that legalized affirmative action and galvanized efforts to diversify schools and workplaces. As a Black girl growing up in the 1970s, my parents, who’d never earned more than high school diplomas, often reminded me how lucky I was. Opportunities would be available to me that had always been out of their reach. And they did everything they could to set me up for success.

I went to a prep school that my parents paid for by taking on high-interest loans (from a bank that eventually would be sued for predatory lending practices). My father, a deputy sheriff, worked overtime to make the monthly payments. It was a gruelling schedule that left him tired and cranky, but he pushed through because he saw a better America for me on the horizon.

It would be pointless for me to deny that I’m a beneficiary of affirmative action, because I am. But I’m not ashamed of it. The lives and careers of millions of men and women—many of whom, such as Supreme Court Justice  Clarence Thomas , have shaped the course of American history—were products of affirmative action. 

It’s easy to forget that the America in which Bakke was decided was very different from the America of 2024. Affirmative action wasn’t an attempt to tilt the playing field in favor of non-White people, so much as it was an effort to level it at a time when discrimination was still egregious and rampant. Twenty-four years earlier, the Court’s decision in Brown v Board of Education  had outlawed public-school segregation. But  Bakke  took things a step further by allowing public institutions to take diversity into account when admitting students or recruiting employees. 

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By the time I applied to Princeton University in 1984, it was well-known that elite schools were competing for diverse candidates—students who not only excelled academically but were also well-rounded, and boasted unusual or under-represented backgrounds. Being “diverse” could mean having a musical talent, standing out as a great athlete, speaking multiple languages, enjoying an esoteric hobby, being a young entrepreneur, hailing from a foreign country, displaying artistic flair, or coming from a single-parent household. When applying to an Ivy League school, it could even mean growing up in the Bible Belt.

Which is to say that being “diverse” meant providing a unique lens through which to view the world. The collective experiences of an authentically (which is to say, intellectually ) diverse student body were (rightly) seen as contributing to a more richly textured academic experience for all—one that inspired curiosity and critical thinking.

And yes, sometimes intellectual diversity and racial (or sexual) diversity overlap: The policy that came to be called affirmative action was rooted in the realization that members of underrepresented groups—including White women, who rank among the biggest beneficiaries of affirmative action—often come from socio-economically challenged backgrounds. It became understood that these challenges gave us unique perspectives, influenced how we identified problems, and shaped our approaches to solving them. 

Members of these groups would follow in the wake of the Irish, Italian, Jewish, and other immigrant groups that had re-invigorated America’s kaleidoscope of culture, mind, and spirit in the early part of the twentieth century. At its core, affirmative action was an effort to promote the authentic diversity that America thrives on.

Students who benefited from affirmative action weren’t academically “unqualified” any more than the captain of the lacrosse team or the president of the drama club was less qualified than a National Merit Scholar. Affirmative-action policies were based on the assumption that  all  admitted students would meet a threshold of academic competence demonstrated through such objective metrics as standardized testing (a requirement that a  growing number of colleges , and even  medical  and  law schools , are now abandoning).

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I set my sights on an Ivy League university in my freshman year of high school. While I was certain I would benefit from affirmative action, I never assumed I would be accepted solely or primarily because I was a Black woman; I knew the competition would be fierce. So, on the advice of my college counselor, I tried to make myself as well-rounded as possible. I studied Latin and Spanish, enrolled in advanced science courses, and took on student leadership positions.

I remember poring over the personal essay that challenged applicants to relate a “life-changing experience.” I could have recounted my experience as one of a handful of Black students at my prep school, but instead drew upon the summer I spent in the Dominican Republic as an American Field Service student. I joined a dozen other participants from working- and middle-class families, from big cities and small towns all around the country.

Despite our differences, we realized we were all outsiders trying to navigate unfamiliar territory. Those three months gifted me with an insight I would carry the rest of my life: what we have in common is far more important than what separates us. During college interviews, my experience abroad was always a topic of interest. It validated my belief that I was valued not only as a Black woman, but also as someone who’d benefited from cultural immersion.

Princeton was the least diverse of all the Ivies (with the possible exception of Dartmouth). Affirmative-action policies were then still in their infancy, as was the university’s co-ed status: the first Princeton cohort to graduate women with a four-year degree had been the Class of 1973 . Yet even Old Nassau held promise: While the student body was overwhelmingly White, there was still a substantial mix of Jewish, Black, Latino, and Asian-American students. There were a fair number of foreign students, too, and so I was able to find peers from Latin America, Europe, Asia, Africa, and the Middle East. 

Political diversity was on display, too, which is to say that while the institution itself was then conservative, liberal students and speakers were never attacked or dismissed. And there was class diversity, as well, with students raised in welfare families living in dorms alongside heiresses and (literal) royalty. We learned from each other, inside and outside the classroom, with a spirit of curiosity and (generally) without judgment.

In 1988, I graduated from Princeton and headed to Harvard Law School—part of the same class as Barack Obama—where I enjoyed the same kind of diversity I’d observed at Princeton. And like my fellow members of Generation X, I naively assumed that the model of diversity I’d seen at these two universities would continue to inform American institutions for generations to come. 

But in the years that followed, while I was busy forging my career and starting a family, a transformation began taking place at my alma maters. The definition of diversity shifted, as did the goal of affirmative-action policies. Instead of affirmative action remaining a tool used to level the playing field, it became a weapon to hobble those with superior credentials and “power”—even if they weren’t White or male.

Last year, the US Supreme Court found  Harvard University guilty of discriminating against Asian-American applicants through mechanisms that effectively required them to meet higher academic thresholds than Black and Latino applicants. By The New York Times ’ account, these mechanisms “ significantly dragged down their chances of being admitted .” Jewish students have also been negatively affected: They are increasingly lumped in as part of a “ privileged” oppressor class , and their enrollment numbers have declined  at many elite schools over the past twenty years.

I find Harvard’s embrace of this unsettling new approach to diversity and affirmative action to be both unsettling and sad—a betrayal of the optimistic and constructive approach I experienced as a student. And I only became more disappointed in recent months, when I saw Harvard convulsed by credible accusations of antisemitism , which have caused some alumni to stop donating .

Then there’s the university’s (now former) president , Claudine Gay, who was exposed as a serial plagiarist following a disastrous appearance before lawmakers, at which she hedged on the question of whether Harvard students who call for the extermination of Jews should be censured. 

take that tour progress

Culture warriors on the left accused conservatives of orchestrating Gay’s departure by weaponizing her race and what they call “ inconsequential ” instances of plagiarism. But the truth is more complicated. Harvard’s malaise, like that of elite American schools more generally, reflects a profound disconnect between its own rarefied subculture and the so-called “real world.”

Yes, there’s growing resentment toward diversity, equity, and inclusion (DEI) initiatives. But this resentment isn’t an entirely conservative phenomenon. And DEI critics, conservative and otherwise, aren’t necessarily rejecting diversity and inclusion, as those terms have traditionally been understood. 

Most Americans—and especially members of Generation X, by my observation—wholeheartedly believe that schools and workplaces should reflect our increasingly heterogeneous society. But they view diversity holistically, not through a rigid intersectional prism that assigns someone oppressor or oppressed status on the basis of skin color, sex, or pronouns. Ironically, in fact, the same university administrators who obsess over these categories make little effort to promote authentic diversity of the type that includes a wide range of backgrounds, political perspectives, and worldviews.

take that tour progress

In a recent  article  in  The Crimson , Harvard computer-science professor Harry R. Lewis unearthed tidbits in Harvard’s undergraduate course catalog that should give pause to any parent otherwise prepared to spend almost $80,000 per year on his or her child’s tuition, room, and board: the college offers more than eighty classes whose descriptions feature the words “oppression” or “liberation,” and more than 100 featuring “social justice.” The number of classes highlighting “White supremacy” is nearly tied with the tally of those focusing on “Enlightenment.” I can’t help but wonder whether my 1980s-era personal essay, describing my experience abroad and emerging awareness of our common humanity, would be as welcomed by admissions officers today as an essay excavating the pain of being Black and female.

In some ways, today’s Ivy League students are far less diverse than those of yesteryear. Regardless of skin color, sex, sexual orientation, or gender identity, students at elite schools increasingly tend to  come from high-income families . And so, once admitted, they read back to one another the political views that such privileged teenagers tend to crowdsource on social media or through networks formed at expensive private schools. Authentic diversity isn’t enhanced when a community of “thinkers” are all looking through the same lens.

As the Harvard Corporation goes about selecting Gay’s replacement, its members can follow one of two paths: they can pick a leader who doubles down on the school’s existing approach; or, as I hope, they can take a step toward rediscovering the spirit of the Civil Rights movement and the Gen Xers who learned to appreciate its legacy. 

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take that tour progress

take that tour progress

This was the band’s first and only album to feature the return of Robbie Williams since his initial departure from the band in 1995 and this was the final album to feature Jason Orange due to his departure from the band in 2014.  ‘Progress’ was released on the 15 th November 2010 and debuted at number one on the UK Albums Chart, becoming the third fastest-selling album of the century and the fifth fast-selling album of all time in the UK.

Didn't take long for Cognizant to find out how weather can mess with our tournament | D'Angelo

take that tour progress

PALM BEACH GARDENS — Welcome to Palm Beach County, my friends from Cognizant.

Now you know how the folks from Honda felt.

Most years, golfers get through 72 holes of this PGA Tour event with wind as the only weather challenge. After all, this is the "dry season."

Most years.

Those who sloshed through the floods and avoided the water moccasins when nearly 8 inches of rain fell during the 2015 tournament will argue that. Or those caught in the deluge two years ago when the leaders were on the 72nd hole might object.

That 2015 storm forced a Monday finish . That was the last time … before Sunday. Just less than 2 1/2 inches fell Sunday at PGA National, leading to a 3.5-hour delay, pushing the final round of the Cognizant Classic in the Palm Beaches into Monday. Play will resume at 8 a.m., with Jupiter's Eric Van Rooyen the leader in the clubhouse at 14-under after shooting a 63 Sunday. Austin Eckroat is 15-under with 11 holes to play.

Jupiter's Shane Lowery, the 54-hole leader, played five holes Sunday. He dropped a shot and sits at 12-under.

"Rain delays are tough, especially when you're playing well," said Keith Mitchell, who shot a 65 Sunday to finish at 12-under. "You want to keep the train rolling. Sometimes it's good if you had a bad start and you get to kind of reset."

"I wish there was a secret sauce to them, but you've just got to kind of manage."

Fans started seeking cover just before play was suspended at 12:50 p.m. Overhangs, grandstands, restaurants, the pro shop, hospitality suites like the Champagne Lounge behind the 10th tee box were popular hangouts.

For some, the storm was good for business. The pro shop sold out of umbrellas. Guessing alcohol sales were brisk, too, in the suites and tents where people sought shelter.

Some Cognizant fans hung around for golf to resume

Noreen Maloney of Boston is vacationing in Fort Lauderdale. A native of Ireland, she came to see Lowry.

"It's been a long time since he won," she said. The 2019 British Open to be exact, at least on the PGA Tour.

But long before her fellow countryman hit his first shot, she was driven off the course. Maloney headed to the covered grandstand behind the 17th green when the rain started and waited out the long delay.

"I seen the way the clouds were turning there, I said 'I better get over this side,' " she said. "You're going to walk out there you're going to get absolutely soaked."

Aaron Schwartz and his wife debated on making the drive from Plantation. They weren't sure they made the right decision when they arrived to find a "deluge of people" pouring out of PGA National.

A devoted golfer, Schwartz checked his app, anticipated the weather would clear and waited it out at Birdie's Diner, not wanting to miss a "historic" inaugural Cognizant Classic.

By 3 p.m., golfers were back on the range and the course was being evaluated. About 30 minutes later, fans were emerging from the pro shop and restaurants to line up at the gate. By 4:20, the horn sounded and play resumed.

Van Rooyen was one of 40 golfers who finished and do not have to return Monday, although he might make the short drive to PGA National.

More: Tiger Woods, Tom Brady head field at Monday's star-studded Seminole pro-member in Juno Beach

The South African is one of a several golfers in the field who lives locally. He thought about heading home when play was suspended but worried about getting a little too comfortable.

"If I get home, I'm going to sit on my couch and grab a beer probably," he said. "Good thing I stayed."

Van Rooyen isn't sure what he is doing Monday.

"I've got no expectations," he said. "If I'm within two and those boys are walking up to 15th tee box (the start of the Bear Trap), I'll be here."

Daytona 500: See latest weather radar for Monday. Tickets for postponed races available

take that tour progress

The  2024 Daytona 500 got rained out Sunday and while there's a 30 percent chance of showers — mainly before 11 a.m. — conditions are expected to improve later in the day.

That's good news for the first-ever Monday NASCAR doubleheade r at Daytona International Speedway, where not only will Daytona 500 will run, but the postponed Xfinity Series race .

➤ Live coverage from Daytona International Speedway

Dress warm, though if you're heading for the race. It'll be cloudy before conditions improve later in the day. Breezy, gusty winds out of the north are expected to decrease through the afternoon.

Latest odds: Joey Logano, Denny Hamlin favorites to win Monday's postponed Daytona 500

Daytona 500 weather radar: See the latest conditions

Weather forecast for the daytona 500.

As a system of low pressure pulls away from East Central Florida, light rain is forecast to diminish through the late-morning, early afternoon. Expect conditions to improve through the afternoon.

There is a 30 percent chance of showers , mainly before 11 a.m. It'll be mostly cloudy before conditions gradually become sunny. High will be near 62. Lows will drop into the mid 40s tonight. Winds will be out of the north at 15 mph, with gusts as high as 20 mph, according to the National Weather Service, Melbourne.

Why was the Daytona 500 postponed?

The Daytona 500, along with an Xfinity Series race, was canceled for Sunday and moved to Monday due to rain .

There wasn't a lot of rain, but it was steady throughout the day. National Weather Service reported 1.35 inches of rain fell on Daytona Beach Sunday . On Saturday, there was 0.66 inches of rain.

Both races were rescheduled for Monday, when conditions are expected to improve.

What time is the Daytona 500, Xfinity Series on TV Monday?

There will be a racing doubleheader on Monday, with the Xfinity Series and the Daytona 500, if the weather holds out.

  • Start time:  Daytona 500: 4 p.m. Monday, Feb. 19
  • Start time: United Rentals 300: 9 p.m., Monday, Feb. 19

What channel is the Daytona 500 ?

  • Broadcasts:  Fox, MRN and SiriusXM NASCAR Radio.
  • Streaming:   FoxSports.com  and Fox Sports app (TV provider log-in required),  fuboTV  (7-day  free trial ),  YouTube TV  (2-week free trial),  Hulu + Live TV

How to watch Daytona Xfinity race on TV

  • Broadcasts:  FS1 (Channel 219 on DirecTV, Channel 150 on Dish), FS1, MRN and SiriusXM NASCAR Radio
  • Streaming:  FoxSports.com and Fox Sports app (TV provider log-in required), fuboTV (7-day free trial), YouTube TV (2-week free trial), Hulu + Live TV (7-day free trial)

Are any Daytona 500 tickets available for Monday's race?

There are tickets available for Monday's Daytona 50 0, according to NASCAR.

"Fans looking to buy or sell reserved seats for the DAYTONA 500 should visit  SeatGeek , NASCAR announced on its website. "Tickets are available for Monday’s event."

According to NASCAR, "Fans with Saturday grandstand tickets and admission to the Hard Rock Bet Fanzone may attend both the NASCAR Xfinity Series race and the Daytona 500."

Can't go to Monday's races? If the race is postponed, NASCAR's  Weather Protection Program  allows fans to exchange any unused grandstand ticket for a future race in the NASCAR Cup Series, Xfinity Series and Craftsman Truck Series at another venue. Ticketholders have 60 days after the rescheduled event to contact the ticket office and exchange their tickets.

How much are tickets for the Daytona 500?

According to SeatGeek, ticket prices range from $84 to $459.

Contributing: Dan Rorabough, John Gallas, Ken Willis , Chris Vinel

IMAGES

  1. Take That kick off Progress tour in front of stunning backdrop of 60ft

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  2. "Progress Live"-Tour von Take That erscheint auf DVD

    take that tour progress

  3. Take That Progress Tour Live Editorial Photo

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  4. Take That "Love Love" @ Progress Live Tour 2011, Manchester

    take that tour progress

  5. Take That Progress Tour OM Robot

    take that tour progress

  6. Take That kick off Progress tour in front of stunning backdrop of 60ft

    take that tour progress

COMMENTS

  1. Progress Live

    Progress Live was the eighth concert tour by English pop group Take That.The tour, sponsored by Samsung, supported their sixth studio album, Progress as they visited major cities in the UK and Europe. It was the first tour to feature all five original members performing together in 16 years and the final tour to feature Jason Orange and Robbie Williams.

  2. Live

    This Life On Tour. remind me. buy tickets. 17/04/2024. Leeds, United Kingdom. First Direct Arena. This Life On Tour VIP FastTrack Entry Welcome drink on arrival Level 2 seat within our new Gallery area In seat F&B service during the show (at additional cost) remind me. buy tickets.

  3. THIS LIFE ON TOUR

    THIS LIFE ON TOUR. We're extremely excited to announce that we're heading out on tour to the UK & Ireland in 2024! Not only that but on Friday 24th November we'll be releasing our brand-new album called 'This Life'. To get exclusive pre-sale access to the UK & Ireland dates, pre-order our album 'This Life' from the official Take ...

  4. Gary Barlow promises Take That will return in 2023, but not all five

    Take That will return as a trio. Picture: Getty After parting ways in 1996, Take That reunited to great fanfare in 2005, minus Robbie. Five years later, Robbie returned to the fold for the Progress album and tour, but they have not performed with Jason since their Olympics Closing Ceremony show in 2012.

  5. Progress (Take That album)

    Progress is the sixth studio album by English band Take That.It is the band's first album since Nobody Else (1995) to feature the original five-piece, with the return of Robbie Williams since his initial departure from the band in 1995, joined only on this album, and the final album to feature Jason Orange due to his departure from the band in 2014, which marked the final album to featured the ...

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    Our new album 'This Life' is out now! https://TakeThat.lnk.to/ThisLifeAlbumIDGet tickets to the tour: https://tix.to/TakeThatMusic video by Take That perform...

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    Our new album 'This Life' is out now! https://TakeThat.lnk.to/ThisLifeAlbumIDGet tickets to the tour: https://tix.to/TakeThatTake That performing Greatest Da...

  8. Progress Live (album)

    Progress Live is the twelfth album released by English pop band Take That. It is also the band's second live album to date and was released as a double disc album in Europe on 21 November 2011 and in the UK on 28 November 2011. The album was recorded during their Progress Live tour at Wembley Stadium in London and Etihad Stadium in Manchester ...

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    Preview. Progress Live, a document of Take That's full-band reunion tour with Robbie Williams, is proof that nothing is impossible. The camaraderie between the lads is palpable. They sound characteristically sentimental on the epic "Rule the World," while a high-energy encore of 1993's disco-pulsing "Relight My Fire" shows that age ...

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    Take That, Progress Live 2011 tour: Mark Owen, Gary Barlow, Robbie Williams, Howard Donald and Jason Orange at the Stadium of Light in Sunderland. Photograph: TT5/Simon Niblett/Getty Images.

  11. PROGRESS LIVE 2011

    PROGRESS LIVE 2011. 'Progress Live' was the band's eighth concert tour which supported their album 'Progress'. It was the first tour to feature all five original members performing together in 15 years and the final tour to feature Jason Orange and Robbie Williams. The tour managed to sell 1.34 million tickets in less than 24 hours ...

  12. Amazon.com: Progress Live : Take That, Take That: Movies & TV

    The Progress Live Tour went through 29 UK stadiums and played to over 1.8 million people. Named after the three-million-plus selling Progress album that reunited them, the Progress Live 2011 tour, was the first time the band had toured together as a five-piece (Gary Barlow, Howard Donald, Jason Orange, Mark Owen and Robbie Williams) since 1995. ...

  13. Take That

    When They Were Young Medley (Progress Tour Live / 2011) Take That. Progress Live. 04:32 Composers: Gary Barlow - Eliot Kennedy - Cary Baylis - Michael Ward. 07. Back For Good (Progress Tour Live / 2011) Take That. Progress Live. 05:14 Composers: Gary Barlow. 08. Pray (Progress Tour Live / 2011) Take That.

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    Take That - Progressed (2011) [2CD] Deluxe Version Full Album Free. takethatprogressed. 7:30. Take That-Progress Live-Never Forget Sub.Español. Beatriz Alonso. 2:23. TAKE THAT PROGRESS FLOOD (beckerundheller.de) beckerundheller. 3:52.

  15. Take That

    Our new album 'This Life' is out now! https://TakeThat.lnk.to/ThisLifeAlbumIDGet tickets to the tour: https://tix.to/TakeThatMusic video by Take That perform...

  16. Join us in 2024

    Microsoft AI Tour It's not too late to register for this ongoing series of one-day, in-person experiences around the world. These events bring together those on the cutting edge of innovation — including decision-makers, industry experts, thought leaders and developers — to focus on how AI will revolutionize work.

  17. P.O.D. Announces I Got That Tour 2024: How To Buy Tickets and ...

    P.O.D. I Got That Tour 2024 Dates. 04/26 - Phoenix, Arizona - 98 KUPD U Fest. 04/28 - San Diego, California - House of Blues . 04/29 - Santa Ana, California - Observatory

  18. Take That

    Progress Live is out on DVD and Blu-ray now! Get your copy here: http://bit.ly/TTLiveDVDProgress Live - the album is released on November 28thFor behind the ...

  19. IU 'HER World Tour' 2024: How to buy tickets, best prices, dates

    Vivid Seats is the New York Post's official ticketing partner. We may receive revenue from this partnership for sharing this content and/or when you make a purchase. We're already counting down ...

  20. Rediscovering the Meaning of Diversity: Lessons from Generation X

    Amidst the tribalized culture-war rhetoric that pits Baby Boomers (born 1946-64) against much younger Millennials (1980-94) and members of Generation Z (1995-2012), my own cohort—Generation X (1965-79)—often gets sidelined. That's too bad, because our unique historical vantage point could help the United States bridge its generational differences.

  21. PROGRESS

    PROGRESS. This was the band's first and only album to feature the return of Robbie Williams since his initial departure from the band in 1995 and this was the final album to feature Jason Orange due to his departure from the band in 2014. 'Progress' was released on the 15 th November 2010 and debuted at number one on the UK Albums Chart ...

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  24. Take That

    Take That's Progress Live also broke all records for ticket sales selling over 1.1 million tickets in one day, smashing the previous box office record set by Take That's Circus tour in 2008. On the first day of release Progress became the fastest selling album of the century, with 235,000 copies sold in just one day.

  25. PHI-TOR: Spring Training Audio

    Listen LIVE as the Philadelphia Phillies take on the Toronto Blue Jays in Dunedin, FL

  26. Didn't take long for Cognizant to find out how weather can mess with

    The 2019 British Open to be exact, at least on the PGA Tour. But long before her fellow countryman hit his first shot, she was driven off the course. Maloney headed to the covered grandstand ...

  27. Daytona 500 rain delay. Weather radar, Race on TV, ticket prices

    The first-ever Monday doubleheader at Daytona International Speedway will take place today. Tickets are available for Monday's Daytona 500.

  28. Take That Progress Tour

    Previously unpublished footage of the Take that Progress tour in 2001, Featuring Robbie Williams#takethat #progresstour