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Echo and the Bunnymen announce greatest hits tour: Dates, venues and how to buy tickets

31 October 2023, 11:56

echo and the bunnymen tour uk

Echo & The Bunnymen 2024 UK Songs To Learn & Sing tour trailer

By Mayer Nissim

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Ian McCulloch and Will Sergeant take the band's biggest hits on the road.

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Echo & the Bunnymen have announced a massive UK greatest hits tour.

The band have confirmed the dates of their Songs to Learn & Sing jaunt, which takes place in March 2024 and ends with a homecoming show in Liverpool.

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The tour takes its name from the band's 1985 best-of album, but it's thought that the shows will lean on songs from the band's whole back catalogue, including their seven albums since they reformed in 1996.

Their last album was 2018's The Stars, the Oceans & the Moon , which was primarily made up of re-recordings of past classics.

Tickets go on sale this Friday, November 3 at 10am, with a pre-sale starting on Thursday, November 2.

Echo and the Bunnymen in 2023

The full tour dates are as follows:

  • Saturday 2 March – Norwich UEA
  • Sunday 3 March – Brighton Dome
  • Tuesday 5 March – Bournemouth O2
  • Wednesday 6 March – Bristol Beacon
  • Friday 8 March – London Roundhouse
  • Sunday 10 March – Cardiff Uni
  • Tuesday 12 March – Nottingham Rock City
  • Wednesday 13 March – Birmingham O2
  • Saturday 16 March – Manchester Albert Hall
  • Tub 19th March – Sheffield City Hall
  • Wed 20 March – Glasgow Barrowlands
  • Friday 22 March – Leeds O2
  • Saturday 23 March – Newcastle O2
  • Monday 25 March – Liverpool Empire Theatre

echo and the bunnymen tour uk

Echo & The Bunnymen - The Killing Moon (Official Music Video)

The current Echo & The Bunnymen lineup features two founding members – frontman Ian McCulloch and guitarist Will Sergeant.

Original bassist Les Pattinson had rejoined the group for their mid-1990s reunion, but quit the lineup in 1998. Longtime drummer Pete de Freitas who had joined the group before they released their debut album died in 1989.

The 2023 touring lineup of Echo & The Bunnymen features Stephen Brannan on bass, Simon Finley on drums, Pete Reilly on guitar and Mike Smith on keyboards.

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Echo & the Bunnymen's 2024 UK tour dates: How to buy tickets

1 November 2023, 14:25

Echo & The Bunnymen

By Jenny Mensah

The Liverpool legends will play a Very Best Of 2024 UK tour. Find out where they're headed and how to get tickets.

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Echo & The Bunnymen have announced their 2024 Songs To Learn & Sing: The Very Best Of Tour.

The Killing Moon legends will embark on a greatest hits tour in the UK, which will see them play the likes of London's Roundhouse and culminate in a homecoming show at Liverpool Empire Theatre.

Tickets to Echo & The Bunnymen’s UK tour go on sale on Friday 3rd November 2023 from 10am via bunnymencom.

See Echo & The Bunnymen's 2024 UK dates:

  • 2nd March 2024: NORWICH - Nick Rayns LCR
  • 3rd March 2024: BRIGHTON - Brighton Dome
  • 5th March 2024 BOURNEMOUTH - O2 Academy Bournemouth
  • 6th March 2024: BRISTOL - Bristol Beacon
  • 8th March 2024: London - Roundhouse
  • 10th March 2024: CARDIFF - Great Hall – Student’s Union
  • 12th March 2024: NOTTINGHAM - Rock City
  • 13th March 2024: BIRMINGHAM O2 Academy Birmingham
  • 16th March 2024: MANCHESTER - Albert Hall
  • 19th March 2024: SHEFFIELD - City Hall
  • 20th March 2024: GLASGOW -Barrowland
  • 22nd March 2024: LEEDS -O2 Academy Leeds
  • 23rd March 2024: NEWCASTLE UPON TYNE O2 -City Hal
  • 25th March 2024: LIVERPOOL Liverpool Empire Theatre
We are thrilled to unveil the highly anticipated 2024 UK 'Songs To Learn & Sing' tour dates! Mark your calendars because the general ticket sale begins at 10 AM on Friday, November 3rd, via https://t.co/dIQgTMPDw0 . But here's the exciting news – all you devoted Echo & The… pic.twitter.com/3HQoGZXbdw — Echo & the Bunnymen (@Bunnymen) October 30, 2023

How to buy Echo & The Bunnymen tickets:

Tickets to Echo & The Bunnymen’s UK tour go on sale on Friday 3rd November 2023 from 10am via bunnymencom. Fans can sign up for the pre-sale by registering here , which they have until Wednesday 1st November at 5pm to do so.

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Echo & the Bunnymen Tour Dates

Echo & the Bunnymen

Eighties indie heroes whose majestic songwriting haunted a generation of bedsits and student pads. Re-formed in 1997, and still fronted by the more...

  • Mar 16 Sat Manchester, Albert Hall Echo & the Bunnymen Sold out
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  • Mar 19 Tue Sheffield City Hall and Memorial Hall Echo & the Bunnymen View Tickets
  • Mar 20 Wed Glasgow, Barrowland Echo & the Bunnymen Sold out
  • Mar 22 Fri O2 Academy Leeds Echo & the Bunnymen View Tickets
  • Mar 23 Sat Newcastle upon Tyne, O2 City Hall Newcastle Echo & the Bunnymen View Tickets
  • Mar 25 Mon Liverpool Empire Theatre Echo & the Bunnymen View Tickets
  • Mar 26 Tue Liverpool Empire Theatre Echo & the Bunnymen View Tickets

August 2024

  • Aug 08 Thu Glasgow, Kelvingrove Park Echo & the Bunnymen Sold out
  • Aug 09 Fri Glasgow, Kelvingrove Park Echo & the Bunnymen Sold out

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Echo & the Bunnymen (formed in 1978) are a rock band from Liverpool, England. The members include Ian McCulloch, Will Sergeant and Les Pattinson.

Their first album was called "Crocoldiles" which was released in 1980 and made the UK Top 20, which was great news for the band whilst starting out. Their second album "Heaven Up Here" that came out the following year reached number 10 on the UK Album Chart.

Their popularity grew suddenly in the mid 1980s with the song "The Cutter" and the album "Porcupine" which reached number two in the UK, making them a bigger figure in the music industry.

For many years the group was actually called Electrafixion but they returned as Echo & the Bunnymen in 1997 to release their UK Top 10 hit called "Nothing Lasts Forever", to the delight of their fan base.

Although band member Les Pattinson went on to leave the group, McCulloch and Sergeant continued to make music and later released the albums "What Are You Going to Do with Your Life?", "Flowers", "The Fountain" and "Meteorites". "Meteorites" was released in 2014 in the UK and later on in the US. It was produced by Youth, who actually co-wrote three of the tracks from the album, as well as playing bass.

Later on in the same year, Sergeant and Les Pattinson formed together under the name of "Poltergeist" and also released the album "Your Mind Is a Box" in June, which was received well by fans.

Live reviews

Whoa....I wasn't really expecting a disappointment and I don't like bagging on a show, but... what a weird night!

I should say that they sounded really good. No complaints there. And the venue was a sell out and everyone really seemed to love the show. Rushing the stage at the encore and everything.

I just can't believe we were the only ones

who didn't feel it was a great show. Ian never once moved away from his mike to talk to or engage with any band mates. He did however ride the roadie in between each and every song and during some songs. After a while it just seemed like he was really high maintenance and his issues could not possibly be legitimate. He did, however, leave his mike between each song (when not busting poor roadie's chops) to go to a little table set up behind him that had the following items on it: water bottle, pack of cigarettes, box of Kleenex, cup of milk (or some other white liquid), wine glass with either scotch or cognac - can't be sure which, but it wasn't wine and a bottle of tums. No, I'm not kidding. Roadie was constantly refilling "milk", "wine" glass and supply of smokes. But...whatever...you need what you need. When he spoke to the crowd between songs, he really, really mumbled and no one had even a clue what was being said, besides "thank you". Everyone around us kept saying, "What? Do you know what he said?" Everyone. It was a shame, because we all wanted to know what he was saying, but...no clue. For the whole night.

In addition to remaining perfectly stationery except for visiting his goodie table, he had the mike really high, right in his face, blocking his lower face from the audience. That and the dark sunglasses, we felt very cut off from him. I get that he always wears the sunglasses and that's understandable, but with everything else, we felt disengaged from him and the whole show. I don't know if the band and Ian have issues, but they also seemed like they didn't even like each other at all. Bass player and the non-Will Sargent guitarist kind of hung out near each other, but that's it.

They played a lot of hits and approx. 4 new songs, but not Holy Moses. They played 2 encores, which I thought was commendable (and surprising, given Ian's demeanor). I definitely liked their hits better than the new songs. Everyone really seemed disengaged with the new songs that no one knew. I am not a Doors fan and they played their 2 Doors covers, which I didn't love, but again, everyone else did. However, the hits sounded good and people loved it!

I still don't think we could be the only people who felt this way. And again, I really hate bagging on someone for their show. :-(

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j-jo’s profile image

On Friday evening, it was some 35 years since I first saw Echo and the Bunnymen, and exactly seven days since I last saw them. During this entire period, I have seen them around 60 times on three continents. And, with perhaps the odd exception, they have never disappointed. Hit and miss on record, they almost never miss live.

But even with such a solid track record, Friday's Warehouse 23 gig was something special. The most "intimate" venue I've ever seen them play, with the possible exception of the Glasgow Apple Store. Warehouse 23 is not a great venue, flat floor and low stage combine with many obstacles to make it difficult to see the band. The acoustics are unspectacular, and so is the sound system. But none of this matters when the Bunnymen are on form, and on Friday they were on form. Playing a shorter version of the same set they played at the previous week's Rockaway Beach festival, they rolled out fan favourite after crowd pleaser. Predominantly tracks from the first three albums, plus Constantinople, Dancing Horses and Nothing Ever Lasts Forever. An overly long encore of the tedious Lips Like Sugar jam was all that let the night down.

The small, packed venue created the feel of an aspiring band on their way up, rather than elder statesmen on cruise. And with Sergeant more forward in the mix than is often the case these days, they wove a heady magical psychedelic mix.

DoctorDee’s profile image

Echo at Irving plaza; a long tradition, outside of RCMH gigs to promote Ocean Rain orchestral gigs, I don't believe they've played elsewhere in the city the last few years. Avoided the opening act, another tradition, I'm getting too old to stand that long! Although it's only Ian and Will from the original group, they are the mainstays and principle songwriters. Still Ian's voice was in fine form--and I've seen them when his voice is completely shot--and Will's playing was magnificent! A friend who's never seen them remarked that he thought Will 's playing was similar to David Gilmore of Pink Floyd. I don't see the comparison, except the Bunnymen can have that psychedelic thing going on. They started with the title cut of the new CD and ended up playing 3 cuts from the new one, which is unusual for them, the last tour for "The Fountain," they only played one cut. Too bad, I thought that was their best material in years. They played all their hits--rescue, the cutter, killing moon, ending with the trilogy of "Nothing Lasts Foreever," "Lips Like Sugar," and "Ocean Rain." The crowd sang along, The Bunnymen weaved in "Walk on the Wild Side" and "in the midnight hour" during nothing lasts... fun was had by all! Just wish the guys would play deeper cuts in their catalogue. Although it's America, we're devoted; still I enjoyed myself, and that's the point!

Buzzcocknyc’s profile image

Write your review of Echo Time is a good healer. I swore for years I'd not see echo and the bunnymen because they'd slagged off Glastonbury and it's organiser Michael Eaves. But in life you move on and having seen them support James in Birmingham a couple of years ago I thought 'move on'. Even better that this gig was at Cambridge Junction, a great tight venue. Lead singer Ian decked in dark sunglasses was on good chatty form. Ably supported by guitarist and sole survivor of the original line up Will Sargent We were treated to the classics such as The Cutter, Killing Moon and a few great tracks from the new album While I wasn't drawn to the front I enjoyed the gig and the memory lane. Time is a good healer Adam Broadway

adambroadway’s profile image

L'Alhambra in Paris is such a great venue , I mean, perfect! Great view from anywhere there... I love Echo and the Bunnymen since their beggining, but never had a chance to watch them alive! Their new album Meteorites is such a masterpiece and brings their sound to the place where it belongs. The setlist was fantastic, and Ian showed all the time why they are considered one of the best bands ever. Songs like "Nothing Lasts forever", "Lovers on the run", "The Killing Moon"... Can't wait to watch them playing again! I wish they decide to play in my country soon, and surely Songkick will keep me up to date!

Chuca’s profile image

Fantastic show of Echo & The Bunnymen, sound, Ian McCulloch' voice and choice of songs were just amazing. I was expecting a more mellow show (due to release of last album and 'transformed songs') but the songs were played in the original versions, with an intensity, energy and emotion that did not disappoint. Although Ian is mostly static and hidden behind black sunglasses, his incomparably beautiful and powerful voice is a magnet. The musicians were great. I only regret that the show was sitting! people were ready to dance and everyone ended up standing at the end

These guys rock!

Zenga79’s profile image

Band came on stage at 9:00 PM, played for an hour, then came back for a 15 minute encore. This performance duration is disappointing and unacceptable. The band front loaded newer material into their set before going into the Bunnymen back catalog. Ian McCullough's voice has been eroded by four decades of smoking, yet he has the audacity to smoke DURING the concert. However, Will Sergeant's guitar playing is still solid, and the rest of the band is more than competent. I can no longer recommend Echo & The Bunnymen as a viable live act.

Djshelf’s profile image

Truely unique...the Bunnymen have that special “Sound”, that sets them apart from all others, making them so recognizable. I’ve loved them since 1983 and still do. Ian McCulloch and Will Sergeant are the only two original members left of the four, but they make due very well. Will makes the guitar sing so beautifully! I wish Ian’s vocals had better volume like his recordings, because he can still belt them out. But these guys make beautiful music and I highly recommend them!

BBSTACKER’s profile image

They just don't make front man divas like this anymore. Ian walked off stage after the first song because the bass didn't sound right. The tech guys fixed it and back he came..."let's start this all over." His voice sounds great, the nostalgia factor is still there, and all in all a decent show. Though I didn't stay, I heard he came out afterwards and greeted fans and signed autographs. He remains pretty badass in my opinion.

jackiedc’s profile image

Incredibly enjoyable show, MAC was in excellent voice and Will displaying his incredible guitar prowess as usual. The setlist was brilliant and highlighted the cream of their illustrious career. There were a few notable absences from the list, but with a career as rich as EATB one night is not enough. Excellent show guys thanks for bringing it to Dublin and hope to see ya again soon.

dabunnyman’s profile image

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Echo And The Bunnymen Live Review: McCulloch and Sergeant still produce the magic – and mercurialness – of old

Precarious as ever, echo & the bunnymen pull victory from the jaws of defeat. just.

Echo & The Bunnymen

Echo & The Bunnymen

Roundhouse, London

March 8, 2024

You’d have got long odds on Echo & The Bunnymen remaining an operational unit in 2024. First, there are the ongoing lifestyle challenges singer Ian McCulloch – at the should-know-better age of 64 – continues to set himself. Then there’s the somewhat distant relationship he maintains with the group’s other creative mainspring, lead guitarist Will Sergeant. Finally, here’s a group whose romantic/eccentric refusal to play whatever game was going has often ended in some kind of meltdown – multiple defeats wrenched from the jaws of victory.

Yet here they are, taking the stage in familiar gloom for the sixth show of a ‘Songs To Learn And Sing 2024’ tour that will take them up and down the UK, through continental Europe and the States, returning to these shores in August. It would be a testing itinerary even for a group in the first flush of youth.

Precariousness is baked into the Bunnymen, and few members of this rammed Roundhouse audience will not have experienced pre-gig trepidation to go with their excitement. But even as the first notes of opener Going Up ring out, it’s clear the Bunnymen sound is on point: a ringing, soaring thing, but delicate, like it could crash, or be crushed – free of the bombast that made their mid-’80s rivals bigger and sturdier but less Parnassian. Sergeant and McCulloch’s current bandmates – bassist Stephen Brannan, drummer Simon Finley, rhythm guitarist Peter Riley and keyboard player Mike Smith – have their work cut out filling the shoes of the inimitable Les Pattinson and Pete De Freitas (the Byronic drummer will be 35 years gone this June 18), but it’s been a long time since either have been in harness. That was then, this is now.

McCulloch walks a tightrope as usual. He hits the key notes but there’s enough croakiness in between to have you crossing your fingers for shows to come. Never Stop and Bedbugs And Ballyhoo, with their tongue-twister lyrics, sit at the edge of his current capabilities onstage. Also as usual, the frosted peaks scaled by the songs are offset by his prosaic between-song chunter, now more gravelly and hard to parse (although he seems at one point to aim a pop at poetry,  all  poetry). Perhaps that’s just as well.

Despite his struggles, or maybe because of them, there’s an abundance of magical Mac moments. Rescue, Over The Wall and The Cutter all explode and the years fall away. While the future is here, too, in two songs yet to appear on disc: the wistful Brussels Is Haunted and The Unstoppable Force suggest that long-threatened 14th studio album may not be so far away after all. In an online interview with  the Irish News in 2021  McCulloch remembered Brussels as the first city outside of the UK he’d ever visited. The song itself speaks of “the beauty of melancholy”, a knowing nod to the essential spark that, even tonight, illuminates his band.

The final encore is, perhaps inevitably, Ocean Rain – the title track of the exquisite career-best album they released 40 years ago this May. Sergeant’s guitar filigree is like a Siren’s song. McCulloch, having got this far, is not to fall, though the crowd’s support on the wailing “beneath the waves” refrain is heaven sent. He’s made it to the lifeboat, they’ve pulled him from the surf.

Victory from the jaws of defeat? Let’s say a high-scoring draw.

All That Jazz

Brussels Is Haunted

All My Colours (Zimbo)

Bring On the Dancing Horses

Show of Strength

Over the Wall

Nothing Lasts Forever / Walk on the Wild Side

Unstoppable Force

Bedbugs and Ballyhoo

The Killing Moon

Lips Like Sugar

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ECHO AND THE BUNNYMEN

Rock city, nottingham, tue.12.mar.24.

  • Date: Tue 12th March 2024
  • Doors Open: 7:00 pm
  • On Sale: Tickets Open
  • Price: £38.50
  • Age Limit: 14+

Tickets are now available to see Echo and The Bunnymen at Rock City !

Echo & The Bunnymen are one of the most influential British bands in modern history, the band have today announced a major UK tour for March 2024.

The tour will celebrate the songs that have brought the group twenty top 20 hits and nine top 20 albums so far during their incredible 40+year career.

Their seminal albums ‘Crocodiles’, ‘Heaven Up Here’, ‘Porcupine’ and ‘Ocean Rain’ have been a major influence for many groups such as Coldplay, The Killers and The Flaming Lips, Hole &many more, whilst later albums ‘Evergreen’ and ‘What Are You GoingToDo With Your Life?’ and’Siberia & Meteorites’ demonstrate what an amazing body of work the band have. Their last studio album ‘The Stars & The Oceans & The Moon’ was released in Autumn 2018 with Q Magazine calling it “Magical”.

For more events, check out the gig guide here .

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echo and the bunnymen tour uk

Echo & The Bunnymen to celebrate 40 years on May 2021 UK tour

They're playing 16 shows

Liverpool music icons Echo & The Bunnymen will hit the road in May 2021 on an extensive 16-date UK tour dubbed Celebrating 40 Years of Magical Songs.

Opening at Sheffield City Hall on Friday 7th May, the lengthy trek calls in at Birmingham, Liverpool, London, Cambridge, Norwich, Northampton, Leeds, Bristol, Bexhill De La Warr, Bournemouth, Cardiff, Glasgow, Gateshead and Nottingham before concluding at Manchester Albert Hall on Monday 31st May.

As the name suggests, the Celebrating 40 Years of Magical Songs tour will feature many of the seminal songs that have brought the group twenty top 20 hits and nine Top 20 albums during their distinguished four-decade career.

Frontman Ian McCulloch enthuses: “Well then, here are the dates for our 2021 U.K. tour! I can’t wait to be out there with the band on all those stages in all those cities and towns, doing what I love most, playing our magical songs to our brilliant fans and, hopefully, making all our lives a little bit happier along the way.”

Echo & The Bunnymen tickets:

Tickets to the tour go on sale from Absolute Radio Tickets at 9.30am on Friday 26th June.

Cited as a major influence by artists including Coldplay, The Killers and The Flaming Lips, Echo & The Bunnymen released a series of timeless, chart-denting albums in the 1980s including 'Crocodiles', 'Heaven Up Here', 'Porcupine' and 'Ocean Rain', while more recent records including 'Evergreen', 'What Are You Going To Do With Your Life?', 'Siberia & Meteorites' and 2018’s ‘The Stars & The Oceans & The Moon’ have rightfully been lavished with commercial praise.

Thanks to Netflix’s Stranger Things, their 1984 Ocean Rain song 'Nocturnal Me' has been brought to new audiences worldwide, while 'The Killing Moon' and ‘My Kingdom’ were used on 13 Reasons Why.

See Echo & The Bunnymen at the following shows:

Sheffield City Hall – Fri 7th

Birmingham O2 Academy – Sat 8th

Liverpool Philharmonic – Mon 10th

London Roundhouse – Wed 12th

Cambridge Corn Exchange – Fri 14th

Norwich UEA – Sat 15th

Northampton Derngate – Sun 16th

Leeds O2 Academy – Tue 18th

Bristol O2 Academy – Wed 19th

Bexhill De La Warr Pavilion – Fri 21st

Bournemouth O2 Academy – Sat 22nd

Cardiff St David’s Hall – Sun 23rd

Glasgow Barrowland – Tue 25th

Gateshead Sage – Wed 26th

Nottingham Rock City – Fri 28th

Manchester Albert Hall – Mon 31st

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Echo & The Bunnymen announce huge UK tour for 2024

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SONGS TO LEARN & SING TOUR | MARCH 2024

Tickets are available from, https://gigst.rs/eatb2024 and www.ticketmaster.co.uk ..

The band’s seminal albums Crocodiles , Heaven Up Here , Porcupine and Ocean Rain have been a major influence for many groups such as Coldplay, The Killers, The Flaming Lips and Hole, whilst later albums Evergreen , What Are You Going To Do With Your Life and Siberia & Meteorites demonstrate what an amazing body of work the band has. Their latest studio album The Stars, The Oceans & The Moon was released in 2018 with Q Magazine calling it “Magical”.

Echo & The Bunnymen have always held a special place for us at MGM. As a massive fan of the Radcliffe and Riley radio pairing, more commonly known as ‘Mark & Lard’ in the late 1990s through early 2000s, I still remember when the pair were dumped unceremoniously from the Radio One Breakfast Show only 8 months into their tenure. The last song played by Radcliffe on the flagship show…. the prophetic ‘Nothing Lasts Forever’

echo and the bunnymen tour uk

Emotion is probably the right word to describe the music the band have put together over the years. There’s not a single fan out there that doesn’t have a favorite song that triggers the sort of emotions that see us laughing, crying, contemplating and more on the back of one of the songs from this phenomenal band. To be able to hear all of those songs collected together and performed live, well that would be the dream wouldn’t it? 

Then check out the dates below: 

echo and the bunnymen tour uk

Sat 02 NORWICH UEA Sun 03 BRIGHTON Dome Tue 05 BOURNEMOUTH O2 Academy Wed 06 BRISTOL Beacon Fri 08 LONDON Roundhouse Sun 10 CARDIFF University Great Hall Tue 12 NOTTINGHAM Rock City Wed 13 BIRMINGHAM O2 Academy Sat 16 MANCHESTER Albert Hall Sun 17 MANCHESTER Albert Hall Tue 19 SHEFFIELD City Hall Wed 20 GLASGOW Barrowland Fri 22 LEEDS O2 Academy Sat 23 NEWCASTLE O2 City Hall Mon 25 LIVERPOOL Empire Theatre Tue 26 LIVERPOOL Empire Theatre

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LIVE: Echo and the Bunnymen – The Great Hall, Cardiff University Students Union – 10/03/2024

‘I’m jumbled up /maybe I’m losing my touch?/but you know I didn’t have it anyway!” sings Ian McCulloch, wryly, on the twitching and sinewy ‘Rescue’ from their 1980 album Crocodiles.

Thankfully, he hasn’t lost it tonight in Cardiff’s busy Great Hall, because despite varying reports from previous Echo and the Bunnymen dates on this tour, Mac sounds on fine form. In recent years his voice and their performances have been something of a bag of Revels, you don’t quite know what you are going to get.. That deep, characterful, unmistakable voice weathered by the unstoppable march of time and substances stands as a testament, as he plugs into the flashes of mystery, wonder and bittersweet melancholia that adorn their ‘Songs to Learn and Sing’ record in tonight’s two parter set.

There’s something magical about those early songs; their first four albums were insatiable bodies of work. A big sound that resides in a cathedral of tears, yet down to earth, relatable, and uniquely just The Bunnymen. The insistent ‘Going Up’ that sounds like a promise of meteoric early ambition. The addictive and tumbling ‘Zimbo’ , the jabbering keyboard lines of ‘Never Stop’ with its intense chorus decorated by scratchy riffing. By the time ‘Bring on the Dancing Horses’ hoves into view, with it’s wonderful sweeping palette, chiming guitars, and Mac’s delivery that’s steeped in a deep majesty, absurdity and heartbreak of everything falling apart, we are all ready for a sit down. Which is handy as there is an intermission for those of us who have reached or gone beyond middle age (spoiler: which accounts for most in attendance).

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I’ve heard Mac and guitarist Will Sergeant aren’t much on speaking terms these days, which is a bit sad as they have been through so much together since 1978. Clash of personalities? Who can say? Yet the Bunnymen somehow still feel under appreciated. As the two surviving members they create such an intoxicating sound that has drawn a packed crowd tonight in Cardiff, and whilst it doesn’t have the energy of their early ‘80s peak and the few newer songs aren’t as memorable, it’s as cathartic and magisterial in equal measure. It’s forged on an appeal that’s been locked in our hearts for decades. The second half tonight is brilliant.

‘Seven Seas ‘ from their classic Ocean Rain album sounds particularly awesome tonight, setting sail its perky chorus bringing a singalong, with Mac looking somewhat surprised that we know the words. These are words you can holler at the top of your lungs, promises and invigorating keepsakes to hold onto when you are lashed by life’s waves.

Then into ‘Nothing Lasts Forever’ , and their 1990s’ hit from their comeback album Evergreen , which is another one of my favourites. This more earnest strum is about tying to hang onto a memory when it’s slipping away; it’s bittersweet and heart-breaking and straight to the heart with Mac unfurling into a snippet of Lou Reed ’ s ‘Walk on the Wild side’ as everyone sings along. Finishing off with an incredible rendition of ‘The Killing Moon’ if in 2024 you judge a song on how many phones go up into the air to document the moment, then this was an absolute winner. Shrouded in a midnight backdrop, fate will catch us all but Mac’s intensity and mastery are part of what make this a song for the ages.

“With seven tapered knives/ Some of them six feet tall/ We will escape our lives!?” exclaims Mac on “The Cutter “as Sergeant’s guitars shimmer like gleaming knives being unsheathed with menace. Mac increasingly desperate to be spared, but could he cut the mustard? You are damn right he could. Damn right.

Encore number one is the superlative ‘ Lips Like Sugar ‘, a hit from their self titled 1987 album. it has this endlessly epic and romantic feel, like being on the edge, the edge of love, the edge of the precipice? Who knows? The backdrop is elegant, widescreen and decorated in guitars and underpinned by quick-step drumming; the work is done under the surface. It’s possessed of hints of Bowie , but Mac is Mac, Mac the mouth, and the Bunnymen are unique, the lively riff married to his doleful besotted choruses are sublime.

There’s a second encore of the title track from ‘ Ocean Rain’ but most of us have left by that point, it’s nearly 11pm on a Sunday guys! Spilling out into the night, hearts full, holding onto that memory, don’t let it slip, never stop, life is impermanent and all we can do is cling onto the uncertainty of the now. Invigorating and arresting Echo and The Bunnymen are still like a beacon, weathered by time but still endure. A promise.

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Photos: Rachel Graveson

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God is in the TV  is an online music and culture fanzine founded in Cardiff by the editor Bill Cummings in 2003. GIITTV Bill has developed the site with the aid of a team of sub-editors and writers from across Britain, covering a wide range of music from unsigned and independent artists to major releases.

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Thank you Birmingham. That was amazing, what a crowd.

Echo and The Bunnymen

Ian McCulloch and Will Sergeant

Echo & The Bunnymen 2024 Uk & European Tour Dates

Echo & The Bunnymen European Dates

Belgium, france, germany & netherlands.

We’re pleased to announce that we have added Brussels, Amsterdam, Berlin & Paris to our 2024 Tour.

02 April 2024 Paris Le Trainon

03 April 2024 Brussels AB

05 April Amsterdam Paradiso

07 April Berlin Metropol

We’re pleased to announce that we have added Brussels, Amsterdam, Berlin & Paris to our 2024 Tour.

Tickets are available from our Live Page HERE

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echo and the bunnymen tour uk

Review: Echo and the Bunnymen stun fans by leaving Bristol Beacon stage after just 30 minutes

The legendary Liverpool band's sell-out gig at Bristol Beacon was a gig of two halves

Legendary Liverpool band Echo and the Bunnymen have had a tricky relationship with their Bristol fans over the years.

I know some lifelong fans of the band who can’t even be bothered to see them on tour these days after their disastrous and disappointing Bristol Harbourside show in 2018. It wasn’t pretty.

Their first appearance at Bristol Beacon, however, still sold out but by the time the band appeared on stage, 15 minutes later than the scheduled 9pm start time, even some of their most dedicated fans were getting a little twitchy.

But then frontman Ian McCulloch has always been a law unto himself and he swaggered on stage with his five-piece band to a deafening cheer.

These days it’s only McCulloch and guitarist Will Sergeant left from the original line-up but it doesn’t matter a bit to their fans, many of whom have stuck by them for 45 years. I first saw the band at Colston Hall 41 years ago and it’s still etched on my memory.

Like Peter Pan, McCulloch has never really wanted to grow up, or at least he still wants his fans to remember him as he was in the band's 1980s heyday. And his voice still sounds great, if a little hoarser and tobacco-stained.

But for a frontman who always stole the limelight, he now prefers to perform in virtual darkness - or hazy pink and blue lights - and although Sergeant is occasionally given a bright spotlight for guitar solos, McCulloch doesn’t. The 80s icon prefers to stay cool as a dry ice-shrouded silhouette with his trademark spiky mop and sunglasses.

Things started well with old favourites Going Up and All That Jazz. These were followed by Rescue, All My Colours (Zimbo) and a blistering version of 1983 classic Never Stop.

But after Bring on The Dancing Horses, the house lights came back on and the band left the stage 30 minutes after they appeared.

McCulloch told the audience to ‘go and have a bevvy’ and they would be back on stage in 20 minutes, much to the surprise of some fans who were clearly in the zone by now.

Perhaps this was for a much needed ‘comfort break’ for McCulloch, who turns 65 in May, but it slightly ruined the momentum to have a 20-minute interval after only 30 minutes.

But they returned on stage at 10pm to dust off eight more songs, including Over The Wall, Seven Seas and Nothing Lasts Forever, which generated a mass singalong as it morphed into Lou Reed’s Walk on the Wild Side.

And the best was still to come as Sergeant strapped on his 12-string guitar and played the iconic intro to The Killing Moon, which was quickly followed by a belting version of The Cutter.

The band then returned for an encore of an extended Lips Like Sugar, McCulloch going into one of his famously rambling and barely audible anecdotes and observations (mostly about his OCD), and then they were off again.

A large number of people drifted off to get their last bus home - it was now just before the 11pm curfew - but the band made a surprise second return to perform another classic, this time Ocean Rain, which they hadn’t previously performed on this tour.

So, a gig literally of two halves, and as unpredictable as ever, but the Bunnymen’s return to Bristol was ultimately a triumphant one and I was humming The Killing Moon all the way home.

Review: Echo and the Bunnymen stun fans by leaving Bristol Beacon stage after just 30 minutes

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  23. Echo & The Bunnymen announce May 2021 UK tour

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