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Journey’s 10 Best Songs

Sure, "Don't Stop Believin'" -- but there's a whole lot more.

By Gary Graff

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Though it arrives amidst lawsuits , social media sniping and infighting, Journey is turning 50 this year.

During that half century, the group has sold more than 100 million records worldwide, logging 11 platinum-or-better albums (including Diamond certifications for 1981’s Escape and 1988’s Greatest Hits) , earning eight top 10 albums on the Billboard 200 and 25 hits on the Billboard Hot 100. It’s also been a reliable ticket-selling act for most of its career, and in 2017, the band was inducted into the Rock and Roll Hall of Fame.

Journey’s is the story of eras. When the group originally formed in San Francisco in 1973, original manager Herbie Herbert helped bring together guitarist Neal Schon and keyboard player/vocalist Gregg Rolie from Santana, bassist Ross Valory and rhythm guitarist George Tickner from Frumious Bandersnatch and drummer Prairie Prince from The Tubes. Prince would be replaced by David Bowie/Frank Zappa skins man Aynsley Dunbar, while Tickner would leave after Journey’s self-titled first album in 1975. The remaining quartet recorded two more albums before Steve Perry came on board for 1978’s Infinity, which began the band’s run of multi-platinum smashes — also marking the first appearance of Alton Kelley and Stanley Mouse’s iconic scarab logo for the band. Dunbar was replaced by Steve Smith for 1979’s Evolution , and Rolie would leave in 1980 with Jonathan Cain of The Babys joining to help elevate the band to even greater fortunes on Escape and Frontiers .

The palette has been diverse, but there are common elements among Journey’s best songs — sturdy melodies and sing-along choruses, usually leading into one of Schon’s majestic guitar solos. But within that mold there’s also been plenty of invention and clever arrangements that have never been as formulaic as some of the band’s detractors (particularly during their early ‘80s heyday) would have you believe.

Journey has gone through its fair share of lineups, with singer Arnel Pineda on board since 2007 — the longest continuous tenure of any Journey frontman. The group released Freedom , it’s first new studio album in 11 years, in 2022, and despite the current legal fractures (which you can read about in detail here ), still they ride, as the Escape track says — and may they keep on runnin’ for a long time.

With all that in mind, here are our picks for Journey’s 10 best songs — not all of which come from the biggest hits.

"Someday Soon" ( Departure , 1980)

This album track from Rolie’s finally studio effort with the band is a hypnotic tone poem, with a ringing, cushy ambience and a hippie kind of optimism – not to mention the best give-and-take Perry and Rolie achieved during their time together in the band. It’s of course been eclipsed by Journey’s myriad hits (“Any Way You Want It” is the enduring top 40 Hot 100 hit from Departure ), but it’s a gem worthy of discovery.  Listen here.

"Escape" ( Escape , 1981)

The title track from Journey’s Billboard 200-topping studio album straddled the hard rock/pomp attack of the group’s mid-‘70s output with the melodic sensibility of the Perry-Cain axis. Its five-minute length provides room for the arrangement to stretch out and flow from one song part to the next, with a crunch that was part of Journey’s palette at the time. Listen here.

"Of a Lifetime" ( Journey , 1975)

The Journey of 1973-77 was certainly a different creature than the hitmaking colossus so many know and love. The group’s initial lineups flexed instrumental muscles, smoothly knitting together a number of styles more interested in the journey (ba- dum ) than any commercial destination. The first track from its first album is a prototype, leaning into blues, psychedelic rock and a touch of Latin, with the first of what would become many standout Schon solos, and a tuneful sturdiness delivered by Rolie’s soulful vocal. Listen here.

"Faithfully" (Frontiers , 1983)

The melody of this top 20 Hot 100 hit came to Cain in a dream on a tour bus, and his paean to the struggle between home and the road was written in a half-hour. The result was a swoon-inducing ballad tailor-made for a sea of lighters (back then) and cellphone flashlights (now), capturing one of Perry’s best recorded performances and one of Schon’s most inspired solos. One of its great side stories is that Prince contacted Cain after he wrote “Purple Rain,” concerned that it might be too similar to “Faithfully.” Cain determined it wasn’t, but joked to Billboard that, “After seeing what it became, I should have asked for a couple of points….”

"Ask the Lonely" (single, 1983)

Recorded for Frontiers , this one wound up in the romcom Two of a Kind (starring the Grease duo of John Travolta and Olivia Newton-John) and rocked its way to No. 3 on the Mainstream Rock Airplay chart. Like “Only the Young,” which wound up in Vision Quest two years later, it showed that Journey was on roll – and well-suited for big soundtrack moments. Listen here.

"Who's Crying Now" ( Escape, 1981)

The best of Journey’s swoon songs — started by Perry while driving into Los Angeles and finished with Cain — has a subtlety and dynamic build that sets it apart from the many others of its ilk they’d create. The verse slips into the chorus with a soulful ease, and Schon’s guitar accents deftly build up to his searing solo at the end. The Escape single reached No. 4 on the Hot 100. Listen here.

"Feeling That Way" ( Infinity , 1978)

If fans at the time wondered how Steve Perry and Gregg Rolie would co-exist, this was the answer — an ebb-and-flow tradeoff that proved they could complement each other as lead singers as well as harmonize smoothly together (first evidenced by Infinity ‘s lead track “Lights”). Its medley-like pairing with the next track, “Anytime,” was gravy that would become a motif on the next few Journey albums. Listen here.

"Just the Same Way" ( Evolution , 1979)

Journey’s fifth album had a punchier sound than Infinity — though they shared producer Roy Thomas Baker — which worked to the benefit of the album’s first single. Led by Rolie’s piano and muscular lead vocal, with Perry responding on the choruses and bridge, it reached No. 58 on the Hot 100 in 1979. In a perfect world this would have been as big as anything from Escape or Frontiers, but it’s still a convincing introduction to the Rolie era of the band. Listen here.

"Don't Stop Believin'" ( Escape , 1981)

More than a billion Spotify streams, a Library of Congress National Recording Registry placement and plays at virtually every sporting event around the world don’t lie — this one is Journey’s pinnacle of success. Created during a rehearsal at the group’s warehouse HQ in Oakland, Calif., it gave us the “streetlight people” of Hollywood’s Sunset Strip and put the non-existent South Detroit on the map. And it saves the chorus for the song’s end, after the guitar solo. A cross-generational hit? Believe it, gleefully.

"Stone in Love" ( Escape , 1981)

Schon reportedly called this “Stoned in Love” when he wrote the riff, and it’s certainly an addictive track that’s the best roll-down-the-windows-and-crank-it-up Journey fix you could ask for — not to mention a frequent show opener. A No. 13 Mainstream Rock Airplay hit in 1981, the song is practically a deep cut today. But its anthemic chorus is a spirit-lifter and the dynamic breakdown that segues into the song-closing guitar solo harks back to the ambitious musicality of the first few albums. “Stone” is a gem that still shines bright. Listen here.

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Top 10 Journey Songs

The top Journey songs demonstrate quite clearly how the band, one of the early progenitors of what rock critics like to dismiss as "arena rock," achieved such popularity in the '70s and '80s.

Journey were undoubtedly ahead of their time in terms of PR, and especially in terms of professionalizing their live shows, pioneering elements of live production that are standard procedure today. But while the group took a great deal of flack for the skill with which they were marketed, it is the music they created – an interesting blend of guitar-driven hard rock and vocal-oriented pop – that has endured across the decades, connecting with several subsequent generations.

The group's earliest musical origins featured an elaborate mix of rock and progressive fusion, but it wasn't until they later shifted in a more commercial direction that they began their long, slow climb to superstardom. Though they were often critically derided, Journey's best work boasted a level of instrumental and vocal ability far beyond that of most of their peers and covered a wide array of styles – as you'll see in our list of the Top 10 Journey Songs.

"Lovin,' Touchin,' Squeezin'"

Steve Perry reportedly drew inspiration from one of his biggest influences, Sam Cooke, for this track from Journey's fifth album. The singer borrowed from " Nothing Can Change This Love " for the song, which struck a perfect balance between his soulful pop vocals and Neal Schon 's heavy rock guitars to become the group's first Top 20 hit, reaching No. 16 and helping Evolution to become a triple-platinum hit.

"Stone In Love"

This hard rock track from Journey's seventh studio album helped introduce the writing talents of newcomer keyboardist Jonathan Cain , who wrote the song with Perry and Schon. The song's infectious marriage of heavy riffing, blazing guitar solos and an alluring melody – all topped off by an undeniable Steve Perry vocal performance – helped it became a rock radio staple, easily earning its spot in our Top 10 Journey Songs.

Perry wasted no time making himself at home as a writer after he joined for Journey's fourth album. This soulful rock track pairs a Schon riff with a lyric Perry had originally written about Los Angeles, which he changed to fit after joining the San Francisco-based Journey. "Lights" originally charted at just No. 68, but went on to become a rock radio staple and an important part of Journey's live shows.

"Separate Ways (Worlds Apart)"

Another in a long string of Journey classics penned by the duo of Cain and Perry, this song came together in a backstage writing session in which the singer was playing bass and the keyboardist was playing guitar. It marries Perry's Motown influence with hard rock for a track that hit No. 8 in the Mainstream Rock chart and has become an all-time classic rock track. The single release was accompanied by a much-lampooned video in which the band members mime to the track without their actual instruments.

"Feeling That Way"

"Feeling That Way" was initially an instrumental titled "Velvet Curtain," written by keyboardist Gregg Rolie with drummer Aynsley Dunbar before he added words and re-titled it "Please Let Me Stay." It wasn't until Perry joined Journey and wrote some additional material that the band recorded the track. He and Rolie shared the lead vocal duties on this song, which is almost always paired with " Anytime " both on the radio and in concert.

"Wheel in the Sky"

One of the earliest Journey songs to find traction at rock radio, "Wheel in the Sky" began as a poem titled "Wheels in My Mind" by Diane Valory, the wife of Journey bassist Ross Valory. When singer Robert Fleischman heard it, he appropriated it for a lyric that was juxtaposed against a hard rock riff from Schon. When Journey brought in Steve Perry to replace Fleischman, he put his signature vocal stamp on the track, undeniably making it one of the Top 10 Journey Songs

"Open Arms"

Cain had originally pitched the melody idea for "Open Arms" when he was a member of the Babys , but singer John Waite reportedly shot it down as too sentimental. Once he and Perry completed the song, their Journey bandmates didn't feel too differently – particularly Schon, who felt the song too light for the group. Despite the opposition, the group recorded and released the track, which held the No. 2 spot in the Billboard chart for six consecutive weeks and has become a cultural touchstone.

"Any Way You Want It"

Co-written by Perry and Schon, this track was heavily influenced by Thin Lizzy front man Phil Lynott , who was sharing in a rhyme scheme exercise with the two backstage while the bands were touring together. Recorded closer to a "live in the studio" environment, Departure featured an edgier sound than previous Journey records, and the track is a perfect example of that, propelled by Schon's fleet-fingered solos and Perry's high-octane vocal performance.

"Faithfully"

Cain wrote the wistful piano-based ballad "Faithfully" about the challenges of being on the road while trying to maintain a life with his wife at home. The song's universal sentiment and melodic structure struck such a chord with fans that it landed at No. 12 in the Billboard chart, and it has since gone on to become one of Journey's most recognizable and enduring songs. Ironically, the song has far outlasted the marriage it was written to commemorate, which ended in divorce in 1987.

"Don't Stop Believin'"

"Don't Stop Believin'" not only tops our list of the Top 10 Journey Songs, it came in at No. 13 in our overall poll of the Top 100 Classic Rock Songs, and it is the best-selling catalog track of the digital music era, having sold more than 5 million digital tracks. Written by Cain, Perry and Schon, the song's multi-generational attraction lies partly in its inspirational message and partly in its arrangement, which appeals equally to fans of hard rock and vocal-oriented pop.

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The 10 best Journey songs

Let's face it, AOR just wouldn't have been the same without them – here are Journey's ten best tracks

For many, Journey are the band who define AOR better than anyone else. Their catalogue glitters with unforgettable anthems, which not only contain massive choruses, but also the sort of musicianship you might expect from a band who began life as jazz rock instrumentalists before embracing the melodic rock style for which they’re renowned. We've gone through the band's back catalogue and hand-picked their 10 finest moments.

10. Girl Can’t Help It (1986)

After taking a break from the band to work on his solo album Street Talk , vocalist Steve Perry was persuaded to return to the fold for 1986's Raised On Radio album. While the production shows a clear-cut influence of the times, Perry’s vocals shine as brightly as ever, while Jonathan Cain’s smooth keyboards complement Neal Schon ’s edgy guitar stride.

9. Faithfully (1983)

This is the way Journey explained the problems of trying to carry on a relationship while out on the road touring. One of the stand-out tracks from 1983's Frontiers , Faithfully has a soft lilt that exposes an emptiness. However, this is augmented by the lush rhythm and the way that Steve Perry croons his way through without ever wallowing in over emotional hyperbole. A power ballad in the best Journey tradition.

8. Lovin, Touchin’, Squeezin’ (1979)

Anyone who thinks that Journey aren’t capable of anything other than slushy ballads really should check out Lovin, Touchin’, Squeezin’ from 1979's Evolution album. It has a funk groove, and while the tempo is very much of the balladic kind, Neal Schon stabs through with some electrifying moments. What’s more, Steve Perry’s vocals soar impressively to ensure maximum dramatic impact. One of the highlights on Evolution .

7. Lights (1978)

The opening song from 1978's Infinity record – the album that introduced Steve Perry to the world, and also put the band’s new-found melodic style on display for the very first time. It’s easy to tell why American radio fell in love with Journey at this point in time. The music is filled with commercial astuteness, the harmonies are sublime and the whole timbre of Lights is evocative and stylish. This oozes the sort of class that would become the norm for Journey in the coming years.

6. Who’s Cryin’ Now (1981)

Who’s Cryin’ Now begins with an unvarnished piano piece from Jonathan Cain, on which Steve Perry builds his rich tone. And Ross Vallory provides some tasteful bass lines, to underline the whole feel of the song. This is the type of track that accentuates Perry’s love for great soul singers, while it also showcases the way in which Journey stood apart from all the huge selling AOR masters, and why Escape is regarded as the classic Journey album.

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5. Stone In Love (1981)

The fact this song opens up with shards of Neal Schon's guitar riffing proves that Journey were always prepared to give full weight to the heavier side of their talent. And Steve Perry also comes across with a lot more power than you might expect. This is a song where Journey never forget about the melody, but also give free rein to a rocky vibe. It also accentuates that Escape was always far more than just a collection of power ballads.

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4. Any Way You Want It (1980)

It may seem odd, but this song was actually inspired by Thin Lizzy , with whom Journey had toured a couple of years before recording the Departure album in 1980. But when you dig down and analyse the way in which the vocals are constructed, and the interchange between the instruments, then the influence becomes a lot clearer. There’s a gliding feel to the guitar parts that does feel like it is Thin Lizzy influenced, and Steve Perry adopts a storytelling style that is close to the Phil Lynott approach – and the whole feel suits Journey superbly.

3. Wheel In The Sky (1978)

Wheel In The Sky was co-written by Robert Fleischman, the band’s original choice of vocalist when they moved into a more commercial direction. However, when Fleischman didn’t work out and was replaced by Steve Perry, the song was thankfully retained. It starts with a flashing guitar groove, through which Perry cuts with a vibrant performance. In some ways, this is a basic live performance from the band, bringing a heavier dynamic to bear, but this fitted right into the whole feel of Infinity , and showed Journey could pound with the best.

2. Separate Ways (Worlds Apart) (1983)

After the enormous success of the Escape album, how did the band choose to open up their next album Frontiers ? With a powerhouse rocker than fitted right into an era where AOR was beginning to become a little less reliant on studio technology and celebrated talent. Of course, the rich production is evident here, but what makes the song work superbly is that way Jonathan Cain, Steve Perry and Neal Schon intertwine. There’s a buoyancy in Separate Ways (Worlds Apart) that tells of a band who are really playing off of each other’s strengths. The result is undeniably passionate.

1. Don’t Stop Believin’ (1981)

Is there anyone on the planet who does not know this song? It has got to be one of the most exposed tracks over the past two decades or so. And, because it’s so well known, it’s very easy to lose sight of just why this is so popular. Because Don’t Stop Believin’ is a peerless example of musical genius. Everything about it is simply perfect – the musicality, the vocals, the simple structure, the insistent melody… hell, this is not just Journey’s best song, it’s one of the truly landmark moments of the 80s.

Malcolm Dome had an illustrious and celebrated career which stretched back to working for  Record Mirror  magazine in the late 70s and  Metal Fury  in the early 80s before joining  Kerrang!  at its launch in 1981. His first book,  Encyclopedia Metallica , published in 1981, may have been the inspiration for the name of a certain band formed that same year. Dome is also credited with inventing the term "thrash metal" while writing about the  Anthrax  song  Metal Thrashing Mad  in 1984. With the launch of Classic Rock magazine in 1998 he became involved with that title, sister magazine Metal Hammer, and was a contributor to Prog magazine since its inception in 2009. He died in 2021 . 

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Top '80s Songs of American Arena Rock Band Journey

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Over the course of only four '80s albums, former progressive rock band turned rock balladeers Journey churned out an impressive array of hit singles and prime album tracks. Almost all are worthy of praise, but it's also notable that a handful of these tunes have not only withstood the test of time but stand up well to focused scrutiny. The best of the best of Journey may be up for debate, but the fact that the band still matters as a key arena rock prototype has by now become a matter of certainty. Here are eight reasons why presented in chronological order of release.

"Any Way You Want It"

Despite the occasional but too-frequent use of this tune in annoying TV advertising, this full-tilt rocker from 1980's Departure most definitely stands as one of Journey's finest moments as a band. After all, it serves as definitive proof that the quartet had the capacity to rock with some serious authority. I don't know why people tend to forget that Neal Schon was not only a guitar prodigy but also possesses one of the most distinctively scorching guitar styles in rock. This is one of the few Journey classics on which Steve Perry's vocals take a bit of a backseat; it's all about Schon's killer riff and his commanding solos. And what's more rock than that?

"Don't Stop Believin'"

A few years back I went through a fairly prolonged "I hate Journey, they're so lame" phase, the kind that could be put to an end only through well-placed logic. I have a friend of mine to thank for that; when she offered me a viable explication of the "streetlight people" lyric from this 1981 standout, I lost a key assumed reason to criticize this rock masterpiece. A graceful combination of muscular guitars and haunting melody, this song just works down to its core, in a way as magically mysterious as the Internet or a car engine to those of us not inclined to understand the workings of such things. So just sit back and enjoy the majesty.

"Stone in Love"

Again, anyone inclined to dismiss Journey as a cream puff band overly fond of ballads and sorely lacking rock and roll cred should give another listen to this underrated classic from 1981's Escape. In terms of rock guitar riffage, this tune earns major points for its explosive intro, but beyond that, it showcases the general tightness of Journey's core quintet of members during the band's peak period. I mean, if even Ross Valory's bass playing shines during the irresistible chorus of this nearly perfect mainstream rock song, Journey must have pretty well known what it was doing.

"Separate Ways (Worlds Apart)"

This song is essential in a total package sort of way, from the unmistakable, energizing synth opening all the way across the spectrum to its impossibly cheesy music video chock full of '80s missteps . Whatever the angle, "Separate Ways" is valuable, central '80s music listening. After all, what makes Journey's best music so constant is the consistent quality of band components, from Perry's vocal showcase to Schon's aggressive, solid guitar work to - of course - the efficient and skilled songwriting necessary to produce this song's utterly transcendent bridge and chorus. A glorious '80s moment.

"After the Fall"

Perhaps the most underappreciated vital track from Journey's peak '80s period, this tune doubles effectively as a power ballad and mid-tempo rocker. The band happened to be a master of that format during this era, but here the lines are blurred wonderfully between lighter-worthy romantic balladry and a melodic guitar-hero sing-along. Steve Augeri, Jeff Scott Soto and Arnel Pineda notwithstanding, no one ever has sounded or probably ever will sound quite like Steve Perry at his powerfully emotive best, and this distinctiveness always will be the fuel that drives Journey's greatness.

"Faithfully"

Of Journey's two blockbuster slow-dance power ballads, I've always preferred this one for its proper appropriation of Schon's nimble lead guitar work into the winning formula. That's not to say "Open Arms" doesn't have its charms, but it's certainly one of the few occasions in which the band did not use all its positive attributes for maximum impact. "Faithfully," on the other hand, authentically tackles a subject - the impact of excessive time apart on romantic relationships - with equal amounts of universality and specificity. This soft rock classic is perhaps the epitome of Journey's wide-ranging appeal.

"Girl Can't Help It"

Despite the odd move of ditching drummer Steve Smith and bassist Valory for the 1986 album Raised on Radio, the music on the last release from Journey's most successful phase maintained the band's successful formula of guitar, keyboards, and, of course, Steve Perry. This song didn't disappoint longtime fans even if they were tired of waiting for a follow-up to 1983's Frontiers, and the reasons it struck such a chord are, again, solid song structure and familiar if not groundbreaking lyrical treatment of the inherent pitfalls of romance. It's not Perry's fault his voice soars in such an irresistible way; the boy just can't help it.

"I'll Be Alright Without You"

The good thing about Journey going on hiatus following the Raised on Radio tour is that the best music on that disc measured up quite favorably with the band's highest-quality earlier material. That's actually a pretty rare occurrence when bands are wise enough to exit before inevitable decline sets in. This fine mid-tempo track arguably stands as one of the band's most impressive achievements of the '80s, blessed as it is with a compelling keyboard groove, some of Schon's tastiest lead guitar work of his long career, and another forehead-vein-protruding but the thoroughly engrossing vocal performance from Mr. Perry.

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Journey Song list

• After All These Years (2008)
• Any Way You Want It (1980)
• Anytime (1978)
• Be Good To Yourself (1986)
• City of Hope (2011)
• Dixie Highway (1981)
• Don't Stop Believin' (1981)
• Faithfully (1983)
• Feeling That Way (1978)
• Homemade Love (1980)
• I'll Be Alright Without You (1986)
• Lights (1978)
• Lovin', Touchin', Squeezin' (1979)
• Never Walk Away (2008)
• Only The Young (1985)
• Open Arms (1981)
• Send Her My Love (1983)
• Separate Ways (Worlds Apart) (1983)
• Still They Ride (1981)
• Suzanne (1986)
• Sweet and Simple (1979)
• The Journey (Revelation) (2008)
• Too Late (1979)
• Wheel In The Sky (1978)
• When I think Of You (1996)
• Where Were You (1980)
• Who's Crying Now (1981)

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Rock trailblazer Heart reunites for a world tour and a new song

Journey and def leppard will join for 3 of the tour's stadium dates.

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NEW YORK (AP) — Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring and fall for a world tour that Nancy Wilson describes as "the full-on rocker size."

"I’ve been strengthening. I’ve got my trainer," she says. "You go one day at a time and you strengthen one workout session at a time. It’s a lot of work, but it’s the only job I know how to do."

HEART'S ANN WILSON TALKS WEIGHT BULLIES, THE EARLY DAYS OF MTV, AND BEING A WOMAN IN THE MANLY WORLD OF ROCK

The Rock & Roll Hall of Famers who gave us classic tracks like "Magic Man," "Crazy on You" and "Alone" will be playing all the hits, some tracks from of their solo albums — like Ann Wilson's "Miss One and Only" and Nancy Wilson's "Love Mistake" — and a new song called "Roll the Dice."

Nancy Wilson, left, and Ann Wilson, right, of the band Heart perform as Heart is inducted into the Rock and Roll Hall of Fame during the Rock and Roll Hall of Fame Induction Ceremony at the Nokia Theatre on Thursday, April 18, 2013 in Los Angeles. Heart — the pioneering band that melds Nancy Wilson’s shredding guitar with her sister Ann’s powerhouse vocals — is hitting the road this spring for a world tour that Nancy Wilson describes as "the full-on rocker size."  (AP/Danny Moloshok/Invision)

"I like to say we have really good problems because the problem we have is to choose between a bunch of different, really cool songs that people love already," says Nancy Wilson.

Like "Barracuda," a sonic burst which first appeared on the band’s second album, "Little Queen" and is one of the band’s most memorable songs.

"You can’t mess with ‘Barracuda.’ It’s just the way it is. It is great. You get on the horse and you ride. It’s a galloping steed of a ride to go on. And for everybody, including the band."

The tour kicks off Saturday at the Bon Secours Wellness Arena in Greenville, South Carolina, and will hit cities including Atlanta, Boston, Baltimore, Pittsburgh, Milwaukee, Cleveland, Detroit, as well as the New Orleans Jazz and Heritage Festival and Red Rocks Amphitheater in Morrison, Colorado. International dates include stops in London, Oslo, Berlin, Stockholm, Montreal and Glasgow.

The band's Royal Flush Tour will have Cheap Trick as the opening act for many stops, but Def Leppard and Journey will join for three stadium dates in Cleveland, Toronto and Boston this summer.

Ann and Nancy Wilson will be filled out by Ryan Wariner (lead and rhythm guitar), Ryan Waters (guitars), Paul Moak (guitars, keyboards and backing vocals), Tony Lucido (bass and backing vocals) and Sean T. Lane (drums).

The tour is the first in several years for Heart, which was rocked by a body blow in 2016 when Ann Wilson’s husband was arrested for assaulting Nancy’s 16-year-old twin sons. Nancy Wilson says that's all in the past.

"We can take any kind of turbulence, me and Ann, and we’ve always been OK together," she says. "We’re still steering the ship and happy to do it together. So we’re tight."

The new tour will take them to Canada, which was warm to the band when they were starting out as what Nancy Wilson calls "a couple of chicks from Seattle." She recalls Vancouver embracing Heart, and touring in one van across Canada in the dead of winter on two lane highways.

The Wilson sisters broke rock's glass ceiling in the '70s and Nancy Wilson says they only had male influences to look to, like Led Zeppelin, Pink Floyd, the Beatles, the Rolling Stones and the Moody Blues.

Now she says she looks out and loves seeing generations of female rockers. "You have boygenius and you have Billie Eilish and you have Olivia Rodrigo and so many amazing women — Maggie Rogers and Sheryl Crow, who calls us her big influence. And then Billie Eilish might have Sheryl Crow as her influence. So it’s a really nice legacy to pass along. I like to say we’re the OG — the original gangsters — of women and rock."

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Heart has made it into the Rock Hall, won Grammys, sold millions of albums and rocked hundreds of thousands of fans but Nancy Wilson has one place she'd still like to shine.

Next year will mark the 50th anniversary of their debut album, "Dreamboat Annie," which was the same year that "Saturday Night Live" started. "So we’re actually kind of putting it out there — Heart never played on ‘Saturday Night Live.’ But what about the 50th birthday party with Heart?"

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‘Ramblin’ Man’ Dickey Betts’ musical and life journey traces all over Florida

The “Ramblin’ Man” of the Allman Brothers was a Florida man, too.

Dickey Betts, a founding member and a lead guitarist of the trailblazing Southern rock group he formed with brothers Gregg and Duane Allman in Jacksonville in 1969, died Thursday at his Osprey home in Sarasota County , according to band management.

Betts was 80.

Betts wrote the band’s sole Top 10 single, “Ramblin’ Man,” in 1973 — a song that peaked at No. 2 on the Billboard Hot 100 that fall, held out of the top spot by “Half Breed,” a campy story song hit by Cher. The detail amuses trivia watchers because a couple years later in 1975 Gregg Allman would marry Cher in what became one of pop culture’s most unlikely of unions.

The Allmans had many adventures on the road both in and out of Florida and Betts split from the group in 2000. But there was plenty of Florida man in this ramblin’ man from the start of his career through the end.

In fact, the Betts name in Florida dates back to the Civil War.

Betts’ Florida history

Here are some of Betts’ Florida connections.

▪ Betts was born in West Palm Beach on Dec. 12, 1943. He was raised in Bradenton. His family’s roots in Florida date back to the southeastern Manatee County community of Myakka City, about the time of the Civil War, according to the Sarasota Herald-Trubune.

▪ Betts Road, named for the family, is just east of Bradenton in Myakka City.

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▪ Betts formed a band, Second Coming, with bassist Berry Oakley, in Jacksonville in the late ‘60s. The pair would soon meet with the Allmans and form that band in the same locale in 1969.

▪ The Allman Brothers Band’s second album, “Idlewild South” that featured Betts compositions “In Memory of Elizabeth Reed” and “Revival,” with Tom Dowd producing, was the first of the group’s numerous albums to be either partly, or wholly, recorded at Criteria Studios in North Miami. Dowd preferred producing in South Florida. The Allmans also cut “Seven Turns” at Criteria in 1990, and mixed their 1995 live album, “2nd Set,” at Criteria.

▪ Betts recorded his second solo album “Dickey Betts & Great Southern” in 1977 at Criteria. He wrote the closing track. “Bougainvillea” with actor Don Johnson who, in seven years, would achieve worldwide fame as Sonny Crockett on NBC’s crime drama, “ Miami Vice ” for a five-season run from 1984 to 1989. Betts played guitar on Johnson’s high-profile debut album, “Heartbeat” on an upbeat track called “Love Roulette.” Johnson’s “Heartbeat,” released in 1986 amid the star’s “Miami Vice” fame, was also recorded at Criteria.

▪ The Allmans recorded their 1994 album, “Where It All Begins,” their last studio album with Dowd as producer, at Burt Reynold’s studio in Jupiter. Five of the 10 songs, including the title track, were Betts compositions. This was Betts’ last album with the band.

▪ Betts died on April 18, 2024, at his home in Osprey.

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