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Jamiroquai  

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Jamiroquai were at the forefront of the short-lived, London-based funk and acid jazz movement of the 1990s. Now the sole participants still touring, Jamiroquai continue to fill large arenas. Back in April 2011 the band drew thousands of excitable fans to the Phones 4U Manchester arena. The acid funk pioneers have long attracted widespread critical derision. It is indeed true that their work flits between funky jazz grooves and naff disco pop. However, it is also true that Jamiroquai are experts when it comes to working a stadium.

Sporting satisfactorily extravagant headgear, front man, Jay Kay, arrogantly, but infectiously, jumped, skipped and spun around the stage before an eleven-piece band. The whole stadium grooved along to the funky beats of ‘Space Cowboy’ and ‘Travelling Without Moving.’ Jamiroquai also managed to keep the crowd moving equally enthusiastically to their Noughties disco numbers.

Rounding off an energetic encore with ‘White Knuckle Ride’ from their 2010 album, ‘Rock Dust Light Star’, Jamiroquai informed us that they were not simply here to repeat their old favourites. The band’s latest work certainly errs towards the cheesey end of the spectrum. The pop tune constitutes a seemingly insincere contemplation of the pressures of fame. Even Jay Key seems aware of the song’s lack of credibility, pleading for us to believe him with the refrain, ‘I’m serious.’ Nonetheless, ‘White Knuckle Ride’ kept us dancing right to very end of the evening.

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Han93’s profile image

While Jay is looking a little less lean than last time I saw him on stage 7 years ago he still has an amazing live voice. In fact it was nice to see him a little less confident, perhaps unsure of how the crowd would accept the new material and slightly different band arrangement, he needn't have worried as the whole show was classic Jamiroquia. The new songs had electricity & funk in good measure, the band as tight as Jays vocals. Jay will get leaner and be spinning & jumping around the stage more as this tour goes on. The only negative point I can make is while I love the roundhouse as a venue, the crowd last night was odd, I started off up near the front but it was just lifeless, girls wanting to take pictures and boyfriends/ husbands just standing around. In the end we had to move further back to find some energy, bizarre considering the clamour for tickets. Nonetheless this was a triumphant comeback and I for one can't wait to see them again.

Wi1dOne’s profile image

Well I'm still in awe I had been introduced to Jamiroquai through my children in 1999 and he came to San Francisco in 2005 but I missed his concert. My daughter bought two tickets for my 60th birthday! Let me tell you I have seen Elton John, steely Dan, and many groups at the old winterland theater but this was the BEST live show bar non! Jamiroquai has so much soul and he sounds just like his CDs. Well my daughter and I started on the lower level area for a couple of hours and then we went to the balcony and you couldn't believe the sea of people from that view old young all genders he brought everyone together! And while we were on the main floor just talking to people and singing everyone was just vibing they had the lounge area and drinks with two bars this was a wonderful experience for me and my daughter! Thank you for coming back to San Francisco Jamiroquai. I love you!

karen-butler-3’s profile image

Just about my favorite band in the world and my 4th time seeing them.

Perfectly performed. The band is tight aa right can be and jay kay's vocalization technique is in the top draw of worldwide talent. An absolute blessing to witness and suuuuuch an incredible disco dance party!

Cant wait to see them again in hulaween in October.

Unfortunately the stout of the event with having the VIP desk OUTSIDE by the box office. Made no sense. We hadto walk out to get to it because we didnt see it when we walked in from the back streetside.

Also I was told that my VIP laminate and blue wristband were not good enough to get into the vip after party so we left. Very annoying considering I spend $250 on each ticket. Wont come back to that venue - forest hill stadium.

jordi-leigh-levinrad’s profile image

i saw the jamiroquai concert at the o2 london, dec 6 of last year. they and jay kay, were very good, jay kay sang like he was a kid i swear, it was a great show. he dedicated the performance to the late toby smith, his funk keyboard player during the early years. toby's kids were in the audience, jay kay told the crowd. we had pretty decent seats, but in a 20k arena, not too intimate. trying again this time in the states in san francisco in april. don't mind waiting in line for a good spot, it is sold out and only GA, but i bet i'll be closer to the action. i stood and danced to every song they played. he is such a cocky dude, but so talented. i'm gonna get close!

higginsworldtour’s profile image

Hit every note perfectly. Great sound. Greater set list. Old funky tracks that inspired by Toby smith, who succcumbed to cancer a while ago. Jay Kay said his kids were in the audience, and dedicated the show to him and his spirit. Nice blend of old, new, and funk greatness. Hit every single note like it were the 90s. Quite a smashing time! Section 102, row D. Yes, he did virtual insanity, unlike Paris show. Little L never fails to get folks dancing, and cosmic girl, space cowboy, and alright def got everyone moving. Like the gorillaz the night before at the o2, the longer they played the more awesome they sounded. It was pretty awesome all around.

It was amazing, I got my mum there at 5pm, mum dad and I had a nice meal at wagamama. But when we got in the o2 we had to go around the o2 to look for gate E. Nightmare to find it, but we did at the end. And there were hardly anyone at at the front, so mum dad and I were right at the front on the right hand side of the stage. 8:45 he came on and he was incredible. He got the whole of the o2 arena to stand up on the sides, he played all his classics witch everyone sang, danced and stood to, what a brilliant gig.

charlie-emmett’s profile image

That was one of the best show I ve ever seen. Super energy, fun, inspirational! The audience was dancing all the way through! Two hours non stop of positive emotions! Memorable for sure!

Very professional band, well done play list - all the favourite song of the audience + new ones. Cool backvocal girls! And lazers!

Very good venue itself with a very good sound. Not too big, not too small, perfect for the shows like this.

100 % of joy! JK is cool.

Would go again! Did not have enough!

Janesea’s profile image

I flew from the states to see Jamiroquai in Firenze in July 2017. I was geeked! They started on time was full of energy people danced and sang there were great vibes. I truly enjoyed myself. The location was easy to get to but getting back to my hotel was a hot mess... I am surprised I was able to catch a bus and find my way back to a hotel at 12a and speak no Italian. I am ecstatic to see they will be in San Fran in April 2018 for my bday I scored some tix and can't wait!

frankiedh’s profile image

Simply mesmerising. All the hits and lots from Automation. From the live band to Jay's amazing voice. It was worth every penny. Few spare seats, this was the resheduled show from June. It was very much worth the wait. If you are crazy enough to drive, don't forget to pre book parking it will set you back £33 if you don't.

All in all an amazing night. Audience participation was awesome. Most of us singing and dancing along. Brilliant

clazare1234’s profile image

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Return Of The Space Cowboy: Why Jamiroquai Playing The U.S. Has Everybody On Cloud 9

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Pioneering British electro-funk titans Jamiroquai have not played a concert in America since 2005, and it’s been a decade since bandleader Jay Kay told the media he planned to quit music to focus on flying helicopters and finding his future baby-mama. In the interim, an entire generation of American fans has been denied the glory that is Jamiroquai live, wishing and wondering whether they would ever experience the majesty of this music in concert on U.S. soil.  Beginning with last spring’s promising comeback album Automaton , Jamiroquai has inched closer and closer to a stateside return, with hardcore American fans chomping at the bit as the band tore up festivals and stadiums the world over. 

On the newest record, we learned that Jay Kay found his soulmate and started a family, he’s accumulated a myriad of sportscars, flown quite a few choppers as well; transmitting from aboard  Cloud 9,  the enigmatic singer has made it clear the band is ready to make up for lost time. Heavily hinted at since  Automaton ‘s release, it seems our collective prayers have finally been answered, with no less than five highly anticipated appearances scheduled for this side of the Atlantic. 

After so many years of stateside silence, it’s high time to delve into why Jamiroquai’s return to the U.S. is getting so much buzz across the interwebs. Please enjoy this detailed dive into the Way-Back Machine, a personalized primer on the band as we run down their historical relevance, and celebrate Jamiroquai’s return to the United States with a deafening roar.

“Just Another Story” – Montreux Jazz 1995

[Video:  Zsolt Horváth ]

Jamiroquai’s sonic styles and funky aesthetics have found their way into pop music, modern funk, electronic, and even inform jam band trends too. From STS9 to The Motet , Deep Banana Blackout ,  The Main Squeeze , Turkuaz,  or even  Pigeons Playing Ping Pong , Jamiroquai has inspired and influenced generations of jam culture with a patented brand of jazzy, soul-fueled, organic dance music. Over the course of their lengthy absence, one can hear Jamiroquai’s direct influence on U.S. radio, be it Bruno Mars or Daft Punk , both Grammy-winning recording artists that owe a debt in substance and gratitude to the path Jamiroquai blazed. Millennial heroes Tyler the Creator , Anderson .Paak , Chance the Rapper , and The Internet have all publicly championed them in the press and on stage, putting the quasi-forgotten band’s name back in lights. 

The name Jamiroquai blends the concept of a “jam-session” with the tribe of Iroquois, as singer Jay Kay assembled a musically-tight and socially-aware ensemble that came of age in the Acid-Jazz era of early 90’s Britain. This band of badasses rode in on bubonic basslines, classic funk drum breaks, DJ cuts, a raucous horn section, and spirited vocal deliveries from a magnetic, charismatic frontman. Breaking in behind the success of their peers  Brand New Heavies , Sony Music won a bidding war for Jamiroquai’s services, and the label would release the band’s prolific output over the next decade. 

Tokyo, Ebisu 1995

[Video:  TiagoVarejao ]

Kicking down the door in late 1992 with a demonstrative debut single “When You Gonna Learn?”, Jamiroquai was instantly impossible to categorize or quantify. 1993’s debut LP Emergency on Planet Earth was an anachronism in the culture, a vibrant fusion funk drawing on obvious influences like Stevie Wonder  and more obscure inspirations such as Gil Scott Heron.  Jamiroquai was born of the acid jazz/acid house revolution. They uncorked marathon sessions that fit right into English dance music culture, and built up a dedicated, vocal following. Jamiroquai were nothing if not innovative, even as the rock press slagged them early on for their retrofitted stylings.

After the band made a sharp impression with  Emergency , vocalist/B-Boy/bandleader  Jay Kay  recruited young bassist-extraordinaire Stuart Zender to join founder/keyboardist Toby Smith . The three would synchronize as the foundation for the group’s finest era and offerings.  From within Smith’s sublime songwriting and riveting Rhodes work, Kay mined the Zen to unleash his torrent of torrid lyrical exercises; soul-drenched soprano that walked the spectrum from falsetto to croon, plus a dash of hip-hop swagger to boot. Crystallized versions of “Hooked Up” and “Too Young To Die” show an unprecedented range and attack, as Jay Kay made his presence felt and heard with frenzied displays of vocal gymnastics to match the band’s machine-gun funk workouts. 

Their sophomore album and crowning jewel, 1994’s The Return of Space Cowboy , is a smoked-out celebration of all things funk, soul, jazz, trip-hop, and a prototype for the sonic gumbo we lovingly call “jam”. Zender’s virtuosic bass lines glide atop the pulsating drums of newly recruited beat-machine Derrick McKenzie , amid horn blasts and record scratches, the didjeridoo reverberated from the furious jamming styles.  All-world percussionist Sola Akingbola joined the fray, mixing tribal riddims with elements of reggae, afrobeat, and dub.  Wallis Buchanan delivered the patented didjeridoo jams—at the time, it was a calling card for the band’s unmistakable sound—as was (the then-innovative) onstage turntablist DJ D-Zire , who cut up vinyl with the group in real time. “ Journey to Arnhemland ” is fantastic voyage in shanti-bass long before that sound ever made it to Burning Man, while the grandiose beauty of the title track remains stunning nearly twenty-five years on.

Jay Kay’s wild capoeira-infused, B-Boy dance routines accompanied the band’s kaleidoscopic adventuring, and his persona became a crucial element of the band’s performances. Despite clearly paying homage to their forefathers, Jamiroquai rewrote the rulebook for what’s possible from a live funk band. Have a listen to live takes on “ Mr. Moon ”, “ Light Years ” and later “ High Times ” from the classic lineup/era. The group organically blossomed into a veritable jamband, without ever plugging into the burgeoning scene that was simultaneously taking shape across the Atlantic (it’s safe to say they were not even aware that there was such a scene in the States). They had an improv-heavy set that rotated tunes frequently, took off on wayward explorations, and never seemed to play a song just exactly the same way twice.

Phoenix Festival 1997

[Video:  pablotronix ]

With three full-length LPs and five years of steady gigging across Europe and beyond, Jamiroquai had established themselves as underground kings on the global come-up, with more commercial success directly in their path.  “Virtual Insanity,” from 1996’s wildly-popular Travelling Without Moving , saw the band achieve multi-platinum sales and international acclaim for their groundbreaking single and accompanying music video . With it came big egos, interpersonal disputes, MTV awards, and their first world tour, which brought them to the US for a series of theater dates.  They were on every radio station and television talk circuit, on every club’s soundsystem, and booming out of every car stereo; Jamiroquai was ubiquitous in 1997. 

This particular space and time is widely considered to be the band at its absolute zenith, and the music speaks for itself. Peep the timeless bounce of anthem “ Alright ”, the translucent romance of “Cosmic Girl”, tribalized mayhem juxtaposed with salacious R&B on “ Use the Force “, the Caucasian cannabis skank of “Driftin Along”, the ungodly funk and fury of “High Times”, and Travelling Without Moving ‘s  title track . This material was a clear evolution from the first two albums, with Jamiroquai diversifying bonds and dropping mad bombs that continued to defy genre.

The classic era of Jamiroquai came to a close when Stuart Zender left the band acrimoniously in 1998;  Traveling Without Moving  was sadly the last record for this particular lineup, and the band’s trademark sound continued to evolve as the personnel changed. A  new era was cemented with the release of 1999’s Synkronized,  a departure in more ways than one . This album aesthetically turned a corner with futuristic elements and textures, fully embracing new technology, electronic music, drum machines, sampling.  This approach was met with mixed reviews from longtime funkateers, as Nick Fyffe replaced Zender but did little to help fans forget the beloved young bassist. 

Twenty years on, the music on Synkronized remains ahead of its time, which is nothing if not the Jamiroquai brand.   Synkronized lacked the jazzy explorations of earlier work but broke new ground (“ Butterfly “, “King for a Day”), and placed a laser focus on the electronic dance idiom ( “Planet Home” , “Supersonic”). The embryonic seeds for what the U.S. labeled “jamtronica” were flourishing across the pond, as Jamiroquai barrelled in on the year 2000. 

[Video:  The Tribe with the Vibe ]

Wallis Buchanan and the didj jams were phased out on 2001’s criminally underrated A Funk Odyssey , which would also be keyboardist/founding member Toby Smith’s last recording with the band. ( Smith would sadly pass away last April after a lengthy illness; his contributions to Jamiroquai will live on forever.)  In spite of an evolution away from their organic roots, the funk returned in a major way as advertised.  A Funk Odyssey   explored even more realms of dance music culture (“ You Give Me Something ”, “Little L”, “ Twenty Zero One ”), with the band utilizing fabrics native to house, nu-disco, and even techno during yet another sonic reinvention. With the exception of “Black Crow”, which lamented the absence of spirituality in society, Kay began to shy away from overtly socially conscious lyrics. Conversely, their music and messages became far more accessible and universal as they matured.

The   songwriting on AFO was pared down into simpler arrangements, but the hooks became meatier, the choruses more anthemic.  Club culture was always alive and well inside of Jamiroquai, but by 2002 it had moved to the forefront; much as the jam community in the U.S. was gravitating to electronic stylings. There was (and remains) a deep divide between old-school fans of the Zender/Toby-helmed acid jazz/groove era, and younger Jamiro-freaks who were introduced to the band’s more modern sounds by way of club remixes and tastemaker DJs.  A Funk Odyssey is the proverbial tipping point of this discussion, and if I may humbly opine, the last truly great Jamiroquai album .

From the turn of the millennium, things began to trend in the wrong direction for Jamiroquai in the United States. Look no further than their show at Hammerstein Ballroom in NYC on September 10, 2001 . After the tragic events of 9/11, Jamiroquai’s U.S. promo tour was aborted, and the band returned to England after only one show.  Synkronized  single “Canned Heat” was curiously reborn into American culture, getting featured in the slapstick comedy film Napolean Dynamite. This  newfound zeitgeist was coupled with the unrelated Dynamite  LP ,   released to little fanfare in 2005 .   As a result, Jamiroquai became interminably linked with that movie’s unabashed silliness (the scene is  hilarious, after all); by proxy, the band devolved into somewhat of a tongue-in-cheek punchline for a generation of music fans. Instead of being seen through the prism of innovation and eclecticism as they should, fans were turning up at their shows wearing “Vote for Pedro” tee shirts. 

Verona 2002

[Video: JamiroquaiVEVO ]

In late 2005, a seemingly under-the-radar mini-tour of North America featured a slew of new band members, including the tremendous bassist Paul Turner (Annie Lennox) and keyboardist Matt Johnson , the latter becoming Jay Kay’s principal songwriting partner. The pair joined guitarist Rob Harris ,  who’d quickly become a trusty asset to Jay Kay with his sharp and dynamic attack. Longtime members Akingbola and McKenzie  round out the band’s modern core lineup that tours to this day. The new band acquired some long overdue mojo, and  Jamiroquai set about tearing up packed houses in the fall of 2005. The quick tour saw the invigorated crew destroying rooms from Atlantic City to Chicago, Los Angeles to two sold-out engagements at midtown Manhattan’s Best Buy Theater .  Walking out of that magnificent show into the blustery New York night, the  feel-good vibes were fleeting.

As he left the stage, Jay promised a return in March of 2006 ; now we know that 2005 theater run would be the last time that Jamiroquai set foot in the United States (or Canada for that matter) for thirteen long, agonizing years. Those of us who were lucky enough to have tasted the magic of live Jamiroquai up through 2005 have longed for what might have been. Trapped in funk purgatory, it felt like a stillness in time. 

Chicago 2005

In the interim, Jay Kay and company toyed with the idea of quitting music altogether, coming together in 2010 to record the largely-forgettable Rock Dust Light Star, an album that never even saw proper release in the States for nearly two years. “White Knuckle Ride” and “She’s a Fast Persuader” stuck out from the bunch, but for the most part, fans were left wanting. Getting ignored like that can certainly explain the lack of touring over here, yet the band did numerous support dates around the world.  Year after year, Jamiroquai would play a select assortment of high-profile concerts in soccer stadiums globally, dotting their itinerary with exclusive and expensive private engagements for the world’s elite. Their global popularity never waned, it was American’s fickle tastes that always did; Jamiroquai played concerts of all sizes and varieties around the world while the United States was denied the privilege. Yet a glimmer of hope remained.

U.S. tour dates seemed more and more unlikely as time wore on, a distant dream deferred, would the space cowboy ever return? That haze finally lifted with 2017’s encouraging cosmic reboot, as  Automaton  proved the crew had more than a little petro left in their tank . The most striking additions are the fantastic  “Cosmic Babes”- Valerie Etienne , Lorraine McIntosh, and Elle Cato provide mesmerizing, shimmering backing vocals that act as a sizzling foil for the frontman. Harris and Turner specifically have proven to shine in this era, and Johnson’s arsenal of keyboards creates a wall of sound. Despite the lack of horns, the new material is a gigantic leap toward the stars. The first album in seven years is chock-full of dancefloor burners ready for the stage. Slabs on slabs of disco-fueled bass grooves, walls of analog synth, bombastic electro-beats, and the trademark Jay Kay attitude–all of it a bit more mature, and trading in sophistication.

The kickoff “Shake it On” was born to open a concert, it’s thunderous bottom-end, sexy clavinet, and rump-shaking funk is the ultimate proclamation:  We’re baaaaack!   “ Dr. Buzz ” is the band doing their best intergalactic Steely Dan, “Cloud 9” continues in a tradition we’ve come to love; while the title track, and stutter-step smooth “ Vitamin ” offer a glimpse into the mad future. For the first time in several albums, some authentic throwback hip-hop grooves come to the surface within the park jam “ Nights Out in the Jungle “. We can only hope that “Nights” and “Vitamin” find their way onto the stage when the band finally returns to the States.

After hinting at the possibility throughout 2017, Jamiroquai finally announced that they would indeed be returning to the USA several times in 2018 . With five dates unveiled, the band  carefully curated a concert slate with two appearances at Coachella in April and stand-alone shows at San Francisco’s Bill Graham Civic Auditorium (April 17th) and New York City’s Forrest Hills Stadium (September 8th) . Q uite possibly the most earth-shattering news of all, on Friday Jamiroquai was revealed as a headliner for the sixth annual Suwannee Hulaween,  in a stealthy  official video featuring  the Jamiroquai “Buffalo Man”—subtle but undeniable proof that Jay Kay and his band will appear at the legendary Spirit of Suwannee Music Park this fall.

Jamiroquai is without question “the ultimate get ” for any festival.   I’ll go out on a limb and say that this is the most exciting book in Suwannee Hulaween’s already-storied history.  Being intimately familiar with the Hulaween magic, and  having caught this band on each of their four US tours (1997, 1999, 2001, 2005), I can unequivocally declare that Jamiroquai at Suwannee Hulaween is nothing short of a match made in heaven. The HULA community and Suwannee River are brimming with the type of vibrant energy that is tailor-made for a Jamiroquai dance party. The festival cuts a wide swath between traditional jamband vibes and psychedelic electronic music; that is quite specifically Jamiroquai’s DNA, and they are the quintessential band to unite the HULA clans .  Manifest destiny, indeed.

The cat in the hat is finally back! Do you know where I’m comin’ from? Jamiroquai’s triumphant return to the United States is virtual insanity, your opportunity to scratch the bucket list proper. The Automaton tour has been one scorcher after the next. Who knows if they will ever come back to this corner of the earth again? It’s been  thirteen long-ass years of drifting along, so we can only implore you to use the force, shake it on, and come out to the funktion!  Coachella. The Bay. The City. HULA! We’ll see you on the dance floor, with canned heat in our heels!   

[Video:  saldanaca ]

words: B.Getz

Special Thanks to @JamiroFan2000   and Jamiroquai-The Jamily

In Loving Memory of Toby Smith

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    The latest tweets from @JamiroquaiUSA

  9. Jamiroquai Concert Tickets, 2024 Tour Dates & Locations

    While setlists can vary between venues, Jamiroquai will likely play the following songs on tour: Virtual Insanity - Remastered, Little L, Cosmic Girl - Remastered, Canned Heat, Seven Days in Sunny June, You Give Me Something, Love Foolosophy (with Beverley Knight) - Radio Edit, Space Cowboy - Remastered, Virtual Insanity - Remastered, Cloud 9.

  10. Return Of The Space Cowboy: Why Jamiroquai Playing The U.S. Has

    Jamiroquai's triumphant return to the United States is virtual insanity, your opportunity to scratch the bucket list proper. The Automaton tour has been one scorcher after the next.

  11. Jamiroquai Official

    Welcome to the official YouTube Jamiroquai HQ channel. Feast your eyes on the most exclusive content including behind the scenes access, live gig footage, official music videos, blasts from the ...

  12. Jamiroquai

    For officially confirmed dates, please visit the official Jamiroquai website. Upcoming Dates. There are no upcoming dates that we know of. Please be aware that new dates may be announced on the news section of the site before appearing here. Live tour dates and appearances - 2024. There are no dates listed for 2024.

  13. Music Releases

    Jamiroquai official website. Visit for the latest news, tour dates, browse the photo gallery, listen to Jamiroquai's music and watch videos. Home News Music Videos Live Photos About Store Newsletter

  14. Why does Jamiroquai never have live gigs in North America anymore

    As a long time Jamiroquai fan living in United States, since the late 90s when I was young, I never sadly seen them perform live. I love going to concerts and jazz festivals and stuff like that. It would be nice to see my favorite music ensemble, Jamiroquai live. -They aren't popular enough in North America. That is bullshit to me.

  15. Jamiroquai Concert & Tour History

    697 Concerts. Jamiroquai is an English funk and acid jazz band from London. Formed in 1992, they are fronted by vocalist Jay Kay, and were prominent in the London-based funk and acid jazz movement of the 1990s. They built on their acid jazz sound in their early releases and later drew from rock, disco, electronic and Latin music genres.

  16. The COMPLETE Year-By-Year Jamiroquai Tour History META

    15 Mar 05 (Tue) UK, London, Shaw Theatre, Sony BMG UK Conference. Jamiroquai performed at a private event for Sony BMG. The band played to around 450 people from the music industry. Richard Murphy played bass at this gig, the first live performance since Nick Fyffe left the band.

  17. Jamiroquai

    Jamiroquai (/ dʒ ə ˈ m ɪr ə k w aɪ / ⓘ jə-MIRR-ə-kwy) are an English funk and acid jazz band from London. Formed in 1992, they are fronted by vocalist Jay Kay, and were prominent in the London-based funk and acid jazz movement of the 1990s.They built on their acid jazz sound in their early releases and later drew from rock, disco, electronic and Latin music genres.

  18. About Jamiroquai

    A band called Jamiroquai arrived on Earth in the 1990s, and are led by a young, jazz-infused soulman called Jay Kay, aka the Buffalo Man, aka The Cat in the Hat. He forecasts global success in the shape of over 27 million album sales, Grammy Awards, Ivor Novello gongs, MTV Moonmen, multiple sold-out world tours and more than 30 years of existence.

  19. Jamiroquai Tour 2024/2025

    Jamiroquai Tickets, Tour Dates & Concerts 2024/2025 ♫. Jamiroquai are a funk and acid jazz band from London. Formed in 1992, they have released eight albums to date, with the most recent being 'Automation' in 2017. The third best-selling act in the 1990s, the band have received 15 BRIT nominations and Grammy Award for their efforts, along ...

  20. Jamiroquai

    Tickets, Concerts Tour 2023-2024. Jamiroquai is a Grammy Award-winning English acid jazz/funk/soul band. Jamiroquai was initially the most prominent component in the early-1990s London-based acid jazz movement, alongside groups such as Incognito, the Brand New Heavies, Galliano, and Corduroy. Subsequent albums have explored other musical ...

  21. Jamiroquai

    For officially confirmed dates, please visit the official Jamiroquai website. Live tour dates and appearances - USA. Date Country ; unknown (93) USA: Chicago, China Club: 19 Oct 93 (Tue) USA: Los Angeles, The Roxy: ... First American television show to feature Jamiroquai playing live. 04 Nov 93 (Thu) USA: New York, Supper Club: 24 Mar 94 (Thu) USA:

  22. We want Jamiroquai to tour the USA

    We want Jamiroquai to tour the USA. 935 likes. Jamiroquai fans of the US unite to bring the band to tour the states!

  23. Videos

    Jamiroquai official website. Visit for the latest news, tour dates, browse the photo gallery, listen to Jamiroquai's music and watch videos.