alice in chains tour 1992

10 Things You Didn't Know About Alice in Chains' 'Dirt'

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Nirvana's Nevermind may have been more seismic, Soundgarden's Superunknown more experimental, and Pearl Jam's Ten more successful. But when it comes to the bands that make up the Big Four of grunge, none ever unleashed an album as monolithic and downright harrowing as Alice in Chains' 1992 masterpiece, Dirt . The band's second full-length overall, it built and expanded upon the template they had laid out on their 1990 debut, Facelift , in the process jacking up the intensity and raw emoting to incredible, and at times uncomfortable, extremes. Jerry Cantrell's riffs were darker and sludgier; drummer Sean Kinney and bassist Mike Starr's rhythms lumbered like an elephant trudging through molasses; and Layne Staley's raw-throated wail was agonized in a way that was almost painful to listen to. Furthermore, the album's second half boasted a five-song "mini-suite" of sorts about the ravages of heroin addiction, a topic that at least half the band had firsthand knowledge of at the time.

Despite its darkness, Dirt proved to be a massive mainstream success, spawning five hit singles, including the Andrew Wood ode "Would?" (recorded prior to the rest of the album, and featured in the Cameron Crowe movie Singles ), the rampaging leadoff track "Them Bones," and the ballad "Rooster," which Cantrell wrote about his father's experiences as a U.S. Army man during and after the Vietnam War. Furthermore, the album sold more than four million copies in the U.S. and peaked at No. 6 on the Billboard 200.

But the turbulence captured on the album would soon overtake Alice in Chains. Starr was dismissed from the band during the Dirt tour due to issues with drugs, and Staley's vices proved to be an ongoing and worsening problem, resulting in the band canceling shows and even breaking up for a period. Both musicians eventually succumbed to their addictions, with Staley passing away in 2002 and Starr in 2011. Alice in Chains continues on today, having released the impressive The Devil Put Dinosaurs Here in 2013, and also opening some early dates on Guns N' Roses' current reunion tour. But Dirt  still stands as the band's magnum opus. Here are 10 things you may not have known about the 1992 album.

1. Alice in Chains struggled dealing with the success of breakout debut album, Facelift Dirt was produced by Dave Jerden, who had also helmed 1990's Facelift . He recalled the sessions for that first album to Music Radar : "They were hot and ready to go. They did some drinking, but there were no drugs. It was funny: They wanted to know where the strip clubs in L.A. were. We were driving down Hollywood Boulevard, so I pointed to one called the Tropicana." By the time Jerden and the band reconvened for Dirt , however, things had changed. "They were a big, established band, and the vibe was different," he said. "They were getting jaded. Layne told me that he didn't like being famous. He told me flat-out, 'People look at you like you're a piece of merchandise.'"

2. Dirt was recorded during the 1992 Los Angeles riots Similar to Megadeth's Countdown to Extinction , Dirt was cut during the riots that erupted following the acquittal of four LAPD officers caught on camera beating unarmed black motorist Rodney King. In an interview with Guitarist , Cantrell recalled how that atmosphere of violence permeated the sessions, which took place at One on One Recording in North Hollywood, where Metallica had recently tracked their Black Album. "I was actually in a store buying some beer when some guy came in and started looting the place," he said. "I also got stuck in traffic and saw people pulling other people out of their cars and beating the crap out of them. That was some pretty scary shit to have to go through, and it definitely affected the overall feel of the album."

3. Layne Staley improvised one of Dirt 's most memorable moments The very first vocal sounds heard on Dirt are the series of " Ahh !" screams that begin "Them Bones." But while the song credits Jerry Cantrell as the sole writer, Dirt engineer Bryan Carlstrom says that not only did Staley come up with that vocal part, he also improvised it in the moment. Carlstrom told The Atlantic that Staley said to him, "Oh, I hear a little vocal part I want to stick in the song." He then listened to the playback of the song in his headphones and timed his screams to Cantrell's guitar riff. "He just made that up on the spot," Carlstrom recalled.

4. There's a reason why Staley is wearing sunglasses in the "Rooster" video Jerry Cantrell wrote Dirt 's biggest hit, "Rooster," about his father, who had served two combat tours in Vietnam and whose nickname was also Rooster. The accompanying video featured Cantrell Sr., as well as real Vietnam news footage and reenacted combat scenes. When it came to shooting the band's performance, however, director Mark Pellington ran into a problem. "Layne was pretty high," he recalled in Mark Yarm's Everybody Loves Our Town . "His eyes were really fucked up. He was totally pinned." Pellington's solution? Put him in sunglasses. "I said, 'God, you look like a badass in those sunglasses.' And it was like, 'All right, let's go. Let's get a couple of takes.'"

5. When Alice in Chains went on tour with Ozzy, Staley performed some of the dates seated in a wheelchair In recent years, both Dave Grohl and Axl Rose have powered through performances while suffering from broken bones by sitting atop a throne onstage. But Layne Staley beat them to it by decades. Soon after the release of Dirt , the singer spent several of his band's fall 1992 dates opening for Ozzy Osbourne confined to a wheelchair, after a mishap on an all-terrain vehicle backstage at a show in Oklahoma City resulted in him riding over his own foot. An unusual way to start off the tour, but, as Staley reasoned in an interview at the time, "I didn't break my neck, so there's no excuse not to play." Nor did it stop Staley from giving it his all. "He jumped out in the crowd with his broken ... with his cast, so I thought that was kind of nutty," added bassist Mike Starr in the same interview . Overall, the band took a lighthearted approach to the incident, even printing up an official tour shirt emblazoned with an X-ray of Staley's broken foot under the band's logo.

6. In the lyrics to the album's title track Staley sings about being covered with dirt. One night on tour, he and his bandmates literally were. Rock bands that are on the road together have a history of pranking one another. But fellow Seattle-ites Gruntruck may have pulled one of the best on Alice in Chains during their tour together in late 1992. Explained Gruntruck bassist Tim Paul in Everybody Loves Our Town , "It was the Dirt tour, so we found a hardware store that was open late and bought these five-pound bags of potting soil." Just before the AIC boys hit the stage that night, Paul and his bandmates hit them hard. "Looking back," Paul admitted, "it was maybe ill-advised because the poor guys had to play a show with dirt down their throats."

7. Mike Starr was booted from Alice in Chains for drugs ... and then OD'd after his final show with the band During the Dirt tour bassist Mike Starr was kicked out of Alice in Chains due to his budding drug addiction. His final show with the band, before he was replaced by Ozzy Osbourne bassist Mike Inez, was at the Hollywood Rock festival in Brazil in January, 1993. According to Starr in a 2010 radio interview, he spent the night shooting up with Kurt Cobain. Indeed, in an interview, Cobain attested to as much, though slightly jokingly . Afterward, Starr said he went back to Staley's room and continued his drug binge. After passing out, he recalled, "I wake up ... and [ Layne ] had me in the shower and everything. I was flatlined. And he's crying and punching me in the face. I'm like, 'What's wrong? What did I do?' Layne's response? "[ H ]e's like, 'You were dead for 11 minutes, Mike.'"

8. Jerry Cantrell nearly bared it all on a memorable episode of Headbangers Ball Given how dark and often depressing Dirt 's music and lyrics could be, it was only natural that when Alice in Chains appeared on MTV's Headbangers Ball to promote the album in 1993, show host Riki Rachtman took them to ... a waterpark. Throughout the episode, filmed at Action Park in Vernon, New Jersey, the band members yukked it up as they went tubing, water sliding and even indulged in a bit of illegal fishing. And while the fat suits they donned for a few rounds of sumo wrestling were eye-popping, that was nothing compared to Cantrell's getup, which consisted of little more than a snorkel and a bright blue Speedo. "Don't film down there," Rachtman warned the cameraman at one point. "You don't wanna see his package."

9. Alice in Chains co-headlined the 1993 Lollapalooza festival … and never did a full-scale tour with Staley again In the summer of 1993 Alice in Chains and Primus co-headlined the third iteration of the Lollapalooza festival, topping an eclectic mainstage lineup that featured, among others, Arrested Development, Front 242 and Tool. The run would prove to be Alice's final full-scale tour; the following spring and summer they were scheduled as one of the openers on Metallica's Shit Hits the Sheds jaunt, but they canceled at the last minute, as Staley was in the throes of his heroin addiction. "If we had kept going," Kinney told Rolling Stone , "there was a good chance we would have self-destructed on the road, and we definitely didn't want that to happen in public." Their replacement on the Metallica dates? Candlebox.

10. The band didn't just cancel the Metallica tour dates — they actually broke up The cancellation of the Metallica run was just the beginning of a downward spiral — in fact, after Staley, fresh out of rehab, came to a band rehearsal high, Alice in Chains not only called off the tour, they also disbanded for a good six months. "At first I was dumbfounded," Staley told Rolling Stone . "I just sat on my couch staring at the TV and getting drunk every day. When we first got together as a band, we were all brothers. We lived in the same house and partied together and drank as much as each other. But then we started to split apart and went different ways, and we felt like we were betraying each other."

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Alice in Chains’ Layne Staley: 10 Great Performances

By Dan Epstein

Dan Epstein

Original Alice in Chains frontman Layne Staley passed away 15 years ago today, his demise sadly coming as no great surprise to those who knew him or had followed his career. Even at the peak of the influential Seattle hard-rock band’s career, Staley had made no secret of his dalliances with heroin, and he’d completely dropped off the radar following the band’s brief 1998 reunion to cut a pair of songs for their Music Bank box set.

But while it’s impossible to fully separate the man’s art from his addiction, the fact remains that Staley was a massively talented and charismatic singer, one whose intense performances are still capable of raising the hairs on the back of your neck more than two decades after the fact. So rather than dwell on the unfortunate circumstances of his death, let’s enjoy these 10 amazing live highlights from his incredible but all-too-brief career.

Sleze, “False Alarm” (Lakeside School, 1985)

Though he actually started out as a drummer, Staley shifted to lead vocals in 1984, when he joined Sleze, a metal band made up of kids from a couple of Seattle-area high schools. “We were just blown away by him,” remembered lead guitarist Johnny Bacolas in Greg Prato’s 2009 chronicle Grunge Is Dead: The Oral History of Seattle Rock Music . “He had ‘star qualities’ even then. He was much more timid — he looked down while he sang, but the grain of his voice was there, the soul was there.” Staley had clearly shed the timidity by the time this Armored Saint cover was filmed at Seattle’s Lakeside School ; even in a poodle mullet, fur-topped boots and what looks like a blazer from the International Male catalog, he totally delivers the big rock goods.

Alice in Chains, “Love, Hate, Love” (Seattle, 1990)

One of the standout tracks from Facelift , Alice in Chains’ debut album, “Love, Hate, Love” showed the band already moving away from their Eighties metal roots and heading into darker, moodier, more claustrophobic hard-rock territory, with Staley’s scarifying voice leading the way. “It sounded like it came out of a 350-pound biker rather than skinny little Layne,” guitarist Jerry Cantrell told Rolling Stone in 2002. “I considered his voice to be my voice.” This stunning concert performance, which was filmed at Seattle’s Moore Theater for the Live Facelift video, demonstrates exactly what Cantrell was talking about.

Alice in Chains, “It Ain’t Like That” (‘Singles’ bonus footage, 1991)

Alice in Chains hadn’t yet broken nationally in the spring of 1991, when Cameron Crowe filmed them in concert at Seattle’s DeSoto club for a scene in Singles , his 1992 romantic comedy that took place amid the backdrop of the city’s burgeoning grunge scene. While this high-energy performance – included as a bonus in the 2015 Blu-ray release of the film – shows Staley and his compadres completely dominating the stage that night, Crowe told Entertainment Weekly in 2011 that the execs at Warner Bros. were utterly mystified by the footage. “ When Harry Met Sally was the big hit as we were filming,” he recalled. “I think the studio saw Singles and thought, ‘What is this guy with the dreads, shaking?’ That’s Layne, man! From Alice in Chains! ‘Uh, where’s Billy Crystal? C’mon man, give us the thing we know!'”

Alice in Chains, “Man in the Box” (‘ABC in Concert,’ 1991)

The first track from Facelift to receive significant airplay, the hard-grinding “Man in the Box” became a staple of Alice in Chains’ set lists, providing a captivating live showcase for Staley’s powerful vocals and charismatic stage presence. “Layne was, and still to this day is, one of the most compelling front men I’ve ever seen,” Mike Inez, who replaced Mike Starr on bass in 1993, told Greg Prato. “He was so cool and creepy and just a badass dude.” It’s hard to argue with that assessment, especially after watching this searing, sweaty segment from ABC in Concert .

Alice in Chains, “Junkhead” (‘Singles’ release party, 1992)

Written during the first of what would be more than a dozen rehab stints for Staley, “Junkhead” – like “Sickman” and “God Smack,” two other songs from 1992’s Dirt – showed the singer wrestling with the anguish and self-loathing that accompanied his heroin habit. But despite Staley’s addiction, Dirt producer Dave Jerden was impressed by the drive and vision the singer displayed in the studio, especially when it came to layering his vocal tracks. “He had it all worked out [in his head], and he would just say, ‘Give me another track.’ ‘I want to double it.’ ‘Now let’s triple it.'” Jerden recalled to The Atlantic in 2012. “He was just telling me what he wanted to do, and we’d do it.” Despite his demons, Staley seems similarly focused in this gripping performance at L.A.’s Park Plaza Hotel ballroom, which was filmed two weeks before Dirt hit the streets.

Alice in Chains, “Godsmack” (Ozzy Osbourne tour, 1992)

Three days into Alice in Chains’ opening stint on Ozzy Osbourne’s No More Tours tour, Staley badly broke his left foot while messing around backstage with an all-terrain vehicle. While such an injury might have sidelined other bands, the group simply pressed on with their singer in a cast. “Layne didn’t break his voice, and he doesn’t do any high kicks or dance moves,” drummer Sean Kinney explained to Rolling Stone during the tour. If anything, the injury lent an additional element of theatricality to Staley’s performances; after first taking the stage with the help of a crutch, he would return to sing “God Smack” from a wheelchair – and as this clip shows, the man could sing his ass off even when seated. “I really like the wheelchair effect,” said bassist Mike Starr at the time. “I don’t know, it somehow makes Layne look more … evil.” 

Alice in Chains, “Would?” (Rio de Janeiro, 1993)

Written by Jerry Cantrell, “Would?” – inspired by the guitarist’s friendship with Andrew Wood, the late Mother Love Bone frontman who died of a heroin overdose in 1990 – became one of Alice in Chains’ signature songs, distilling the very essence of the band into three-and-a-half minutes of killer riffs, haunting hooks, foreboding vibes and an air of utter defiance in the face of addiction. The song was also an excellent example of Staley and Cantrell’s unique vocal arrangements; not only did the timbre of their voices mesh beautifully, but their droning harmonies were part of what gave the band such a striking sonic presence. “He was single-handedly the guy that got me to start singing,” Godsmack frontman Sully Erna told MTV News following Staley’s death. “Jerry Cantrell and Layne Staley were the coolest team to me since Joe Perry and Steven Tyler. Just the way they address their melodies and harmonies – and his vocal style in general was so different than anything that anyone was writing … you couldn’t help but be influenced by it.” This live version of the song shows that Staley and Cantrell had no problem at all duplicating that same magical blend onstage.

Mad Season, “River of Deceit” (Seattle, 1995)

With Alice in Chains temporarily on hiatus, due in part to Staley’s drug issues, the singer joined Mad Season, a side project formed by Pearl Jam guitarist Mike McCready. Having completed a stint in rehab himself, McCready hoped that playing with sober musicians would encourage Staley to commit to his own sobriety; while that didn’t happen, the collaboration did produce a great record. “I told him, ‘You do what you want, you write all the songs and lyrics. You’re the singer,'” McCready recalled to Rolling Stone in 2002. “He’d come in, and he’d do these beautiful songs.” The mournful “River of Deceit,” one of the Mad Season album’s standout tracks, is gorgeously rendered in this clip from the band’s 1995 concert at Seattle’s Moore Theater – the last show that Staley would ever do with Mad Season.

Alice in Chains, “Down in a Hole” (‘MTV Unplugged,’ 1996)

When Alice in Chains taped their appearance on MTV Unplugged in the spring of 1996, it marked the first time since January 1994 that all four members of the band had appeared together on the same stage. While Staley certainly looked fragile, and while his continuing struggles with addiction gave a newer, darker meaning to “Down in the Hole” – originally written by Cantrell about the difficulty of juggling life on the road with long-term relationships – his soulful performance of the song seemed to offer some cause for optimism, as did the entire Unplugged set. “It’s really hard to pick favorites [from the show],” Cantrell told Guitarist magazine later that summer, “but I will say that we’ve never played ‘Down in the Hole’ live, and that track turned out really good.”

Alice in Chains, “Again”/”We Die Young” (‘Letterman,’ 1996)

One month after taping Unplugged , Alice in Chains fired up their amps for a guest appearance on The Late Show with David Letterman . Staley looks considerably worse for the wear, and his vocals on “Again” – a single from 1995’s Alice in Chains , which the band was performing live for the first time – seem tentative, but the way he rips into the Facelift classic “We Die Young” is absolutely goosebump-raising. It’s almost as if, at least for a moment, he was once again able to tap into the internal fire that powered his vocals in the early days. Sadly, Staley would only make a handful of live appearances after this. 

“Layne had an amazing voice that had such a beautiful, sad, haunting quality about it,” said Smashing Pumpkins frontman Billy Corgan, in an official statement following Staley’s death. “He was different because his heaviness was in that voice. I saw Alice in Chains at one of their final performances, opening for Kiss at Tiger Stadium [in the summer of 1996]. They played outside in the sunshine, and they were awesome. I think that’s a good way to remember someone who has and will be missed.”

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(1992) Alice in Chains – Dirt: Anniversary Special

The American poet Delmore Schwartz once wrote, “Time is the fire in which we burn.” Since the dawn of time, humans have been fascinated with the idea of turning the flow of time backward, freezing the ceaseless pounding of time, if only for a moment, or sidestepping time altogether. These ideas have been the recurring trope in children’s fairy tales, horror stories, and science fiction. With all the sleeping beauties and stasis fields put aside, there are two rather prominent but down-to-earth ways to achieve dominance over time: illegal drugs and music. Of course, neither of these methods really distort time, in the scientific meaning of the term, but rather alter our perception of time so as to lose track of it completely or to get utterly confused with it. Some chemicals make time appear as though having been sped up, while others slow time down to the point of almost grinding to a halt. At its best, music has exactly the same effect but without the adverse side effects. Furthermore, music has that incredible ability to bridge the present moment with the past as though by a wormhole linking disparate points in spacetime. Let me elaborate. You put on a record, say, almost 30 years after you first heard it. It is a record that meant the world to you during those tumultuous and hormonally unstable adolescent years. Even after all those years, you can instantly recall how you felt listening to it back in the day. It feels almost as though rewinding all those years: you feel like you’re 18 again, albeit with all the weight of the years on your shoulders. Something has slightly changed: with the life experience accumulated over the years, the lyrics speak to you louder, more poignantly, with the near-infinite mass of the years in-between. The music speaks to your soul with an unprecedented power, especially if the frontman of the band in question has passed away since the release of this particular piece of music, let alone if the album has an overarching theme of being ensnared in the unforgiving black hole of heroin addiction. Listening to the 1992 album, “Dirt,” by ALICE IN CHAINS still makes an impact of nothing short of chilling proportions, as it did almost 30 years ago, but for completely different reasons now.

This Seattle bunch released sophomore studio album “Dirt” on September 29th, 1992, via Columbia Records and it really hit a collective nerve. The grunge revolution had already outgrown the Seattle rock dives and was sweeping across the globe like a flannel-clad tidal wave of guitar fuzz. ALICE IN CHAIN ‘s debut album, “Facelift,” had been released in 1990 and it had served as a kind of precursor for the movement, by setting the somewhat moody trademark tone for the new style of music. At the time of its release, the album was touted as metal but it was the type of metal that no one had really heard before. By no means did it fit the metal norm of the era: it was neither a thrash extravaganza nor a hair-sprayed glam metal outing. The debut was layered thick with the sweet, yet subtly paranoid scent of a cannabis high, as though presenting an updated version of BLACK SABBATH , whereas the follow-up outing reeked with the desperation and hopelessness of someone’s slow descent into hell through the use of heroin. “Dirt” came off instantly as a brutally honest account of personal anguish and turmoil. As we all were to realize later, the conceptual motif on the album had not sprung forth by way of putting on a show. When Layne Staley starts singing about his personal demons, his vocal delivery is instantly endowed with such authenticity, such raw emotion, that it sends a river of shivers down your spinal cord. Yes, “Dirt” is an album about hard drugs. It’s a long, hard peek into the bottomless pit of addiction and – like one of the wise men in Gotham once said – when you gaze into the abyss, you’d better beware because the abyss also gazes into you. Some of the songs on the album could make you feel a bit uneasy already in 1992 and after Staley passed away in 1998, these songs started to sound utterly sad and desolate – and yet, strangely comforting. I mean, if you ever feel so hopelessly downbeat that there seems to be no light at the end of the tunnel, the vortex of darkness that unfolds upon listening to this album has a strange way of putting things into perspective. Despite all the wallowing in the drug-induced gloom, there is a faint glimmer of optimism on the album too.

The album spawned five singles. “Would?” is a tribute to the deceased MOTHER LOVE BONE frontman, Andrew Wood , who had died of a drug overdose in 1990. The song is driven by one of the most iconic basslines ever invented – and, in retrospect, when Staley sings the line, “Have I run too far to get home?” it simply churns the blood. “Them Bones” is a sarcastic take on mortality – one that has been layered with morbid connotations in the aftermath of Staley ‘s death. “Down In A Hole” is not explicitly about drugs. The song was actually written by the guitarist, Jerry Cantrell , about his long-time girlfriend and the repercussions that life on the road had on his relationship. The lyrics could easily be interpreted also as though depicting a doomed relationship with, say, heroin. “Angry Chair” is another glimpse into the mind of a heroin addict. The lyrics are chilling, to say the very least, implicating a distinct sense of existing out of time, somehow, with the feeling obviously having been induced by the drug. “Rooster” is one of those lighter moments on the album – if you can think of a war-themed song as being “light” in any way. The song was written by Cantrell about his father, who had served in the Vietnam War but, despite all the war imagery, the lyrics are charged with resilience and perseverance: “Yeah, they come to snuff the rooster / […] you know he ain’t gonna die.”

Even though not every song on the album is explicitly about drugs, the overall sentiment is really dark – to the point of being overwhelming – unsettling even – at times. The songcraft is so coherent that practically every song on the album would have worked marvelously as a single. Staley ‘s brutal honesty about his predicament in the song lyrics almost feels as though reading a journal of his innermost dark secrets. It creates an intimacy of the sort that you rarely come across on a metal album – or any album representing any genre whatsoever. “Dirt” was by no means the first album that proved the clichéd dissertation to be true, that timeless masterpieces are often created at the artists’ darkest hour. However, upon its release, it was an album that was ingrained with an unprecedented sense of timelessness of a bit more unsettling kind. It still feels as though having been condensed from the darkest matter in our collective inner universe. It is like a stroll through the darkest forests of our collective soul, after which even the most dismal grind of our everyday life feels like a walk in the park.

Along with the few other seminal grunge albums, such as “Nevermind” by NIRVANA , “ Ten ” by PEARL JAM , and “Superunknown” by SOUNDGARDEN , this second studio album by ALICE IN CHAINS has stood the test of time as one of the most essential music releases from the 1990s. It is one of those albums that everyone should definitely check out. “Dirt” resonated with a somewhat chilling aura already at the time of its release and now, almost 30 years later, the chill seems to have become a tad more biting as Staley ‘s howling voice echoes from beyond the grave, asserting that it takes a hell of a lot of guts not to give up.

Written by Jani Lehtinen

• Dam That River
• Rain When I Die
• Hate to Feel
• Angry Chair
• Down In A Hole

Layne Staley – vocals, rhythm guitars

Jerry Cantrell – guitars, backing vocals

Mike Starr – bass

Sean Kinney – drums

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Alice in Chains Setlist at The Concert Hall, Toronto, ON, Canada

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• Dam That River Play Video
• We Die Young Play Video
• Them Bones Play Video
• Would? Play Video
• Love, Hate, Love Play Video
• Junkhead Play Video
• God Smack Play Video
• Bleed the Freak Play Video
• Put You Down Play Video
• Sickman Play Video
• It Ain't Like That Play Video
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• Angry Chair
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• Bleed the Freak
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• Love, Hate, Love
• Man in the Box
• Put You Down
• We Die Young

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MTV's Best Gift May Have Been MTV Unplugged

Setlist History: Anniversary of Alice in Chains First Show Ever

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• Nov 27 1992 The Channel Boston, MA, USA Add time Add time
• Nov 28 1992 La Brique Montreal, QC, Canada Add time Add time
• Nov 29 1992 The Concert Hall This Setlist Toronto, ON, Canada Add time Add time
• Dec 01 1992 Saint Andrew's Hall Detroit, MI, USA Add time Add time
• Dec 02 1992 Saint Andrew's Hall Detroit, MI, USA Add time Add time

6 people were there

• gogglespaisano

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