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Lee Ann Womack  

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Lee Ann Womack, is the country singer songwriter best known for her single “I Hope You Dance” which became a number one hit in the Billboard Country Chart and a top fifteen single of the Billboard Hot 100, becoming her trademark.

Womack made her debut album release on May 13th 1997, with an eponymous album. It later reached platinum status and reached number 9 on the country charts, her sophomore album “Some Things I Know” released a couple of years later reached similar success. It featured the singles “A Little Past Little Rock” and “I’ll think of a Reason Later that both reached number two on the US Country Charts.

It was when Womack struck gold with her album “I Hope You Dance” the album released on May 23rd 2000 that topped the country charts, going 3x Platinum in the US. The album featured the hit single “I Hope You Dance”, which also topped the charts, and as a single in it’s own right, was certified Platinum. Following this album, her releases were consistently chart topping with the release of the album “Something Worth Leaving Behind” which was one away from the top spot, and like it’s predecessor, reaching number 16 in the Billboard 200 chart. With some solid foundations having been laid down, the country and western singer songwriter’s effort were always present in the chart right up until her album “The Way I’m Livin” released on September 23rd 2014 on new label, Sugar Hill Records, which unfortunately didn’t quite match the stats of the “I Hope you Dance” album, but still graced the country charts making it to number 18. Her highest Billboard 200 release was for her album “There’s More Where that Came From” which made it to number 12 in the chart, and was later certified Gold.

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Before your Taylor Swift’s and Shania Twain’s, there was Jackonsville’s finest- Lee Ann Womack waving the flag for Contemporary Country. At the start of her career, she was likened to greats such as Dolly Parton and Tammy Wynette but it was Womack’s personal touch of combining contemporary pop elements with country which catapulted her into the mainstream. Her 2000 hit ‘I Hope You Dance’ with its pop sensibilities saw her successfully crossover into the mainstream. With the new millennia came new territory to conquer as Womack experimented more with the pop side of Country for her third album ‘I Hope You Dance’ which rocketed to number one in the Billboard charts, before reverting back to her signature traditional country style. With 6 studio albums, 5 Academy of Country Music Awards and having sold over 6 million albums worldwide, it’s no wonder that Womack in so highly revered within the Country realm.

As a genre synonymous with providing stories and utilising every ounce of heart and soul to deliver its powerful impact, Womack delves into themes of love and loss. The raw emotion emitted on stage, cuts straight to the core as you feel the sincerity and powerful connections evoked through the very telling lyrics. Playing in amphitheatres across the world and embraced by thousands of adoring fans as she plays hits such as: ‘Last Call’, ‘Call Me Crazy’ and ‘He Oughta Know Me By Now’, Womack shines on stage through her colourful attire and her incredible voice which is simply enchanting, taking you on a rollercoaster journey of emotions and leaving you with goosebumps.

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Wearing flared jeans and a tight fitting sequined red tank top, Lee Ann Womack is looking cool standing onstage surrounded by musicians – a guitarist, violinist, percussionist, back up singers, and others. She sways gently as the song opens, then launches into a heartrending acoustic version of “I Hope You Dance”, her 2000 hit single. Her angelic voice renders the emotional lyrics even more poignant, leaving more than a few audience members in tears. Lee Ann Womack is an American country singer/songwriter. Her debut album, Lee Ann Womack, was released in 1997. She followed that with Some Things I Know in 1998 and then I Hope You Dance in 2000. Her single “I Hope You Dance”, title track for the 2000 album, was in the Top 15 Billboard Hot 100 and No.1 on the Billboard Country Chart, and is one of her most well-known songs. Between 2002 and 2011, she released seven more albums, each one a tribute to her talent and passion for music. Womack is known for her old-fashioned country music, which she sometimes combines with a more contemporary genre, such as pop. No matter what style she sings, whether she is performing at an indoor or outdoor venue, acoustic or not, Lee Ann Womack consistently gives moving, high quality performances which are not to be missed.

Lee Ann Womack, the heartbreak queen of country has cut through the male dominated genre and confidently created a career for herself on the back of her solid discography. Despite having an old fashioned approach to songwriting, she is very in tune to the modern world when it comes to performing live as she struts from side to side of the stage assuring that every single audience member is enjoying the show as much as she is.

Her personality simply radiates warmth and her tongue in cheek stage banter continues as she performs the likes of 'Twenty Years and Two Husbands Ago'. There is laughter and love at the heart of the show and the audience are so receptive to the singer/songwriter as she engages them to sway, sing and cheer throughout. She has an equally great rapport with her live band who she constantly jams with whilst playing the likes of 'The Way I'm Livin''. She ends with a stomping rendition of 'Ashes By Now' and takes her final bow whilst being soundtracked by huge rounds of applause.

Well what can I say Ms. Womack put on a great little concert. Even with the cold, she still has the pipes!

Whether it’s Some of her classic songs, and wonderful gospel song, she can still belt out the tunes.

Trust me she will get over her cold but even if she doesn’t she can still sing like an angel

Great and awesome show as always love her music!! Glad I went. She was so close to my house and I love it. She seems to have acquired a new band members which also were awesome!!!Can't wait to see her again.

Great concert. She's got an incredible voice and the acoustics at Union Chapel served it well. The opener, Charlie Worsham was incredible too! I wish he had a longer set...

She was amazing! She had so many great songs she played

I just bought her new CD after the show! Can’t wait to see her again in Nashville at CMAfest

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Past concerts

Key Western Fest

Austin City Limits Live at the Moody Theater

Alan Jay Wildstein Center for the Performing Arts

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Lee Ann Womack is not due to play near your location currently - but they are scheduled to play 2 concerts across 1 country in 2024-2025. View all concerts.

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• Tulsa, OK, US
• Georgetown, TX, US

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• Asleep At the Wheel (28)
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Lee Ann Womack

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San Gabriel Park | Georgetown, TX

Two step inn, latest setlist, lee ann womack on april 22, 2018.

All the Trouble Tour

The Kessler Theater, Dallas, Texas

Note: Setlist incomplete and out of order

Popular Tracks

The Best Lee Ann Womack Songs

By Paul Sexton

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Lee Ann Womack has always gone with her gut.

She blew into Nashville as a Texas traditionalist who knew how to meet the business halfway, going as commercial as necessary to land on the radio while staying true to the history and craft of the music she lived and breathed.

She could play by contemporary standards, but always with a nod to the past. Holler’s chronological list to her career includes big singles and favourite album tracks from a bespoke catalogue that has barely taken a misstep in close to 25 years:

Never Again, Again

Womack's wonderful entrée single from her platinum-selling debut declared her intention to respect country's historic sound while showcasing a lyrical dexterity more in keeping with contemporary compositions.

It introduced supple vocal skills strongly reminiscent of Dolly Parton, whose records Womack had been schooled in, along with influential touches from the artists her DJ father had played growing up: Ray Price, George Jones and others.

'Never Again, Again' dared to play in waltz tempo, was too old-school for some and was only a medium-sized hit. But to admirers, it evoked Loretta, Tammy and the greats, and was feted by Billboard as “wonderful, tear-in-the-throat, honest-to-God country music”.

Womack's first big country hit was the first of four No. 2 singles, as she established the frequent recording persona of the reflective, wounded and entirely relatable loser in love.

She confessed that she needed persuading by label executives to cut it, telling Billboard , "I'm sorry I didn't hear it the first time but boy, I'm glad I had the sense to listen to people who knew what they were talking about”.

I'll Think Of A Reason Later

From her second album, this Tony Martin / Tim Nichols song was the fourth of those No. 2 hits (after 'You've Got To Talk To Me' and 'A Little Past Little Rock').

It was perfect pop-edged country of its day, combining catchy hooks, Womack's engaging delivery and hilarious, wish-I'd-thought-of-that lyrics, which country has always done so well.

I Keep Forgetting

The twanging guitar and fiddle features of this album track have listeners hooked in precisely five seconds, and when Vince Gill joins Womack for the chorus harmonies, resistance is futile.

As always, she lives for the lovelorn lyric, on a number written by Jamie O'Hara — the former member of hitmakers the O'Kanes — who died early in 2021.

I Hope You Dance

To call this indelible ballad a “career record” is almost to denigrate dozens of other delights in Womack's body of work, and she came to be a little wary of its almost evangelistic aura.

But it's undeniably inspiring all the same: a multi-format smash that spread her name around the world, sold a million US copies physically and another million digitally, and scooped up every award going, including Best Country Song at the Grammys.

Ashes By Now

From the same best-selling album, Womack included a fine version of the tune first written and recorded by Rodney Crowell, and then soon afterwards by his friend Emmylou Harris.

In Womack's hands, it helped bring together the old and new schools of country, like estranged family members making up at a wedding.

Mendocino Country Line

Scandalously overlooked on the UK charts, this was written by Matt Serletic and Bernie Taupin, who brought their very best imagery to a vivid depiction of the great outdoors.

It became the banner track on Willie Nelson's 2002 album The Great Divide and his first country hit in over a decade. Thanks to the brilliant casting of Womack as his fellow vocalist, the single also won a Grammy for Best Country Collaboration.

When You Gonna Run To Me

In the wake of her pop crossover, Womack's fourth album was something of a hybrid of styles, and her first not to offer up a major hit. As such, it doesn't sit fondly in her memory, but it's nevertheless full of elegantly crafted performances of songs by Gretchen Peters, Julie Miller, Bruce Robison and others.

It included this lovely surprise of breezy pop confection; one which you can almost imagine Kacey Musgraves shining her disco mirrorball to for a new version.

He'll Be Back

Co-written by the prolific and, by then, veteran country composer-artist Hank Cochran, this was another one of those gorgeous heartbreak tunes at which Womack has always reigned supreme.

Yes, her man left this morning, but “If he's anything like his memory, he'll be back”. What a line.

Closing This Memory Down

This hidden gem, written by the vastly experienced A-team of Dave Loggins and John Bettis, is a truly admirable and sophisticated address on adult relationships.

It's goosebumps from start to finish, with Womack in magisterial but understated form as she wearily shuts down an affair that's gone out of business.

“There's nobody home”, she tells her former lover in resignation. “I think you're lookin' for someone or something that's either missin' or gone”.

There's More Where That Came From

Womack restored her focus on her sixth studio album, for which her admirable chief intent was simply to have fun and to be herself. The result was a marvellous collection of real-life narratives on love, loss, cheating, drinking and everything she, and her loyal listeners, love about real country music.

The reward was the CMA Album of the Year title. This opener, in which the singer not only faces up to but celebrates her sins, was co-written by Chris DuBois and a pre-stardom Chris Stapleton.

I May Hate Myself In The Morning

The theme of approaching sin honestly continued on this thoroughly superior cheating ballad, a skillful depiction of an illicit entanglement that's both realistic and richly romantic.

It's helped no end by sumptuous fiddle and pedal steel, as well as a particularly sexy video. Written by Odie Blackmon, it became Womack's most recent country top-ten single.

Twenty Years And Two Husbands Ago

With a title that sounds like it comes from a Joan Rivers sketch, this track simply demands a listen. Womack, who has accrued more co-writes as she's gone along her country music career, added one more with this track, which she penned with Dale Dodson and the much-covered Dean Dillon, a combination we'll hear again shortly.

Now paired with heavyweight producer Tony Brown, Call Me Crazy had country tradition as its bassline, while Womack stepped into contemporary territory.

Listen to 'The Bees,' written by Natalie Hemby and Daniel Tashian - alongside background vocals from Keith Urban - as an example of its experimentation. This rueful single, meanwhile, was the record's one top 20 entry.

Unafraid to be sombre when the lyric called for it, Womack cut this original. Chris Stapleton co-wrote the track, which his latter-day faithful will recognise from his own version on From A Room: Volume 1.

The sentiment, and the performance, describe the desperation of a supposedly perfect couple whose life together is actually broken beyond repair.

Everything But Quits

Womack’s albums are uniquely fuelled by songs that tell life as it really is. Another on Call Me Crazy is the touching 'Have You Seen That Girl', in which the singer searches high and low for the person she used to be.

She wrote it, again, with Dale Dodson and frequent George Strait confidant Dean Dillon, leading to this splendid palate-cleanser between Womack and the King of Country.

All His Saints

Womack's albums have always contained plenty of gospel, all the way back to her first album's 'Get Up In Jesus' Name'.

By way of acknowledging another vital ingredient in her musical make-up, here's a Mindy Smith tune from 2014 (released on Sugar Hill after her departure from MCA) that saw her turning ever more rootsy. She sings the heaven and hell out of it.

Out On The Weekend

It's hard to think of anyone with a hit-laden, multi-platinum country background who can make things quite as dark as Womack, most often on songs of self-reproach about the narrator's wicked ways.

Sounds Like Nashville called this Adam Wright composition “a scalding psychic meltdown of a lost soul”, and the resonant, string-laden arrangement is suitably murky.

To end with, two songs from the exemplary Americana album that saw Womack leaving Nashville to explore the cleaner creative air of Houston.

The Lonely, The Lonesome & The Gone cast her in a new, yet old, light and won her a ton of new admirers. She had a career-high seven co-writes on it, including this elegant collaboration with Adam Wright and Waylon Payne.

The writing combination with Wright and Payne rode into town again here and, as throughout, her vocal judgement and impact are unimpeachable.

It's a long road from 'Never Again, Again', and yet Lee Ann Womack's stayed true to herself from that day to this.

Subscribe and listen to Holler's Best Lee Ann Womack Songs Playlist below:

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Lee ann womack, www.leeannwomack.com/.

Artists don’t really make albums like Lee Ann Womack’s THE LONELY, THE LONESOME AND THE GONE anymore. Albums that seem to exist separate and apart from any external pressures. Albums that possess both a profound sense of history and a clear-eyed vision for the future. Albums that transcend genres while embracing their roots. Albums that evoke a sense of place and of personality so vivid they make listeners feel more like participants in the songs than simply admirers of them.

Anybody who has paid attention to Womack for the past decade or so could see she was headed in this direction. THE LONELY, THE LONESOME AND THE GONE (ATO Records) — a breathtaking hybrid of country, soul, gospel and blues — comes from Womack’s core. “I could never shake my center of who I was,” says the East Texas native. “I’m drawn to rootsy music. It’s what moves me.”

Recorded at Houston’s historic SugarHill Recording Studios and produced by Womack’s husband and fellow Texan, Frank Liddell (fresh off a 2017 ACM Album of the Year win for Miranda Lambert’s ‘The Weight of These Wings’), THE LONELY, THE LONESOME AND THE GONE marks the culmination of a journey that began with Womack’s 2005 CMA Album of the Year ‘There’s More Where That Come From,’ moving her toward an authentic American music that celebrates her roots and adds to the canon. It also underscores the emergence of Womack’s songwriting voice: She has more writing credits among this album’s 14 tracks than on all her previous albums combined.

Womack had made the majority of her previous albums in Nashville, where the studio system is so entrenched it’s almost impossible to avoid. Seeking to free herself of that mindset, Womack says, “I wanted to get out of Nashville and tap into what deep East Texas offers musically and vibe-wise.”

So Womack and Liddell took a band to SugarHill, one of the country’s oldest continually operating studio spaces. In an earlier incarnation, the studio had given birth to George Jones’ earliest hits, as well as Roy Head’s mid-‘60s smash “Treat Her Right”; Freddy Fender’s ‘70s chart-topping crossovers “Before the Next Teardrop Falls” and “Wasted Days and Wasted Nights”; and recordings from Lightnin’ Hopkins, the Sir Douglas Quintet, the 13th Floor Elevators and Willie Nelson.

Womack found the lure of East Texas irresistible. “I love local things, and I missed local music,” she says. “I grew up in Jacksonville. It was small, so I spent a lot of time dreaming, and about getting out.” It required only a short leap of logic to view Houston, and specifically SugarHill, as the place to record.

Womack and Liddell found a perfect complement of musicians, players who clicked right away and became a one-headed band. Bassist Glenn Worf (Alan Jackson, Bob Seger, Tammy Wynette, Mark Knopfler and others), drummer Jerry Roe (numerous Nashville sessions and his band Friendship Commanders), guitarists Ethan Ballinger, Adam Wright (Alan Jackson, Solomon Burke and others), and Waylon Payne (son of singer Sammi Smith and Willie Nelson’s longtime guitarist Jody Payne) formed the SugarHill gang.  Engineer and co-producer Michael McCarthy, known for his production work with Spoon, brought vintage gear from his Austin studio and help capture a sharper sound for sessions recorded entirely to analog tape.

“I got everybody out of their comfort zone and into a new element,” says Womack. “And it was funky there. This place was not in the least bit slick. Everybody there, all they think about is making music for the love of making music. Everyone comes in with huge smiles and positive attitudes. It was much different than what we were used to.”

Womack had brought a handful of songs to record, including the gospel-inspired original “All the Trouble”; the poignant “Mama Lost Her Smile,” in which a daughter sorts through her family’s photographic history looking for clues to a long-secret sorrow; and the love-triangle conversation “Talking Behind Your Back,” which she penned with Dale Dodson and Dean Dillon, the writer of several George Strait classics. To make the final cut, Womack and the band had to be able to get to the heart of the songs and shine their light from the inside out.

A trio of long-time favorites found their way onto the album, too. Womack joined a long list of legendary voices irresistibly drawn to Harlan Howard’s “He Called Me Baby,” putting a sultry Southern groove underneath its mix of sensuality and sorrow.  On “Long Black Veil,” a tale of betrayal and closely held secrets that became a ‘50s classic as recorded by Lefty Frizzell, she taps into a ballad tradition that runs centuries deep. Womack recorded the album’s final track, a haunting version of George Jones’ “Please Take the Devil Out of Me,” standing on the same gold-star linoleum floor where Jones cut the 1959 original.

Capturing the reality of East Texas music isn’t always easy. Being in Houston and at SugarHill helped make that happen, inspiring an approach to the recording process that everyone embraced from the first note played. “Music down there —  including Houston, Beaumont, Port Arthur and all the way through Louisiana, Mississippi and Alabama — is this huge melting pot,” Womack says. “I love that, and I wanted that in this record. I wanted to make sure it had a lot of soul in it, because real country music has soul, and I wanted to remind people of that.”

“When you make albums, and aren’t just going for singles, you really have to treat them with respect,” Liddell adds. “We did that at SugarHill, taking a bunch of like-minded lunatics and seeing what happened.”

In Houston — with all its history, its eccentricity, its diversity and its lack of pretense — those like-minded lunatics found a place where they could flourish.

“We all felt we weren’t going someplace just to make a record,” Womack says. “We were going someplace to make a great record.”  Don’t just take her word for it, though. Listen. And when Womack and the music take you there, you’ll find you want to stay.

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LEE ANN WOMACK Releases “All The Trouble” Music Video

Lee Ann Womack’s official video for lead single “All The Trouble” has just been released widely:   Lee Ann Womack releases alluring “All The Trouble” video today  Womack currently on…

Lee Ann Womack’s ‘The Lonely, The Lonesome & The Gone’ Streaming In Full via NPR “First Listen”

Listen here: http://www.npr.org/2017/10/23/558578478/first-listen-lee-ann-womack-the-lonely-the-lonesome-the-gone NPR Music calls ‘The Lonely, The Lonesome & The Gone’ "an album that shows Womack to be one of American roots music's foremost auteurs, one with a compelling voice…

LEE ANN WOMACK ANNOUNCES FALL TOUR DATES LEADING IN TO NEW ALBUM ‘THE LONELY, THE LONESOME & THE GONE’

TOUR INCLUDES INTIMATE SHOWS AT NYC'S ROUGH TRADE AND LA'S TROUBADOUR, PLUS MULTIPLE PERFORMANCES AT AMERICANAFEST IN NASHVILLE   Lee Ann Womack, who NPR Music called “one of country music’s…

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Lee Ann Womack

Skyline event center.

Lee Ann Womack is a Country music singer who has been compared to Dolly Parton and Tammy Wynette. Her single, " I Hope You Dance " reached No. 1 on the  Billboard Country Chart  and the top 15 of the  Billboard Hot 100 , becoming her signature song. After a hiatus in 2008, Womack returned in 2014 with a new sound which blended country and  Americana . She has released nine studio albums and two compilations, selling over six million albums worldwide. Four of her albums have received a Gold certification or higher by the  Recording Industry Association of America .

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