michael kaeshammer tour deutschland

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Michael Kaeshammer - Turn It Up - Tour 2024

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• Reithalle Offenburg
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Michael kaeshammer fan-report: bewertungen und rezensionen, 8 bewertungen (ø 5,0).

Tolles Konzert, tolles Erlebnis! Sehr sympathischer Herr Kaeshammer, tolle Band. Alles sehr unkompliziert im Jazzhaus, tolle Sicht. Immer wieder zu empfehlen.

Toller Auftritt

Es war ein sehr unterhaltsamer Abend. Michael Kaeshammer und seine Musiker haben ein tolles Programm gespielt. Ich hoffe, dass er bald wieder nach Deutschland kommt.Ich werde sehr gerne wieder ein Konzert von ihm besuchen.

Tolles Konzert!!!

Tolle Musiker, Michael ist ein toller Pianist und Entertainer.

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Heimathafen neukölln, tickets from eur 36.7.

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Michael Kaeshammer

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Michael Kaeshammer (born 7 January 1977) is a Canadian jazz and boogie-woogie pianist.

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Michael Kaeshammer "Turn It Up" - Tour 2024 // Reithalle, Offenburg, 17/05/2024 Event information and tickets

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• Friday, 17 May 2024
• Reithalle, Offenburg , Baden-Württemberg, DE

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Last updated on: Tu, 26 Mar 2024

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MICHAEL KAESHAMMER

Live / »turn it up« tour.

With his natural live performance and the new album "Turn It Up", singer-songwriter-pianist Michael Kaeshammer is on the verge of conquering his old homeland from Vancouver Island in British Columbia after decades of great success in North America. This is Germany, in whose southwestern corner he was a teenage prodigy on the piano, astonishing and captivating audiences as a 16-year-old.

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For Michael Kaeshammer, the thrill of live performance makes it all worthwhile

As we head back into the clubs, the theatres and the concert halls, it’s really easy to see what we’ve missed. This is particularly so when it comes to Michael Kaeshammer.

The pianist, composer and vocalist is at the top of his game when he’s in front of an audience, enchanting each person in the room not only with his musical talent, but with his sincerity and outstanding showmanship.

While his albums are brilliant, there’s nothing quite like experiencing a live performance by Michael Kaeshammer.

His latest tour finds him travelling across Canada, including several stops in Ontario. Before heading out, Kaeshammer joined us to talk about how he manages a heavy tour schedule.

This tour has been a long time coming. What are you most looking forward to when it comes to getting back on the road?

Connecting with the audience. That’s really the one thing I miss about playing live. I had a really good couple of years with my piano at home, but the interaction with the audience is something that I really feed off. I can’t get that anywhere but on stage. You’re travelling at 6 a.m. every day and you’re driving on snow-covered highways… whatever. Playing in front of an audience and connecting with them, that’s the best.

You’ve got a lot of shows. You’re going right across the country, then you’re heading to Germany in the spring and China in the fall of next year. How do you deal with a gruelling schedule like that? What do you do to self-preserve?

I bring a good book. There are really three things that make going on the road easy: You have to make sure you have enough sleep — even four or five hours of good sleep — you have to eat well, and really, bring a good book. The rest of it is easy. You’re just in the moment. If I didn’t enjoy playing as much as I do, I wouldn’t do that. I get so much out of playing that I would row a boat to China.

You’ve been working on a new album,  Turn It Up.  Tell us about this new project.

I’d been writing a lot during the pandemic. I also put out an album in October called  The Warehouse Sessions ,  which was a one-take situation with [bassist] David Piltch and [drummer] Johnny Vidacovich. I had so much time during the pandemic, so I went through all these files and picked out the best stuff for this record that came out in October. At the same time, I just kept writing. I got in contact with a friend of mine from Toronto named Ron Lopata who’s a great producer, and we’ve been working on recording these tracks. He’s bringing his pop sensibility to the production side, and I’m bringing my piano and writing style. We’re a really good team. This will come out sometime in the spring, I think.

What can people expect from these shows you’re bringing on the road?

A lot of energy. The band is a really good combo, and they’re from all over the place. We’re good friends and we’re really excited to meet again and play together. And I’ve practised a lot over the pandemic. I think people can really just expect a good time. You know, I love jazz, but there are a lot of people who love jazz as well, but they don’t know it. My biggest compliment from someone is when they say, “I’m not really into jazz, but this was a great show.” You can introduce them to a style that they wouldn’t have listened to before.

I’ve seen that happen with fans of yours before.

I think it’s the same with classical music. If music is good or not good, that’s really what it is. Good music is good music.

This interview has been edited and condensed.

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Michael Kaeshammer unveils new album, Turn It Up (Interview)

KAESHAMMER SIGNS WORLDWIDE RECORDING DEAL WITH SEVEN.ONE STARWATCH/SONY MUSIC GERMANY

Michael Kaeshammer isn’t so much a piano player as a piano whisperer, a master musician, and a songwriter able to coax dazzling, kaleidoscopic sounds from his instrument in a way few can rival. That gift powers Kaeshammer’s 15 th  album,  Turn It Up , out now, via his new label home Seven.One Starwatch/Sony Music Germany.

Turn It Up,  the eclectic yet accessible jazz-based pop album, features eight original songs and a dynamic cover of Queen’s “Crazy Little Thing Called Love.” The album showcases Kaeshammer’s signature style, blending a range of keyboards, from a Wurlitzer organ to the Rhodes piano, with an ensemble of trumpet, trombone, saxophone, drums, and bass, all anchored by his sparkling voice and palpable positivity.

“I am a very positive person,” Kaeshammer confirms. “I really love playing shows and being on-stage. If Turn It Up helps me to do more of that, then I’m all in.”

First off, care to introduce yourself to our readers?

My name is Michael Kaeshammer. I sing and play the piano, preferably in front of people. I write songs but also like to put my spin on other people’s songs from time to time.

Congratulations on your upcoming 15th album, “Turn It Up”! Could you share with us what inspired the creation of this album and what listeners can expect from it?

I had a different album written before the pandemic, but then plans to record were cancelled during the lockdown. I used the time off-the-road to write, reflecting on life and the world around me. The positivity I feel with each new day and my love for making music gets even stronger with age. The music on this album captures this through stories about my life. I love every song, they work live as well as in the studio, which is not always the case. I also got to collaborate with some of my favourite musicians, mixers, and producers on this project. It’s time to “Turn It Up”.

The music videos for your tracks “Little Bit Of Love” and “Never Knew What Love Was” are visually captivating. How do you conceptualize and collaborate on the visual representation of your music?

My record label Seven.One/Sony Music is based in Germany, so we shot the videos there. A song dictates everything, audio production as well as visual presentation. I discuss with my team what I want to convey and we form a concept. The most important thing is choosing the right people for the project. All you have to do then is make sure you don’t tie their hands by micromanaging but rather give their creativity free rein.

Your diverse musical background spans across various genres. How do you think this eclectic mix influences your sound and approach to music?

I never think of genres, as a consumer or a creator. Either I like it or I don’t. I sing and play how I want to hear the songs. I think it’s important as an artist to dig deep and really know who you are and what you like, then letting your own style come out is the easiest thing in the world. Of course, everyone has influences, mine span from Beethoven to Louis Armstrong to Aretha Franklin to Elvis Presley to Robert Palmer to Prince to AC/DC. The list is long. But when I write and perform it’s just me, those influences are deep-seated and not in my conscious mind.

Your live performances are known for their energy and intimacy. How do you connect with your audience during your shows, and what do you hope they take away from the experience?

Being on stage is the most comfortable thing in the world for me – it’s my comfort zone. The music is the vehicle to get everyone into the room, the band, and the audience. What you do with the situation from there, the deeper connection you find with the audience, that’s what a show is about. I get so much from performing that all I have to do is let the audience know how I feel and they too will be elevated to where I am.

With seven JUNO Award nominations under your belt, how do you feel your music has evolved over the years, and what do these nominations mean to you personally and professionally?

It’s great to be recognized for what you do, no one can deny that. But it’s not why you do it, it’s not why you create an album. I have evolved as a human being over the past thirty years, something would be wrong if my music hadn’t grown with me. An album is a snapshot of where an artist is at the time, personally and creatively. If you can capture this without trying to fit into a mold, then you have created something valid. The journey is thrilling and I look forward to finding out where else it will lead me.

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