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"Cocktail" tells the story of two bartenders and their adventures in six bars and several bedrooms. What is remarkable, given the subject, is how little the movie knows about bars or drinking.

Early in the film, there's a scene where the two bartenders stage an elaborately choreographed act behind the bar. They juggle bottles in unison, one spins ice cubes into the air and the other one catches them, and then they flip bottles at each other like a couple of circus jugglers. All of this is done to rock 'n' roll music, and it takes them about four minutes to make two drinks. They get a roaring ovation from the customers in their crowded bar, which is a tip-off to the movie's glossy phoniness. This isn't bartending, it's a music video, and real drinkers wouldn't applaud, they'd shout: "Shut up and pour!" The bartenders in the film are played by Tom Cruise , as a young ex-serviceman who dreams of becoming a millionaire, and Bryan Brown , as a hard-bitten veteran who has lots of cynical advice. Brown advises Cruise to keep his eyes open for a "rich chick," because that's his ticket to someday opening his own bar. Cruise is ready for this advice.

He studies self-help books and believes that he'll be rich someday, if only he gets that big break. The movie is supposed to be about how he outgrows his materialism, although the closing scenes leave room for enormous doubts about his redemption.

The first part of the movie works the best. That's when Cruise drops out of school, becomes a full-time bartender, makes Brown his best friend and learns to juggle those bottles. In the real world, Cruise and Brown would be fired for their time-wasting grandstanding behind the bar, but in this movie they get hired to work in a fancy disco where they have a fight over a girl and Cruise heads for Jamaica.

There, as elsewhere, his twinkling eyes and friendly smile seem irresistible to the women on the other side of the bar, and he lives in a world of one-night stands. That's made possible by the fact that no one in this movie has ever heard of AIDS, not even the rich female fashion executive ( Lisa Banes ) who picks Cruise up and takes him back to Manhattan with her.

What do you think? Do you believe a millionaire Manhattan woman executive in her 30s would sleep with a wildly promiscuous bartender she picks up on the beach? Not unless she was seriously drunk. And that's another area this movie knows little about: the actual effects of drinking. Sure, Cruise gets tanked a couple of times and staggers around a little and throws a few punches. But given the premise that he and Brown drink all of the time, shouldn't they be drunk, or hung over, at least most of the time? Not in this fantasy world.

If the film had stuck to the relationship between Cruise and Brown, it might have had a chance. It makes a crucial error when it introduces a love story, involving Cruise and Elisabeth Shue , as a vacationing waitress from New York. They find true love, which is shattered when Shue sees Cruise with the rich Manhattan executive.

After the executive takes Cruise back to New York and tries to turn him into a pampered stud, he realizes his mistake and apologizes to Shue, only to discover, of course, that she is pregnant - and rich.

The last stages of the movie were written, directed and acted on automatic pilot, as Shue's millionaire daddy tries to throw Cruise out of the penthouse but love triumphs. There is not a moment in the movie's last half-hour that is not borrowed from other movies, and eventually even the talented and graceful Cruise can be seen laboring with the ungainly reversals in the script. Shue, who does whatever is possible with her role, is handicaped because her character is denied the freedom to make natural choices; at every moment, her actions are dictated by the artificial demands of the plot.

It's a shame the filmmakers didn't take a longer, harder look at this material. The movie's most interesting character is the older bartender, superbly played by Brown, who never has a false moment. If the film had been told from his point of view, it would have been a lot more interesting, but box-office considerations no doubt required the center of gravity to shift to Cruise and Shue.

One of the weirdest things about "Cocktail"' is the so-called message it thinks it contains. Cruise is painted throughout the film as a cynical, success-oriented 1980s materialist who wants only to meet a rich woman and own his own bar. That's why Shue doesn't tell him at first that she's rich. Toward the end of the movie, there's a scene where he allegedly chooses love over money, but then, a few months later, he is the owner and operator of his own slick Manhattan singles bar.

How did he finance it? There's a throwaway line about how he got some money from his uncle, a subsistence-level bartender who can't even afford a late-model car. Sure. It costs a fortune to open a slick singles bar in Manhattan, and so we are left with the assumption that Cruise's rich father-in-law came through with the financing. If the movie didn't want to leave that impression, it shouldn't have ended with the scene in the bar. But then this is the kind of movie that uses Cruise's materialism as a target all through the story and then rewards him for it at the end. The more you think about what really happens in "Cocktail," the more you realize how empty and fabricated it really is.

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Cocktail (1988)

100 minutes

Tom Cruise as Brian Flanagan

Bryan Brown as Doug Coughlin

Elisabeth Shue as Jordan Mooney

Lisa Banes as Bonnie

Laurence Luckinbill as Mr. Mooney

Directed by

• Roger Donaldson

Produced by

• Robert W. Cort

Screenplay by

• Heywood Gould

Photographed by

• Dean Semler
• Neil Travis
• J. Peter Robinson

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What to Know

There are no surprises in Cocktail , a shallow, dramatically inert romance that squanders Tom Cruise's talents in what amounts to a naive barkeep's banal fantasy.

Audience Reviews

Cast & crew.

Roger Donaldson

Brian Flanagan

Bryan Brown

Douglas 'Doug' Coughlin

Elisabeth Shue

Jordan Mooney

Laurence Luckinbill

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Brian Flanagan

Bryan Brown

Douglas 'Doug' Coughlin

Elisabeth Shue

Jordan Mooney

Laurence Luckinbill

Traditional values trump glitz. Not for kids.

• Average 4.2

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© 1988 TOUCHSTONE PICTURES

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Cruise was never been a bad actor, but this film about a flaming sex symbol has elevated him to definitive stardom. [Full review in Spanish]

Cocktail kicks off with an entertainingly lighthearted opening stretch revolving around Brian's initial entry into the world of bartending...

Cocktail is a vacuous throwback to Saturday Night Fever -- without the cultural novelty. The script is spiked with some comic lines, but overproof doses of inadvertent humor kill the effect.

As if realizing that his star hasn't smiled for 15 minutes, Donaldson tacks on a goody-goody ending that would shame the Care Bears. How to sum up what went wrong? Cruise has a line in the movie: "Flat beer from rusty pipes."

Ultimately, the ideas in this film fall as flat as stale beer and honest emotions are as watered down as cheap whiskey. This Cocktail is definitely on the rocks.

Cocktail is so steeped in corn, the drama seems comedic and the comedy is about as funny as a hangover.

Cocktail is a bottle of rotgut in a Dom Perignon box.

The pairing of old-hand Brown and young-hand Cruise may have been meant to remind us of Cruise and Paul Newman; if so, think of this as The Color of Counterfeit Money.

Perhaps the best one can say for this bland concoction mixed by agents and the studio executives is that every bartender in Hollywood wants to be Tom Cruise and that suffices as an ironic subtext.

It may not be a megaton bomb, but Cocktail is definitely of the Molotov type.

Additional Info

• Genre : Drama, Comedy
• Release Date : July 29, 1988
• Languages : English, Spanish
• Captions : English, Spanish
• Audio Format : 5.1

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Mixing It Up: Exploring the Iconic Cocktails from the Movie “Cocktail”

• developer on September 19, 2023

“Cocktail,” the 1988 romantic drama film directed by Roger Donaldson, is not just a classic of its time; it’s a celebration of mixology and the art of crafting the perfect cocktail. Starring Tom Cruise as the charming bartender Brian Flanagan, the film takes us on a journey through the world of bartending, love, and friendship. Along the way, it introduces us to several iconic cocktails that have since become staples in the world of mixology. In this article, we’ll delve into the delicious details of these cocktails, their history, and how you can recreate them at home.

The Red Eye

Our journey through the world of “Cocktail” begins with the Red Ey e, a simple yet refreshing cocktail. In the movie, Brian Flanagan (Tom Cruise) impresses his mentor Doug Coughlin (Bryan Brown) by making this drink for the first time.

Ingredients:

• 1 1/2 oz. vodka
• 1 oz. tomato juice
• 1 dash of hot sauce
• 1 dash of Worcestershire sauce
• Salt and pepper to taste

Instructions:

• Fill a shaker with ice.
• Add vodka, tomato juice, hot sauce, Worcestershire sauce, salt, and pepper.
• Shake well.
• Strain into a chilled glass filled with ice.
• Garnish with a lemon wedge and celery stick.

The Red Eye is a classic cocktail, often referred to as a “Bloody Mary Lite.” It’s perfect for those who enjoy the tangy flavors of tomato juice and a hint of spice.

The Woo Woo

Next up is the Woo Woo , a sweet and fruity cocktail that makes an appearance in the film during a beach party scene.

• 1/2 oz. peach schnapps
• 3 oz. cranberry juice
• Add vodka, peach schnapps, and cranberry juice.
• Strain into a chilled glass.
• Garnish with a lime wedge or a cherry.

The Woo Woo is a delightful and easy-to-make cocktail, making it a favorite at parties and gatherings.

The Jamaican Bobsled

The Jamaican Bobsled is another fun and tropical cocktail featured in the movie. It’s a colorful and flavorful drink that reflects the movie’s beachy vibes.

• 1 1/2 oz. white rum
• 1/2 oz. coconut cream
• 1/2 oz. blue curaçao
• 2 oz. pineapple juice
• Crushed ice
• Fill a blender with crushed ice.
• Add white rum, coconut cream, blue curaçao, and pineapple juice.
• Blend until smooth.
• Pour into a chilled glass.
• Garnish with a pineapple slice and a cherry.

The Jamaican Bobsled is a tropical paradise in a glass. Its vibrant blue color and refreshing flavors make it a hit at beach-themed parties.

• The Last Barman Poet

Named after Brian Flanagan’s poetic ambitions in the movie, The Last Barman Poet is a cocktail that represents the artistry and creativity of bartending.

• 1 1/2 oz. light rum
• 1/2 oz. lime juice
• 1/2 oz. simple syrup
• 1/2 oz. pineapple juice
• Lime twist for garnish
• Add light rum, blue curaçao, lime juice, simple syrup, and pineapple juice.
• Shake vigorously.
• Strain into a chilled martini glass.
• Garnish with a lime twist.

The Last Barman Poet is a cocktail that pays homage to the creativity and passion of bartenders. Its bright blue color and balanced flavors make it a true work of art.

The Flaming Dr. Pepper

In one of the film’s most memorable scenes, Brian Flanagan and Doug Coughlin introduce the audience to the Flaming Dr. Pepper , a daring and fiery cocktail that involves lighting the drink on fire before consuming it.

• 3/4 oz. amaretto liqueur
• 1/4 oz. high-proof rum (overproof)
• 1/2 glass of beer (lager)
• Pour the amaretto into a shot glass.
• Float the high-proof rum on top of the amaretto.
• Fill a beer glass halfway with beer.
• Carefully ignite the amaretto and rum in the shot glass.
• Drop the flaming shot glass into the beer glass.
• Blow out the flame, and drink the cocktail quickly through a straw.

The Flaming Dr. Pepper is not for the faint of heart, but it’s undoubtedly a showstopper at any gathering.

But here is more. Here is a list of cocktails that are either made, mentioned, or play a role in various scenes throughout the film:

• Bloody Mary
• Brandy Alexander
• The Righteous Bison
• Black Russian
• Jamaican Bobsled
• The Frozen Banana Daiquiri
• Planters Punch
• Irish Coffee
• Old-Fashioned
• Vodka Martini
• Amaretto Sour
• Screwdriver
• Tom Collins
• Dry Martini
• Flaming Dr. Pepper

The movie “Cocktail” may be a love story, but it’s also a love letter to the art of mixology and the delightful world of cocktails. Each of the cocktails featured in the film has its unique charm and flavor profile, making them a hit with fans and cocktail enthusiasts alike. Whether you’re sipping on a Red Eye, enjoying the tropical vibes of the Jamaican Bobsled, or daring to try the Flaming Dr. Pepper, these cocktails are a testament to the creativity and craftsmanship that go into the world of mixology. So, the next time you watch “Cocktail,” consider shaking up one of these iconic drinks to enhance your viewing experience.

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Currently you are able to watch "Cocktail" streaming on AMC+, Criterion Channel. It is also possible to buy "Cocktail" on Microsoft Store, Apple TV, Amazon Video, AMC on Demand, Google Play Movies, YouTube, Vudu as download or rent it on Apple TV, Amazon Video, Google Play Movies, YouTube, Vudu, Microsoft Store online.

Where does Cocktail rank today? The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

Streaming charts last updated: 1:16:35 AM, 04/19/2024

Cocktail is 5068 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 2390 places since yesterday. In the United States, it is currently more popular than Addictions and Subtractions but less popular than Electric Apricot.

After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style, and Brian adopts his mentor's cynical philosophy on life and goes for the money.

Videos: Trailers, Teasers, Featurettes

Streaming Charts The JustWatch Daily Streaming Charts are calculated by user activity within the last 24 hours. This includes clicking on a streaming offer, adding a title to a watchlist, and marking a title as 'seen'. This includes data from ~1.3 million movie & TV show fans per day.

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Cocktail Is Tom Cruise's Poorest-Reviewed Movie. The Guy Who Wrote It Might Get Redemption.

He's writing a sequel that takes place 20 years after the events of the original.

Every product was carefully curated by an Esquire editor. We may earn a commission from these links.

Tom Cruise’s first and greatest hot streak as an actor lasted from 1986 to 1990, starting with Top Gun , followed by The Color of Money , Rain Man , Born on the Fourth of July, which got him his first Best Actor nomination, and Days of Thunder . But smack in the middle of that run was one major stinker: Cocktail .

In the 30 years since its theatrical release, Cocktail has not earned a reappraisal from critics. No one is saying: Actually, it was ahead of it's time . But it also hasn't faded away. Over the years, the movie has maintained a loyal audience, including in Hollywood. Some of which you might even call admirers of the film. The producer of one of this year’s buzzy award-nominated films told me members of his social circle spent the weekend Cocktail hit Netflix last spring watching the movie and exchanging messages about it. Matthew Rhys, the star of The Americans , also told me , possibly half-joking, that Cocktail is an all-time favorite.

In case you haven’t seen Cocktail , or haven’t seen it in a while, you should know it’s kind of insane. It takes place in three acts, across New York and Jamaica. Cruise’s character is a working-class guy from Queens, who’s striving to become an '80s era yuppie, yet he settles for a relatively quiet life owning a small bar and raising a family—an enormous shift his character makes in a few minutes. There’s a suicide. There’s a waterfall sex scene. There’s a very angry father who appears in a third act that wraps up way too quickly.

But I love the movie. Tom Cruise remains the most exuberant actor on the screen, and in Cocktail he’s at his second-most exuberant, behind only Jerry Maguire . (In fact, there’s some Brian Flanagan in Jerry.) Plus, Bryan Brown, who plays Cruise's mentor in the film, is so good they could've just made the movie about him. Elisabeth Shue, no surprise, is an absolute breath of fresh air.

And so last summer, I emailed Heywood Gould, who wrote both the movie and the novel upon which it’s based, asking to chat. He responded promptly, and one afternoon I spent an hour talking to the guy who wrote Cocktail about the movie’s plot, his reaction to its sour reception in 1988, Tom Cruise, and where the characters might be today. During our conversation, Gould dropped a bombshell: The 76-year-old is working on a sequel.

“I have a long treatment,” he said. “We’ll see what happens.”

Here’s the plot of Cocktail : Tom Cruise’s character, Brian Flanagan, returns home to New York from the military in search of an executive-level job. This was a common trope in the ‘80s: If you’re a white guy, you don’t necessarily need a college degree or even experience to land a cushy corporate job. But in Flanagan’s case, no one is biting, so he ends up at a TGI Friday’s, where Doug Coughlin, played by Bryan Brown, gives him a job despite having never tended bar.

Bartending, it turns out, suits Flanagan, and he quickly becomes locally famous for a routine with Coughlin that involves tossing bottles in the air. One thing leads to another and Flanagan lands in Jamaica, where he meets Elisabeth Shue’s Jordan Mooney, and, after breaking her heart, heads back to New York where Coughlin takes his own life. At the same time, Mooney, who’s pregnant with Flanagan’s baby, turns her back on her wealthy father to be with Flanagan. The movie ends with Flanagan opening his own saloon, and Mooney revealing she’s having twins.

Like I said, it’s kind of insane. But what’s most surprising is how shockingly unfocused the movie is for a Tom Cruise project. His movies are usually taut and to the point. This one lists in search of ballast and never decides if it wants to rebuke '80s greed or revel in it.

(One question that’s long dogged me about the plot is the timeline: over how long a period does this movie take place? Gould told me Flanagan spends between four and six months in Jamaica, which would mean the movie itself occurs over the span of about 18 months.)

The sequel, according to Gould, takes place 15 to 20 years after the events of the original film. Flanagan is a "star in the big club world,” Gould said. But he’s divorced and estranged from his twin daughters. “Now that he’s older, he’s trying to reform himself, rehabilitate his marriage and relationship with his daughters.”

To be clear: Gould hasn't pitched the sequel to anyone. The money people, as he calls them, haven’t signed on. “If anyone wants to see it they can,” he said.

I need to pause for a moment to tell you that Heywood Gould is like a boozy Forrest Gump of pre-Giuliani New York. In the '60s and '70s, he covered the crime beat for the New York Post , served in Vietnam, returned to New York and became a professional poker player, drove a cab, wrote books, articles, and TV and movie scripts—he co-wrote the 1977 movie Rolling Thunder with Paul Schrader—got himself into serious gambling debt and worked it off as a bartender at the Hotel Diplomat's nightclub in Times Square, all the while writing Cocktail (and other books). In 1984, he published Cocktail , which Universal bought. Then he adapted the novel into a screenplay that Disney acquired from Universal.

The book is semi-autobiographical, according to Gould, who said the two main characters are composites of people he'd met behind the bar. He is neither Flanagan nor Coughlin, although in conversation Gould occasionally sounds like Coughlin.

At last year’s Sydney Film Festival, Bryan Brown said in an interview that the original script for Cocktail was one of the “very best” he’d ever read. “Very dark ... about the cult of celebrity and everything about it,” he said. But when Cruise signed on for the film, Disney sought to lighten up the script.

“They gave me a bunch of notes about making Brian more likable,” Gould recalled. “There were fights along the way, big battles with Disney about how likable to make him.”

A sequel that casts a shadow on the main character, adding nuance and depth to Brian Flanagan, would certainly be redemption for Gould. And in the age of reboots, it might be just the thing for Hollywood. (I mean, a dark reimagining of the Cocktail story is definitely something I'd see—and no worse an idea than at least half the reboots of the last decade.) But Gould isn't looking to redeem himself.

At this point in his life, he doesn’t harbor any ill will towards Disney or, for that matter, Cruise, who’s never said a negative word about Cocktail . Gould said he hung around with Cruise during the filming of the movie. Cruise, he said, would have him over to his loft on 13th Street for dinner parties. They even paired up for two-on-two basketball at the Carmine Street gym and once held the court for an hour and a half, according to Gould. “He’s a really good ball player,” Gould said. “I had to quit and get a cigarette because I was dying.”

(Look, I get it: Cruise is 5’7” and Gould was apparently a heavy smoker, but I love this story and I choose to believe it.)

When the movie came out to bad reviews, Gould fell into a brief depression. “They hated it. They hated me. They hated everything,” he said. “I was pretty shook to tell you the truth.” Gould hung around the house for a couple days, until his wife came back from the grocery store with good news: She’d overheard two people saying the movie made them think. This snapped him out of it. (He’s told versions of this story in the past. Sometimes it’s his wife who overheard people discussing the film. Sometimes it’s him.)

But he earned good money from the movie, continued to write screenplays as well as direct. In the early '90s, he directed two movies he wrote, One Good Cop starring Michael Keaton and Trial by Jury starring Gabriel Byrne. After 19 years in L.A., Gould moved back to New York when, he said, "the money ran out." Today he continues to write and still collects checks thanks to Cocktail . Its appearance on Netflix also goosed his book sales. On the first night Cocktail appeared on Netflix, Gould said he sold 47 copies of his book. “I was stunned,” he said. “Netflix has been great for me.”

Gould told the Chicago Tribune in 2013 that he was not happy with the movie when it came out. So I asked him how he felt about it today, whether he had any regrets or would do anything differently. “It’s become an institution,” he said about the movie. “I get a lot of letters from people about it. I’m happy people like it. You don’t have to see great profundity in what I do; I’m just glad you like it.”

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10 Stirring Facts About Cocktail

By roger cormier | jan 23, 2017.

One of cinema's greatest guilty pleasures, Cocktail starred Tom Cruise as Brian Flanagan, a young man who unexpectedly achieves some fame as a "flair bartender" in New York City along with his mentor, Doug Coughlin (Bryan Brown). Brian eventually takes his bottle-flipping skills down to Jamaica, where he falls for Jordan (Elisabeth Shue), a vacationing artist. Here are some facts about the Tom Cruise staple, in accordance with Coughlin's Law.

1. BRIAN FLANAGAN WAS ALMOST TWICE AS OLD IN THE BOOK.

Yes, Cocktail was originally a novel; it was written by Heywood Gould, and based on the dozen years he spent bartending to supplement his income as a writer. Whereas Tom Cruise's Brian Flanagan is in his twenties, Gould's protagonist was described as a "38-year-old weirdo in a field jacket with greasy, graying hair hanging over his collar, his blue eyes streaked like the red sky at morning." As Gould told the Chicago Tribune , "I was in my late 30s, and I was drinking pretty good, and I was starting to feel like I was missing the boat. The character in the book is an older guy who has been around and starting to feel that he's pretty washed-up." Disney and Gould—who adapted his book for the screen—fought over making Brian Flanagan younger, with Gould eventually relenting .

2. THERE WERE AT LEAST 40 DIFFERENT VERSIONS OF THE SCRIPT.

The script went through a couple of different studios, and dozens of iterations. According to Gould , "there must have been 40 drafts of the screenplay before we went into production. It was originally with Universal. They put it in turnaround because I wasn't making the character likable enough. And then Disney picked it up, and I went through the same process with them. I would fight them at every turn, and there was a huge battle over making the lead younger, which I eventually did."

Bryan Brown explained that when Cruise came on board, the movie "had to change. The studio made the changes to protect the star and it became a much slighter movie because of it."

Kelly Lynch, who played Kerry Coughlin, was much more forthright about how Gould's vision for the story changed under Disney, telling The A.V. Club :

"[Cocktail] was actually a really complicated story about the ’80s and power and money, and it was really re-edited where they completely lost my character’s backstory—her low self-esteem, who her father was, why she was this person that she was—but it was obviously a really successful movie, if not as good as it could’ve been. It was written by the guy who wrote Fort Apache The Bronx, and it was a much darker movie, but Disney took it, reshot about a third of it, and turned it into flipping the bottles and this and that."

3. FOR A BRIEF SECOND, DISNEY WASN'T COMPLETELY SOLD ON TOM CRUISE IN THE LEAD.

Recounting the kind of story that only happens in Hollywood, Gould told the Chicago Tribune about one of his early meetings with Disney heads Michael Eisner and Jeffrey Katzenberg. "Someone mentioned that this might be a good vehicle for Tom Cruise," Gould recalled. "Eisner says, 'He'll never do this, don't waste your time, he can't play this part.' And then Katzenberg says, 'Well, he's really interested in doing it,' and without skipping a beat Eisner says, 'He's perfect for it, a perfect fit!' That's the movie business: I hate him, I love him; I love him, I hate him!"

4. BRYAN BROWN'S AUDITION WAS "DREADFUL."

Director Roger Donaldson specifically wanted Bryan Brown to audition for the role of Doug. Brown flew from Sydney to New York and, almost immediately after his 20-plus-hour flight, was sitting in front of Donaldson. "He did the audition and he was dead tired and it was dreadful," Donaldson said . "After he did it I was like, ‘Bryan, do yourself a favor—we’ve got to do it again tomorrow.’ And he said, ‘No, no, I’m catching a plane back tonight.’ I couldn’t persuade him to stay and do it again, so I didn’t show anybody the audition." Instead, Donaldson told the producers and studio to watch Brown's performance in F/X (1986); clearly, they liked what they saw.

5. CRUISE AND BROWN PRACTICED THEIR FLAIR BARTENDING, AND USED REAL BOTTLES ON SET.

Los Angeles TGI Friday's bartender John Bandy was hired to train Cruise and Brown after he served a woman who worked for Disney who was on the lookout for a bartender for Cocktail . Bandy trained the two stars in the bottle-flipping routines , and Gould took Cruise and Brown to his friend's bar to show them the tricks they used to do . Donaldson claimed they used real bottles—and yes, they did break a few .

6. JAMAICA WASN'T KIND TO TOM CRUISE

The Jamaica exteriors were shot on location, where it was cold, and Cruise got sick. When he and Shue had to shoot a love scene at a jungle waterfall, it wasn't pleasant. "It’s not quite as romantic as it looks,” Cruise told Rolling Stone . “It was more like ‘Jesus, let’s get this shot and get out of here.’ Actually, in certain shots you’ll see that my lips are purple and, literally, my whole body’s shaking.”

7. THE FILM SCORE WAS ENTIRELY REWRITTEN IN A WEEKEND.

Three-time Oscar winner Maurice Jarre ( Lawrence of Arabia ) was Cocktail 's original composer, but the producers didn't think his score "fit in" with the story. They particularly didn't like one cue, so they called in J. Peter Robinson to fix it. Donaldson liked what Robinson did so much, that he asked the composer to take over and do the rest of the work. "All this was happening on a Friday," Robinson said . "I was starting another film on the following Monday and told Roger that I was going to be unavailable. 'We're print-mastering on Monday, mate!!' Roger said. So from that point on I stayed up writing the score and delivered it on Monday morning at around five in the morning."

8. "KOKOMO" WAS WRITTEN FOR THE MOVIE.

While it was The Beach Boys, by then minus Brian Wilson, that recorded the song which brought the group back into the spotlight, "Kokomo" was penned by John Phillips of the Mamas and the Papas; Scott McKenzie, who wrote “San Francisco (Be Sure to Wear Flowers in Your Hair)”; producer Terry Melcher, Doris Day's son; and Mike Love. Phillips wrote the verses, Love wrote the chorus, and Melcher penned the bridge. The specific instructions were to write a song for the part when Brian goes from a bartender in New York to Jamaica. Off of that, Love came up with the "Aruba, Jamaica ..." part .

9. ROGER DONALDSON IS SORRY ABOUT "DON'T WORRY BE HAPPY."

Bobby McFerrin's "Don't Worry, Be Happy" hit number one thanks to its inclusion on the Cocktail soundtrack. The director heard the song on the radio one day while driving to the set. “I heard it and thought it would be perfect for the film," he said . "And suddenly it was everywhere. Sorry about that."

10. THE REVIEWS—INCLUDING TOM CRUISE'S—WERE HARSH.

To conclude his two-star review, Roger Ebert wrote , "The more you think about what really happens in Cocktail, the more you realize how empty and fabricated it really is." Richard Corliss of TIME said it was "a bottle of rotgut in a Dom Perignon box."

In 1992, even Tom Cruise admitted that the movie "was not a crowning jewel" in his career. And Heywood Gould wasn't pleased with it at first either. "I was accused of betraying my own work, which is stupid," Gould said . "So I was pretty devastated. I literally couldn't get out of bed for a day. The good thing about that experience is that it toughened me up. It was like basic training. This movie got killed, and then after that I was OK with getting killed—I got killed a few more times since then, but it hasn't bothered me."

Screen Rant

36-year-old tom cruise movie with 9% on rotten tomatoes has the perfect remake cast after $216m hit.

One critically-panned box office hit from Tom Cruise is ripe for a remake, and the perfect cast can be found in the leads of 2023's rom-com success.

• Casting the leads from 2024's successful rom-com, Anyone but You, could elevate a remake of Tom Cruise's 1988 Cocktail movie.
• The success of 2024's Road House remake suggests modern remakes of divisive '80s classics can work today.
• Glen Powell's Top Gun role proves he could successfully replace Tom Cruise in a potential Cocktail remake.

With Road House (2024) paving the way for more modern remakes of cult classic ‘80s thrillers, the potential for Tom Cruise’s 1988 movie Cocktail to be remade could work better by casting the leads from 2023’s big rom-com success. The 1980s was an incredible decade for entries in the so-bad-they’re-good action/thriller subgenre , with movies like Patrick Swayze’s Road House failing to impress critics but remaining beloved for their lack of self-seriousness and entertainment value. The cast of 2024’s Road House remake maintains this sentiment in the remake of the 1989 film, with its divisive success making additional remakes of movies of this vein more likely.

While not as fondly remembered as Road House , another ‘80s hit that falls into this category is Tom Cruise’s 1988 movie Cocktail . The movie follows Cruise’s Brian Flanagan, a business student working as a successful bartender, whose relationships with his coworker Doug (Bryan Brown) and romantic interest Jordan (Elisabeth Shue) lead to a series of unexpected twists and turns. Though the film holds a meager 9% score on Rotten Tomatoes, it was a smash box office smash, earning $171.5 million against an estimated budget of $20 million (via Box Office Mojo ). Following Road House ’s success, it could finally be time to give Cruse's Cocktail the modern remake treatment .

Road House Proves Jake Gyllenhaal Is Perfect For Upcoming Reboot Of 30-Year-Old Jean-Claude Van Damme Action Movie

Glen powell & sydney sweeney would be perfect for a cocktail remake after anyone but you, the two actors could fill the shoes of tom cruise and elisabeth shue.

One crucial factor contributing to the success of Doug Liman’s 2024 Road House remake was its compelling lead cast, with action star Jake Gyllenhaal taking over Patrick Swayze’s character from the original while UFC champion Conor McGregor assumed the cartoonish villain role . Similar to Road House ’s remake requiring an actor with Swayze’s star power and charisma, a Cocktail remake would need an actor with comparable allure to ‘80s-era Tom Cruise for Brian Flanagan . Likewise, with Elisabeth Shue having been one of the biggest female stars of the ‘80s, a Cocktail remake would need an actress of similar popularity and appeal to step into the role of Jordan Mooney.

Anyone but You (2024) and Cocktail (1988) are available to rent or purchase from digital retailers like Amazon Prime Video and YouTube.

If Cocktail does get a remake, these casting requirements can easily be found in the leads of the 2023 hit movie Anyone but You . Though also divisive among critics, Anyone but You was a certified box office smash as it went on to earn over $216 million against a $25 million budget. In addition to a witty script and fun premise, much of Anyone but You ’s success can be attributed to the casting and chemistry of Glen Powell and Sydney Sweeney as the two romantic leads. In 2024, Powell and Sweeney aren’t too off from the cards that Cruise and Shue brought to the table back in 1988 for Cocktail .

Much of Anyone but You ’s success can be attributed to the casting and chemistry of Glen Powell and Sydney Sweeney as the two romantic leads.

Powell already had rom-com experience with films like Set It Up ahead of Anyone but You , but made a bigger name for his action roles in movies such as Top Gun: Maverick , Devotion , Hit Man , and, now, the upcoming Twisters sequel movie . Meanwhile, Sweeney has proven widely popular with audiences after her roles in Euphoria , The White Lotus , and Immaculate , and both actors prove increasingly bankable with each new release. With the original Cocktail movie’s negative critical and audience response making it ripe for improvement , Powell and Sweeney could provide the star power a remake would need to successfully adapt the same-named 1984 novel.

Sydney Sweeney's New Record-Breaking Movie Confirms Her Box Office Dominance (Just Ignore THAT Movie)

Remaking cocktail sounds better than anyone but you 2 for powell & sweeney, anyone but you doesn't need a direct sequel.

Following the success Anyone but You , Sweeney and Powell announced they were reading scripts and searching for their next collaboration together. While some have thrown around the idea of returning to Bea and Ben’s story with a potential Anyone but You 2 movie , the original movie being based on Shakespeare’s Much Ado About Nothing makes a sequel unnecessary. Rather, it seems more likely that Powell and Sweeney’s “sequel” will be a completely different film that pairs them as romantic leads.

It seems more likely that Powell and Sweeney’s “sequel” will be a completely different film that pairs them as romantic leads.

This was a common tactic for 1990s romantic comedies, which would see romantic leads like Tom Hanks and Meg Ryan or Julia Roberts and Richard Gere reunite in another rom-com instead of making a direct sequel to their past success. Consequently, with Sweeney and Powell searching for their next film collaboration, a remake of Cocktail could provide a fitting follow-up to Anyone but You . With Powell playing Brian and Sweeney playing Jordan, the duo would just need to find a new Doug to enhance their existing chemistry, potentially creating the perfect recipe to improve upon Cruise’s original movie.

Road House 2024's Success Proves Remakes Of Divisive '80s Thrillers Can Work Today

The bar is set lower, but it needs to maintain '80s movie's tone.

Remakes of 1980s hits don’t always work out, with some proving to be unnecessary if the original was already a hit and a product of its time. However, there are some notable exceptions, with Amazon’s 2024 Road House movie being one of them. The Road House remake’s Rotten Tomatoes score is already better than the 1989 original (59% compared to 43%), and smashed records for Prime Video’s movie premiere viewership numbers to prove its popularity among audiences. Though many fans of the original may reasonably remain more loyal to Swayze’s 1989 iteration, it’s difficult to deny the entertainment value and success of the remake.

Considering Cocktail has a much less beloved reputation than 1989’s Road House , remaking the Tom Cruise film isn’t apt to come with as much apprehension or high expectations. With an already divisive original movie, there isn’t as big of a risk of “ ruining ” the original, as the bar is relatively lower when aiming to improve upon certain aspects of the first film that didn’t initially land with critics and audiences. Of course, with cult classics, it helps if the remake maintains the tone of the original, such as 2024’s Road House protecting the campiness and lack of self-seriousness of the 1989 film.

Top Gun: Maverick Highlights How Glen Powell Could Replace Tom Cruise's Brian In Cocktail

Powell and cruise's characters share similar qualities in top gun.

A potential Cocktail remake wouldn’t be the first time that Glen Powell has stepped into an ‘80s-based Tom Cruise property. Powell starred in Cruise’s 2022 hit Top Gun: Maverick as Hangman , who served a role similar to Val Kilmer’s Iceman from the 1986 original movie. Consequently, it’s already clear that Powell has qualities similar to Cruise in that era, which would make him taking over a character that Cruise originated easier to grasp.

The greatest way to make [a Cocktail remake] more enticing would be to get Tom Cruise to return as well.

Similar to Hangman or Maverick, a character like Brian Flanagan has an air of cockiness and confidence that contrasts with his need to prove himself. Powell’s past movies have demonstrated that he could take on this type of character successfully, having to balance the cockiness and heroism of his Top Gun character with the earnestness and rom-com lead chops of his Anyone but You role. While Powell and Sweeney potentially starring in a Cocktail remake would already give it a leg up, the greatest way to make it more enticing would be to get Tom Cruise to return as well.

Source: Box Office Mojo

Anyone But You

Anyone But You is a romantic comedy by director Will Gluck starring Sydney Sweeny and Glen Powell. Sweeny and Powell star as Bea and Ben, two strangers with an incredible first date that goes sour following one incident at the tail end. Thinking the worst is behind them, the two are roped into a destination wedding in Sydney, Australia, where they'll have to pretend to be a couple despite absolutely hating each other.

35 Years After Its Release, the Movie ‘Cocktail’ Shows Us How Far Drinks Culture Has Come

words: Rich Manning

illustration: Danielle Grinberg

In the lead up to the 95th Academy Awards, this week on VinePair we’re celebrating the starring role drinks have played in the most iconic movies in history. Read more about Drinking On Screen here .

“Cocktail” is not a good movie. Critics savaged the Tom Cruise vehicle when it hit theaters in 1988. It “won” Golden Raspberry Awards for Worst Movie and Worst Screenplay. Its current Rotten Tomatoes audience score of 58 percent suggests the public perceives the film as a mediocre slice of ‘80s cheese. Most people don’t really need to spend the $3.99 it currently costs to stream the movie. That is, most people.

If you’re in the drinks industry, or if you’re a fan of modern cocktail culture and the bartending industry that makes it possible, “Cocktail” is worth 1 hour and 43 minutes of your time. The movie hasn’t aged too well 35 years after its release, but that’s what makes it interesting. Time has caused “Cocktail” to evolve into a movie that you don’t watch as much as observe if you’re in the know about contemporary mixed drinks. If you simply watch it, it’s terrible. If you observe it, it’s oddly fascinating.

The Duality of ‘Cocktail’

When you stream “Cocktail” and become awash in the glow of its neon opening credits, you’ll naturally observe it through the knowing eyes of the modern bar scene. You already know that the drinks are going to suck and the techniques will be horrific, and they’ll be fun to mock as you sit there with your proper mixed drink made with real ingredients in hand. The movie indeed gives drinks aficionados ample fodder. Cruise’s Brian Flanagan and Bryan Brown’s Doug Coughlin may know how to toss a bottle over their shoulder or slam a Boston shaker onto a bar top in unison, but they don’t know drink specs or use jiggers, fruit juices, or pretty much anything that creates a balanced drink. They free pour every spirit, sometimes three bottles at once. When the movie shifts from New York to Jamaica and Doug asks Brian to make him a Daiquiri after bragging that he taught Brian everything he knows, Brian immediately reaches for a blender instead of a shaker. Granted, they’re in a tropical setting and you can easily predict that he’s going for the blender. But for those who know modern bartenders use the classic Daiquiri recipe as a litmus test of professional skill, this sequence is still cringeworthy, especially since the final result ends up looking like a Mudslide . These things turn the movie into something mildly horrific and slightly comedic, bloated with a bevy of bad beverages.

At some point, though, you’ll remember that “Cocktail” came out in 1988. It may be during the film, or it could be a few hours later when you’re reaching for a snack in the fridge. In some weird way, “Cocktail” provides a window into what the bar scene was like before the work of pioneers like Dale DeGroff, Audrey Saunders, Sasha Petraske, and Julie Reiner helped transform the industry for the better. Cocktail mixers and canned, frozen juices were the weapons of choice behind the stick back then. Craft spirits weren’t a thing, so options were limited at best. In the era’s context, Brian’s goal of franchising a bar chain for suburban shopping malls called Flanagan’s Cocktails and Dreams seems like a legitimate strategy, even if it petrifies our contemporary sensibilities. All of this is enough to make you drop to your knees and thank God and Jerry Thomas that you can enjoy cocktail culture in its present state.

We Need to Talk About Doug

Brian Flanagan is “Cocktail’s” protagonist. Yet Doug Coughlin is the more fascinating character. His jaded cynicism makes him a natural mentor for “young Flanagan,” as he calls Brian throughout the film. He appreciates the good stuff despite his penchant for flair. The last time he and Brian are seen together in the film, they’re working through his bottle of Louis XIII Cognac — a bottle that will set you back at least $3,000 today.

Doug is also problematic. His words of advice — occasionally self-referred throughout the film as “Coughlin’s Laws” — are awful nuggets of anti-wisdom that revolve around misogyny and treating customers like garbage. They sure as hell have nothing to do with making a good drink. Even though “Cocktail” is a work of fiction, it still seems like Petraske’s Rules were needed to cancel out Coughlin’s Laws.

In between his misbegotten mandates, Doug drops some knowledge that initially jumps out as falsehoods if you forget about the film’s context — particularly if you have even passing knowledge of New York City’s bar scene. When Doug says, “This is the Upper East Side, saloon capital of the world,” your brain may start screaming out the names of the critically acclaimed bars in the Lower East Side and Brooklyn.

At the time, however, Doug was spot on. In the ‘80s, the Upper East Side was absolutely the industry’s epicenter, a mélange of establishments that offered the beautiful and the monied ample choices to get their drink and dance on. The scene kept rolling strong through the ‘90s even as the clientele shifted from Wall Street types to the college crowd, thanks in part to gimmicks like cheesy, themed establishments and “ Ladies’ Night s.” Meanwhile, south-of-14th neighborhoods like the East Village and the Lower East Side wouldn’t start gaining acclaim for their bars until places like Angel’s Share and Milk & Honey opened, long after copies of “Cocktail” filled up video rental store shelves. Doug’s lines about the scene may have aged like a long-forgotten bottle of open cream liqueur, but it’s not his fault.

The Business of ‘Cocktail’

There are a few things in “Cocktail” that still hold up today. The beginning of the film showcases the type of money-waving, bar-top-slapping customers who still drive bartenders nuts. Brian’s character arc of a person who fell into the bar scene when other career ambitions fizzled still resonates. Toward the end of the movie, Jordan’s (Elisabeth Shue’s) dad essentially accuses Brian of being a loser because he’s a bartender (i.e., he doesn’t have a “real job”). Such classist viewpoints continue to exist.

The drinks, on the other hand, do not hold up. Most are relics of a time when creamy sweet concoctions with no base spirit and vodka drinks with dirty names dominated the scene. Taste is relative, of course, but if you tend to imbibe in spirit-forward drinks like the Boulevardier or Manhattan , it feels safe to assume that cocktails like the Orgasm, Velvet Hammer, and Friar Tuck will probably be of no interest to you.

There are a few oddities among the cocktails called out in the film. In an odd poem he recites in front of a crowd, Brian references a drink called the “Death Spasm.” One problem: No such drink seems to exist. Googling the drink brings up the Death in the Afternoon cocktail, a potent potable consisting of Champagne and absinthe (or pastis if absinthe isn’t available). It’s possible that Death Spasm was a stand-in for Death in the Afternoon so Brian could use a word that rhymed with orgasm.

Another quirk involves the Angel’s Tit cocktail. Ordering the drink when “Cocktail” came out in 1988 got you a creamy drink consisting of a two-to-one ratio of maraschino liqueur and cream. Ordering it today may get you something better, thanks to an ingenious tweak. Sometime in the 2010s, The Dry Cocktail founder Mikka Kristola updated the recipe when she was bartender at The Varnish in Los Angeles, adjusting the ratios to three-quarters of an ounce each and adding a bar spoon of both Heering Cherry liqueur and Fernet Branca .

Then there’s the Ding-a-Ling, a concoction featuring vodka, peach schnapps, and lemon-lime soda that’s mentioned twice in the film. Searching the drink today will produce images of a radically different beverage. That’s because author Simon Difford created his own cocktail called the Ding-a-Ling in 2022. It features  Del Maguey Vida mezcal , dark rum, Disaronno amaretto, and lemon juice. Judging by the specs, it seems much more interesting than the original.

A Unique Kind of Lasting Legacy

There’s one final observation to be made about “Cocktail” 35 years after its release. It has nothing to do with a crucial scene or a bit of dialogue. It’s an observation that can only be made after the fact. By the time the movie came out, the days of the cocktail bar landscape the movie depicted were already numbered.

In 1987, the year before “Cocktail” came out, DeGroff got behind the stick at the Rainbow Room and kicked off cocktail culture’s ongoing renaissance. It was a slow-growing seed that germinated at a deliberate pace, allowing the Doug Coughlins and Brian Flanagans of the industry a few more years of glory before the 2000s hit. There are still some Dougs and Brians behind the stick today, but they’ve been pushed into a space of far less prominence over the last two decades, thanks to a still-blossoming nationwide network of talented bartenders that give a damn about making a great drink and providing great service to their guests. This, then, may be the main reason why “Cocktail” is an oddly fascinating movie to observe 35 years after its release, even if it is a bad film to watch. It doesn’t necessarily show how bad the bar scene was back in the day as much as it shows how far it’s come.

Published: March 7, 2023

• 35 Years After Its Release, the Movie ‘Cocktail’ Shows Us How Far Drinks Culture Has Come | VinePair
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Cocktail (1988)

Tom cruise: brian flanagan.

• Photos (63)
• Quotes (24)

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Quotes 

[Last Barman poem] 

Brian : I am the last barman poet / I see America drinking the fabulous cocktails I make / Americans getting stinky on something I stir or shake / The sex on the beach / The schnapps made from peach / The velvet hammer / The Alabama slammer. / I make things with juice and froth / The pink squirrel / The three-toed sloth. / I make drinks so sweet and snazzy / The iced tea / The kamakazi / The orgasm / The death spasm / The Singapore sling / The dingaling. / America you've just been devoted to every flavor I got / But if you want to got loaded / Why don't you just order a shot? / Bar is open.

Bonnie : Please, I don't want to end it this way.

Brian : Jesus, everything ends badly, otherwise it wouldn't end.

Brian : Days get shorter and shorter, nights longer and longer, before you know it, your life is just one long night with a few comatose daylight hours.

[last lines] 

Jordan : Bet I can still spook you.

Brian : No way.

[she whispers in his ear] 

Brian : Twins? Twins?

[to everyone] 

Brian : Twins! Drinks are on the house!

Uncle Pat : No! No!

Brian : The bar is open!

[Flanagan's advice to his unborn child:] 

Brian : If Jordan gives birth to a fine Irish son / There will be Cocktails and Dreams for him one day to run / A business that will yield the financial windfall / To be franchised in every suburban shopping mall. / If a daughter arrives to bless our clan / I guess the shit will finally hit the fan / But this I shall promise thee / I'll never let her marry a guy like me. / Still if our child is the naughtiest of girls or the wildest of young men / I swear I'll be the best dad I can / And never ever get spooked again.

Brian : Coughlin's law: never show surprise, never lose your cool.

Brian : Should we let it breathe?

Doug : It hasn't breathed for fifty years, it's dead. Let's just drink it.

Brian : You're offering me a job?

Doug : Uh huh.

Brian : The waitresses hate me!

Doug : You wait till you've given them crabs. Then you'll really know hatred.

[Jordan is drawing a picture of Brian] 

Brian : So this is your profession.

Jordan : More like my... obsession.

Brian : To pay the rent?

Jordan : Someday it will.

Brian : I'm willing to start at the bottom.

Job Interviewer : You're aiming too high.

Brian : I'm looking for the Manager.

Doug : What's the problem? Did you find a hair in your quiche?

Brian : No, I'm looking for a job.

Doug : Ah, you'd like to put a hair in somebody else's quiche.

Doug : Mighty Casey has struck out.

Brian : The game's not over yet. It wouldn't be any fun if they fell over with their legs in the air, would it?

Brian : I'll stick with the brew.

Doug : Beer is for breakfast around here, drink or be gone.

[Jordan has returned to her father's Park Avenue penthouse to find Brian arguing with him] 

Brian : I think there's a chance for us.

Jordan : Brian, there is no "us." There's too many things about "us" that don't work.

Brian : What about the baby? A kid needs a father.

Jordan : Not one who's not going to be around in a year?

Mr. Mooney : Yeah, with your lifestyle, what kind of a father would you...

Jordan : Dad!

Brian : Listen, I'm sorry I called you a bitch.

Eleanor : Why? I am a bitch.

Brian : Not a goddamned thing any one of those professors says makes a difference on the street.

Doug : If you know that, you're ready to graduate.

Mr. Mooney : You're on your own.

Brian : That's the only way I want it.

Brian : [telling Bonnie he's moving out of her place]  I left a can of Spam in your refrigerator... I hope your Brewers Yeast doesn't take it personally.

Brian : [looking at Jordan's painting]  Is this our waterfall?

Jordan : No.

Brian : It's terrific.

Jordan : Yeah, it's all right. The name's Mooney, not Monet.

Bonnie : I've been thinking about you all day.

Brian : Really? A plane ride home will cure that.

Jordan : What are you doing here?

Brian : I bet you thought you'd never see me again.

Jordan : *Hoped* is a better word!

[first lines] 

Brian : Come on, put it to the floor! Come on! Let's go!

Brian : You wouldn't treat a stray dog like this.

Jordan : A stray dog can be *loyal*.

Brian : I can't *make it with my best friend's old lady.

Kerry Coughlin : Ami I supposed to live with the same man *forever and no one else in my life?

Brian : Yes! It's called *marriage.

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Filming locations

Cocktail (1988).

Want to know where Cocktail from 1988 was filmed? The movie starring Tom Cruise, Bryan Brown and Elisabeth Shue was shot at more than 6 locations, including The Old Don Jail in Toronto, Canada. All the filming locations of Cocktail are listed below.

STORY After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style, and Brian adopts his mentor's cynical philosophy on life and goes for the money.

Drama, Romance, Comedy

PRODUCTION COUNTRY

United States of America

Roger Donaldson

Tom Cruise (Brian Flanagan) , Bryan Brown (Douglas "Doug" Coughlin) , Elisabeth Shue (Jordan Mooney) , Lisa Banes (Bonnie) , Kelly Lynch (Kerry Coughlin) , Gina Gershon (Coral) , Ron Dean (Uncle Pat) more... , Ellen Foley (Eleanor) , Chris Owens (Soldier) , Louis Ferreira (Soldier) , James Eckhouse (Tourist) , Laurence Luckinbill (Richard Mooney) , Paul Benedict (Finance Teacher) , Robert Donley (Eddie) , Andrea Doven (Dulcey) , John Graham (Soldier) , Richard Thorn (Soldier) , Robert Greenberg (Job Interviewer) , Harvey J. Alperin (Job Interviewer) , Sandra Will (Job Interviewer) , Allan Wasserman (Job Interviewer) , E. Hampton Beagle (Job Interviewer) , Parker Whitman (Job Interviewer) , Richard Livingston (Job Interviewer) , Bill Bateman (Job Interviewer) , Jean St. James (Job Interviewer) , Rosalyn Marshall (Job Interviewer) , Jeff Silverman (Job Interviewer) , Rich Crater (Job Interviewer) , Marykate Harris (Job Interviewer) , Lew Saunders (Job Interviewer) , Jack Newman (Economics Teacher) , Diane Douglass (Mrs. Rivkin) , George Sperdakos (English Teacher) , David Chant (Chinese Porter) , Dianne Heatherington (First Waitress) , Arlene Mazerolle (Second Waitress) , Paul Abbott (Snotty Customer) , Ellen Maguire (Bar Patron) , Larry Block (Bar Owner) and others.

Heywood Gould (Screenplay) , Robert W. Cort (Producer) , Ted Field (Producer) , J. Peter Robinson (Original Music Composer) , Dean Semler (Director of Photography) , Neil Travis (Editor) , Mel Bourne (Production Design) more... , Dan Davis (Art Direction) , Donna Isaacson (Casting) , John S. Lyons (Casting) , Hilton Rosemarin (Set Decoration) , Ellen Mirojnick (Costume Design) , Jayne Armstrong (Post Production Supervisor) , David Coatsworth (Unit Production Manager) , Mathew Hart (Location Manager) , Keith Large (Location Manager) , Denis McCallion (Location Manager) , Jim Weidman (Music Editor) , Renee Bodner (Script Supervisor) , Terry Ladin (Production Coordinator) , Mara McSweeny (Production Coordinator) , Elaine Yarish (Script Supervisor) , Richard L. Anderson (Supervising Sound Editor) , Kim Maitland (Sound Recordist) , Mel Metcalfe (Sound Re-Recording Mixer) , Terry Porter (Sound Re-Recording Mixer) , Robbie Nevil (Musician) , Rob Cowan (First Assistant Director) , Rick Sharp (Makeup Artist) , Kim H. Winther (Second Assistant Director) , David J. Hudson (Sound Re-Recording Mixer) , Mary Andrews (ADR Editor) , John Dunn (Sound Editor) , Julian Chojnacki (Camera Operator) , Branko Racki (Stunt Coordinator) , Rob McEwan (Still Photographer) , Don Miloyevich (Property Master) , Perry Hoffman (First Assistant Camera) , Paul LeBlanc (Hairstylist) , Thom 'Coach' Ehle (Dolby Consultant) and others.

Interscope Communications, Touchstone Pictures, Silver Screen Partners III

If you love to travel and like to visit countries like Canada or places like The Old Don Jail in Toronto. If you want to share your love for Cocktail or movie stars like Tom Cruise, Bryan Brown and Elisabeth Shue. And if you love movies and series in genres like drama, romance and comedy, then SCEEN IT is the place to be. It is a great guide for everybody who loves traveling, watching movies and series and visiting filming locations.

other titles

LOCATION collection

Where was it filmed.

The Lakeview Restaurant Cocktail (1988)

Brian goes to the diner where Jordan works to try to win her back, but she is not very happy to see him.

The Old Don Jail Cocktail (1988)

Brian and Doug are a successful team. They work in a great nightclub.

Reach Falls Cocktail (1988)

Brian and Jordan are having a great time.

Dragon Bay Beach Cocktail (1988)

Brian and Jordan are having a great time together.

Dragon Bay Hotel (closed) Cocktail (1988)

Brian meets Jordan at the bar where he is working. Suddenly his old partner Doug shows up.

Baker Street Pub Cocktail (1988)

Brian walks past the Hippy Hippy Shake Bar and sees the sign Help Wanted.

CLICK HERE and watch Cocktail

Locations on map, the exact gps locations.

20 Thrilling Behind-The-Scenes Facts From Tom Cruise's Biggest Films

F or nearly 40 years, Tom Cruise has been one of the biggest movie stars in the world. From his breakout role in Top Gun to the franchise lead in Mission Impossible , few stars boast the resume that Cruise has. He's also worth a cool $500 million. He's kind of a big deal. With four decades of movies under his belt, it's fair to assume a lot of interesting things have happened behind the scenes. Here are the craziest Tom Cruise movie secrets you need to know!

He Won't Sign Onto A Movie Unless He Gets To Do His Own Stunts

Tom Cruise famously performs the most dangerous stunts in all his movies. Watch any Mission Impossible movie, and it's shocking how much danger the action star is willing to put himself in. Cruise reportedly refuses to sign onto movies that won't let him do his stunts.

Say a movie wants to cast Cruise but won't let him jump from high rise to high rise for a critical chase scene. The producers better start looking for a different, more risk-averse actor. Tom Cruise feels the need, the need for speed!

He Took Lead Role In Valkyrie Because He Looked Like The Real Person

The movie Valkyrie is based on the true story of Colonel von Stauffenberg's assassination attempt on Hitler during World War II. When Cruise was offered the role, there was no sales pitch that convinced him to sign on. Instead, he noticed that he bared a striking resemblance to the German soldier.

Cruise was sold, proving sometimes looks are all that matters. The movie was a moderate success, earning $200 million worldwide. Doing his own stunts has its downfalls.

Mission Impossible: Fallout Literally Broke Tom Cruise

Mission Impossible: Fallout came close to missing its summer 2018 release date after Tom Cruise broke his ankle performing a stunt. The film had to take a break from filming in 2017 after Cruise couldn't stick his landing after a scary jump. The hiatus put the movie's release in serious doubt.

Never doubt Tom Cruise, though. After a brutal seven-week recovery, cameras were able to roll again. He also continued punishing his body by doing his stunts. All his hard work paid off. A seventh movie in the profitable franchise is already being planned.

The Last Samurai Almost Killed Tom Cruise

Tom Cruise earned an Academy Award nomination for his role in The Last Samurai . If it wasn't for his co-star saving his life, we'd be writing a very different article right now. Using real samurai swords rigged for safety was a bad idea when one of the rigs broke.

The sword came one inch from Cruise's neck before Hiroyuki Sanada stopped it. That reminds us of the helicopter scene at the end of the first Mission Impossible ! Somehow it always comes back to Ethan Hunt.

Anne Rice Hated His Casting In Interview With A Vampire

Without author Anne Rice, there would be no Interview With The Vampire . Having written the book, she was not happy to see the film cast Tom Cruise in the role of the vampire Lestat. She was so upset with his selection that she publicly criticized Cruise and everyone involved with the film.

After the movie came out, Rice changed her tune. It turns out Tom Cruise was perfect for Lestat, and he proved it with his performance. To apologize, Rice bought a two-page ad in Daily Variety praising Cruise's portrayal of her most famous vampire.

Les Grossman Was Created For Tropic Thunder By Cruise

When Ben Stiller was struggling to write Tropic Thunder he had Tom Cruise read the script. Cruise suggested he include a movie executive in the film as a way to create pressure on the characters. Later, he decided to play the role of Les Grossman himself, under two very odd conditions.

The first condition was the character have fat hands. The second condition was that the bald and overweight studio executive be a dancer. And that is how one of the most memorable characters in movie history was created.

The Iconic Risky Business Dance Was Adlibbed

Even if you've never seen Risky Business , you've probably seen Tom Cruise's infamous underwear dance. According to the actor, he made up the routine himself, on the spot, "I just ad-libbed that," he said during an interview .

But how did he stick the landing on his slide to enter the scene? As he explains, "I dusted the floor and then put stick (tape) on the other side so I would get the center frame on that and wore the socks."

The Mummy Was A Real Monster Behind The Scenes

The Mummy was supposed to start Universal's "Dark Universe." That is until Tom Cruise got his hands on it. According to reports, Cruise took over every aspect of the film, from the story to the direction, and even the editing.

Despite having a team hired by Universal, Cruise brought in his own editor and screenwriter, then wrangled control of the direction away from Alex Kurtzman. For all his meddling, Cruise's version of The Mummy earned terrible reviews and scared audiences away. Made for $190 million, the film only grossed $80 million stateside.

Cruise Destroyed A $100,000 Camera Filming Days Of Thunder

Tom Cruise's "need for speed" is iconic, and it got the better of him while filming Days of Thunder . Playing NASCAR driver Cole Trickle, Cruise drove his stock car during several scenes. I

n one scene he lost control of the car and crashed into a wall, destroying a $100,000 camera in the process.

He Didn't Get Paid For Minority Report

Tom Cruise was so passionate to film the 2002 film Minority Report with Steven Spielberg that he refused to take a paycheck. Spielberg refused money also, something he claimed to have on his last eight films. Instead of getting money upfront, the pair cut a deal to earn 15 percent of the movie's gross.

Minority Report made $358 million worldwide, netting Cruise and Spielberg around $54 million each. That's pretty amazing. They took a chance on a passion project and it paid off big time!

He Was A Passenger In A Car Accident During Filming For Edge Of Tomorrow

For Edge Of Tomorrow , Emily Blunt had to drive a van with Tom Cruise as her passenger. The van needed to be seen shaking for one particular scene, so producers had Blunt make a hard turn at a pretty high speed. But she lost control and the van crashed into a tree.

She was upset that she could have injured (or even killed) Cruise, but fortunately, they both walked away unharmed. And even laughed about the incident later.

One Stunt He Didn't Perform

We know that Tom Cruise prefers to perform even the most dangerous stunts himself. But according to director Martin Scorsese, there was one stunt that he didn't complete when filming the 1986 drama The Color of Money .

His character had to perform a bunch of complicated pool shots, which wasn't a problem for Cruise. Except for one: a shot where his ball had to leap over two others and sink a third. Scorsese said that he thinks Cruise could have made the shot but it would have taken two days. And that's just too long during movie production, so an expert was brought in to do the shot.

He Broke His Thumb Making The Outsiders

The 1983 coming-of-age drama The Outsiders featured a fight between two rival gangs, the Greasers and the Socs. Things got pretty out of control during filming and one of Cruise's thumbs was broken in the scuffle.

He wasn't the only one to get hurt in the fight, either; two of Cruise's fellow actors were also injured. Tom Howell got a black eye and Emilio Estevez's lip was cut. That must have been quite a brawl!

He Lost A Lot Of Weight For Risky Business

The creators of Risky Business really wanted Tom Cruise to be as baby-faced as possible. To prepare for the role, he got serious about dropping weight fast. He told People that he followed a strict eating plan and jogged daily in the brutal Florida sunshine for five weeks. And then when he hit his target weight, he stopped exercising completely "so I could put on a little layer of baby fat."

"[Joel Goodson is] a very vulnerable person,” Tom explained. “I didn't want any physical defenses up for him. No muscle armor at all.”

Tom Cruise Has An Impressive Set Of Lungs

For 2015's Mission Impossible: Rogue Nation , Tom Cruise had to hold his breath for almost six and a half minutes! We knew he did all his own stunts but this might be one of the craziest of them. He called the experience unpleasant but explained his training technique to EW .

"You get rid of the regulator, get rid of the bubbles, get on the side and we wanted to do it one shot, so they were very, very long shots," he said. “I'd have to hold it consistently, you know safely, up to four minutes almost for every take.”

He Really Sang In Rock Of Ages

For the 2012 musical Rock of Ages , Tom Cruise insisted on singing his own parts. Of course, he did, right? He trained for four months, up to five hours each day to perfect his voice.

Cruise also filmed the scene where he sang "Pour Some Sugar On Me" while Def Leppard (the band that originally performed the song) watched. The guy just doesn't like to make things easy for himself.

Born On The Third Of July

In the 1989 war drama Born on the Fourth of July , Tom Cruise played a real-life Vietnam War veteran named Ron Kovic. Kovic was actually born on the 4th of July, as the title indicates.

It turns out that Cruise and Kovic almost share the birthday. Cruise was born on July 3, though, just a day early. Audiences didn't mind the discrepancy (as if they were even aware of it), as the film pulled in $161 million worldwide.

He Wasn't Expecting Emily Blunt To Kiss Him In Edge Of Tomorrow

Maybe he hadn't read the script thoroughly, because it sounds like Tom Cruise was surprised when Emily Blunt kissed him during filming for Edge of Tomorrow . She opened up about the moment to BBC Radio . "I mean, [it was] great. I don't think he was expecting it. I just sort of planted one on him," she said.

Blunt continued, "I think he was a bit taken aback. He was like, 'Oh my god! This is what we're doing.' Well, Tom had read the scene but he hadn't really read the stage directions. There were some new pages."

He Holds A Huge Box Office Record

We already know that his movies rake in tons of money at the box office, but Tom Cruise holds another distinction in that area. He became the first actor ever to star in five consecutive movies that each made more than $100 million in the United States.

The films were A Few Good Men (1992), The Firm (1993), Interview with the Vampire: The Vampire Chronicles (1994), and Jerry Maguire in 1996. That's a pretty good run for the money.

Cruise Inspired A Character In A Movie He Wasn't Even In

Although he's been in some live-action Disney movies, Tom Cruise hasn't yet voiced an animated character for the studio. However, he was the inspiration for a very famous Disney prince. Can you guess which one? Turns out that Aladdin was based on the actor!

While providing commentary for the 2004 DVD release of the film, producers revealed that executive Jeffrey Katzenberg decided that the animation should be modeled after Cruise because of his "iconic hero" look.

What Is Steven Spielberg’s Next (UFO-Based) Movie?

After delivering The Fablemans in 2022, Steven Spielberg has yet to lock in on his next feature film, but that might be changing very soon. While the legendary director is still developing a Frank Bullitt movie based on Steve McQueen’s iconic character, that project might have to wait as Spielberg is reportedly returning to his early roots.

According to Variety , Spielberg’s next movie will be a “UFO film based on his own original idea” and written by frequent collaborator David Koepp. There are no plot details as of this writing, but visitors from another planet have been a recurring theme for Spielberg. He directed the classic films Close Encounters of the Third Kind and E.T. the Extra Terrestial before tackling a remake of War of the Worlds with Tom Cruise in 2005.

However, this is Spielberg we’re talking about, so of course, he’s got other projects he’s tinkering with in the meantime. Including one with his old play Martin Scorsese :

Also on the immediate horizon is a Scorsese collaboration with Steven Spielberg on a Cape Fear TV series for Apple TV+. The two legends will serve as executive producers of the project, based on the 1991 and 1962 Universal movies. (Scorsese directed the 1991 noir thriller, which Spielberg’s Amblin Entertainment produced.)

Speaking of Scorsese, he’s looking to get a Frank Sinatra biopic off the ground starring Leonardo DiCaprio. What a neat little update on iconic directors this has been.

(Via Variety )

Tom Cruise Gets His First Criterion Collection Movie Set for 4K UHD Release

Not a single film with Tom Cruise has been in the lauded Criterion Collection, until now.

• Tom Cruise's Risky Business joins the prestigious Criterion Collection, marking a pivotal moment in his career.
• The film is praised for blending tender romance with a sharp critique of capitalism, even if it's goofy fun on the surface.
• Criterion's release includes a 4K UHD restoration, special features, and interviews, making it a must-have for film and Cruise enthusiasts.

Tom Cruise has been one of the biggest Hollywood stars for four decades, and has starred in almost 50 movies, but until today, none of them have been represented in the most prestigious film collection in the world — the Criterion Collection . The home media distributor collects the greatest or most culturally important films of all time and immaculately restores them and curates magnificent special features. And now, Cruise's 1983 film Risky Business will be the 1,227th movie added to the collection.

The Criterion Collection announced its inclusion today, April 15, with the film being released in 4K UHD (and Blu-ray) on July 23. Their summary of the film, famous for its underwear lip-sync scene, reads as follows:

" A sly piece of pop subversion, this irresistible satire of Reagan-era materialism features Tom Cruise in his star-is-born breakthrough as a Chicago suburban prepster whose college-bound life spirals out of control when his parents go out of town for the week and an enterprising call girl (Rebecca De Mornay) invites him to walk on the wild side. While Cruise boogying in his briefs yielded one of the most iconic pop-cultural moments of the 1980s, it is the film’s unexpected mix of tender romance (enhanced by a moody synth score by Tangerine Dream) and sharp-witted capitalist critique that remains fresh and daring."

Risky Business

Risky business special features and other july releases for criterion.

It's an interesting choice for the Criterion Collection, with many other Cruise films being considered superior ( Collateral, Eyes Wide Shut, The Color of Money, Magnolia ). Of course, there are licensing issues to be considered, but there are certainly good reasons for the inclusion of Risky Business . It's the film that truly announced Cruise as a cinematic presence, while also playfully deconstructing the typical sex comedies that were so popular at the time ( Porky's, Revenge of the Nerds ). The special features are as follows.

• New 4K digital restorations of the director’s cut and the original theatrical release, supervised and approved by director Paul Brickman and producer Jon Avnet, with 5.1 surround DTS-HD Master Audio soundtracks
• One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
• Audio commentary for the original theatrical release featuring Brickman, Avnet, and actor Tom Cruise
• New interviews with Avnet and casting director Nancy Klopper
• New conversation between editor Richard Chew and film historian Bobbie O’Steen
• The Dream Is Always the Same: The Story of “Risky Business,” a program featuring interviews with Brickman, Avnet, cast members, and others
• Screen tests with Cruise and actor Rebecca De Mornay
• English subtitles for the deaf and hard of hearing

Why Tom Cruise Won't Return as Jack Reacher

Risky Business joins several other films for Criterion's July releases. There's a 4K UHD restoration of the all-time classic, Le Samouraï , perhaps the coolest film ever made. Farewell, My Concubine is getting a release after its beautiful restoration in 2023. Black God, White Devil will get a release, finally bringing the brilliant Brazilian Western to the masses. Wim Wenders' astonishing 2023 film Perfect Days will get a home media release from Criterion, as well. Perhaps the best inclusion of them all, however, is Pat Garrett & Billy the Kid , Sam Peckinpah's underrated, melancholic Western masterpiece with a score from Bob Dylan. You can pre-order Risky Business below:

Visit The Criterion Collection

Quentin Tarantino ditches plans for his final movie, which would have reportedly starred Tom Cruise and Brad Pitt as a returning character

The Movie Critic is no longer in the works

The Movie Critic will no longer be Quentin Tarantino's tenth and final movie, according to The Hollywood Reporter , with the director returning to the drawing board for his last feature film.

The now-scrapped project, which would have been set in 1977 and followed a cynical movie critic, was set to star Brad Pitt – and he was reportedly set to return as his Once Upon a Time in Hollywood character, stuntman Cliff Booth. Tom Cruise and John Travolta were also rumored to be circling the project . According to The Hollywood Reporter, the director, who has long said he would only direct 10 movies, had a change of heart about The Movie Critic and has moved away from it entirely. 

Tarantino's last movie was 2019's Once Upon a Time in Hollywood, which was nominated for 10 Academy Awards. In the time since his most recent big-screen release, Tarantino has turned his attention to the world of publishing – he has written a novelization of Once Upon a Time in Hollywood and a non-fiction book, Cinema Speculation, which is a deep-dive into '70s movies and was inspired by the work of the critic Pauline Kael. 

The filmmaker was also set to helm a Star Trek movie with The Revenant screenwriter Mark L. Smith, announced back in 2017, which reportedly featured time travel and "gangster scenes," but that project never got off the ground either.  

While we wait for Tarantino's final project to hit the big screen, check out our guide to the biggest upcoming movies on the way in 2024. 

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I’m an Entertainment Writer here at GamesRadar+, covering everything film and TV-related across the Total Film and SFX sections. I help bring you all the latest news and also the occasional feature too. I’ve previously written for publications like HuffPost and i-D after getting my NCTJ Diploma in Multimedia Journalism. 

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