Moog Voyager User Manual

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Moog Voyager User Manual

  • User manual (75 pages)
  • Schematics (50 pages)
  • page of 62 Go / 62

Table of Contents

  • Getting Started
  • The Basics of Analog Synthesis
  • The Voyager's Features
  • Oscillators
  • Envelope Generators
  • Audio Outputs
  • LFO/ Sample and Hold
  • Keyboard and Left Hand Control Panel
  • The Touch Surface Controller
  • The Back Panel
  • The Interface
  • Master Mode
  • Appendix A: Caring for Your Voyager
  • Appendix B: Service and Technical Support Information
  • Appendix C: List of Presets
  • Appendix D: MIDI Implementation Chart
  • Appendix E: VX-351 User's Guide

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  • 1 Getting Started
  • 2 The Back Panel
  • 3 The User Interface/Voyager Software
  • 4 Master Mode
  • 6 Appendix C: List of Presets
  • 7 Appendix D: MIDI Implementation Chart
  • Download this manual

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Synthesizer Moog Voyager Schematics

Summary of Contents for Moog Voyager

  • Page 1 IMPORTANT SAFETY INSTRUCTIONS WARNING – When using electric products, basic precautions should always be followed, including the following: 1) Read all the instructions before using the product. 2) Do not use this product near water – for example, near a bathtub, washbowl, kitchen sink, in a wet basement, or near a swimming pool or the like.

Page 2: Table Of Contents

Page 3: getting started.

  • Page 4 Start Playing! The quickest way to hear what the Voyager has to offer is to listen to the presets. Press the PANEL button and ENTER. The screen will display the name and number of the last preset that was in memory.
  • Page 5 ENTER. The sound produced by the Voyager is now determined by the settings of the front panel independently of preset memory. When working with the Voyager, keep in mind that many of the controls are interactive, so there is frequently more than one way to control a single parameter.

Page 6: The Basics Of Analog Synthesis

  • Page 7 Amplitude – The strength of a sound’s vibration measured in Decibels (dB). This corresponds to the musical term Loudness (figure 4). Harmonic Content – A sound is made up of simple vibrations at many different frequencies (called harmonics) which give a sound its particular character. This corresponds to the musical term timbre or tone color.
  • Page 8 In general, “synthesis” refers to the generation of sound through a group of amplified circuits over which the programmer/performer has power to change volume, pitch, timbre and articulation. The Minimoog Voyager is based on what is called “subtractive synthesis”. This method of synthesis employs a harmonically rich (think bright-sounding) source material, and then removes frequency components to create the desired sound.
  • Page 9 Filter: A circuit that removes some frequencies and allows other frequencies to pass through the circuit. A filter has a cutoff frequency that determines the point at which frequencies begin to be removed. A lowpass filter is one in which frequencies above the cutoff frequency are removed and all frequencies below the cutoff are passed through.
  • Page 10 Every panel control on the Voyager produces a control voltage that is routed to the circuit that the knob or slider is designed to change. An oscillator with pitch varied by the voltage from the keyboard or tuning control is a Voltage Controlled Oscillator, or VCO.
  • Page 11 Modulation - Modulation is the use of a CV to affect a voltage-controlled circuit. Modulation has a source, destination, and amount. This could be as simple as the filter cutoff of a VCF (a modulation destination) being changed by the front panel cutoff control (the source), or as complex as mixing multiple CVs together to modulate filter cutoff.
  • Page 12 Low Frequency Oscillator - Also called an LFO, this is a special type of voltage controlled oscillator that oscillates primarily below the range of human hearing. LFOs are typically used as a source of modulation. For instance - an LFO with a triangle waveform at about 6 Hz modulating the pitch of a VCO sounds like vibrato.

Page 13: The Voyager's Features

  • Page 14 The back panel offers the many connections available, including the power, MIDI, CV, and audio connections (figure 13). For the Control Inputs, a blue nut indicates a gate/footswitch input and a red nut indicates a CV/ expression pedal input. - The Oscillator section includes controls for choosing the octave, the tuning of the second and third oscillators, the oscillators’...
  • Page 15 - When a key is pressed, A Gate and Pitch CV are produced by the keyboard. The Gate signal is used to trigger both the Filter and Volume Envelopes. The Pitch CV is used to determine the pitch of the Oscillators and can be applied to a varying degree to the Filters through the Keyboard Control Amount knob.
  • Page 16 - The LFO is assigned through the MOD Busses. It features a triangle and square wave. It is also used to trigger the Sample and Hold. - The touch surface controller can control three parameters (X,Y,A) simultaneously. The position of a finger on the touch pad generates a control voltage for horizontal (X) position and a control voltage for vertical (Y) position.

Page 17: The Voyager's Components

  • Page 18 amount of soft clipping is occurring. When the LED is bright, the signal is really strongly overdriven. Judicious use of overdrive can really fatten up a sound. The external audio input can accept a signal from instrument level to line level. MIX-OUT LOOP: The jack on the back labeled “mix out/filter in”...

Page 19: Oscillators

  • Page 20 Oscillator 1 does not have a frequency control because it is designed to serve as a reference oscillator for the other 2 oscillators. FINE TUNE: Fine tune control can be used to tune the Voyager’s oscillators + or – 2 semitones for matching an external reference pitch. WAVE: Oscillator waveform control The VCOs of the Voyager feature a continuously variable waveform control.
  • Page 21 1 FM: Direct Linear Frequency Modulation of Osc. 1 by Osc. 3 When an Oscillator is used as a CV source for another VCO, it is called Frequency modulation. Frequency Modulation effects can vary from vibrato or trill effects to clangorous inharmonic sounds to rich timbres that evoke acoustic sounds.

Page 22: Filters

  • Page 23 The Voyager features two filter modes: Dual Lowpass and Highpass/Lowpass DUAL LOWPASS MODE: The Voyager’s dual Lowpass filter mode features two lowpass filters which are routed to the left or right audio output. The Cutoff knob controls the frequency cutoffs of both filters.
  • Page 24 HIGHPASS LOWPASS MODE: In Highpass/Lowpass mode, the Voyagers filters are configured as a lowpass and highpass filter in series, summed to both outputs. As with the dual lowpass mode, the Cutoff control changes the cutoff frequency of both filters, and the spacing sets the frequency difference between the highpass filter and lowpass filter.
  • Page 25 FILTER CONTROL INPUT: The Control Input on the back labeled FILTER is a CV input for external control of the Voyager’s filter cutoff control. The Input accepts -5 to +5 volts, or an expression pedal like the EP-1. The voltage applied here is added to where the front panel Cutoff control is set.

Page 26: Envelope Generators

  • Page 27 RATE CONTROL INPUT: The Control Input on the back labeled RATE is a CV input for external control of the Voyager’s Envelope time constants. The Input accepts -5 to 5 Volts, or an expression pedal like the EP-1. An expression pedal or a positive voltage applied here decreases the attack, decay, and release times from where the front panel is set for both the filter and the volume EGRs.
  • Page 28 ENVELOPE GATE INPUT: This input accepts a footswitch or gate signal. Pressing the footswitch or applying a gate signal (+5V) triggers both envelopes when On/External is selected by the ENV. GATE switch. RELEASE INPUT: This input accepts a footswitch or gate signal. Pressing the footswitch or applying a gate signal (+5V) enables the Release of the Envelopes regardless of the position of the Release switch on the Left Hand Controller panel.

Page 29: Audio Outputs

Page 30: mod busses.

  • Page 31 Wheel can be used to fade in the modulation, which should sound something like vibrato. This is a simple use of a mod bus. The flexibility of the two Modulation Busses offer a wealth of modulation possibilities which make the Voyager an incredible sound design tool. SOURCE: Choosing a modulation source is done through a combination of the Mod Source Switch and the menus of the software.
  • Page 32 -OSC.3: The Pitch of Oscillator 3 -FILTER: The Filters’ Cutoff frequency -WAVE: All 3 Oscillators waveform -LFO/PGM: This is a programmable destination for the mod bus with LFO Rate as the The programmable Mod destination is set in the EDIT mode menu default.

Page 33: Lfo/ Sample And Hold

  • Page 34 LFO RATE: The LFO Rate control sets the Rate of the dedicated LFO. The range of oscillation is .2 Hz to 50 Hz. LFO SYNC: The LFO Sync switch sets the trigger method for starting the LFO waveform. OFF/SYNC: This setting allows the LFO to be free running, unless there is an input to the SYNC jack on the back panel.

Page 35: Keyboard And Left Hand Control Panel

Page 36: the touch surface controller, page 37: the back panel, page 38: the user interface/voyager software, page 39: master mode.

  • Page 40 When entering the RECEIVE UPDATE screen, the screen will ask if you are sure you want to upgrade the software. Selecting YES will initialize the memory and enable the Voyager to receive the Sysex data containing the new Operating System software.

Page 41: Edit Mode

  • Page 42 +/- Fifth +/- 1 Octave +/- 1 Octave & 5 +/- 2 Octaves +/- 2 Octaves & 5 PGM M-WHL SOURCE PROGRAMMABLE MOD WHEEL SOURCE is a function that allows the user to program 1 of 8 additional modulation sources to be used when the SOURCE switch for the Mod Wheel Mod Bus is set to NOISE/PGM.
  • Page 43 INITIALIZE PARAMETERS is a function that allows the user to reset the current values of the Voyager’s parameters to a basic sound which can be used as a starting point for new sound development. Enter EDIT mode and use the +/- 1 buttons to highlight INIT.
  • Page 44 SAVE PRESET SAVE PRESET allows the user to store all the Voyager’s current front panel settings, Pitch Bend Amount, Programmable Mod Sources and Destinations, Keyboard Mode, Trigger Mode, and Preset Name to one of 128 Memory locations. To save your edited sound, enter EDIT mode, use the +/- 1 buttons to highlight SAVE PRESET and press ENTER.

Page 45: Panel Mode

Page 46: midi, page 47: appendix a: caring for your voyager, page 48: appendix c: list of presets.

  • Page 49 034 - Zappy Bass 035 - Classic Sweeper 036 - Touchpad sync 037 - First Love 038 - Clearly fuzzy 039 - Fond Memories 040 - Flyin' fingers 041 - Worms of funk 042 - Tremowah Bass 043 - Welcoming machine 044 - Touchpad horn 045 - Still fun (wheel up) 046 - Subfood Bass...
  • Page 50 083 - Aleatoric 084 - Wheel chorus Lead 085 - Glass Temple 086 - Repeater Bass 087 - Electro Kid 088 - Fuzzy Lead 089 - Catherine of Aragon 090 - Catherine Howard 091 - Anne Boleyn Bass 092 - Anne Boleyn Lead 093 - Raw &...

Page 51: Appendix D: Midi Implementation Chart

Page 52: appendix e: vx-351 user's guide.

  • Page 53 - An installation guide for the Output adapter. You will need the following: - A place close to your Voyager to set your VX-351 – if you have purchased the optional rack mount kit for the VX-351 you’ll need a 19” equipment rack with 3 available spaces.
  • Page 54 Plug the other end into the Voyager’s Filter control input. - Play a note on the Voyager – you will hear the LFO modulating the Filter’s Cutoff. Changing the RATE of the LFO will change the rate that the Filter cutoff goes up and down.
  • Page 55 : This is the CV generated from the MOD2 input. The MOD2 Input is a CV input on the Voyager that is an external modulation source for the Mod Busses. With nothing plugged into the MOD2 jack, the voltage that’s present at the MOD2 jack is +5V.
  • Page 56 The VX-351 contains two 4-way mults. A mult is used to distribute a single source to multiple destinations. An example is sending the Voyager’s LFO To the Volume, Filter and Pan Control Inputs. In this case all three of those parameters will be controlled simultaneously by the LFO.
  • Page 57 Documenting your work One thing to keep in mind is that although the Voyager can remember the settings of the front panel controls as a preset, it cannot save the routings of patch cables or the positions of the attenuators. We recommend having a list of the outputs with...
  • Page 58 Try the following: - Initialize the Voyager’s parameters. - Using a ¼” cable, connect the Mod Wheel Mod Buss output to the Voyager’s Filter Control Input. - Play a note and move the mod wheel forward. You’ll hear the LFO triangle wave modulating both the Voyager’s Pitch, and Filter.
  • Page 59 - Switch the Envelope Gate switch at the bottom right corner of the front panel to “On/External”. You should immediately hear a note repeating at the LFO rate. These are just a few examples of the functions that a VX-351 adds to a Voyager. Adding a moogerfooger CP-251 to the mix The VX–351 works incredibly well alongside the moogerfooger CP-251 Control...
  • Page 60 D) Envelope to Noise level for noise component at the attack of a note. Some sounds have a burst of noise at the beginnings of a note or “chiff” – for instance a flute or a pipe organ. This patch digs a little deeper into the Voyager to achieve this effect.
  • Page 61 - Use the Voyager’s Mod Wheel to control the Rate of the MF-103 12-stage Phaser. - Use the Voyager’s Mod Wheel to control the Mix of Ring Modulation on a MF-102. - Use the Voyager’s Touch surface to control the MF-102’s Carrier Oscillator Frequency.
  • Page 62 S & H STEP: Max. -2 to +2 V Nominal, 330 Ω output impedance. SMOOTH: Max. -2 to +2 V Nominal, Ω output impedance. Moog Music Inc. 554C Riverside Dr Asheville, NC 28801 800-948-1990 www.moogmusic.com Minimoog Voyager User’s Manual SKU#MAN-MIN-01...

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Voyager

Moog Voyager with blond maple case. Courtesy of Vintage Synth Explorer.

A monophonic synth produced by Moog Music and based on the original Minimoog . The Voyager was the first product to be put into production by the reconstituted Moog Music in 2002. Four main versions have been produced; all are out of production now.

  • 1 The Original Voyager
  • 2.1 The Voyager OS
  • 2.2 The Voyager RME
  • 2.3 The Voyager XL
  • 3 Comparison to the Model D Minimoog
  • 4 Voyager Gallery

The Original Voyager [ ]

Like the original Mini, the audio circuitry is all analog , but the Voyager adds microprocessor control and with it a host of new functions: patch memory , MIDI , a velocity and aftertouch sensitive keyboard, and a touch pad that can generate three control voltages based on X position, Y position, and a Z value that is proportional to how much surface area is in contact. The envelopes are expanded from the original Model D Mini's three-segment design to a full ADSR configuration (two are provided, with the second one being dedicated to the filter), and a dedicated LFO is provided. (On the original Mini, there was no LFO. One of the three VCOs could be switched to low range, but this left one less VCO for audio signals. An LFO was a widely-wished-for feature, and many of the Model D aftermarket kits provided one.) Expanded modulation routing, compared to the Model D, is also provided, with VCO 1, the mod wheel and the LFO all being routable to a number of control destinations.

The Voyager maintains many of the design cues of the original, including the wooden case, the tilt-up panel, the same type of knobs, and the color-coded rocker switches. Every other feature of the Model D is provided except for the 440 Hz tuning oscillator , which was probably felt to be unnecessary since the Voyager has an auto tune function.

In, Out, and Thru MIDI jacks are provided. The MIDI implements MIDI overflow . Up to 16 Voyagers can be chained and played polyphonically from the keyboard of one unit (or an external MIDI source), with each unit in the chain playing one note in a chord. The touch pad also sends MIDI, as do all of the parameter controls. The patch memory holds 128 patches. The real panel contains CV/Gate input jacks and some jacks to inject control voltages into various functions, an external audio input, and an accessory port. The accessory port can be used to connect VX-351 and VX-352 expansion boxes, which provides a number of additional control voltage and audio outputs and inputs, respectively.

Voyager Variants [ ]

Moog has produced many variations of the Voyager; most of these are cosmetic, but there are three significant variants. The Voyager Old School (Voyager OS for short) retains the analog circuitry and controls, but deletes most of the microprocessor-enabled features such as the patch memory, MIDI, and the touch pad. The Voyager RME (Rackmount Edition) was, as the name suggests, an rackmount module lacking a keyboard. The Voyager XL, introduced in 2011, adds a number of patch points on the panel, making the synth a semi-modular . It also includes a second LFO, a full five-octave keyboard, and a built-in ribbon controller .

The Voyager OS [ ]

This model most closely resembled the classic Model D Minimoog, and it provides the closest approximation of the Model D experience available in the Voyager series. It is a strictly analog machine with all of the microprocessor functions removed (which, among other things, means no patch memory). The touchpad is removed, and of course there is no LCD screen and no MIDI. The digital scanning keyboard is replaced with an old-style analog keyboard that uses a resistor ladder to generate the control voltage. The OS is not an exact functional duplicate of the Model D as it does retain the analog features introduced by the original Voyager, including the LFO, the modulation busses, and the ADSR envelopes.

The Voyager OS was introduced in 2008, and discontinued in 2009. Around 200 were built.

The Voyager RME [ ]

This was the original Voyager re-packaged in a 19" rack mount chassis. It contains all the features of the original Voyager except for the performance controls (keyboard, pitch/mod wheels, and the touch pad). Some rearrangement of the panel was necessary to get everything to fit within the horizontal dimension of a rack.

The Voyager RME was introduced in 2005 and discontinued in 2015.

The Voyager XL [ ]

This version adds a patch panel to the left end of the Voyager panel, transforming the Voyager into a semi-modular synth. The patch panel provides access to input and output points of the synth's components, plus a pair of attenuators, a stand-alone mixer, and a second LFO. Since the patch panel makes the case wider, the XL comes equipped with a full five-octave, 61-key, C-to-C keyboard. (Other Voyagers have the typical Moog F-to-C keyboard.) The XL also adds a ribbon controller .

The Voyager XL was first offered in 2010. The last Voyager remaining in production, it was discontinued in March 2017.

Comparison to the Model D Minimoog [ ]

Considerable debate exists as to how authentic the Voyager is to the sound and playability of the original Minimoog. Even though the basic circuit designs are similar to the original, Moog took considerable advantage of the advances in circuit miniaturization that have occurred since the 1970s in designing the Voyager, and some claim that this harms the sound. However, other performers point out that original Minis are now 30+ years old and that their sound is considerably influenced by component aging and repairs, and anyway, the Voyager is immune from some problems that plagued the original, such as not staying in tune. Despite some dissent, and a rather hefty price tag, most of the Voyager versions (with the exception of the Voyager OS) sold well over the model's lifetime. Nonetheless, Moog chose to discontinue the last of the Voyager line in favor of a revival of the Model D in 2017.

Voyager Gallery [ ]

Voyager-blue

Voyager Electric Blue edition, with backlit panel. Courtesy of Audio Fanzine.

Voyager-gold

Rather strange-looking Voyager Lunar Gold edition, with clear acrylic knobs. Courtesy of Equipbaord.

Voyager-rme

Voyager Rack Mount Edition. Courtesy of Perfect Circuit via Vintage Synth Explorer.

Voyager-os

Voyager Old School. Note lack of screen and touchpad, and general similarity to the Model D Minimoog. Courtesy of Vintage Synth Explorer.

Voyager-xl

Voyager XL. Note longer case. Courtesy of Synthtopia.

Voyager-proto

Bob Moog's Voyager prototype, in partially disassembled condition. Courtesy of Moog Music.

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moog voyager accessory port

Moog Music Minimoog Voyager - Rack Mount Edition

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Product Description

The MiniMoog Voyager is available in a 19" Rack Mount Edition! The Rack Mount Edition (RME) is five units high and, with optional wood sides, doubles as a tabletop synth. Its backlit front panel includes all of the front panel controls of the Voyager (with the exception of the touch surface). All presets from the Voyager are useable in the Rack Mount Edition.

Moog Voyager RME at a Glance:

  • The ultimate analog synth, now in a rack!
  • Classic Moog oscillators, filters, and amplifiers
  • MIDI I/O plus control voltage connectors
  • New features and seven banks of 128 presents (896) in v3.0

The ultimate analog synth, now in a rack! The Minimoog Voyager RME is perhaps the ultimate monophonic analog performance synth. It incorporates virtually all of the sound resources and functions of the original Model D Minimoog, which was produced by Moog Music, Inc. from 1970 to 1982. The Voyager Rack has many additional features, including MIDI IN and MIDI OUT implementation, extensive patching facilities, and a large number of new panel features. Classic Moog oscillators, filters, and amplifiers The Voyager RME's signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source, and one audio preamplifier for externally-applied audio signals. The sound modifiers are two 'Moog-style' low-pass filters and one VCA (Voltage Controlled Amplifier). Modulation sources are two ADSR (Attack Decay Sustain Release) envelope generators and one multi-waveform LFO (Low Frequency Oscillator). MIDI I/O plus control voltage connectors The Voyager RME's rear panel delivers all of the same input/output resources that are available on the Voyager via its MIDI IN, THRU, and OUT connectors, four audio input and output jacks, and two accessory port connectors. The output accessory port connects the RME's 21 control and gate outputs to the forthcoming VX-351 Voyager CV Output Expander, while the input accessory port connects the 18 control and gate inputs to the VX-352 Voyager CV Input Expander. V3.0 adds even more capability to the Voyager: V3.0 extends the current single Bank of 128 Presets to 7 Banks of 128 Presets for a total of 896 user accessible presets. Of the 896 user accessible presets, 704 come pre-loaded with patches from Nigel Hopkins, Brian Kehew, Will Alexander, Bernie Worrell, Drew Newmann, Amos Gaynes, Steve Dunnington, Aron Magner, Chad Hugo, Darrell Diaz, Frank Lucas, Fred Wreck, Gabrial McNair, Geoffrey Keezer, Herbie Hancock, Khari Simmons, James Lumb, Jamie Muhoberac, Joseph Rivers, Neil Palmer, Printz Board, Randy Cantor, Rick Wakeman, Mark Kline, Zon Vern Pyles, Thomas Wolf. The External Mixer knob (just right of the display panel) has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons.

MIDI Enhancements:

  • Allows you to send either 7 or 14 bit resolution from the Mod Wheel.
  • Optionally reduces the amount of MIDI data being sent from the Touch Surface. 
  • These changes enable the Voyager to work better with older MIDI equipment.

Moog Voyager RME Features:

  • Three wide-range, high stability VCOs with continuously-variable waveforms. 
  • Two "Moog-style" low-pass-resonant filters with choice of two-pole or four-pole response
  • Five-input mixer for combining the audio sources prior to filtering
  • Two wide-range ADSR (Attack Decay Sustain Release) envelopes
  • Filter Envelope sweeps the filter and is available for modulation shaping
  • Volume Envelope shapes the overall volume
  • Low Frequency Oscillator generates triangular, square, Sample & Hold, and smoothed Sample & Hold waveforms for use as modulating signals
  • Modulation Busses Module selects sources, destinations, and shaping signals for the Mod Wheel bus and the Ext Pedal bus
  • Glide varies the speed at which the keyboard voltage changes, from instantaneous to several seconds
  • Extensive MIDI implementation capabilities

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Moog Minimoog Voyager Rackmount Edition Monophonic Analog Performance Synthesizer

This product has been discontinued..

Moog

The Minimoog Voyager Rack Mount Edition takes all the mind-bending power of the Minimoog Voyager and packages it in a 19" wide by 5U (8 3/4") high package, which is designed for rack-mount or table-top use. The Voyager Rack Mount Edition contains all the synthesis functions of the award-winning Voyager. It also includes the Electric Blue back lit panel that we introduced with the Anniversary Edition Voyager, complete with front panel brightness control. A new feature is the switchable output mode. A slider switch on the rear panel selects -2dBm unbalanced, floating outputs, or +4 dBm, 600 Ohm electronically balanced outputs for professional applications. Also new is the Input Accessory Port, for CV/Gate Inputs. The Voyager Rack Mount Edition can be controlled completely through MIDI. All front panel controls transmit and receive MIDI Continuous Controller messages. Match the RME (or up to 16 of them!) up with your existing Voyager to achieve some serious polyphony. The Rack Mount Edition is now available from Moog Dealers. Now, all Rack Mount Editions will have the upgraded software and hardware to allow the player 7 banks of 128 presets and the following capabilities: The External Mixer knob (just right of the display panel) has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons. MIDI Enhancements: - Allows you to send either 7 or 14 bit resolution from the Mod Wheel. - Optionally reduces the amount of MIDI data being sent from the Touch Surface. (These changes enable the Voyager to work better with older MIDI equipment.) So many sounds to spark your creativity!

The Minimoog Voyager Rack Mount Edition takes all the mind-bending power of the Minimoog Voyager and packages it in a 19" wide by 5U (8 3/4") high package, which is designed for rack-mount or table-top use. The Voyager Rack Mount Edition contains all the synthesis functions of the award-winning Voyager. It also includes the Electric Blue back lit panel that we introduced with the Anniversary Edition Voyager, complete with front panel brightness control. A new feature is the switchable output mode. A slider switch on the rear panel selects -2dBm unbalanced, floating outputs, or +4 dBm, 600 Ohm electronically balanced outputs for professional applications. Also new is the Input Accessory Port, for CV/Gate Inputs. The Voyager Rack Mount Edition can be controlled completely through MIDI. All front panel controls transmit and receive MIDI Continuous Controller messages. Match the RME (or up to 16 of them!) up with your existing Voyager to achieve some serious polyphony. The Rack Mount Edition is now available from Moog Dealers. Now, all Rack Mount Editions will have the upgraded software and hardware to allow the player 7 banks of 128 presets and the following capabilities: The External Mixer knob (just right of the display panel) has a dual function that allows you to rapidly change presets as opposed to continuously punching the cursor buttons. MIDI Enhancements: - Allows you to send either 7 or 14 bit resolution from the Mod Wheel. - Optionally reduces the amount of MIDI data being sent from the Touch Surface. (These changes enable the Voyager to work better with older MIDI equipment.) So many sounds to spark your creativity! Product pictured above includes optional wood handles which can be purchase from the web or a dealer for $69. If you are using the Voyager Rack Mount Edition as a table-top unit, you need these to get the full vintage Moog vibe. The product ships with rack mount hardware.

The Minimoog Voyager Rack Mount Edition Synthesizer is a monophonic (one note at a time) analog performance synthesizer housed in a 5U Rack Mount Enclosure. The signal path starts with a bank of three wide-range, high-stability voltage controlled oscillators, one noise source, and one audio preamplifier for externally-applied audio signals. The sound modifiers are a dual mode filter module, containing a dual Moog lowpass mode and a highpass/lowpass mode and one stereo VCA (Voltage Controlled Amplifier). Modulation sources are two ADSR (Attack Decay Sustain Release) envelope generators and one multiwaveform LFO (Low Frequency Oscillator). The digital functions of the Voyager allow for storage of presets, transmitting and reception of MIDI, and software upgrades via MIDI. The User Interface is a LCD display with variable contrast, +1/-1 and cursor buttons for navigation, an Enter button for executing functions, and 3 Mode functions for determining the operation mode of the Voyager. Master Mode allows access to Global Settings and Utilities; Edit Mode allows access to Items stored as a Preset, and performs the Save function; Panel Mode allows access to the presets and is the mode used for performance, as well as performance related features. Oscillators Module Three wide-range, high stability VCOs (Voltage Controlled Oscillators) with continuously variable waveforms. * Two FREQUENCY controls vary the frequencies of Oscillators #2 and #3 over a +/-7 semitone range with respect to Oscillator #1. * Three OCTAVE selectors set the frequency ranges of the oscillators in six octave steps. * Three WAVE controls provide continuous control over the waveforms of the oscillators, from triangular, to sawtooth, to square, to narrow rectangular. * 1-2 SYNC switch synchronizes the Oscillator #2 waveform to the frequency of Oscillator #1, for dramatic timbral effects. * 3-1 FM switch provides linear frequency modulation of Oscillator #1 by Oscillator #3. * 3 KEYBOARD CONTROL switch disconnects Oscillator #3 from control by the keyboard CV, enabling it to function as a drone or a modulation source independent of the keyboard. * 3 FREQ switch lowers the frequency of Oscillator #3 into the sub-audio range, enabling it to function as a low frequency audio or modulating oscillator. Mixer Module Five-input mixer for combining the audio sources prior to filtering. * Five Input Level controls adjust the relative levels of the oscillator, noise, and external audio input signals. * Five Input switches enable the player to quickly switch individual audio signals in and out. * External Level LED enables the player to set the correct external audio signal level. Filters Module Dual mode filter module includes two Moog lowpass-resonant filters in parallel to stereo output or a highpass and lowpass-resonant filters in series, for highpass, bandpass, or lowpass filtering. * CUTOFF control sweeps the frequencies of both filters throughout the audio range. * SPACING control sets the spacing between the frequencies of the two lowpass filters or controls the frequency of the highpass filter, over a +/-3 octave range. * RESONANCE control adjusts the resonance of both filters, from none to filter oscillation. * KEYBOARD CONTROL AMOUNT control sets how much the filters open and close as the player presses different keys on the keyboard controlling the Voyager Rack Mount. * DUAL LOWPASS/ HIGHPASS-LOWPASS switch selects between two lowpass filters in parallel or a lowpass and highpass filter in series. Envelopes Module The Envelopes Module generates two wide-range ADSR (Attack Decay Sustain Release) envelopes. The Filter Envelope sweeps the filter and is available for modulation shaping. The Volume Envelope shapes the overall volume. * Two ATTACK controls determine the attack times of the envelopes. * Two DECAY controls determine the decay time constants of the envelopes. * Two SUSTAIN controls determine the sustain levels of the envelopes. * Two RELEASE controls determine the release time constants of the envelopes. * AMOUNT TO FILTER control determines how much the filter envelope will open and close the filter, from full negative (inverted envelope) to full positive (non-inverted envelope). * ENVELOPE GATE switch selects whether the envelopes will be triggered by the keyboard or by programmable envelope gate sources, including Keyboard Gate, S+H Gate (LFO), and MIDI Clock, allowing independent triggering of the two envelopes. LFO Module Low Frequency Oscillator generates triangular, square, Sample & Hold, and smoothed Sample & Hold waveforms for use as modulating signals. * RATE control sets the LFO rate over the range 0.2 Hz (one cycle every five seconds) to 50 Hz (50 times a second). * SYNC selector selects LFO synchronization source to be from the keyboard gate, MIDI Clock, external gate, or off (no synchronization). * RATE LED provides visual indication of the LFO rate. Modulation Busses Module Selects the sources, destinations, and shaping signals for the MOD WHEEL bus and the PEDAL/ON bus. * Two SOURCE selectors select the modulation source from the LFO waveforms, Oscillator# 3, the MOD2 Voltage, or a software selectable source whose default is noise. * Two DESTINATION selectors select the modulation destination from the pitch of all the audio oscillators, just Oscillator #2, just Oscillator #3, the filter frequencies, the oscillator waveforms, or a software selectable destination whose default is LFO Rate. * Two SHAPING selectors select the filter envelope, key pressure signal, key velocity or a software selectable source whose default is on to shape the modulation signal on that bus. * Two AMOUNT controls set the overall modulation amount for each bus. Output Module * MASTER VOLUME control sets the overall level of the instruments audio outputs. * HEADPHONE VOLUME control sets the overall level of the headphone output. * HEADPHONES JACK: 1/4" tip-ring-sleeve phone jack for regular stereo headphones. Glide and Fine Tune Module * GLIDE varies the speed at which the keyboard voltage changes, from instantaneous to several seconds. * FINE TUNE adjusts the overall tuning of the instrument. Digital/ MIDI Implementation Capabilities for OS Version 2.6 * FRONT PANEL STORAGE AND RECALL: Except for the Fine Tuning control, the settings of all front panel controls, selectors, and switches are stored in the nonvolatile digital memory. A total of one hundred twenty eight front panel programs may be stored for instant recall. Presets are saved in EDIT mode. * CONTROL OF FRONT PANEL PARAMETERS THROUGH MIDI: All front panel parameters except for fine tune and headphone volume are controllable through MIDI Control Change commands. * TRANSMISSION OF FRONT PANEL SETTING VIA MIDI: Setting of all panel controls, selectors, and switches except for fine tune and headphone volume transmit MIDI Control Change Commands. Potentiometer controls transmit 14 bit CCs * UPLOADING AND DOWNLOADING OF BANKS OF SETTINGS VIA MIDI: Entire banks or individual presets may be uploaded and downloaded via MIDI. * UPDATING OF OPERATING SOFTWARE VIA MIDI: The instruments operating software can be updated via standard MIDI (.MID) or Sysex (.SYX) files which will be available on Moog Musics web site: www.moogmusic.com. * PANEL MODE FEATURES: -Quick Mode -Parameter Display -Master/HP Volume -LCD Contrast -T.S. Reduction -Ext. Audio Pot -Glide Function -Release Function * EDIT MODE FEATURES: -Compare to Preset -Recall Last Sound -Real Panel Parameters -Pitch Bend Amount -PGM Mod Wheel Source -PGM Mod Wheel Destination -PGM Pedal Source -PGM Pedal Destination -PGM Shaping Source 1 -PGM Shaping Source 2 -Keyboard Modes -Trigger Modes -Filter A Poles -Filter B Poles -Filter Envelope Gate Source -Volume Envelope Gate Source -T.S. Destinations -T.S. Memory Mod Buss -T.S. Memory Global -Pot Mapping Sources/Destinations -MIDI Clock Divider -Initialize Parameters -Preset Name -Save Preset *MASTER MODE FEATURES -MIDI Program Change -MIDI Channels -MIDI Out On/Off -MIDI Merge Function -Send Panel Sound -Send Preset(s) -Receive Presets -SysEx Device ID -Key Transpose -MIDI Key Order -MIDI Running Status -Copyright Info -Software Version -Send System ROM -Send Boot System -Receive Update Rear Panel Connectors AUDIO OUT RIGHT AND LEFT (MONO) These are the main audio outputs. A slide switch allows selection of -2dBm unbalanced floating outputs, or +4 dBm,600 Ohm balanced outputs. MIXER EXT IN Plug any instrument-level or line-level audio signal in this jack to combine with the oscillator and noise signals prior to filtering. MIX OUT/FILTER AUDIO IN This is a TRS insert point that can be used to insert an effect between the output of the Mixer and the Input of the Filters using a standard insert cable. The output of the audio mixer appears here, before being fed to the filter. The Mixer output appears at the tip of this jack, the return to the Filters appears at the ring. If you plug something into this jack, that breaks the normal connection. ACCESSORY PORTS INPUTS This is a standard male DB-25 connector that provides the following control voltage and gate inputs: Control Voltages: * VOLUME * PAN * FILTER CUTOFF * OSCILLATOR WAVEFORM * OSCILLATOR PITCH * MOD2 (EXTERNAL MOD SOURCE) * MOD1 (CONTROLS PEDAL/ON MOD BUS AMOUNT) * SAMPLE AND HOLD IN * ENVELOPES RATE * LFO RATE * T.S. X * T.S. Y * T.S. A Gates: * LFO SYNC * ENVELOPES GATE * SAMPLE AND HOLD GATE * RELEASE * T.S. GATE OUTPUTS This is a standard female DB-25 connector that allows access to the control voltage and gate output signals from the Voyager. A VX-351 CV Expander can be connected to this port to output these signals on its 1/4" jacks. Control signals that are routed to this port are: * KEYBOARD GATE * KEYBOARD CV * KEYBOARD PRESSURE CV * KEYBOARD VELOCITY CV * X, Y, AND Z CV OUTPUTS FROM THE T.S. INPUTS * MOD 1 AND MOD2 * MOD AND PITCH WHEELS * MOD BUS OUTPUTS * FILTER AND VOLUME ENVELOPES * LFO TRIANGLE AND SQUARE WAVE * SAMPLE AND HOLD STEPPED AND SMOOTHED OUTPUT * NOISE MIDI IN, THRU, and OUT connectors 100-240 VOLT POWER CONNECTOR Universal power supply enables the Minimoog Voyager to be plugged in anywhere in the world without special switching or adapters.

Moscow Muled

Moscow Muled

How to clean and care for copper mugs: the definitive guide.

How to Clean and Care for Copper Mugs: The Definitive Guide

Oct 15, 2019

In this post, we reveal the complete guide to cleaning and caring for your copper mugs. From how to maximize the lifespan of your mugs to how to ensure that they maintain that brilliant copper shine, we have you covered. Let's get started!

Introduction

Since the creation of the Moscow Mule in the 1940's, copper mugs have never been more popular than they are today. This refreshing cocktail made of lime juice, vodka, and ginger beer is traditionally served over ice in an iconic copper mule mug. No matter what beverage you choose to serve in it, the appeal of the copper mug is hard to deny. As bars, restaurants and at-home use of copper mugs continues to grow in popularity, it is important to know how to properly care for and clean copper. This article will tell you everything you need to know, including:

Why is Cleaning Copper Mugs Important?

Why does copper tarnish.

  • How Do you Clean Copper Mugs?
  • 5 Easy & Natural Ways to Remove Copper Tarnish
  • Is it Safe to Drink from Copper Mugs?

Are Copper Mugs Dishwasher Safe?

  • Lined Versus Unlined Copper Mugs
  • The Benefits of Using Copper Mugs
  • Essential Tips to Care for your Copper Mugs

person wearing blue clothes carrying two Moscow Muled copper mugs in each hand

Like any drinking vessel, copper cups, mugs, water bottles and tumblers need to be washed after every use. Copper does require specific care and maintenance, however it's quite simple and easy to learn and do.

First and foremost, copper mugs should be cleaned properly for health and safety reasons. Whether at a restaurant or at home, you don't want anyone getting sick from drinking from an unwashed cup.

There is something compelling about the warm glow of polished copper. A huge part of the appeal and popularity of cocktails like the Moscow Mule is the unique aesthetic of the copper mug. This metal will tarnish naturally with time and use, so cleaning it properly can be essential to keeping it shiny, and fully experiencing the many benefits of drinking from a copper mug.

upper half of Statue of Liberty against sky background

Like iron developing rust, copper will naturally tarnish  over time with exposure to humidity and other elements found in the air. Copper's blue-green tarnish, known as patina, can be either useful or annoying, depending on its intended use.

The patina actually serves as a protective layer for the copper beneath, and can be useful in outdoor applications such as roofing or pipes.  However, when it comes to mugs or cups, we want the copper to shine as warmly as possible, so it is essential to know about preventative care and maintenance.

Don't worry, it's super easy to do, and incredibly satisfying to restore and polish your tarnished copper mugs.

How Do You Clean Copper Mugs?

Cleaning copper mugs is like cleaning most anything, except that it MUST be washed by hand. In other words, never put them in the dishwasher, ever. Take 30 seconds to gently wash them by hand with a soft sponge, soap and warm water.

For most people at home, this shouldn't be a problem. But some high-volume bars or restaurants might not be able to dedicate the time needed for proper care. This is one reason a business may prefer a tin-lined  or lacquered copper cup that may need less polishing, although they too should still be washed by hand.

The most important part of cleaning your copper mug is drying it!

Residual water in the slightest amount can lead to tarnishing, so experts highly recommend you dry your copper mug twice, with two different soft towels or cloths until all moisture is removed.  This extra step only takes a few moments, and will go a long way towards the durability and cleanliness of your copper mule mugs.

If you want your copper mug to look nice, dry it twice!

5 Easy and Natural Ways to Remove Copper Tarnish

Owning a copper mug comes with the added responsibility of some occasional, simple maintenance. When your favorite mug starts to turn green, here are some easy solutions to restore its natural shine!

Lemon or Limes and Salt

four slices of lemon lined up and sprinkled with salts

This simple method is quick and easy, and ideal for bars or restaurants that may have an abundance of lemons on hand. Simply pour some table or sea salt onto a dish, and cut a fresh lemon or lime into 1/4th slices. Dip the fruit slice into the salt, and scrub the copper mug with slow, methodical circles inside and out. The change should be almost instantaneous, and when the tarnish has been removed, wash under warm or cool water, and dry thoroughly.

Vinegar and Salt

Mix one cup of vinegar, one tablespoon of salt, and five cups of water. Pour the solution into a saucepan, place your mug into the saucepan, and bring it to a boil. After a few minutes, the tarnish will have disappeared, and you can remove the mug with tongs, rinse it in cold water, and dry thoroughly with two soft dish towels.

Vinegar and Baking Soda

Create a paste with three parts baking soda, and one part vinegar. Use a sponge to apply it to the mug with small circular motions and let it sit for about 10 minutes in order for the magic to happen. After that, simply rinse and dry until all moisture has been removed.

Harness the power of tomatoes to clean your tarnished copper mug! Apply the ketchup using a soft sponge or toothbrush, always rubbing in small circles. Then let it stand for 30 minutes. Remove the ketchup in the same way you applied it (a specially designated tarnish-toothbrush can be a highly effective tool for getting into those hard to reach places). Finally, rinse with water, and dry thoroughly with two soft towels.

Tamarind Paste

Tamarind is a tropical fruit, popular in Caribbean, African and Indian cuisine. It contains tartaric acid, which helps remove tarnish from brass and copper. If this is something you have access to, simply add water to create a paste, and rub it onto the copper with a soft sponge or cloth.  After a few minutes, rinse off the paste, and dry completely.

Metal Polish

Although the natural methods listed above are all equally effective, inexpensive and safe, another option is to use a tarnish remover or metal polish. Popular brands like Brasso are great for polishing many different kinds of metals, but the main ingredients may be less than desirable (rubbing alcohol, ammonia, mineral spirits and silica powder). Chances are you can easily find most of the ingredients for cleaning copper mugs in your pantry, and can avoid buying a product full of harsh chemicals.

Is It Safe To Drink From Copper Mugs?

Yes, it is safe to drink from copper mugs , despite click-bait headlines, myths and legislation that may suggest otherwise. True, when using 100% pure copper mugs it is possible that trace amounts of copper could be ingested. However, this can be mitigated by using stainless-steel plated copper mugs.

Copper is an essential part of human biology, and is necessary for regulating metabolic systems and vital organs. Copper deficiency can lead to arthritis, osteoporosis, cardiovascular diseases and colon cancer.

Not only do our bodies need copper, we also have systems in place to naturally deal with any excess copper. Verified scientific studies have shown copper can do impressive things.

  • Copper and Iron work together to form red blood cells.
  • Copper helps maintain collagen, and along with other antioxidants, can reduce signs of aging.
  • Copper helps absorb excess iron in the liver.
  • Copper improves brain and nerve cell synaptic responses.
  • Copper aids in digestion and helps with ulcers and inflammation.

Copper toxicity is quite rare and, according to the World Health Organization , "There is a greater risk of health effects from a deficiency of copper intake than excessive copper intake."

The FDA guidelines do not recommend using copper for any food or beverage purposes, solely because of the extra care needed to maintain it, and applies exclusively to commercial operations, with varying local and state regulations.

This is meant to protect consumers from improperly cleaned or exposed copper mugs and cookware in bars and restaurants, and does not apply to home use. The FDA suggests the public learn about proper care and maintenance before using copper mugs, but scientists have debunked the claim that a Moscow Mule can give you copper poisoning.

When using 100% pure copper mugs and a liquid with a pH below 6.0 (like lime juice), and that liquid remains in the mug for an extended period of time, there is a chance you could consume amounts of copper. This is the reason why it is generally a good idea to use copper mugs lined with stainless-steel .

No, never! All copper cookware, utensils or mugs should be washed by hand, no exceptions. Dishwashers typically use harsh detergent, powerful water sprays and high heat that can seriously harm your copper mug both inside and out.

Dishwashers can lead to dents, tarnishing, and flaking or cracking. So take 30 seconds to do right by your copper mugs, and wash and dry them by hand!

Lines Versus Unlined Copper Mugs

When purchasing a copper mug, there are three basic options - 100% copper, tin-lined, and copper plated.

Copper is a great thermal conductor, and will keep your drink colder for longer (or hotter for longer, depending on the drinks). This is a big part of what makes the Moscow Mule an attractive summer beverage, and why copper mugs are great for cocktails in general.

Lined copper mugs  (usually with zinc, stainless-steel  or tin) can be a great choice. The double lining improves their durability, and can give them a great look. Unlike pure copper, lined copper mugs also offer additional health benefits by avoiding reactions between acids in your drink and pure copper.

Both lined and unlined copper mugs must be washed by hand and both will develop a patina over time. Lined mugs might take slightly less time to polish, because you only need worry about the outside. However, now that you know how to clean tarnished copper mugs, it's nothing you can't handle.

Essential Tips To Care For Your Copper Mugs

Copper mugs are stylish and good for your health. They keep your cold drinks chilled, and your hot drinks steaming. Copper mugs have been used for thousands of years for water purification and health benefits, and have made a triumphant rise in popularity since the invention of the Moscow Mule in the 1940's.

Whatever you choose to put in your copper mug, remember these three simple tips:

  • When serving drinks, don't let them sit for more than 4 hours. Drink up!
  • After each use, take the time to hand-wash your copper mugs with soap and water, and use TWO TOWELS to dry them thoroughly.
  • When your copper mug begins to tarnish, use one of the five easy and natural ways listed above to polish it to perfection.

Thank you for taking the time to become an expert on using, cleaning and caring for copper mugs. Cheers!

Did You Enjoy This Article?

Thank you for reading! If you enjoyed this article, you might also like the following articles:  Why You Should Only Use Moscow Mule Copper Mugs With Stainless Steel Lining and  Which Moscow Mule Copper Mugs Are Best?

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Accessories in Elektrostal,Moscow Oblast,Russia

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  1. Moog Voyager RME Accessory ports

    Hello, I consider building a custom CV in and out console for a Moog Voyager RME. (I don't need the additional attenuator and mult features of the VX 351 & 352, just a narrow rack mount line with jack inputs at the front and the 2 DB25 outputs at the back). ... Moog Voyager RME Accessory ports. Post by Acid Mitch » Sun Apr 28, 2019 9:48 am The ...

  2. Minimoog Voyager RME

    The Minimoog Voyager Rack Mount Edition takes all the mind-bending power of the Minimoog Voyager and packages it in a 19" package. ... outputs, or +4 dBm, 600 Ohm electronically balanced outputs for professional applications. Also new is the Input Accessory Port, for CV/Gate Inputs. ... Befitting the occasion, the artist used a Minimoog Voyager ...

  3. MOOG VOYAGER USER MANUAL Pdf Download

    ACCESSORY PORT: This is designed for accessories from Moog Music - The vx-351 Voyager CV Expander It contains the output of the analog gates and CVs from the Voyager. With the VX-351, the Voyager becomes more like a modular synth. Page 38: The User Interface/Voyager Software K. THE USER INTERFACE/ VOYAGER SOFTWARE 1.

  4. PDF Minimoog Voyager Features and Technical Specifications

    Accessory Port The Accessory port delivers the Control Voltage and gate signals generated inside the Voyager to a standard DB-25 connector. This is designed for use with the VX-351 Voyager CV Expander. LFO Sync A footswitch or gateapplied to this input will reset the LFO waveform to the beginning of its cycle. Envelopes Gate

  5. Moog Voyager to Eurorack Interface From Synovatron

    The Old School version has the same Accessory Port but does not have a touchpad so therefore does not support the Touch X, Y, A and Gate outputs. The RME (Rack Mount Edition) has an Output Accessory Port and does support the VX-351 and is probably OK BUT I have not been able to verify the extent to which it is compatible as there is virtually ...

  6. Moog VX-351

    The VX-351 connects to the Voyagers accessory port with the included detachable cable. It houses twenty-one one-quarter inch jacks that are connected to the Voyagers CV and Gate outputs in a CP-251 sized enclosure with an optional rack mount kit. It also includes two 4-way mults and two attenuators. Adding this to your Voyager adds the ...

  7. Moog

    Also new is the Input Accessory Port, for CV/Gate Inputs. The Voyager Rack Mount Edition can be controlled completely through MIDI. All front panel controls transmit and receive MIDI Continuous Controller messages. Match the RME (or up to 16 of them!) up with your existing Voyager to achieve some serious polyphony.

  8. Moog Voyager Select Series Jade Standard Ash Cabinet

    Accessory Port; The Accessory port delivers the Control Voltage and gat signals generated inside the Voyager to a standard DB-25 connector. This is designed for use with the VX-351 Voyager CV Expander. LFO Sync; A footswitch or gate applied to this input will reset the LFO waveform to the beginning of its cycle. Envelopes Gate

  9. Moog Minimoog Voyager

    Minimoog Voyager Select Series. Minimoog Voyager Select Series (2006-13) was a customizable version of the Electric Blue in which the customer can choose between mahogany, electric blue, traditional ash, white wash, maple, black, cherry, and walnut cabinets with red, blue, white, orange, green, or purple backlighting. They listed for $3,659 but were reduced to $2,999 when discontinued in 2013.

  10. Voyager

    The accessory port can be used to connect VX-351 and VX-352 expansion boxes, which provides a number of additional control voltage and audio outputs and inputs, respectively. Voyager Variants [] Moog has produced many variations of the Voyager; most of these are cosmetic, but there are three significant variants. The Voyager Old School (Voyager ...

  11. Minimoog Voyager

    Accessories; FAQ; Minimoog Voyager® ... co-producer of Bjork's Vulnicura. Befitting the occasion, the artist used a Minimoog Voyager and a prototype Mother-32, Moog's newest synthesizer, to create the score. AUDIO. Minimoog Voyager Sound Samples. 00:18. Wheel bass. 00:00. 00:10. Vowel bass. 00:00. 00:16. Tympanic membrane.

  12. Moog Music Minimoog Voyager

    Moog Voyager RME at a Glance: The ultimate analog synth, now in a rack! Classic Moog oscillators, filters, and amplifiers; ... and two accessory port connectors. The output accessory port connects the RME's 21 control and gate outputs to the forthcoming VX-351 Voyager CV Output Expander, while the input accessory port connects the 18 control ...

  13. MATRIXSYNTH: Moog Minimoog Voyager Signature Edition SN 523

    "This is an excellent Bob Moog Signature Voyager V3.5 (Serial number 523 of only 600 produced). All synthesizers in this line were inspected and signed by Dr. Moog. Moog offered solid wooden cabinets for this model. Maple, Cherry and Walnut. ... An accessory port is also part of the in out options. I have used this synth as the main brains of a ...

  14. Moog Minimoog Voyager Rackmount Edition Monophonic Analog Performance

    Also new is the Input Accessory Port, for CV/Gate Inputs. The Voyager Rack Mount Edition can be controlled completely through MIDI. All front panel controls transmit and receive MIDI Continuous Controller messages. Match the RME (or up to 16 of them!) up with your existing Voyager to achieve some serious polyphony. The Rack Mount Edition is now ...

  15. How to Clean and Care for Copper Mugs: The Definitive Guide

    Vinegar and Baking Soda. Create a paste with three parts baking soda, and one part vinegar. Use a sponge to apply it to the mug with small circular motions and let it sit for about 10 minutes in order for the magic to happen. After that, simply rinse and dry until all moisture has been removed.

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