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Home » Gear » best nikon travel lenses

The 16 Best Travel Lenses for Nikon • Comprehensive Guide

Nikon is one of the oldest and most respected camera manufacturers in the world. For over 100 years, this company has been producing photographic equipment that is used and loved by all types of people.

Nikon gear is used by professional photographers, journalists, enthusiasts, and everyday-folk alike; it is thanks to their mutual love for Nikon that the company has been so successful.

Nikon is well-known for its camera sensors, which are among the most advanced camera bodies on the current market. That said, a sensor is nothing without a lens. Nikon users should be just as concerned with their travel lens selection as they are with their camera body, which is what we’re going to talk about today.

There are over 90 Nikon lenses to choose from and even more when you consider 3rd parties like Sigma, Tamron, and Rokinon. If you’re having trouble sorting through these lenses and choosing the best Nikon travel lens for yourself then we don’t blame you.

That’s why we’re here to help! We at Broke Backpacker have an extensive knowledge on Nikon’s lens library are ready to help you out with any and all of your questions.

We’ve compiled a list of the 16 best Nikon lenses for travel photography. Each lens is uniquely designed and will appeal to a certain type of photographer. Whether you’re a run-and-gunner, a Zen landscape master, or a pro at portraiture, there is a lens out there made just for you.

So let’s get to it then! Here are the best Nikon lenses for travel photography currently available!

Quick Answers: Best Nikon FX Travel Lenses of 2024

Quick answers: best nikon dx travel lenses of 2024, best nikon travel lenses for fx mount, best nikon travel lenses for dx mount, things to consider when buying the best nikon travel lenses, faq about the best nikon travel lenses.

• Overall Best Travel Lens for Nikon FX – Nikon AF-S FX NIKKOR 24-120mm f/4G ED VR
• Best Budget Travel Lens for Nikon FX – Nikon 24-85mm F/3.5-4.5G ED VR AF-S
• Best Professional Travel Lens for Nikon FX – Nikon AF-S FX NIKKOR 24-70mm f/2.8G
• Best Prime Travel Lens for Nikon FX – Nikon 50mm f/1.4G SIC SW
• Jump to -> The List of Best Nikon FX Travel Lenses of 2024

Nikon Nikkor 24-120mm f/4.0

• > Great focal range
• > Lightweight

Nikon Nikkor 24-85mm f/3.5-4.5

• > Good center sharpness
• > Good autofocus
• > Affordable

Nikon Nikkor 24-70mm f/2.8

• > Outstanding sharpness
• > Very robust
• > Great autofocus

Nikon Nikkor 50mm f/1.8

• > Light and durable
• > Very affordable
• Overall Best Travel Lens for Nikon DX – Sigma 18-300mm F3.5-6.3 DC Macro OS HSM
• Best DX Budget Travel Lens for Nikon DX – Sigma 17-50mm f/2.8 EX DC OS HSM FLD
• Best DX Professional Travel Lens for Nikon DX – Sigma Art 18-35mm f/1.8
• Best EF-S Prime Travel Lens for Nikon DX – Nikon AF-S DX NIKKOR 35mm f/1.8G
• Jump to -> The List of Best Nikon DX Travel Lenses of 2024

Sigma 18-300mm f/3.5-6.3

• > Good optics
• > Well designed

Sigma 17-50mm f/2.8

• > Fast aperture

Sigma Art 18-35mm f/1.8

• > Unbeatable resolution
• > Unbeatable resolution Very fast aperture
• > Limited optical imperfections

Nikon Nikkor 35mm f/1.8

• > Great performance
• > Amazing price
• > Very portable

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Overall Best Nikon Travel Lens (FX): Nikon AF-S FX NIKKOR 24-120mm f4 G ED VR

• Weight: 1.56 lb / 710 g
• Dimensions: 3.31 x 4.06″ / 84 x 103 mm
• Filter Size: 77mm
• Optical Stabilization: Yes

The Nikkor 24-120mm f/4 ED VR is our pick for the best Nikon travel lens! This iteration of the classic “do-everything travel zoom” is a worthy piece of equipment, thanks in part to its solid optical performance, effective vibration reduction, and relative lightweight.

Those who are traveling the world and need something both powerful and portable will find the 24-120mm is one of the best options.

The Nikon Nikkor 24-120mm f/4G ED VR appealing because of its useful focal range. At 24-120mm, this lens can capture all sorts of subjects and will appeal to many types of photographers.

Landscape photographers will appreciate the relatively wide 24mm angle while portrait photographers will get some pretty solid headshots at the telephoto end.

Optically, the Nikon Nikkor 24-120mm f/4 performs very well. Images are super sharp, particularly in the center, from the widest aperture. The corners are bit soft but improve dramatically when the lens is stopped down.

Vignetting and distortion are visible at both ends of the focal range but luckily these problems can easily be fixed in post-processing. The bokeh created by the 24-120mm isn’t the best, and many photographers find it too busy or chaotic.

To be honest, the problems that the Nikon Nikkor 24-120mm f/4G ED VR suffers from are to be expected. Travel zooms like this one are usually prone to optical imperfections but, given the usefulness of the lens’ focal range, these tradeoffs are almost always acceptable.

The Nikon Nikkor 24-120mm f/4 is made of high-grade plastics. Although these plastics are pretty durable, they are not weather resistant. Those who expose their lenses to elements frequently may be concerned with the Nikon 24-120mm’s ruggedness or lack thereof.

• Excellent sharpness.
• Very useful focal range and VR.
• Relatively lightweight.
• Vignetting/distortion when shot wide or telephoto.
• Unattractive bokeh.
• Plastic construction.

Best Budget Nikon Travel Lens (FX): Nikon 24-85mm F/3.5-4.5G ED VR AF-S

• Weight: 1.02 lb / 465 g
• Dimensions: 3.07 x 3.23″ / 78 x 82 mm
• Filter Size: 72mm

For those who don’t want to shell out $1,000+ for a professional zoom, the Nikon 24-85mm f/3.5-4.5G ED VR is an excellent alternative. For around $500, you can have a lens with good image quality, a solid set of features, and excellent packability. Though the Nikon 24-85mm f/3.5-4.5 is far from perfect, it still does a great job of capturing beautiful images.

Optically, the Nikon 24-85mm f/3.5-4.5G ED VR performs pretty well. Center sharpness is excellent throughout the entire focal range. The vibration reduction and autofocusing systems are very capable as well and should increase photo quality in either dimly lit or fast-paced environments.

The Nikon 24-85mm f/3.5-4.5G ED VR does suffer from quite a few optical blemishes. Distortion, both the barrelling and pincushion varieties, is noticeable throughout the focal range. Vignetting and corner softness are also strong when the lens is used wide open.

Even though it was designed to be used on the FX mount, the Nikon 24-85mm f/3.5-4.5G ED VR oddly enough feels more suited for a DX camera. Because of the sensor cropping, the corners suffer less from softness and vignetting while on a DX body.

Regardless of its inherent flaws, the Nikon 24-85mm f/3.5-4.5G ED VR is still an effective lens that is capable of delivering excellent photos. It will require a little extra effort to get the most out of this camera but, once you master it, the Nikon 24-85mm f/3.5-4.5G ED VR can be one of the best budget travel lenses for Nikon FX users.

• Good center sharpness throughout the focal range.
• Quick, silent autofocus.
• Affordable.
• Distortion throughout the range.
• Heavy vignetting.
• Optical blemishes more apparent on FX mount.

Best Professional Nikon Travel Lens (FX): Nikon AF-S FX NIKKOR 24-70mm f/2.8G

• Weight: 1.98 lb / 900 g
• Dimensions: 3.27 x 5.24″ / 83 x 133 mm
• Optical Stabilization: No

For those looking for a superlative lens and are willing to fork out the necessary dough, the Nikon AF-S FX Nikkor 24-70mm f/2.8G is one of the best that money can buy.

Thanks to its stellar image sharpness, blazing fast autofocus, and superb build quality, the Nikon AF-S FX Nikkor 24-70mm f/2.8G is our choice for the best travel lens for professional Nikon photographers.

The Nikon AF-S FX Nikkor 24-70mm f/2.8G is a worthy addition to the photographic world. Like most other fixed-aperture zooms, the Nikon AF-S FX Nikkor 24-70mm f/2.8G is near-flawless optically.

More than that, it just performs amazingly well – autofocus is some of the fastest in the Nikon line, and construction is of such high quality the lens can handle most forms of weather.

All and all, the Nikon AF-S FX Nikkor 24-70mm f/2.8G strives to be a perfect lens and, for the most part, comes close. As is the case with pro medium zooms though, the question is “what doesn’t this lens have?”

Like a lot of Nikon lenses, distortion and vignetting are present in the Nikon AF-S FX Nikkor 24-70mm f/2.8G, but to a much lesser degree. Many photographers will not notice these imperfections. Those that do can easily fix them with post-processing software as always.

The Nikon AF-S FX Nikkor 24-70mm f/2.8G also lacks vibration reduction tech, perhaps to keep costs and/or size down to a minimum. The fast f/2.8 aperture should do well enough in low light. For those that really want the VR though, there’s a newer, more expensive model that comes equipped with it.

• Outstanding sharpness.
• Extremely quick autofocus.
• Very robust build-quality.
• Some corner softness and vignetting.
• No vibration reduction tech.

Best Prime Nikon Travel Lens (FX): Nikon 50mm f/1.8G

• Weight: 6.53 oz / 185 g
• Dimensions: 2.84 x 2.06″ / 72.1 x 52.4 mm
• Filter Size: 58mm

Almost every photographer’s first prime lens is a 50mm, or “nifty fifty.” These lenses are popular first choices because they’re almost always a) useful b) effective and c) affordable. Nikon’s own 50mm f/1.8 is no exception to this trend!

The Nikon 50mm f/1.8G is everything that you’d expect from a nifty fifty – it’s sharp, portable, very fast, and, best of all, a screaming deal.

Optically, the Nikon 50mm f/1.8G is a solid performer. Sharpness is respectable when shot wide open and becomes impressive when stopped down to f/2.8 and f/4.

Vignetting and corner sharpness are present in the Nikon 50mm f/1.8G when it’s shot wide open. Most will hardly recognize these faults since the background will probably be thrown out anyways and lost in the lens’ bokeh, which is gorgeous by the way. Distortion is a bit heavy for a prime lens but this can easily be fixed in post-processing.

It goes without saying that the Nikon 50mm f/1.8G is very portable, weighing only a paltry 185 grams. The lens doesn’t have the best depth of field markings, which may or may not turn off traditional photographers who like to know their hyperfocal values.

At the end of the day, what makes the Nikon 50mm f/1.8G so great is its unbeatable price. For around $200 new, you can have an extremely useful lens that sacrifices little in the way of performance.

Those looking for the best prime lens for Nikon then should look no further than the Nikon 50mm f/1.8G.

• Light yet durable.
• Amazing price.
• Distortion.
• Vignetting/corner softness at widest aperture.
• Poor DOF markings.

Best Nikon Travel Lens for Landscape Photographers (FX): Nikon AF-S FX NIKKOR 16-35mm f/4G ED VR

• Weight: 1.50 lb / 680 g
• Dimensions: 3.25 x 4.92″ / 82.5 x 125 mm

The Nikon Nikkor 16-35mm f/4G ED VR is an exceptional wide-angle lens. The photos that this camera produces have an awesome resolution, are generally free of optical blemishes and just drop-dead gorgeous.

For landscape photographers, the Nikkor 16-35mm f/4G ED VR is one of the best Nikon travel lenses that they can own.

There’s little to begrudge of the Nikon Nikkor 16-35mm f/4G ED VR in terms of image quality. From f/4.0, center sharpness is superb and by f/8.0 the entire frame is crisper than a fresh set of bed sheets. Corners do show a bit of softness when the lens is used wide-open but this is to be expected from an ultra wide angle.

Distortion is very apparent when the lens is set to 16mm. This distortion is nothing debilitating – modern post-processing software can fix this imperfection – but it just really stands out within the focal range.

Luckily, all other forms of optical blemishing are well controlled in the Nikon Nikkor 16-35mm f/4G ED VR. Chromatic aberrations are nearly absent and vignetting is limited throughout the focal range.

The Nikon Nikkor 16-35mm f/4G ED VR comes equipped with vibration reduction technology, which is great for those using their DSLR for filmmaking. Pure landscape photographers may use this feature less frequently but it doesn’t hurt to have.

• Impressive sharpness.
• Well controlled vignetting and chromatic aberrations.
• VR tech for filmmaking.
• Corners are a bit soft at wide apertures.
• Heavy distortion when shot at 16mm.
• Perhaps a bit large (but only).

Best Nikon Travel Lens for Portrait Photographers (FX): Nikon AF S NIKKOR 85mm f/1.8G

• Weight: 12.35 oz / 350 g
• Dimensions: 3.15 x 2.87″ / 80 x 73 mm
• Filter Size: 67mm

85mm lenses are some of my favorites because, aside from their useful focal length and portable size, they almost always have near-perfect optics. The Nikon 85mm f/1.8G is such a lens.

With stellar sharpness and not too much else to complain about, the Nikon 85mm f/1.8G is one of the best Nikon travel lenses for portrait photographers.

Optically, there’s not a lot that the Nikon 85mm f/1.8G could improve on. Images are very sharp even at the widest aperture. Corners are a bit soft at the widest aperture but these will probably go unnoticed since this lens is primarily a portrait lens. When the lens is stopped down, images are tack sharp from corner to corner.

Any and all other optical blemishes are not an issue in the Nikon 85mm f/1.8G. Vignetting and distortion are practically non-existent and chromatic aberrations are very limited.

Unfortunately, the autofocus is a bit of head scratcher in the Nikon 85mm f/1.8G, at least when compared to its predecessor. The Nikon 85mm’s new autofocus system is quieter but is for some reason slower than the older model.

Even with its slightly slower autofocusing system, we still believe that this model is the best version of the lens. Most photographers will find that they don’t need the autofocus to be any faster.

Construction-wise, the Nikon 85mm f/1.8G is small and well-built. Overall, it’s a sturdy lens and should hold up quite well although its plastic construction may not appease photographers that don’t care for the material in the first place.

• Fantastic image quality.
• Fast and light.
• Great price.
• A little soft at larger apertures (but still great!).
• Autofocus is a bit slower than its predecessor.
• Plastic construction may irk some purists.

Best Nikon Travel Lens for Astrophotographers (FX): Rokinon 20mm f/1.8 AS ED UMC

• Weight: 1.09 lbs/497 g
• Dimensions: 3.27” x 3.48”
• Image Stabilization: No

Lenses produced by the Korean company Rokinon, or Samyang as it’s sometimes referred to, are very popular with astrophotographers mostly due to their excellent performance and price. The Rokinon 20mm f/1.8 AS ED UMC is one of the best lenses from this company. With an ultra-wide angle and super fast aperture, you can capture the night sky in all of its splendor and not have to break the bank in the process.

For these reasons, we think that the Rokinon 20mm f/1.8 AS ED UMC is the best Nikon travel lens for astrophotography.

Rokinon lenses are cheaper because they do not use a lot of expensive electronics that are usually included in modern day lenses. As such, most if not all of Rokinon lenses do not have autofocusing capabilities. This means that you’ll have to focus the Rokinon 20mm f/1.8 AS ED UMC manually.

Honestly, focusing manually isn’t as much of a pain as some make it out to be; it is, sometimes, preferable. The zoom ring is smooth and easy to understand, thanks to the detailed DOF markings on the side of the barrel.

Optically, the Rokinon 20mm f/1.8 AS ED UMC performs very well. Sharpness is great but CA is noticeable at wider apertures. To alleviate chroma, try stopping the lens down a tad to eliminate CA but not so much too much to cause diffraction, which sets in about f/11.

The body of the Rokinon 20mm f/1.8 AS ED UMC is built from high-grade plastics while the mount is metal; both are quite sturdy. The whole lens can feel quite bulky, though not as much as some other full frame lenses.

• Great bang for your buck.
• Limited distortion.
• Awesome aperture for an ultrawide.
• Manual only.
• CA and vignetting present at the widest aperture.

Best Nikon Travel Lens for Telephoto Lovers (FX): Nikon 70-300mm f/4.5-5.6G ED IF AF-S VR

• Weight: 26.3 oz / 745 g
• Dimensions: 143.5mm x 80mm / 5.6 in. x 3.1 in

The Nikon 70-300mm f/4.5-5.6G VR is one of the most surprising lenses on this list. For less than $500, this lens is, somehow, shockingly sharp, very lightweight, and functionally complete thanks to additions like VR and internal zooming.

In short, we love this lens and think it’s not only one of the best telephotos but hands-down one of the best lenses for Nikon.

There is a lot to like about the Nikon 70-300mm f/4.5-5.6G VR. Optically, this lens impresses, beginning sharp at its widest aperture and staying respectably sharp throughout its entire range.

The resolution does drop a bit as the lens approaches the 200mm mark but the degradation is marginal. CA also picks up as you zoom in but, as the image resolution, is relatively unobtrusive.

Since the Nikon 70-300mm f/4.5-5.6G VR has a slower aperture, it’s not very adept at shooting in low-light situations. The normally responsive autofocus tends to get lost and shutter speeds can become dangerously low. Vibration reduction tech is thankfully included in the lens, which helps a lot when the light is dim.

Construction-wise, the Nikon 70-300mm f/4.5-5.6G VR is made from high-grade plastics that are assembled very well. The lens feels robust in your hands yet still light.

What more is there to say about this lens except that it’s fantastic. Granted, it does have a few shortcomings and it obviously can’t match the resolution of the more expensive telephotos e.g. the Nikon 70-200mm f/2.8. These points being made, what the Nikon 70-300mm f/4.5-5.6G VR accomplishes for its price point is still remarkable.

• Awesome sharpness.
• Very light body that includes VR, internal zooming, and sealing.
• Struggles in low-light.
• Sharpness drops as you zoom in.
• CA present.

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Overall Best Nikon Travel Lens (DX): Sigma 18-300mm F3.5-6.3 DC Macro OS HSM

• Weight: 20.6 oz / 585 g
• Dimensions: 4.0 in. x 3.1 in / 101.5mm x 79mm

Superzoom lenses get a bit of a bad rap sometimes. Many of them, in the process of doing so much, sacrifice a lot of optical quality.

Though every once in a while, a superzoom comes along that doesn’t give away too much, and is able to perform up to and beyond the call of duty; the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM is one such lens.

The Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM is able to capture excellent photos and does a good job of covering up its inherent flaws.

The inclusion of optical stabilization helps to mitigate the lens’ limited aperture and an excellent build quality ensures both durability and portability.

Price-wise, there’s little to complain about with the Sigma 18-300mm f/3.5-6.3 as well. Given these points, we think that the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM is the best overall travel lens for Nikon DX users who want to have their cake and eat it too.

The Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM offers commendable image resolutions. Sharpness is excellent at wider angles but does drop marginally as the lens is zoomed in. This lens also produces some excellent colors and contrast but not so much a pleasing bokeh.

Chromatic aberrations in the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM are well controlled. Distortion and vignetting are predictably present, as is the case usually with superzooms, but these are never debilitating.

Most users will be shocked at and probably even sold by how light the Sigma 18-300mm f/3.5-6.3 DC Macro OS HSM is. At 585 grams, this baby is practically feather-like especially when you consider how much it does.

The body still feels solid, although the zoom ring is somewhat fiddly at times.

• Solid optical performance for a superzoom.
• Durable, lightweight construction that includes optical stabilization.
• Very affordable.
• Bokeh is unattractive.
• Focus ring is tedious.
• Does more but at a sacrifice of quality.

Best Budget Nikon Travel Lens (DX): Sigma 17-50mm f/2.8 EX DC OS HSM FLD

• Weight: 1.24 lb / 565 g
• Dimensions: 3.3 x 3.6″ / 8.38 x 9.14 cm
• Image Stabilization: Yes

Like its 18-300mm cousin, the Sigma 17-50mm f/2.8 EX DC OS is a well-performing piece of equipment that is made unignorable by its low cost. For only $300 (!!!!), you can own a fixed aperture medium zoom lens that performs admirably.

Given this amazing deal, it’s no wonder that we think the Sigma 17-50mm f/2.8 is the best budget lens for Nikon DX users.

The Sigma 17-50mm f/2.8 EX DC OS HSM performs very well. Sharpness is overall very good though the edges can be a little soft when the lens is used wide open. Vignetting is present at wider apertures as well but chromatic aberrations and distortion are both well-controlled.

Image stabilization is built into the Sigma 17-50mm f/2.8 and works as it should. Combined with fast aperture, the Sigma 17-50mm f/2.8 EX DC OS HSM is a stud in low light situations. Filmmakers will especially appreciate this setup when trying to film in dim interiors or dusky streets.

The Sigma 17-50mm f/2.8 EX DC OS HSM is an overall lightweight lens, more so than many of Nikon’s other zooms. This is due to its all-plastic construction, which is great for cutting weight but does make the lens feel a little more fragile.

The focus ring of the Sigma Sigma 17-50mm f/2.8 EX DC OS HSM feels a little more finicky than usual and can be difficult to use sometimes.

• Excellent price point.
• Great center resolution.
• Fast aperture and image stabilization
• Visible corner softness when shot wide open.
• Tedious focus ring.

Best Professional Nikon Travel Lens (DX): Sigma 18-35mm F1.8 Art DC HSM

• Weight: 1.78 lb / 811 g
• Dimensions: 3.07” x 4.76” / 78 x 121 mm

If I were trying to convince someone to invest in a DX system over the full frame FX one, I would submit to them the Sigma Art 18-35mm f/1.8.

Simply put, this lens is one of the most gorgeous, useful, and respected lenses in all of photography. It is, without a shadow of a doubt, one of the greatest lenses made in recent years and is, deservingly, the best professional travel lens for Nikon’s DX mount.

The Sigma Art 18-35mm f/1.8 has it all – supreme image quality, a super fast aperture, robust construction, and lightning-quick autofocus. The Sigma Art 18-35mm f/1.8 is amazingly sharp, frame-wise from corner to corner and focal-wise from end to end.

Chromatic aberrations, vignetting, and distortion is present but in microscopic amounts. Optically this lens is superlative.

The Sigma Art 18-35mm f/1.8 is made from various alloys and feels very robust, perhaps tank-like. Topping out at over 800 grams, this lens is definitely on the heavier side. Many photographers enjoy the weightiness though and find that it adds a nice balance to the lens.

The focal range of the Sigma Art 18-35mm f/1.8 is pretty small and one may wonder if it can be considered a travel lens at all.

At the very least, the range of the Sigma Art 18-35mm lies in that sweet spot where many of the most useful focal lengths lie. Given the unprecedented performance of this lens as well, we think that it’s a worthy tradeoff.

• Ridiculously sharp at all times.
• Extremely fast.
• Very few optical blemishes (CA, distortion, vignetting, etc)
• Big and fat.
• Pretty limited focal range for a travel lens.

Best Prime Nikon Travel Lens (DX) : Nikon AF-S DX NIKKOR 35mm f/1.8G

• Weight: 10.76 oz / 305 g
• Dimensions: 2.83 x 2.81″ / 72 x 71.5 mm

Much in the same way every full frame owner needs a “nifty fifty,” every owner of an APS-C camera should own 35mm prime lens. The best 35mm prime lens that a DX owner can buy is the Nikon AF-S DX NIKKOR 35mm f/1.8G.

With excellent optics, solid performance, and an insignificant price tag, the Nikon 35mm f/1.8 is one of the most reliable Nikon lenses available.

Like the Nikon 50mm f/1.8, the 35mm will be very useful to every kind of photographer, and may end being the most used lens in their kits.

The Nikon AF-S DX NIKKOR 35mm f/1.8G performs much in the same as the other enthusiast-level f/1.8 primes in the Nikon library – images produced by the 35mm, though not devoid of problems, are for the most part very attractive.

Sharpness is excellent even at the widest aperture and peaks at around f/2.8 and f/4.0. Distortion is present, sometimes in disconcerting levels although editing software can still fix this. Chromatic aberration and vignetting are well controlled.

True to the other f/1.8 Nikon primes, the body of the Nikon 35mm f/1.8 is very small and portable. That being said, the Nikon 35mm f/1.8 is still made primarily of plastics and is not meant to withstand extreme weather.

The key consideration when buying this lens – and the thing that will most likely convince people to do so – is the fact that it’s so cheap. For only a few hundred dollars, you get a lens that works very well and produces some really beautiful photos.

For the amount of money you’re putting up, the Nikon 35mm f/1.8 is an excellent investment.

• Great performance.
• Very portable.
• A bit more distortion than usual for a prime.
• Some CA and vignetting.

Best Nikon Travel Lens for Landscape Photographers (DX): Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR

• Weight: 8.11 oz / 230 g
• Dimensions: 3.03 x 2.87″ / 77 x 73 mm

For the price you pay, the AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is a total diamond in the rough and certainly one of the best lenses for Nikon shooters who like wide angles!

Though somewhat unimpressive on paper, the Nikon 10-20mm f/4.5-5.6 offers excellent image quality, packability, and even vibration reduction, which is a bit of treat considering this lens is than $300!

Resolution-wise, the Nikon 10-20mm does pretty well. Center sharpness is great throughout the zoom range while the corners catch up once the lens is stopped down. 15mm appears to be the sweet spot as well as 10mm and 20mm are both admirably sharp as opposed to being excellently sharp.

Vignetting and distortion are all present in the Nikon 10-20mm f/4.5-5.6G but no more than what should be expected from a wide angle zoom. Chromatic aberrations are the most obvious optical blemish with this lens and will have to be addressed in post-processing.

The vibration reduction and autofocusing systems in the Nikon 10-20mm f/4.5-5.6 both perform very well. The autofocus is quick, accurate, and virtually silent. The VR does a great job making up for the Nikon 10-20mm f/4.5-5.6G’s less than inspiring aperture, and promises up to 3.5 stops of compensation.

Aside from the price, one of the best features of the Nikon 10-20mm f/4.5-5.6G is its size. This pint-sized lens is so small that it could fit in a pocket. For those traveling light, the ability to do this is hard to turn down.

• Great image quality.
• Very light and small.
• VR tech compensates for aperture.
• Pretty slow aperture.
• Noticeable CA that will have to be corrected.

Best Nikon Travel Lens Portrait Photographers (DX): Nikon 50mm f/1.8G

If you know a bit about the physics of photography, then you probably know that a full frame lens can be mounted on an APS-C camera. When a full frame lens is used a such, the focal length is effectively lengthened as well.

If this concept is foreign to you, please refer to the Sensor Size section located at the end of this guide for a brief explanation.

When the Nikon 50mm f/1.8G is mounted on a DX body, it makes for a great alternative to the classic 85mm. With a new, equivalent length of 75mm and without sacrificing any optical quality, the Nikon 50mm f/1.8G is a very capable tool and one of the best travel Nikon lenses for portrait photographers.

In terms of optics, the Nikon 50mm f/1.8G  barely changes at all when mounted on a DX body. This lens is still as sharp, responsive, and useful as ever.

For a more detailed explanation of the Nikon 50mm f/1.8G’s performance, refer to our earlier review in the Best Travel Lenses for Nikon FX section.

With an extra 25mms of length comes a narrower field of view with more isolated subjects. Portrait photographers will immediately latch on to these changes and take advantage of them in their work.

Using the Nikon 50mm f/1.8G primarily as a portrait lens also limits its flaws, as the inherent corner softness and vignetting become less noticeable. All-in-all, the Nikon 50mm f/1.8G is just as impressive on a DX if not an improvement.

Best Nikon Travel Lens for Astrophotographers (DX): Rokinon 16MAF-N 16mm f/2.0

• Weight: 1.26 lb / 571 g
• Dimensions: 3.27 x 3.42″ / 83 x 86.9 mm

Rokinon delivers another winning lens! With excellent image quality, a fast aperture, and a low price tag that Rokinon 16mm f/2.0 is one of the best travel lenses for Nikon astrophotographers, so long as they don’t mind focusing manually.

Like the Rokinon 16mm f/1.8 reviewed prior, the Rokinon 16mm f/2.0 performs more than admirably. Center resolution is excellent at all apertures and by f/5.6 the entire frame is tack-sharp. CA, vignetting, and distortion are all well controlled in this lens and are only present in moderate amounts.

As is commonplace with Rokinon lenses, there are no electronic components in the 16mm f/2.0, which means that there is no autofocus. Users will have to manually focus this lens like they used to do in the good ol’ days.

Manual focus isn’t so bad. Landscape photographers will hardly miss autofocus as it’s not like their subjects are moving all that fast. Astrophotographers will not sweat the exclusion of it either as they usually just leave the lens set to infinity to capture those stars.

The Rokinon 16mm f/2.0 is made from high-grade plastics and has a solid metal mount. Those who are apprehensive of buying plastic lenses should feel good about the Rokinon 16mm f/2.0 as it feels very sturdy.

I’ve taken Rokinon lenses into some pretty hairy situations and they’ve held up just as well if not better than my weather-sealed equipment.

Ultra-wide angles lenses with fast apertures are usually very pricey. You can get the Rokinon 16mm f/2.0 for around only $300, which should be a convincing price. Granted, you don’t have autofocus but who needs it anyway?

• Distortion, CA, and vignetting are well controlled.
• Inexpensive.
• Manual focus.
• Softer corners and more imperfections when used wide-open.

Best Nikon Travel Lens for Telephoto Lovers (DX): Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR

• Weight: 10.58 oz / 300 g
• Dimensions: 2.78 x 3.27″ / 70.5 x 83 mm
• Filter Size: 52mm

Though not the sharpest telephoto lens nor the fastest one, both in terms of autofocus and aperture, the Nikon 55-200mm f/4-5.6G ED IF AF-S DX VR still manages to impress, thanks to its small size and price point.

For DX users who need something longer, this is one of the best Nikon travel lenses available.

Sharpness is pretty good in the Nikon 55-200mm f/4-5.6G – centers are crisp throughout the focal range while the corners are acceptable.

You’ll have to stop down to about f/8.0 to achieve maximum sharpness. Luckily, the VR is effective and helps to counteract the slower shutter speeds that occur when stopping down.

In terms of optical blemishes, chromatic aberrations are well-controlled, distortion is average, and vignetting is pronounced. Any and all of these can be addressed in post-processing, of course.

Unfortunately, the autofocus of the Nikon 55-200mm f/4-5.6G is a bit slow. Taking the slower aperture into account, action photographers may become frustrated with this lens. Those who shoot fast moving targets (e.g. sports or wildlife) may want to look for a different lens.

Like many of the best Nikon travel lenses on this list, the biggest selling point of the Nikon 55-200mm f/4-5.6G is the fact that it’s so small and affordable.

Travel photographers who don’t want to fork out $1,000 for a giant telephoto lens and don’t mind the slower performance should take fancy to the Nikon 55-200mm f/4-5.6G.

• Good center sharpness.
• Effective vibration reduction.
• Small and affordable.
• Slow autofocus.
• Corners are just ok.
• Not so good for action photographers.

Now, you  could spend a fat chunk of $$$ on the WRONG present for someone. Wrong size hiking boots, wrong fit backpack, wrong shape sleeping bag… As any adventurer will tell you, gear is a personal choice.

So give the adventurer in your life the gift of convenience: buy them an REI Co-op gift card!  REI is The Broke Backpacker’s retailer of choice for ALL things outdoors, and an REI gift card is the perfect present you can buy from them. And then you won’t have to keep the receipt. 😉

Photographers should value lenses just as much as their travel camera ! Lenses are one of the most important aspects of photography because they are the ones that actually refract the light and create the image (which is then written by the camera sensor).

Sharpness, contrast, color, composition; all of these aspects are influenced greatly by the quality of your lens. As one photographer once aptly put it: “you don’t invest in cameras; you invest in good glass.”

There are several things to consider when you are looking for the best travel lenses for a Nikon camera. Aspects like size, weight, vibration reduction, and more are all vital components to the making of a great travel lens.

Below is a list of features to consider when searching for the best travel lens for your Nikon camera.

Note that I’m going to be giving a crash course on several photographic concepts here. I’ll try to explain them as best as possible; otherwise, feel free to post any question regarding photography in the comment section below.

Size/Weight

Lenses vary greatly in size and shape; some are small enough to fit in your pocket, others are gargantuan pieces of equipment that require special storage. A lens’ mass and dimensions will play a large part in the size of a photographer’s bag and how they conduct themselves in the field.

Larger lenses obviously take up more space and add more weight to your pack. Sure, that lens appears small when it’s by itself but add 3 or 4 more to your pack and things quickly add up.

I have carried both ultralight and heavy camera packs and can attest that even a moderately heavy bag feels good for about a half-mile of walking.

If your camera bag has limited space and/or you like larger, higher-grade lenses, you’ll have to pick and choose your equipment wisely. Be very conscious of how much a lens weighs and how it measures. Be sure to think hard about how much you’re willing to carry.

If your camera bag is looking a bit shabby, maybe consider upgrading it as well. A good camera bag should fit your body like a glove and be able to hold all of the necessary equipment. Be sure to read our guide on the best travel camera bags for some ideas!

Along with shutter speed and ISO, the aperture is a vital part of the exposure triangle , which every photographer should be well-versed in.

Though shutter speed and ISO fall within the jurisdiction of the camera, the aperture is controlled via the lens. With the proper aperture and ability to use it, photographers will have much more power when it comes to creating the photos that they want.

Fast apertures – those that have a value of around f/2.8 or less – are usually the most desirable. Though not always the case, a faster aperture is usually indicative of optical quality. Regardless, fast apertures are usually most useful during situations that call for bokeh or those that are dimly lit .

In zoom lenses, constant aperture s are much more important as these definitely lead to higher quality images. The most common constant aperture ratings are f/2.8 and f/4.0. Both offer excellent quality of images.

A quick aperture is not always necessary as lots of lenses with slower apertures offer exceptional image quality.

Peak sharpness isn’t usually reached until around f/5.6 or f/8.0 anyway and shooting at extremely low apertures (e.g. f/1.4) can be more difficult than you think. Unless you really want a fast aperture, you may not need to spend the extra money.

Focal Length/Type

Without getting into the physics of focal lengths , I will simply say that certain lenses with certain focal lengths are better for capturing certain scenes. Longer lenses, renowned for their shallow depth of field and isolating qualities, are great for portraits. Wider lenses, with their expansive fields of view, are great for interior shots when space is tight or for capturing big vistas.

It is very important to think about whether or not you want a lens that covers a single focal length or many.

If you’re like many photographers then you’ll probably value optical flexibility with a lens that covers more than one focal length. Lenses that can change their field of view are called zoom lenses , and these are among the most popular types of lenses.

Some zoom lenses o have trouble with certain optical imperfections (vignetting, chromatic aberrations, etc) and with maintaining sharpness. Generally speaking, the more expensive zooms do handle these issues better.

If you’re ok with shooting at only one focal length then consider a good prime lens . Prime lenses are usually sharper, cheaper, and more durable than zooms.

What type of photographer you are will determine what kind of focal length you find most useful. You’ll often find that certain lengths are more suitable to your style of shooting, or that you favor a particular lens over another.

Do not feel handicapped by what kind of lens you own though. With a bit of creativity and skill, you can make a lens do whatever you want. Remember: a lens is only as good as the photographer that uses it.

Not every autofocusing system is created equal – some are lightning-fast, utilizing state-of-the-art technology, while others are sluggish doofuses that can’t make heads or tails of a subject. How well an autofocus system behaves in a lens may or may not be a deal breaker for you.

Those who photograph fast-moving subjects – like in sports, concerts or wildlife photography – will need a lens that can keep up. In these cases, a quicker and more accurate autofocus system will be very beneficial.

These types of photographers also need to know that camera sensors play a role in autofocus as well – it’s not always just the lens doing the work.

Some photographers may not need fast autofocus or even autofocusing at all for that matter! Manual focusing lenses are still prevalent today and, aside from being markedly cheaper, can be very useful in certain situations.

Astrophotographers may actually prefer manual lenses because of their superb focus rings and because autofocus is usually useless in the pitch-black anyways.

Other photographers may even enjoy the vintage-like feel that comes with manual lenses, much like a musician might enjoy an old record.

Filter Thread

Filters are used in photography to achieve creative effects as well as provide extra protection to a camera. These filters are attached to the front of a lens along a threading that has a unique rating (e.g. 58mm. 77mm, 82mm, etc).

There really isn’t such a thing as a proper filter threading. Most filter sizes have become standardized and there is almost always a full set of filters for each threading. No matter your lens, there’s a filter that will fit it.

One big reason to consider filter sizes has to deal with costs. As you buy more lenses you may end up with multiple filter threadings and, in turn, have to invest in filters for each one. This can be frustrating, especially when you know that filters behave in the same regardless of their size. Who wants to spend more money on the same?

A good way to avoid this annoyance is to invest in step-down rings, which then be used to adapt larger filters onto smaller threadings. Simply buy a set of filters that you know will be large enough for all of your lenses and then adapt to different threadings using the step-down rings.

Or think about investing in a slot-in filter system, which uses a screw-in adapter to hold a plate-like filter. Polarizer filters are not effective with slot-in filter systems.

For more information on filters, refer to the filter section of our Best Camera Accessories guide . You’ll also read about more general tools for your travel camera.

Vibration Reduction/Optical Stabilization

Optical stabilization technology has become extremely commonplace in modern-day lenses. This tech is found in all sorts of lenses, from cheap pieces of shit to luxurious, professional-grade glass. It is, at the end of the day, a very useful feature to have in your lenses as it can allow for some very crisp images.

Optical stabilization is referred to differently by different companies (e.g. image stabilization, IBIS, etc). Nikon refers to their optical stabilization tech as vibration reduction.

Vibration reduction (VR) works by compensating for shake caused by hand holding a camera. Handshake causes blurry images, which appears as a distinct softness, and most photographers tend to dislike this.

This shakiness is often unavoidable unless you’re using a tripod. With VR, blurriness caused by shaky hands is much less noticeable and sometimes eliminated altogether.

Whether or not you need optical stabilization is something to consider when you choose from the best Nikon travel lenses. If you’re a landscape photographer who constantly has their camera mounted on a tripod, optical stabilization is pretty redundant.

On the other hand, if you shoot subjects that require you to move often or you just like to have your camera ready in your hands, then VR would be useful.

Sensor Size

Nikon makes a full frame DSLR and an APS-C DSLR. Each type of camera has its own lens library as well – Nikon’s full-frame system is referred to as FX while the APS-C one is referred to as DX .

DX lenses can only be mounted on an APS-C mount while FX lenses, though functional on an APS-C camera, work best on a full frame body.

If you mount an FX lens onto an APS-C body, then there are a few things to consider. 1) vignetting is possible; 2) certain lenses will behave differently on certain bodies; and, most importantly 3) the lens’ focal range will be lengthened i.e. a 24mm EF lens mounted onto EF-S camera will behave more like a 35mm lens.

For more on what happens when you mount a full frame lens onto an APS-C body, you can read this informative article here .

Still have some questions? No problem! We’ve listed and answered the most commonly asked questions below. Here’s what people usually want to know:

What is the best Nikon FX lens for travel photography?

The Nikon Nikkor 24-120mm f/4.0 is the best lense for travel photography and our favorite. For a Nikon DX camera, check out the Sigma 18-300mm f/3.5-6.3 .

What is most affordable Nikon lense?

Check out these budget lenses: – For Nikon FX – Nikon Nikkor 24-85mm f/3.5-4.5 – For Nikon DX – Sigma 17-50mm f/2.8

What do you need to consider when buying a Nixon lense?

Aspects like size, weight, vibration reduction, and more are all vital components that need to be considered when purchasing a lense.

What are the best Nikon lenses for professional travel photographers?

If you’re shooting with a Nikon FX consider getting the Nikon Nikkor 24-70mm f/2.8 . For the Nikon DX, check out the Sigma Art 18-35mm f/1.8 .

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Final Thoughts

There you have it folks – the 16 best travel lenses for Nikon users! Over the course of explaining these 16 lenses, we have given photographers all sorts of shooting options.

Each lens will be catered to a different type of photographer and each will have its own strengths and weaknesses. Figure out what kind of photographer you are and then choose from the best Nikon travel lens for yourself.

Know that each one will be different and dramatically affect the quality of your pictures.

Are you a traveling portrait photographer who wants some creamy bokeh? Then get the Nikon 85mm f/1.8 ! Do you want a DX lens that is optically flexible but affordable at the same time? Perhaps the Sigma 17-50mm f/2.8 will be right up your alley.

Think carefully about these 16 best Nikon travel lenses. The fact that you’re here reading this article means that you’re ready to take the next step into travel photography; perhaps you’re even ready to become a freelancer ?!

Look sharp out there my fellow backpacking photographers and make sure your lens is just as sharp too.

And for transparency’s sake, please know that some of the links in our content are affiliate links . That means that if you book your accommodation, buy your gear, or sort your insurance through our link, we earn a small commission (at no extra cost to you). That said, we only link to the gear we trust and never recommend services we don’t believe are up to scratch. Again, thank you!

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I’ve had both Nikon 24-70s and would always choose the newer one with VR, especially for travel since, even if you bring a tripod, you won’t want to use it any more than necessary. Also, for travel, the better edge to edge sharpness is welcome. Having said that, it IS more expensive and heavier.

Good information. Note, the latest version of the Nikon 24-70mm F2.8 ED VR has VR, but really expensive. The newer Tamron G2 maybe an option at much lower cost but has external zoom. I have no experience with Tamron so comments are my opinion only.

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9 Best Nikon Lenses for Travel Photography in 2024

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Finding the best Nikon lenses for travel photography is the best way to prepare yourself for your next adventure.

Our guide highlights the nine best Nikon lenses for mirrorless and DSLR cameras, ensuring you capture every moment perfectly. We’ve carefully selected lenses that offer both quality and convenience for travelers.

Our top picks include the Nikon Z 50mm f/1.8 S for its lightweight design and sharp images, and the Nikon AF-S 50mm f/1.8G for its compact size and low-light performance. But if these are not the lenses you’re looking for, we have seven more incredible Z-mount and F-mount Nikon lenses for travel.

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What Is the Best Nikon Z Lens for Travel Photography?

When selection best Nikon Z lens for travel photography, you need to consider weight, versatility, and optical performance. These Z-mount lenses offer a balance of portability, range, and image quality, making them ideal for capturing diverse travel scenes, from bustling streets to serene landscapes.

• Exceptional sharpness, even at wide apertures
• Fast, accurate autofocus system
• Durable, weather-sealed construction
• Pleasing bokeh for portrait work
• Versatile for street and everyday photography

• Compact, lightweight design for easy travel
• Versatile zoom range for diverse photography needs
• Quick, silent autofocus perfect for video recording
• Customizable control ring for intuitive adjustments
• Effective in-body stabilization compatibility

• Constant f/4 aperture for consistent exposure control
• Professional-grade build, weather-sealed for durability
• Exceptional sharpness across zoom range
• Dual stepping motors for fast, silent autofocus
• Versatile 5x zoom for landscape to portrait photography

• Broad 18-140mm zoom range for versatility
• Vibration Reduction for sharp, stable shots
• Lightweight, travel-friendly design
• Fast, precise autofocus mechanism
• Great for both wide landscapes and detailed portraits

Our Favorite Nikon Z Lenses for Travel Photography

Let’s take a closer look at our favorite Nikon Z lenses. From prime lenses that excel in low light to versatile zooms perfect for capturing everything on your travels, there’s a Nikon travel lens here for every globe-trotting photographer.

1. Nikon Z 50mm f/1.8 S

The Nikon Z 50mm f/1.8 S is the perfect prime lens for travel photography. Prime lenses might not be as versatile as zooms, but the 50mm focal length gives you plenty of shooting options. You can shoot anything from landscapes to portraits. 

Its optical construction includes two Extra-low Dispersion (ED) elements and two aspherical elements, reducing chromatic aberrations and ensuring edge-to-edge sharpness. This makes it great for capturing detailed landscapes and vibrant street scenes.

Its f/1.8 aperture is excellent for low light conditions, giving you seriously good exposure control. It allows you to use faster shutter speeds to avoid motion blur. And it allows you to create a beautiful bokeh effect that isolate subjects in busy environments.

The Nikon Z 50mm f/1.8 S does not have built-in image stabilization, relying on the camera’s in-body stabilization. This works well in most scenarios, but in extremely low light, photographers might need to increase ISO or use their travel tripod .

A durable build that includes weather sealing adds to the lens’s travel credentials, proving that the Nikon Z 50mm f/1.8 S is the best Nikon lens for travel photography.

2. Nikon Z 24-50mm f/4-6.3

The Nikon Z 24-50mm f/4-6.3 is a compact zoom lens that’s great for travel photography. It covers a wide to standard focal range, making it useful for a variety of shots, including landscapes and portraits. Its light build means it won’t weigh you down on long days of exploring.

However, its variable aperture of f/4 to f/6.3 might not be the best in low light. This lens doesn’t have its own image stabilization. But when used with Nikon Z cameras with in-body stabilization, it still produces sharp images in most situations.

It’s surprisingly sharp for a lens in this price range. Imperfections like chromatic aberrations are kept to a minimum thanks to three aspherical and two Extra-low Dispersion (ED) elements. 

With a minimum focusing distance of 0.35 meters, it allows for detailed close-ups, adding to its versatility. The autofocus is quick and quiet, which is perfect for capturing fleeting moments without drawing attention.

The Nikon Z 24-50mm f/4-6.3 is a great option for travelers looking for a light, versatile lens. It’s a popular choice with vloggers, too. It’s a good choice if you also want to capture some travel footage. 

3. Nikon Z 24-120mm f/4 S

The Nikon Z 24-120mm f/4 S is a versatile zoom lens perfect for travel photography. Its wide focal range allows photographers to capture everything. You can shoot landscapes, portraits, and close-ups with this one lens. This flexibility is key in vibrant travel locations.

The constant f/4 aperture provides a good balance of light intake and depth of field control. It isn’t the fastest of maximum apertures. But it is constant throughout the zoom range, meaning you don’t lose any stops as you zoom in.

It’s relatively light considering the zoom range. And it’s an easy fit for any travel camera backpack . Its build is sturdy, with weather sealing that protects it in different weather conditions. This durability is essential for travel photographers who often face unpredictable weather.

The lens impresses with sharp images and minimal distortion. The crisp picture quality is due to its high-quality glass and coatings that reduce flare and chromatic aberrations.

The autofocus is quick and reliable. And the barrel has a custom control ring, giving you more hands-on control. You can use it to control ISO, aperture, or many other settings. 

The Nikon Z 24-120mm f/4 S is a great choice for travel photographers looking for a single-lens solution. Its combination of range, image quality, and build makes it a valuable companion for capturing any journey.

4. Nikon DX Z 18-140mm f/3.5-6.3 VR

The Nikon DX Z 18-140mm f/3.5-6.3 VR is the best travel lens for Nikon APS-C mirrorless cameras. Its broad focal range covers most shooting scenarios, so you don’t have to travel with multiple lenses. This makes it a practical choice for photographers looking to travel light.

The lens delivers good sharpness and controls aberrations well, thanks to its ED glass elements. And while it may not offer the low-light capabilities of other lenses, its VR system compensates by allowing for slower shutter speeds without a loss in image quality.

Weighing just 312g, it’s notably lightweight and compact. Despite its plastic construction, it includes weather-sealing features, offering some protection against the elements. This combination of portability and durability is key for travel photography, where conditions can vary.

The Nikon DX Z 18-140mm f/3.5-6.3 VR is a good option for those seeking a single, versatile lens for travel. It offers a balance between performance, convenience, and portability. And it’s an affordable option for your Nikon APS-C mirrorless camera.

What is the Best Nikon F Lens for Travel Photography?

In this section, we dive into the best Nikon F lenses for travel photography. Selected for their balance of portability, image quality, and versatility, these lenses cater to a variety of shooting conditions.

From prime lenses offering exceptional low-light performance to zoom lenses that cover a broad focal range, each has been chosen to enhance your travel photography experience without the bulk. We’ve made it easy to find a travel lens for your Nikon DSLR camera.

• Exceptional low-light performance with f/1.8 aperture
• Ideal for portraits with natural perspective
• Compact and lightweight for travel convenience
• Fast, accurate autofocus for sharp images
• Produces beautiful bokeh for professional-looking photos

• Wide f/1.8 aperture enhances low-light shooting
• Versatile for street and environmental portraits
• Lightweight design, perfect for on-the-go photography
• Superior sharpness and color accuracy
• Quick, silent autofocus for discreet shooting scenarios

• Vibration Reduction for sharp images in low light
• Quick, silent autofocus for capturing fleeting moments
• Durable build with dust and moisture resistance
• Excellent sharpness and color correction across zoom range

• Constant f/4 aperture across entire zoom range
• 5x zoom versatility for wide to telephoto
• Effective Vibration Reduction for stable handheld shots
• Robust build with weather-sealing for durability
• Excellent optical performance with minimal aberrations

• Wide focal range for versatile shooting options
• Built-in Vibration Reduction for steady shots
• Compact and lightweight, ideal for travel
• Fast and silent autofocus mechanism
• Excellent value for a broad zoom lens

Our Favorite Nikon F Lenses for Travel Photography

Now we take closer look at our favorite Nikon Z lenses. Whether you’re capturing bustling city streets or serene landscapes, there’s a Nikon F lens for you. With a section of primes and zooms, we have all the best options for your Nikon DSLR.

1. Nikon AF-S 50mm f/1.8G

The Nikon AF-S 50mm f/1.8G is the best place to start with travel lenses if you have a Nikon DSLR. Its 50mm focal length offers a natural perspective, ideal for capturing everything from street scenes to portraits.

However, its fixed focal length limits versatility compared to zoom lenses like the Nikon AF-S 24-85mm f/3.5-4.5G ED VR , which can cover wide angles to short telephoto shots without changing lenses.

With an aperture of f/1.8, this lens excels in low light, allowing photographers to shoot in a variety of lighting conditions without increasing ISO too much. This wide aperture also helps achieve a shallow depth of field, isolating subjects from the background beautifully.

It does lack built-in image stabilization. And most Nikon DSLRs don’t have sensor-shift stabilization either. But stabilization isn’t necessary with a standard focal length and such a fast max aperture. 

Thanks to its aspherical element, the Nikon AF-S 50mm f/1.8G delivers sharp images with minimal chromatic aberration. Its Silent Wave Motor (SWM) autofocus is quick and accurate, capturing fleeting moments with ease. As the name suggests, it’s also silent in operation, helping you keep a low profile.

The optical quality and portability make the Nikon AF-S 50mm f/1.8G a top choice for travel photographers. It’s a must-have lens for any traveler with a Nikon camera.

2. Nikon AF-S 35mm f/1.8G ED

The Nikon AF-S 35mm f/1.8G ED is another exceptional prime lens for travel photography. Its 35mm focal length gives you a wider field of view than the 50mm lens. This allows you to capture more in tight spaces. And it allows you to include more architectural features in your exterior images. 

With an f/1.8 aperture, this lens works well in low light, allowing for crisp images with ISO settings. It also gives you excellent depth of field control, helping you produce a blurred background in portraits or close-ups. 

This lens is quick to focus, catching fast moments with ease. It’s also sharp across the frame. The ED elements ensure high-quality images with no distortion or lens flare.

The Nikon AF-S 35mm f/1.8G ED is a brilliant prime that’s ideal for travelers looking for a wider viewing angle. It’s compact enough for any travel camera backpack. And the price is more than reasonable for a lens of this standard. 

3. Nikon AF-S 24-85mm f/3.5-4.5G ED VR

The Nikon AF-S 24-85mm f/3.5-4.5G ED VR is a versatile zoom lens travel photographers will love. Its focal length covers wide landscapes to intimate portraits, making it a single-lens solution for many.

Thanks to its ED glass and aspherical elements, the lens offers good sharpness and controls chromatic aberration effectively. While it shows some distortion and vignetting at extreme settings, these flaws are barely visible and easily fixed in post-processing.

Its variable aperture is not the best in very low light. You are limited to a max aperture of f/4.5 at 85mm, which isn’t ideal. But the lens does have built-in stabilization. This gives you four stops of exposure compensation, allowing you to shoot with slower shutter speeds. 

The lens is relatively light and compact, easing the burden during long days of exploration. You’ll have no problem stowing it in your camera backpack.

For those looking for a solid mix of versatility, image quality, and portability, the Nikon AF-S 24-85mm f/3.5-4.5G ED VR is a very useful choice for travel photography.

4. Nikon AF-S 24-120mm f/4G IF-ED VR

The Nikon AF-S 24-120mm f/4G IF-ED VR offers a broad zoom range, making it a versatile pick for travel photographers.

The lens includes elements that minimize aberrations and ensure clear and vibrant images. The inclusion of two Extra-low Dispersion (ED) glass elements and three aspherical elements helps maintain image quality across its zoom range. While some distortion and vignetting occur at extreme settings, these are manageable in post-processing.

A Nano Crystal Coating on the glass improves light transmission and reduces lens flare and ghosting. 

Its constant f/4 aperture balances light intake and depth of field control across the entire zoom range. This feature, combined with the lens’s Vibration Reduction (VR), helps you capture sharp images in varied lighting conditions.

However, its weight might be a consideration for those who prefer lighter gear when traveling. The build quality is excellent, and weather-sealing makes it safe for outdoor use. Some will consider the extra weight worthwhile.

This lens is a good option for those seeking a single, adaptable lens for a range of subjects. The Nikon AF-S 24-120mm f/4G IF-ED VR is a versatile lens that delivers stunning images. 

5. Nikon AF-S DX 18-105mm f/3.5-5.6G ED VR

The Nikon AF-S DX 18-105mm f/3.5-5.6G ED VR is the best travel lens for Nikon APS-C DSLRs. It’s a versatile zoom lens that covers a wide range of focal lengths, making it ideal for travel photography. Its ability to go from wide-angle to telephoto without changing lenses is a big advantage when traveling. 

The lens offers good sharpness in the center, with only the faintest softness at the edges when wide open. Thankfully, the lens has ED elements to keep major problems like chromatic aberration at bay. A Super Integrated Coating (SIC) also reduces glare for better image quality.

A variable maximum aperture is never ideal. And with only an f/5.6 at 105mm, it does present limitations. However, the built-in stabilization helps remedy this problem. It gives you an additional three stops of exposure compensation.

The lens is lightweight and compact, making it easy to carry around for long periods.

For those looking for an affordable, all-in-one lens for Nikon DX-format cameras, the Nikon AF-S DX 18-105mm f/3.5-5.6G ED VR is a practical choice. It balances versatility, image quality, and convenience in one affordable package.

Conclusion: The Best Nikon Lenses for Travel Photography

Choosing the best Nikon Lenses for Travel Photography is a sure-fire way to enhance your travel experience. The article provided a comprehensive guide on the best Nikon lenses, focusing on their portability, optical performance, and versatility.

It highlighted the importance of selecting lenses that offer a balance between weight and image quality, ensuring photographers can capture stunning images without being weighed down.

The Nikon Z 50mm f/1.8 S and Nikon AF-S 50mm f/1.8G stand out for their exceptional clarity and lightweight design. The Nikon Z 50mm f/1.8 S gives you sharp images and a durable build. And the Nikon AF-S 50mm f/1.8G is perfect for its low-light performance and compact size.

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Lenses for: Travel & Landscape

Capture every adventure.

Take in all the sights with a wide variety of Nikkor lenses that excel at photographing landmarks and scenery. Whether you’re traveling to far off exotic locales or into the woods behind your home, capturing your travels requires a lightweight lens with enough flexibility to keep you shooting all day without a camera bag to slow you down.

Personalized Recommendations

Characteristics of a Travel & Landscape Lens

Versatility

Be ready for anything that comes your way with versatile all-in-one zooms and invaluable primes.

Low-light capability

Sunrises and sunsets create some of the most amazing photo opportunities while your on your travels.

Travel-friendly

Take in the sights all day without fatigue thanks to compact, lightweight, grab and go design.

Sometimes we get so obsessed with what’s in front of us, we get tunnel vision. Turn around, and you’ll find the best imagery may be behind you.

– Ami Vitale, Nikon Ambassador

Prime vs. Zoom

More Lens Applications

Portraits, Weddings & Events

Sports & Action

Nature & Wildlife

Macro & Close-Up

Fisheye & Perspective Control

10 Great Nikon DX Lenses

From wide angle to telephoto, we break down the top zoom and prime lens options for nikon dx-format cameras.

Nikon 35mm f/1.8 ( tsaiproject )

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Nikon has an impressive collection of DX-format cameras to choose from—the latest generation includes the entry-level D3500, mid-range D5600, and prosumer D7500. And regardless of your photography experience or style, below are the best Nikon DX lenses on the market in 2019. In the process we’ve kept a keen eye on value, and have included zooms and prime lenses across categories from wide angle and portrait to telephoto. For more information, see our detailed lens comparison table and  buying advice below the picks.   

1.  Nikon 35mm f/1.8G ($197)

Nikon DX Lens Comparison Table

Nikon dx lens buying advic e, focal length equivalent (crop factor), zoom lenses vs. prime lenses, vibration reduction (vr).

• Third-Party Lenses
• FX Lenses and Cameras  

Throughout this article, we frequently reference focal length equivalent, or crop factor. Nikon’s DX cameras have a 1.5x crop factor, meaning that a 50mm lens on a DX camera will behave like a 75mm lens on a 35mm camera. The history behind crop factor is long, but what you need to know is that lens focal lengths are described using 35mm film as the reference point. Because the image sensor on a Nikon DX-format is 1.5 times smaller than a 35mm camera, you multiply the listed focal length of the lens by 1.5 to determine its 35mm equivalent. It’s the case for all lenses, so make sure to take this important conversion into account when choosing your DX lenses. For your convenience, we've included the 35mm equivalent of each lens in our handy comparison table above. 

In terms of specific focal lengths, we can say from experience that ultra-wide-angle lenses (10-18mm on a 35mm camera) can be challenging. They require shooting close to the foreground and the photos have a very big, open feel. For wide-angle landscape shots, we prefer to shoot from around 18mm to 21mm. A normal field of view comes into play at 35mm, which is a popular focal length for street and travel photography. 50mm is the equivalent of the human eye and is great for people shots (although close-up portraits and head shots may require something closer). Telephoto lenses start at 70mm, and anything 200mm and longer is considered to be super telephoto.

You can debate endlessly the pros and cons of zoom and prime lenses. Zoom lenses cover a range of focal lengths and therefore are more versatile, while primes often are faster, lighter, and have less distortion. In general, zoom lenses are great for beginners and situations like travel that require a variety of focal lengths. On the other hand, many street, portrait, and macro lenses are primes. These fixed focal length lenses give you superior low light performance and better bokeh than their zoom counterparts. They also weigh and cost less. 

Zoom lenses tend to have more distortion than primes, particularly toward the ends of their ranges, which used to be a bigger downside that it is now. All of Nikon’s new digital SLRs have a distortion correction mode built into the camera. It’s better to have a lens with less natural distortion, but in-camera distortion correction does a pretty good job of straightening lines and make horizons look less rounded (you can finish the job in Photoshop or other editing software if need be).

The overall trend is toward zoom lenses, which are better from an image quality perspective than they used to be. “Travel zooms” in particular, such as the Nikon 18-140mm f/3.5-5.6G , offer more convenience and versatility than prime lenses, and better optical performance and reach than the classic 18-55mm kit lenses.  

Aperture and f-stops

Aperture is the size of the lens opening through which light passes and is measured in f-stops. The lower the f-stop (f/2.8, f/1.8 etc.), the larger the opening and the more light can enter. You can see the full f-stop scale here , and keep in mind that lower numbers make for more desirable lenses. We make the professional lens cutoff at f/2.8—lenses with this maximum aperture or faster are solid low light performers and can help you achieve the creamy background that pros love. Many non-professional zoom lenses have a maximum aperture of f/3.5, which is respectable but can cause some challenges when natural light is low. Nikon’s Vibration Reduction (VR) technology helps, as does the use of a tripod.  

You’ll notice that we include lens weight in the specs and consider it to be an important factor, especially for uses like travel and outdoor photography. The movement in 2019 is toward smaller and lighter camera set-ups—led by the impressive growth of mirrorless cameras —and it’s no fun to have your camera bag weighing you down. At the low end of the DX spectrum, the Nikon 50mm f/1.8G is a feathery 6.5 ounces, while the hefty 18-200mm f/3.5-5.6G weighs in at 19.8 ounces. Of course, heavier lenses often have a larger form factor too.

The good news is that with better engineering and superior materials, many of Nikon’s DX lenses have gotten lighter over the years. For example, the 18-300mm all-in-one lens for DX actually is lighter than the older 18-200mm that has 100mm less zoom. Even Nikon’s standard 18-55mm VR II kit lens is about 20% lighter than the previous version. More plastic in the mount and barrel can affect durability in the long run, but the changes are positive on the whole. Before making a purchase, we like to tally up the total weight of our camera and lens kit. The bulk of some high quality lenses can’t be avoided, but it’s nice to pack lightweight lenses whenever possible.

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Best Lenses for Nikon D7200

Best DSLR Cameras Under $1,000

Digital Camera Buyer's Guides and Reviews

Best Full-Frame Cameras of 2020

Best Mirrorless Cameras of 2020

Lenses and Focal Lengths for Landscapes

Outdoor Profile: Photographer Jack Brauer

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Best Nikon DX Travel Lens

DX bodies and lenses are typically smaller, lightweight, and more affordable than their full frame counterparts. While FX lenses typically produce higher quality images, the difference is negligible for most amateur photographers and many pros as well.

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At the heart of every camera is its sensor. This little rectangular gadget takes wavelengths of light and turns it into the zeros and ones that make up the digital data of our photographs. Nikon produces two different sized sensors: the large FX sensor at 36x24mm, and the smaller DX ‘crop’ sensor at 24x16mm.

I’ll be honest…most of my photos go on Instagram, not billboards, so sensor size doesn’t really matter much.

So, you’ve done your research and bought a crop sensor Nikon body, because it was lightweight and compact – perfect for your backpacking trip across Patagonia.

And now, it’s time to find the best DX travel lens for your trips!

To help you out, I’ve put together a breakdown of some great crop lenses for your Nikon DX-format sensor camera body.

Click Below For Details

Nikon AF-S DX 16-80mm f/2.8-4 E ED VR | Top Pick

Nikon af-s dx 35mm f/1.8g | budget option, sigma 17-50mm f/2.8 ex dc os hsm | pro-level zoom, nikon 18-300mm f/3.5-6.3g vr | best zoom range, tokina 11-16mm f/2.8 atx pro dx ii | for landscape shooters.

Zoom lenses are versatile. And we humans – photographer or not – love versatility. Heck, I don’t own a single tool, just a toolbox full of different multi-tools! So naturally we gravitate towards zoom lenses. Why take a handful of lenses when I can take one?! That’s just more to carry…

Nikon AF-S DX 16-80mm f/2.8-4

This Nikon 16-80mm covers the perfect travel range and the f/2.8-4 max aperture is enough to let you get the shots you want when the sun goes down on your travels. You could shoot an entire trip with just this lens and never miss a shot. CLICK below to compare prices…

The Nikon 16-80mm f/2.8 VR lens kind of does it all, and the price reflects that. It is kind of a do everything Nikon lens .

The built in vibration reduction (VR) is really handy.  It makes handheld shooting, especially in low light, much more successful. The 16-80mm range and wide aperture is impressive, and paired with the vibration reduction, you’re basically unstoppable. Snap that mountain vista, then zoom on the swooping falcon and “snap!” grab that too.

If you’re after the “do-it-all-and-still-be-stunned” lens, then this is it. You’re hardly going to regret lugging around this one pound powerhouse.

At such a compact size, light weight, and affordable price, there’s no reason not to sling this little gem into your travel pack.

Every good photographer should have a prime lens in the arsenal of lenses. They are simple, easy to use and oh so satisfying for reasons that science can’t explain. They’re just fun.

Nikon AF-S DX 35mm f/1.8G

The Nikon 35mm f/1.8 is the one lens every Nikon DX camera owner should have. It’s the equivalent to a full-frame 50mm and gives you the ability to get clean shots in low light at a reasonable cost. CLICK below to compare prices…

This Nikon 35mm with an f/1.8 aperture is a great lens. A crop sensor introduces a 1.5x crop – so this 35mm will appear tighter, more like a 50mm lens. 50mm is the sweet spot for producing beautiful undistorted.

Its real selling point is the wide aperture. Shallow depth of field and beautiful bokeh has become a hallmark for high quality (or ‘artistic’) images. And with an aperture that wide you can feel confident shooting images in low light conditions. So spin that dial back and open it right up, shoot all day and shoot all night… just because you can.

No, it’s focal range isn’t as impressive as the aforementioned Nikon, and no, it’s not smaller or lighter… but it is more affordable.

Sigma 17-50mm f/2.8

One of the best Nikon DX lenses available and it isn’t a Nikon! The Sigma 17-50mm f/2.8 is a wide aperture zoom that is the crop-sensor version of a full-frame 24-70mm. Impeccable sharpness and a constant f/2.8 makes this a very useful lens in a variety of situations. CLICK below to compare prices…

This one’s for the shooter on a shoestring budget. You’ve probably already spent your camera budget on flights around the world, and just need something that will take great photos and not blow a hole in your pocket.

By no means is the Sigma 17-50mm f/2.8 a bad lens. Far from it, in fact. Sigma has installed its own brand of vibration reduction – Optical Stabilization (OS), again increasing the performance of the lens when being used handheld and/or in low light. 

Certainly a selling point of this lens (if not the price) is the wide aperture. Wide aperture photos with blurry backgrounds and sharp, shallow focal points are just, well… cool. And to have that capability in an affordably priced, good quality zoom lens, WITH stabilization, is also pretty cool if you ask me.

Maybe you don’t care about bokeh-filled, shallow depth-of-field photographs of mountain flowers at dusk, you just want ZOOM. You want to see what the mountain lion is eating for lunch half way down the valley; you want to see the expression on the face of the gargoyle grazing the sky at the top of the cathedral. 18-300mm, how’s that for versatility! Need I say more?

Nikon 18-300mm f/3.5-6.3G

With a massive zoom range, this could be the only lens you take on your trip. Good image quality and vibration reduction make this lens a great option for traveling. But the size and weight may be a negative for some looking for a lighter kit. CLICK below to compare prices…

The selling feature of the Nikon 18-300mm f/3.5 VR is the outrageous focal range that it sports (equivalent to up to 450mm with the 1.5x crop factor on the DX sensor – that’s a lot of zoom!). I also really like the incorporation of VR stabilization. With VR on, it is much easier to take sharp handheld images at full zoom. For a travel setup with no extra lenses, the sharp images it can produce at any focal range may be a determining feature.

Unfortunately you can’t have it all. This lens is understandably the heaviest of those I have touched on, but not by much. Plus, the aperture leaves some to be desired. Shooting in low light is going to be difficult without a tripod. This is alleviated to some point by the VR stabilization.

If you love lens versatility and don’t mind the extra weight, then jump on one of these. Pick up a tripod while you’re at it, and you’ll be shooting through the night!

On the flip side, maybe you don’t care about how close you can get to the subject. You want to have it ALL in the shot. You’re probably a sucker for a seascape, a landscape lover, you have “wide-or-die” tattooed across your chest.

Tokina 11-16mm f/2.8

Perfect for travelers that prefer to shoot landscapes and are looking to save some money compared to the Nikon brand lenses, this Tokina 11-16mm f/2.8 is a surprisingly high-quality lens for the price. CLICK below to compare prices…

None of the other lenses I have covered compare to the wide angle capabilities of the Tokina 11-16mm f/2.8. With a crop sensor it is more difficult to get really wide. But this lens does a good job pushing the focal limit, making this barely an issue.

Another solid feature is the wide aperture. Again, you’re going to find easy shooting in low light, nice bokeh and shallow depth of field possible. However, this lens is one of the heavier lenses, and it does not have any kind of stabilization. For its intended purpose, this probably wouldn’t present any real challenges

This is the obvious choice if you primarily shoot night scenes, landscapes, seascapes, cityscapes, or you just like the wide angle look. And, it is certainly modestly priced for a good quality wide angle lens.

What To Look For In A Nikon DX Travel Lens

DX lenses are typically far cheaper than full frame lenses. If you are shooting with a full frame body, don’t disregard DX lenses, most will work on your FX camera body. Just toggle the crop frame function and keep shooting like normal.

What to look for always comes down to your personal preference and the kind of travel you are embarking on. If you are solo backpacking the PCT then the weight is number one. Take the 35mm prime lens, it weighs nothing. If you’re heading to Rome for a three-week vacation, then versatility is key. Take the zoom lens that won’t break the bank, so you got more in the tank for gelato and pizza.

Size and Weight

Usually, when you are traveling you want to be light and fast. That’s where Nikon’s DX range excels. Fast, light, and effective. For this purpose, I highly regard versatility and portability when making a travel lens selection. 

What defines your portability requirements is the way you like to travel. For the solo backpacker space is at a premium. You might only take a simple zoom, or prime lens. The city hopper on the other hand may have space for a bulkier lens, or even multiple lenses.

Versatility

On the other side of the coin is versatility. Will this lens be able to capture all the pictures I want to take? If wide angle street photography is your thing, then you’re not going to a 300mm zoom lens be particularly versatile. First, think about what kind of images you would like to create, then define what lens (or focal range) will help you achieve this most effectively.

Image Quality

It should go without saying that image quality is always a big factor when buying a lens. Even though the DX crop sensor lenses are the top of the range, there’s no need to shirk on image quality. These lenses are good! I believe if you’re adding to your photography kit you should always aim for something with better glass than what you currently have.

Consider it future proofing… remember you can still use DX lenses on a FX body for when you want to upgrade your camera body.

Finally, try and stay in your budget! There are many different price points and options when purchasing a new lens. Aftermarket lenses are often cheaper than native lenses, usually with very little change in image quality (sometimes aftermarket lenses can be better!) Consider the second hand market.

Try snag a good deal if you’re really set on a particular product but beware of potentially faulty items. Certainly, the simpler lenses are cheaper. The prime Nikon AF-S DX NIKKOR 35mm f/1.8G is the cheapest lens I reviewed, but by no means is it weak!

Pick The One That Suits Your Needs

I usually travel light. Sometimes to cities, other times the wilderness, but always with my gear on my back. My bag is always pretty loaded, so I have to be tight on my camera-gear-allowance.

I find myself more often just taking one lens with me, attached to my camera around my neck or in my backpack. I flip between being infatuated with high zoom, then wide-angle photography. When I’m heading out the door I just grab the one I’m in love with that day and just roll with it.

Common Questions About Nikon DX Lenses

How do I know if my Nikon lens is DX or FX?

Crop sensor Nikon lenses are marked with “DX” on the lens barrel. Other brands will likely be marked with “DX” or something similar, such as “DC” (Sigma), or “Di” (Tamron).

Can you use FX lenses on DX cameras?

Yes. FX lenses project a circle of light large enough to cover the 36x24mm FX sensor. The DX sensor is smaller, at 24x16mm, so the image will be cropped smaller. Functionally, your focal length will appear 1.5x larger when using an FX lens on a DX body. 35mm will feel like 50mm if you are used to shooting full frame.

You can also use DX lenses on FX bodies. Your camera should detect that you are using a DX lens, or you can manually toggle the crop function on your camera body.

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Nikon Z 28-400mm Preview: The Best Damn Lens for Travel Photography

Yes, it’s real ! The dream is alive, and it feels like a single lens that a photographer can have on them. Very few things are as great as having just a single lens on you when you’re traveling to shoot photos. The new Nikon Z 28-400mm f4-8 is exactly that. No other company has made something like this. The closest other brands have gotten while making a good lens is the Tamron 28-200mm offering — which starts at f2.8. Combined with the DX-cropping ability on Nikon cameras, their build quality, and the autofocus, Nikon is probably making the best lens for travel photographers.

Editor’s Note: The Phoblographer was able to see this new lens under NDA with Nikon. We paid for our own transportation trip; but Nikon took care of the one meal we had while out there. The lens that we tested is a pre-production version. It was used with a loaner Nikon Z8 , also provided to us by Nikon. We care about being transparent with our readers; as it’s a reason why publications still exist. None of our reviews, first impressions, or previews have ever been paid for. For more details on this, please visit our disclaimers page.

You can pick up the Nikon Z 28-400mm f4-8 at Amazon .

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I have to be frank; there isn’t anything really innovative about the exterior of the new Nikon 28-400mm lens. It looks just like any Nikon lens. It’s big, but not so big to seem enormous and intimidating. A very nice touch is a square lens hood — which I’m a major fan of.

The lens’s exterior is all dressed up in black, plastic, and rubber. Aesthetically speaking, it’s the lanky model on the runway wearing the safest outfit possible, with no one batting an eye at it. Bill Cunningham would simply ignore it.

Nikon tells us that the lens has weather resistance built in. However, it shouldn’t be held to the same standards as the Nikon S lineup of lenses. Truly, this is a nearly useless claim when push comes to shove. Even if it breaks or malfunctions due to the various elements and debris, Nikon’s warrant doesn’t cover it. However, the Photography Care Program does — both amateur and professional photographers should consider it.

The Nikon Z 28-400mm f4-8 is a pretty great performer when photographing birds in good lighting. To further clarify this statement, I’m talking about photographing birds at the equivalent of lighting that demands an exposure of ISO 1600, 1/2000th, and f16. That’s what we did our preliminary testing in. We have yet to test the lens in our own standard testing grounds, but it’s quite a performer. It was able to track birds flying through an entire scene and mostly stay locked onto an individual winged beast within a group.

Typically, the Phoblographer tests in lower light situations with birds hiding amongst branches and all. We’re not sure how this lens will perform in such a situation yet.

This is all standard for Nikon, however. Their autofocus for wildlife is incredible and has majorly improved. Combined with their pre-release shooting ability, they’re overall incredible — we only wish the system let you shoot RAW while in that drive mode. Considering that we tested this lens on the Nikon Z8 , we’re sure it would be better on the Z9. But we’re also not sure someone would use it with the Z9.

Ease of Use

Nothing particularly different about the Nikon Z 28-400mm f4-8 would make you think differently if you’re a Nikon shooter. It wears the standard focusing, zoom, and control ring that any other Nikon Z zoom lens adorns itself with. There are situations where you’ll want to do manual focus override, and the placement of this ring is just the right place to make it simpler. Compared to some of Canon’s lenses, the ergonomics of this one just feels right. By that, I mean it truly feels like it was made for photographers.

Image Quality

We’re not a website that pixel peeps. And considering that I just returned from a short trip to Italy, I can tell you that the last thing I’d want to do is pixel-peep these images. So, with that said, we think any photographer will be really happy with this lens’s images. Anything that needs to be fixed, per se, can be done easily in post-production or with in-camera corrections.

This is only a guess: I’d be pretty confident that if you care a lot about resolution, this lens will reach its resolving potential at under 100MP.

Just a further note: this isn’t our review. That’s in the works.

Extra Image Samples

The Phoblographer has been huge on transparency with our audience since day one. Nothing from this review is sponsored. Further, many folks will post reviews and show lots of editing in the photos. The problem then becomes that anyone and everyone can do the same thing. They’re not showing what the lens can do. So, we have a section in our Extra Image Samples area to show edited and unedited photos. From this, you can decide for yourself.

Some of these images include artistic effects like in-camera painting techniques.

Nikon Z 28-400mm f4-8 Tech Specs

• At 28mm, the aperture is f4 to f22
• At 400mm, the aperture is f8 to f45.
• FX format: full frame lens
• 21 elements in 15 groups
• 9 aperture blades
• 4 ED elements
• 3 Aspherical elements
• At 28mm, the close focusing is around a foot and a half
• At 400mm, the close focusing is around 4 feet
• 77mm filter thread
• 3.4 inches to 5.6 inches.

The Best Nikon lenses for traveling in 2024

Are you a travel photographer who uses Nikon cameras? Choosing the right lens is crucial in capturing stunning landscapes, cityscapes, and other travel photography. With so many lens options available, it can be challenging to determine which one to invest in.

That’s why we’ve put together this comprehensive guide to the best Nikon lenses for traveling in 2024. Not only will we cover the top lenses for landscape, city, and all-around travel photography, but we’ll also provide essential information about lens mounts and filters to help you make informed decisions when choosing a lens.

Nikon has been a leading name in photography for decades, producing some of the highest-quality cameras and lenses on the market. Whether you’re a professional or an amateur photographer, having the right lenses can make all the difference in capturing stunning travel photos. So, read on to discover the top Nikon lenses for traveling in 2024, including budget-friendly options, and make sure you capture every moment of your next adventure in stunning detail.

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Nikon Lens mounts

A lens mount is an essential part of a camera that allows you to attach a lens to the camera body. It’s crucial to ensure that the lens mount is compatible with the camera body, or else you won’t be able to use the lens with the camera. Different camera brands have different lens mounts, and within a brand, there can be different types of lens mounts as well.

Nikon has been producing cameras for over a century, and over the years, they have introduced several different lens mounts. The F-mount is the most common and has been used since 1959, making it compatible with a wide range of Nikon cameras, including the Nikon D3500 . It has a diameter of 44mm and a flange focal distance of 46.5mm, providing excellent image quality and versatility.

In recent years, Nikon has also introduced the Z-mount, designed for mirrorless cameras such as the Nikon Z6. The Z-mount has a larger diameter of 55mm and a shorter flange focal distance of 16mm compared to the F-mount. The Z-mount is designed to provide better image quality and faster autofocus performance, making it an excellent choice for photographers who want to take advantage of the latest camera technology.

Nikon also has a variation of the F-mount called the DX-mount. The DX-mount is designed specifically for Nikon’s APS-C sensor cameras, and DX lenses are smaller and lighter than full-frame F-mount lenses. However, they only cover the smaller APS-C sensor, which means you won’t be able to use them with full-frame cameras.

When buying a lens for your Nikon camera, it’s essential to make sure that the lens mount is compatible with your camera. For example, you won’t be able to use an F-mount lens with a Z-mount camera. However, with an adapter, you can use F-mount lenses on some Nikon mirrorless cameras. Understanding the different lens mounts available can help you make informed decisions about buying camera equipment and expanding your photography skills.

Lens filters

Lens filters are accessories attached to the front of a camera lens to modify how light enters the lens and affects the image captured by the camera. They come in various shapes, sizes, and types and can serve various purposes depending on the photographer’s needs.

Lens filters come in different types, such as:

• UV Filter : A UV filter blocks ultraviolet light from entering the lens, which can help reduce haze and improve clarity in outdoor photos. It can also serve as a protective layer for the lens, shielding it from scratches and damage.
• Polarizing Filter : A polarizing filter reduces reflections and glares from shiny surfaces, such as water or glass, and can also enhance color saturation and contrast in landscape photos.
• Neutral Density (ND) Filter : An ND filter reduces the amount of light entering the lens, allowing for a longer exposure and slower shutter speeds. This can be useful in bright daylight conditions to achieve a desired level of blur in motion photography or when shooting video to maintain a cinematic look.

It’s important to pick the right filter size for your lens to ensure that it fits securely and doesn’t interfere with image quality. The size of a filter is determined by its diameter, measured in millimeters. The diameter of the filter should match the diameter of the lens’ front element, which is usually printed on the lens itself or can be found in the lens manual.

The 3 Best Nikon Lenses for Landscape Photography

When it comes to landscape photography, having the right lens is crucial to capturing the beauty and grandeur of the natural world. For Nikon camera users, a variety of lenses can help you capture stunning landscapes on your travels. 

In this chapter of our article on the best Nikon lenses for traveling, we’ll take a closer look at the top Nikon lenses for landscape photography. From wide-angle lenses to telephoto zooms, we’ll explore the features and capabilities of each lens so that you can find the best Nikon lens for your travel photography needs.

Nikon AF-S NIKKOR 14-24mm f/2.8G ED

The Nikon AF-S NIKKOR 14-24mm f/2.8G ED lens is a high-end option for photographers who want to capture stunning landscapes. This lens boasts a wide-angle focal length of 14-24mm, making it ideal for capturing vast, sweeping vistas with incredible detail. With a fast maximum aperture of f/2.8, it provides excellent low-light performance and allows for greater control over depth of field, making it a top pick for landscape photography enthusiasts.

Moreover, this lens is a great Nikon lens for traveling, thanks to its compact and lightweight design. Its ability to capture sharp and vibrant images makes it a favorite of professional photographers who value its superior image quality. The lens is designed with Nikon’s exclusive Silent Wave Motor, which ensures fast, accurate, and quiet autofocus, allowing you to focus on the subject quickly and accurately.

In addition, its Extra-low Dispersion (ED) glass elements and Nano Crystal Coat minimize chromatic aberrations and ghosting, producing sharp and detailed images with reduced distortion. If you’re looking to upgrade your landscape photography gear, the Nikon AF-S NIKKOR 14-24mm f/2.8G ED lens is a fantastic option that delivers exceptional results.

• Price: $1746,95
• Buy on Amazon

Nikon AF-S NIKKOR 16-35mm f/4G ED VR

The Nikon AF-S NIKKOR 16-35mm f/4G ED VR lens is a versatile tool for photographers who enjoy capturing wide-angle shots of landscapes, architecture, and interiors. It features a wide-angle zoom range of 16-35mm, allowing you to capture a vast field of view, and with a maximum aperture of f/4, you can create a beautiful depth-of-field effect. Moreover, this lens is equipped with Nikon’s VR (vibration reduction) technology, which provides up to 4 stops of stabilization, making it perfect for handheld shooting, particularly in low-light situations. This feature also helps reduce image blur, producing sharp, clear images with incredible detail.

In addition, this lens is an excellent Nikon lens for traveling due to its compact and lightweight design. It’s made with high-quality ED (Extra-low Dispersion) glass and Nano Crystal Coat technology, which help reduce chromatic aberration and minimize ghosting and flares, delivering excellent image quality even in challenging lighting conditions. The lens is also constructed with a Silent Wave Motor for fast and quiet autofocus, ensuring you can capture the perfect shot without disturbing your subject.

Overall, the Nikon AF-S NIKKOR 16-35mm f/4G ED VR is a fantastic option for photographers who are looking for a wide-angle zoom lens with VR technology that can deliver high-quality images and is perfect for both outdoor and indoor photography.

• Price: $549.99

Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR

The Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR lens is a must-have for landscape photography enthusiasts who demand versatility, quality, and performance. This lens boasts a great zoom range of 24-70mm, allowing you to easily capture wide-angle and portrait shots. The fast maximum aperture of f/2.8 provides excellent low-light performance, making it perfect for capturing landscapes during sunrise or sunset, where lighting conditions can be challenging. The lens is equipped with Nikon’s VR (vibration reduction) technology, which delivers up to 4 stops of stabilization, ensuring that your shots are stable and clear, even in low-light conditions. This feature also helps reduce image blur, producing sharp, vivid images with incredible detail.

Moreover, this lens is also an excellent Nikon lens for traveling, thanks to its robust and weather-sealed construction. The lens features advanced ED (Extra-low Dispersion) glass and aspherical elements, which reduce chromatic aberration and distortion, delivering high-quality images with accurate colors and contrast. Additionally, the lens is equipped with a Silent Wave Motor, which ensures smooth and silent autofocus, allowing you to capture the perfect shot without disturbing your subject. The lens also features a customizable function button, which allows you to quickly access frequently used settings.

• Price: 2096,95

The 3 Best Nikon Lenses for City Trips

City trips offer many photographic opportunities, from bustling streets and towering skyscrapers to vibrant cultures and unique architecture. As a travel photographer, you’ll want to bring along the best Nikon lenses for traveling through the city and capturing the city’s energy and vibrancy. 

The right lens can help you achieve stunning results, whether you’re shooting iconic landmarks or candid street scenes. In this chapter, we’ll explore the top Nikon lenses for city trips, highlighting their features and capabilities, so you can choose the best lens for your needs.

Nikon AF-S NIKKOR 35mm f/1.8G ED

The Nikon AF-S NIKKOR 35mm f/1.8G ED is a highly recommended lens for anyone looking to capture stunning photos during their city trips. With its wide maximum aperture of f/1.8, this lens can produce exceptional images even in low light conditions. It’s also ideal for taking candid shots, thanks to its fixed focal length, which ensures that you can easily capture the moment without worrying about zooming in or out.

One of the standout features of this Nikon lens for traveling is its compact and lightweight design, making it easy to carry around during your city adventures. It’s also built with high-quality materials and robust construction, ensuring it can withstand the rigors of travel. Moreover, the lens is equipped with an aspherical element that helps to minimize distortion and chromatic aberration, resulting in sharp and clear images.

• Price: $320,-

Nikon AF-S NIKKOR 24-120mm f/4G ED VR

The Nikon AF-S NIKKOR 24-120mm f/4G ED VR is an excellent choice for anyone looking for a versatile Nikon lens for traveling during their city trips. This all-around lens is perfect for capturing the beauty of urban landscapes, allowing you to effortlessly switch from wide-angle shots of architecture to close-ups of street performers. With its f/4 maximum aperture, this lens can provide sharp and clear images in any lighting condition, making it perfect for capturing the hustle and bustle of a busy city.

In addition to its versatile focal length range, the AF-S NIKKOR 24-120mm f/4G ED VR is equipped with advanced features that make it a reliable lens for travel photography. Its VR (Vibration Reduction) technology ensures that your photos are stable and sharp, even when shooting handheld in low-light situations. The lens also features Nikon’s Extra-low Dispersion glass element, which helps minimize chromatic aberration and produce exceptional image quality.

• Price: $349.99

Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR

The Nikon AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is a must-have lens for travelers looking to capture the larger-than-life feel of cities and their impressive architecture. This ultra-wide-angle lens is perfect for shooting expansive cityscapes, allowing you to capture the essence of a city in a single frame. With its versatile focal length range, this lens can handle various situations, making it an ideal Nikon lens for traveling during city trips.

The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is also equipped with advanced features that make it an excellent choice for low-light shooting. Its VR (Vibration Reduction) technology helps to stabilize your shots, ensuring sharp and clear images even in challenging lighting conditions. Additionally, the lens features Nikon’s Super Integrated Coating, which reduces ghosting and flare, resulting in vivid and lifelike colors.

• Price: $259.99

The 3 Best All-around Nikon Lenses for Travel Photography

When it comes to travel photography, having the right equipment can make all the difference. The right camera and lens combination can help you capture stunning landscapes, interesting street scenes, and portraits of the people you meet on your journey. This section will discuss the best Nikon lenses for traveling, focusing on all-around lenses that are versatile enough to handle a wide range of photographic situations. Whether you’re a hobbyist photographer or a seasoned pro, these lenses will become your go-to choice for your next travel adventure.

The Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR is a highly versatile Nikon lens for traveling that is perfect for all-around travel photography. Its zoom range from wide-angle to short telephoto allows you to capture various subjects, from sweeping landscapes to intimate portraits. The fast maximum aperture of f/2.8 provides excellent low-light performance, allowing you to capture stunning shots even in challenging lighting conditions. With its durable construction and advanced features, this lens is an excellent choice for travel photographers who want to capture a wide range of subjects on their journeys.

In addition to its versatile zoom range and fast maximum aperture, the AF-S NIKKOR 24-70mm f/2.8E ED VR is also equipped with advanced features that enhance its performance. Its VR (Vibration Reduction) technology minimizes camera shake, ensuring that your shots are sharp and clear even when shooting handheld. The lens also features Nikon’s electromagnetic aperture control, which delivers consistent exposures during high-speed bursts. Additionally, the lens features Nikon’s Nano Crystal Coat which reduces ghosting and flare, resulting in vivid and lifelike colors.

• Price: $2,096.95

Nikon AF-S NIKKOR 70-200mm f/4G ED VR

Nikon AF-S NIKKOR 70-200mm f/4G ED VR lens is an excellent choice. This lens is perfect for all-around travel photography, thanks to its telephoto zoom range, fast maximum aperture, and advanced features.

One of the key benefits of this Nikon lens for traveling is its ability to easily capture distant subjects, such as landscapes, cityscapes, and wildlife. The lens is also perfect for portrait photography, allowing you to create stunning background blur and isolate your subject. With a fast maximum aperture of f/4, this lens delivers exceptional low-light performance, making it perfect for shooting in various lighting conditions.

In addition to its advanced optical features, the AF-S NIKKOR 70-200mm f/4G ED VR is equipped with VR technology, which minimizes camera shake and delivers sharp, clear shots even when shooting handheld. The lens also features Nikon’s Silent Wave Motor (SWM) technology, which provides fast and quiet autofocus performance, making it perfect for capturing candid moments on your travels. With its lightweight and compact design, this lens is an excellent choice for photographers who want to travel light without compromising image quality.

• Price: $474,-

Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR

For travel photographers who want a versatile and lightweight lens, the Nikon Nikon AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR is an excellent choice. With a wide zoom range, this lens is perfect for capturing various subjects, from wide landscapes to close-up portraits.

One of the key benefits of this Nikon lens for traveling is its advanced VR feature, which minimizes camera shake and delivers sharp, clear shots even when shooting handheld. This makes it ideal for capturing fast-moving subjects, such as street performers, or shooting in low-light conditions. Additionally, the lens has a fast and quiet autofocus performance, thanks to Nikon’s Silent Wave Motor technology.

With its compact and lightweight design, the AF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR is an ideal travel companion, allowing you to capture stunning photos without weighing you down. 

• Price: $159.99

The 3 Best Budget Nikon Lenses for Travel Photography

Photography is a passion that doesn’t have to break the bank, especially when it comes to travel photography. Even on a budget, you can still find excellent Nikon lenses that deliver great image quality and versatility, making them perfect for travel photography. 

This section will discuss the best budget Nikon lenses for traveling, providing you with options that won’t break the bank but will still produce stunning images. These lenses prove that you don’t need to spend a fortune to capture beautiful memories from your travels, and they will help you get the most out of your Nikon camera without sacrificing quality.

Nikon AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR

For budget-conscious travelers who still want high-quality photos, the Nikon AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR lens is a reliable and affordable option. Although it’s a basic lens that often comes bundled with Nikon cameras, its VR feature and lightweight design make it an excellent choice for capturing stunning travel photos without weighing you down.

With a versatile zoom range, this Nikon lens for traveling is perfect for capturing a variety of subjects, from wide landscapes to close-up portraits. Its VR feature helps to minimize camera shake, resulting in sharp and clear photos even when shooting handheld or in low-light conditions. Plus, its fast and quiet autofocus system ensures you can capture those perfect shots on the go, without missing a moment.

• Price: $69,-

Nikon AF-S DX NIKKOR 35mm f/1.8G

The Nikon AF-S DX NIKKOR 35mm f/1.8G is a great lens for those looking for an affordable option that doesn’t skimp on quality. The wide maximum aperture makes it perfect for low-light conditions and allows for beautiful bokeh, while the fixed focal length is great for capturing candid shots. Additionally, this lens is lightweight and compact, making it easy to carry around during your travels.

With its fast and accurate autofocus system, the Nikon AF-S DX NIKKOR 35mm f/1.8G is a versatile lens that can be used for various purposes, from street photography to portraits. Its sharpness and contrast are impressive, making it an excellent choice for amateur and professional photographers looking for a reliable Nikon lens for traveling.

Tamron SP 70-300mm f/4-5.6 Di VC USD

The Tamron SP 70-300mm f/4-5.6 Di VC USD is a versatile and affordable lens for travel photography. Its focal range makes it perfect for capturing distant landscapes or close-ups of wildlife, while the VC feature helps to stabilize the shot in challenging lighting conditions. The lens is also compatible with full-frame and crop-sensor cameras, making it a great option for photographers looking for an affordable way to capture stunning shots on the go.

In addition, this Tamron lens has a fast and accurate autofocus system, allowing you to easily capture moving subjects. It also features a high-quality optical design that minimizes distortion and produces sharp, vibrant images. The lens is lightweight and compact, making it easy to carry with you on your travels.

• Price: $299,-

Our favorite Nikon lenses for travel photography listed.

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Hey there! I'm Elliot Clennam, a passionate photographer based in Brussels, Belgium. My love for capturing the essence of my surroundings has led me on countless adventures, from exciting road trips to bustling city escapes.

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Best Travel and Food Lenses for Nikon DX Cameras

This post may contain paid links. If you make a purchase through links on our site, we may earn a commission.

These are the best travel and food lenses for Nikon DX cameras. If you’re serious about shooting travel and food, you’d be wise to spend a good proportion of your investment on lenses and these are a solid investment in a future in travel and food photography.

In my recent post on the  best camera and lens for professional travel and food photography , I raved about my new favourite camera and lens combination — the Nikon D500 camera body and Nikon AF-S NIKKOR 17-55mm f/2.8G ED DX lens. Having recently returned to Siem Reap from a 10-day trip to Indonesia where I used these every day, I firmly believe that this is still the best camera-lens combination and these are the best lenses for Nikon DX cameras.

In that post, I mentioned that for work I usually have to carry lenses that cover a range from 12mm to 600mm, so I thought I’d run through the kit that I used in Indonesia, covering everything from massive temples to surfing in Bali.

Having just purchased the Nikon D500 camera , I wanted to use it as my main camera for the Indonesia trip, relegating my Nikon D600 to backup status, just in case something untoward happened to my Nikon D500.

Firstly, I want to point out that this is the kind of kit that an enthusiast and professional uses, this is not the kind of gear a hobbyist would probably purchase. I also recommend buying lenses for Nikon DX cameras that are pre-loved, as all these are a relative bargain on the second-hand market.

About the Nikon DX Format and the Future

My first professional digital camera was the Nikon D2x with a sensor size that Nikon calls ‘DX’ and the Nikon D500 has the same size sensor. The sensor size is 24x16mm, while the larger ‘FX’ format sensor found in my D600 is 36x24mm, approximately the same size as 35mm film which I used to shoot before going digital.

When Nikon moved on from the smaller sensor for the Nikon D3 and D700 (still my favourite digital camera), many photographers sold off any lenses specifically made for ‘DX’ cameras as they preferred FX (commonly known as ‘full-frame’) cameras that took them back to their familiar 35mm film size. You can find out more about the  DX and FX Formats on the Nikon website .

I had always thought that in the future the cameras with DX sensors would be targeted toward enthusiasts rather than professionals. The new D500 challenges this thinking, particularly as you can use lenses made for FX camera bodies on the D500.

The kit listed below is a mix of lenses for Nikon DX cameras that have been specifically made for DX. The 12-24mm f/4G and the 17-55mm f/2.8G and the other lenses made for FX, which also work fine on a DX camera body.

So with the DX format alive and well, these are my recommendations for lenses for Nikon DX cameras if you’re seriously interested in travel and food photography. The great thing about these lenses is that most of them are true professional quality lenses, but they can still be found at bargain prices.

While none of these lenses have ‘VR’, Nikon’s vibration reduction that makes shooting at low shutter speeds less prone to image blur, for me that’s just one extra technical complication that doubles the prices of most lenses.

Best Value Professional Travel Lenses for Nikon DX Cameras

Nikon af-s dx nikkor 12-24mm f/4g if-ed.

This is Nikon’s professional wide angle zoom for DX cameras and a lens I’ve owned for many years. I have to admit that it’s not my favourite lens, but it’s a very competent performer, particularly at 24mm. While it’s made in Japan, its build is a little more ‘plasticy’ than the other lenses in my kit, but it has survived many years of abuse on the road.

The main problem with this lens is at the wide end (12mm) there is a little distortion, but much of this can be corrected in Lightroom. On the positive side, by the time you zoom to 17mm, it’s near perfect. It’s also very fast at focussing and is sharp as a tack. For a wide angle lens, it can also focus very close to the subject, giving you great creative flexibility.

While it retails for around US$1,200 , a decent second-hand copy can be found for as little as US$500 and for photographers wanting a decent lens that can take in a temple, a hotel swimming pool, or a wide landscape, this lens is a great one to have in your kit.

Nikon AF-S NIKKOR 17-55mm f/2.8G ED DX Lens

I wrote extensively about this lens in my post on the  best camera and single lens for travel and food photography . As an example of just how much I rely on this lens when I travel on assignment, 78% of photos I took in Indonesia were taken with this lens.

For general shooting, using this lens means that I’ll probably leave my 55mm macro lens and my 85mm portrait lens back in the hotel room safe.

Nikon AF FX NIKKOR 80-200mm f/2.8D ED

This is a quality, old school zoom lens, built like a tank, and it takes tack-sharp images throughout the zoom range. Even when the more complex and feature-filled Nikon AF-S Zoom-Nikkor ED 70-200mm f/2.8G VR lens came out, I still preferred the old lens, both for its build quality and lack of complexity. It also helps that it’s roughly half the price of the 70-200mm lens.

How tough is it? Mine has taken a real beating, having bounced down a set of stone stairs after a camera bag strap broke and it still kept working. If you did that to the 70-200mm lens, you’d be giving it its last rites as you picked up the pieces. Despite this, the 80-200mm is actually lighter than the 70-200mm, but it’s still not a lens you’ll leave on your camera all day at 1.3 kilos.

While it retails for around US$1,200 , just like the 12-24mm, a decent second-hand copy can be found for as little as US$400. This is a bargain for a lens that is a true professional zoom — one that will last you years.

Specialist Travel and Food Lenses for Nikon DX Cameras

Depending on the nature of the assignment, I will take some other lenses for Nikon DX cameras with me to cover a story. This can make my carry-on luggage decidedly heavy and take it over 15kg (split between myself and Lara), but they are well worth the extra weight.

Food Photography

Nikon 55mm f/2.8 micro nikkor lens.

This old manual focus lens is one that is small and light enough to always pack in a camera bag. However, I won’t take this lens out with me unless I’m doing a food shoot at a restaurant as it’s best used on a tripod.

If you want a macro lens that’s great for shooting food without the need for a tripod, the Nikon AF-S FX Micro-NIKKOR 60mm f/2.8G ED is your best bet.

While I’ve always used this lens on FX cameras, the effective focal length on DX cameras is 90mm, which to me is the perfect focal length for food. What it lacks in versatility, it makes up for in bang for buck. It’s a solid, mostly metal construction, it’s tack-sharp even from f2.8 and you can pick one up for US$100 second-hand.

Portrait Photography

Nikon 85mm f/1.4d af nikkor lens.

My go-to portrait lens for FX cameras is perhaps a little too long for DX camera bodies, but if I know I need to make shallow focus portraits, this is the lens I’ll use. I do, however, rarely use the lens at f/1.4 because even with the subject’s head slightly tilted, one eye will be in focus and the other out of focus — and you’d better have the eye closest to camera the one in focus!

So why not just buy a less expensive f1.8 or f2.0 lens? Because at f2.0 this lens produces images that are a thing of beauty. Lovely bokeh or out of focus areas that really isolate the subject, along with incredible sharpness, colour and contrast, make the images that this produces just a joy to behold when you start editing.

This lens is now discontinued and replaced by a faster-focussing, but rather more ‘plasticy’ modern Nikon model, but I love the old-school, tough, metal look of the old lens. While the faster focus of the new model is welcome, this is for portraits, not sports, and the old model is now a bargain for a flagship Nikon lens on E-Bay from around US$700.

Action Sports and Birding Photography

Nikon af-s fx nikkor f/4d if-ed 300mm.

One of the conundrums of being a travel photographer is that we have to cover the wide range of activities that people undertake when they travel. From African safaris to surfing safaris, the travel photographer is expected to come back with images that capture these pursuits. That means long lenses, but they’re expensive, heavy, and quite often only get used for 5% of your images if you’re photographing a general travel feature.

For instance, if your assignment is a travel article on the Gold Coast in Australia, the editor is going to want several surfing shots in your submission. You’re probably not going to get that coverage with your 200mm lens, but bigger and longer lenses are generally prohibitively expensive.

This Nikon 300mm lens  is the best compromise for me. It’s relatively light, fast-focussing and produces crisp images. Mounted on the D500, its focal length is actually 450mm but adding a  Nikon TC-14E teleconverter adds 40% extra reach, making it an effective 630mm lens. Nikon TC-14E teleconverters go for around US$200 on Ebay, making it a bargain to get that extra reach.

Nikon does have a new 300mm f4 lens with VR that’s amazingly half the weight of this old design, but costs more than twice as much as this lens goes for on Ebay. I picked mine up in mint condition with the original packaging for US$800.

Just like in my last post on the best camera and single lens for professional travel and food photography, I believe that when you are investing in a camera system (Nikon, Canon or Fuji — I can’t recommend Sony), you would be wise to spend a good proportion of your investment on lenses. For around US$1,500 combined, second-hand, these lenses for Nikon DX cameras are a solid investment in travel and food photography.

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Nikon AF-S DX 18-140mm f/3.5-5.6G ED VR review

The nikon af-s dx 18-140mm f/3.5-5.6g ed vr kit zoom lens for dslrs works well for travel photography.

Digital Camera World Verdict

When you’re on walkabout or travelling, it pays to take a single lens that suits most shooting scenarios. With a generous zoom range of 27-210mm in full-frame terms, this DX lens for Nikon’s APS-C format DSLRs covers most eventualities. Supplied as a kit option with some of the company’s mid-range DSLRs, this lens also makes a wise buy in its own right, thanks to good overall performance and image quality, and effective 4-stop optical stabilization.

Generous zoom range

4-stop Vibration Reduction

Compatible with older DSLRs

Lackluster edge-sharpness

Noticeable color fringing if uncorrected

HB-32 hood sold separately

Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test.

Specifications

Key features, performance, lab results.

The Nikon AF-S DX 18-140mm f/3.5-5.6G ED VR is by far the largest of Nikon’s kit zoom lenses for DX format DSLRs and is also 2.5x to 3.5x the weight, at 490g. The main contributing factor is its upsized zoom range, which stretches from 27-210mm in full-frame terms. Two concentric inner barrels physically stretch the length of the lens to achieve this, although focusing is fully internal.

Mount: Nikon F (DX) Full-frame: No Autofocus: Yes Stabilization : Yes Lens construction: 17 elements in 12 groups Angle of view: 76 to 11.5 degrees Diaphragm blades: 7 Minimum aperture: f/22-38 Minimum focusing distance: 0.45m Maximum magnification ratio: 0.23x Filter size: 67mm Dimensions: 78x97mm Weight: 490g

Autofocus is driven by a conventional ring-type ultrasonic system, featuring the usual full-time manual override. Switches are on hand for auto/manual focusing and for VR on/off, and the aperture is controlled via a mechanical lever. This makes the lens Nikon’s only DX format standard ‘kit’ zoom that’s fully compatible with the whole back catalogue of DSLRs. It’s also the only one that features a weather-sealed metal mounting plate. The optical path has no less than 17 elements and features one aspherical element and one ED (Extra-low Dispersion) element. Nikon’s conventional Super Integrated Coating is applied to reduce ghosting and flare. Vibration Reduction is rated as having a 4-stop effectiveness but lacks the additional ‘Sport’ or ‘Active’ modes often featured in Nikon’s more up-market lenses. A petal shaped HB-32 hood is available but you have to buy this separately, as it’s not supplied with the lens.

The ring-type ultrasonic autofocus is quick and very quiet although, as usual with this type of system, it lurches from one position to another thus precluding smooth autofocus transitions when shooting video. VR lives up to its 4-stop billing and resistance against ghosting and flare is pretty good. Center-sharpness is mostly very respectable but edge-sharpness is comparatively lackluster. Color fringing and distortions can also be very noticeable, especially when using the lens with older Nikon DSLRs that lack automatic in-camera corrections.

We run a range of lab tests under controlled conditions, using the Imatest Master testing suite. Photos of test charts are taken across the range of apertures and zooms (where available), then analyzed for sharpness, distortion and chromatic aberrations. We use Imatest SFR (spatial frequency response) charts and analysis software to plot lens resolution at the center of the image frame, corners and mid-point distances, across the range of aperture settings and, with zoom lenses, at four different focal lengths. The tests also measure distortion and color fringing (chromatic aberration). Sharpness:

Apart from a dip around the 70mm mark, center-sharpness is pretty good throughout the zoom range. Edge-sharpness is relatively disappointing. Fringing:

Color fringing can be very noticeable, especially at the long end of the zoom range, when using early Nikon DSLRs that lack in-camera correction. Distortion:

When uncorrected, barrel distortion is quite severe at the shortest focal length and pincushion is evident in the 35-140mm sector of the zoom range.

•  Best camera lenses to get •  Best Canon lenses •  Best Nikon lenses •  Best Sony lenses

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Matthew Richards is a photographer and journalist who has spent years using and reviewing all manner of photo gear. He is Digital Camera World's principal lens reviewer – and has tested more primes and zooms than most people have had hot dinners! 

His expertise with equipment doesn’t end there, though. He is also an encyclopedia  when it comes to all manner of cameras, camera holsters and bags, flashguns, tripods and heads, printers, papers and inks, and just about anything imaging-related. 

In an earlier life he was a broadcast engineer at the BBC, as well as a former editor of PC Guide.