Explaining Hollywood: How to get a job as a film festival programmer

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Lili Rodriguez’s first job managing a film program was for the Palm Springs International Film Festival ’s After Dark program. She remembers screening Juanfer Andrés and Esteban Roel’s horror thriller “Shrew’s Nest” at 11 p.m., and during a pivotal scene, she stood in the back of the theater and watched 200 people jump back in their seats at the exact same time.

“I almost cried for joy,” she said. “I can’t even imagine how the filmmakers feel. I’ve never been interested in being a filmmaker, but as a curator, a little bit of that moment is you.”

There are more than 10,000 film festivals around the world, and more than 4,500 just in the United States, according to the online film festival and indie film marketplace FilmFreeway. Los Angeles has the most of these events by far.

There are many types of film festivals. There are the major ones such as Sundance, Toronto or Cannes that can ignite a filmmaker’s career and put a film on track for an Oscar win. There are regional film festivals that bring buzzworthy indie or international films to their towns and showcase works from local filmmakers. There are also festivals that focus on particular mediums ( short films , documentaries , animation ), missions ( the environment , human rights ) or identities (everything from women , ethnic and LGBTQ -focused festivals to ones for sci-fi fans ).

Most of the programmers The Times interviewed say that they “fell into” the job. There isn’t a defined pathway. Many of them didn’t even realize it was a career at first. They started with a love of movies, then gained a love of the film festival environment — and wanted more.

“It’s like summer camp,” said Faridah Gbadamosi, senior programmer at the Tribeca Film Festival . “There’s people that I know that I will see every year at this place. ... It really creates a family vibe.”

But planning a film festival is also a lot of work. “I think that a lot of people almost idealize our jobs,” said Kim Yutani, director of programming for the Sundance Film Festival . “They think, ‘Oh, I would love to watch movies for a living.’”

But film festival work goes beyond the actual event. Programmers are screening submissions throughout the year to get the final selections; they’re building relationships with filmmakers and other industry members; they’re providing support for up-and-coming talent. Their work helps films continue to have impact beyond the time audiences are watching it.

“I love that moment when you see a film that just changes your life,” said Martine McDonald, the director of artistic development at Outfest . “Every now and then, there’ll be a film that I’m like, ‘My life is better after seeing that.’”

To learn more about being a film festival programmer, The Times spoke with Yutani, Gbadamosi, McDonald and Rodriguez, now the artistic director of the Palm Springs International Film Festival; along with Diana Cadavid, artistic director of the Los Angeles Latino International Film Festival and programmer at the Toronto International Film Festival ; Sudeep Sharma, a programmer at Sundance; and Anderson Le, artistic director of the Hawaii International Film Festival . Here are some of their insights.

Who becomes a film festival programmer?

It’s not just about loving films. To be a festival programmer, you have to live and breathe them. It’s not a 9-to-5 job. Even if programmers aren’t screening films for their festival, they’re watching other films, reading about new films, going to other film events and talking to people about films.

The reality: As a film festival programmer, you’re not always watching great films. You have to have a high tolerance for all types of films — and an appetite for digging through a lot of material of wide-ranging quality.

It takes considerable stamina to be a curator. The Sundance Film Festival — which returned this week with in-person showings for the first time since the pandemic started — received almost 16,000 submissions this year. At peak times, everyone on Sundance’s 12-person team is watching films from the moment they wake up until the time they go to sleep, said Yutani.

“People always ask, ‘Do you watch the whole thing?’” said Sharma. “And the answer is yes! … How could you make an evaluation on something, if you’re not really evaluating it?”

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You’re not passively watching the films. Given the volume of works you’re evaluating, you’ll need to take notes during the screenings and sometimes watch films multiple times so that you know them well enough to advocate for them. And you have to do this for months at a time.

“It can be psychologically exhausting,” Rodriguez said.

But what unites programmers is their commitment to the power of storytelling and their belief in film festivals as a platform to elevate projects that wouldn’t get opportunities to find audiences otherwise, said Cadavid.

The best film festival programmers are generally well-rounded and have a sense of what’s happening in the world, from sports to politics to social media trends, said Yutani. This is because films are not watched in a vacuum. Programmers need to understand what audiences are thinking about and how their film selections could help deepen conversations in worthwhile ways.

It also helps to be social if you want to be a film festival programmer. “That’s the part I didn’t really understand at first,” said Yutani. “When I first wanted to be a programmer, it was because I can watch independent films all day long. But there’s a whole other side of things that’s public-facing.”

Programmers aren’t watching just the submissions their festival receives. They are meeting filmmakers, producers, distributors, sales agents and more to get a sense of the landscape of releases. It’s just as important to be connecting with aspiring Hollywood creatives — even those who may not make a film for years .

And you also have to be a good writer, said Gbadamosi, because programmers are the ones writing all the film descriptions for the program schedule. They need to be able to explain the film in a way that will resonate with their audience.

How do you get started?

The experts recommend finding a festival in your area and volunteering for it. Most local film festivals are nonprofits that are always in need of volunteers, they said.

The organizations that run film festivals are made up of many departments, and many programmers gained their foothold by working in other positions. Sharma was the coordinator at the Indian Film Festival of Los Angeles when he was a graduate student in film studies at UCLA. He remembers making badges, working with spreadsheets and doing more of the physical labor. Eventually he started reading scripts for the Sundance Institute, and now his focus is programming documentary feature films for Sundance.

Rodriguez said she benefited from starting at a smaller regional festival as a guest relations assistant, where she got to know everyone well and was mentored. Don’t get too caught up on being a programmer right away, she said. Just help out, talk to people, make friends and learn about the inner workings of a film festival as an event.

There are often jobs to do in marketing (press kits, sponsorships), audience development (social media posts), hospitality (accommodations for filmmakers and other guests), venue management, education (mentorship programs and training), database management, finance, human resources and more, said Gbadamosi, who also got her start working with guests.

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Once you meet enough people and start to gain trust, look for a chance to become part of the screening — or prescreening — committee. These are the people who aren’t yet involved in making the choices for the festival, but they give notes to help the programmers get to the final picks.

Festivals get such a high volume of submissions, many of the screening committee jobs are volunteer positions as well. Often, aspiring programmers can start with putting in just a few hours a week, said Cadavid, to get a sense of the selection process.

You don’t need a film degree to become a programmer, but it helps to have a track record of thinking about film critically. Before Gbadamosi became a programmer, she used to write film reviews for Black Girl Nerds and other sites and tweet film recaps.

McDonald started as an educator, curating films for middle school, high school and college curricula. She also worked at the New York Children’s Film Festival. “I think programming for children is very important as well,” she said. “You’re raising an audience. How do you build an audience, and how you build the future of our arts workers’ world?

It’s also common for programmers to start out in film production before realizing they were more interested in curation. Cadavid was an editor and producer on various short films and music videos. Yutani was Gregg Araki’s assistant on “Doom Generation,” which debuted in Sundance in 1995; an uncensored director’s cut is screening in this year’s program.

And some programmers gained credibility by launching small festivals where they saw gaps. Gbadamosi helped start the Korea Expat Film Festival when she was teaching English in Korea. Cadavid helped launch the International Film Festival of Panama.

What are the career paths?

There are two general routes: one for folks who ultimately want to run a film festival, the other for people who are more interested in watching films than planning events.

Rodriguez is an example of the first group. She started as an intern at the Palm Springs International Film Festival and worked her way up to artistic director, where she now oversees all departments and sets the tone of the entire event.

Programmers in the second group usually start by jumping from small festival to small festival, working their way up to the bigger ones.

Some end up being consultants for film festivals. Le is the artistic director of the Hawaii International Film Festival, but he also consults for the Los Angeles Asian Pacific Film Festival , the Far East Film Festival in Udine, Italy, the Singapore International Film Festival and Reel Asian in Toronto.

This path often involves a lot of temporary contract work. It helps to either live in a city with a lot of film festivals — L.A., New York or San Francisco, for example — or be open to travel. Gbadamosi said that over the course of her career, she’s worked at about 40 different festivals, so she’s lived in such distinct spots as Maine, Pennsylvania, Missouri, Louisiana and South Korea. If your goal is to work for one of the more prestigious, international film festivals, the work will also involve travel.

For Yutani, Sundance was always the goal. All the films she loved came out of Sundance.

But even if you don’t end up at Sundance, there are a lot of transferable skills that come with film festival work, said Le. For example, you could get experience working with sponsorships or grants. Some who work in film festivals end up going into producing. In 2020, Le and a team of Vietnamese American filmmakers launched a boutique film studio, EAST Films , to develop content for Vietnam and the Vietnamese diaspora.

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How do you make money? (And what kind of money?)

Film festival work “is not a huge moneymaker,” said Sharma. “There has to be something driving you that’s not financial.”

Unless you’re at one of the bigger film festivals, many programming gigs are not full-time jobs. So you may be holding down another full-time job and programming on the side. Or you’ll be cobbling together multiple contract jobs, whose perks could include a modest travel stipend and passes to all of the film festivals you’d be saving up to attend anyway — but not necessarily health insurance.

“It’s financially hard to make it,” said Gbadamosi, who worked as a digital research analyst at Verizon before she could make a living as a programmer. It can take decades to land a full-time programming job.

But the film festival programmers said they feel a great sense of purpose as they’re doing their work. “It feels like you’re really contributing to something that matters,” Sharma said.

How is this career different than it was 10 or 25 years ago?

Le’s first job at the Hawaii International Film Festival was delivering film prints to screenings. This was before films would be submitted digitally. “Back when there were 50-pound 35mm film cans, it was a huge workout,” he said.

Nowadays, having digital options to view films makes programming work more accessible to those who don’t have the means to travel to lots of film festivals.

Cadavid said there’s also been “an explosion of film festivals, which is fantastic.” That opens up more opportunities for people who want to pursue film festival programming as a career.

The industry used to be very opaque, said Gbadamosi. Now there are groups like the Programmers of Colour Collective , also known as POC2, that “advocate for a more inclusive programming pool worldwide.”

McDonald sees her work as creating welcoming spaces for those who may be more vulnerable to the challenges of an industry that can be brutal on your mental health. “That’s great that you got your film distributed, but how are you taking care of yourself?” she’ll ask creatives. “How can you not make your value as a person dependent on how successful your film is? ... Is this a story you’re ready to tell, or will it harm you in process?”

The pandemic escalated challenges that film festivals had already been grappling with: How do you get people to come out to a theater when they can watch so many things at home or on their phone? How do film festivals create an online presence?

Many festivals are branching out and creating storytelling programs outside of film. Le said the film festival has started a program featuring online critics, including those who do vlogs, video essays and podcasts. Tribeca has branched out into music and gaming, Gbadamosi said.

Outfest started a free virtual queer museum called the OutMuseum. Every few weeks, a new curator programs a selection of short films on a particular topic, such as Stories from LGBTQ+ Youth or the Filipinx experience . The current program, guest curated by Parisa Barani and Parisa Parnian, is “ Jin, Jiyan, Azadi. Woman, Life, Freedom ,” a collection of films from the LGBTQ Iranian diaspora.

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What advice do pros always hear that is wrong?

“I always thought, ‘Oh, I have great taste in film; therefore I should be a festival programmer,’” said Sharma. But he said he soon learned that programming wasn’t just about picking the films that you like the most.

“It’s not the ‘Sudeep Sharma Film Festival,’” Yutani said. “Though I would love to be an attendee at that film festival.”

You’re playing matchmaker, said Rodriguez. You’re looking for movies that you think this audience is going to respond to. That doesn’t mean that you don’t try to challenge your audience — “You know, sometimes I’ll program a nine-hour Chinese documentary,” said Le — but it’s more important for a programmer to be open and collaborative.

“We have a whole process of how we talk about the films,” Yutan said of the Sundance programming team. “We all come from different backgrounds, we all have different tastes in film, and I think together that helps us come together and make these very difficult decisions.”

“I think you become a better programmer the longer you do the job,” Sharma said. “It’s almost like losing your own personal taste, [in exchange for] what you can identify as a potential film for the festival.”

Another thing many people don’t realize: Programmers sometimes have to reject a good film just because it’s not the best fit for that year’s program. “The longer you do this job, the harder it gets [to do that], because you keep accumulating friendships and relationships,” Sharma said.

Part of the job as a film festival programmer is to facilitate these big moments that filmmakers have worked so hard to achieve. Often you are experiencing these emotional highs and lows with them, and as humbling and joyful as it is to see the successes, Sharma said, it can also be difficult to witness the disappointments.

What’s some good advice?

Really think about why you want to be a programmer, said McDonald. What are the ways you can champion a filmmaker? What are you curious about? What are the larger conversations you want to have?

Even when you’re planning movie nights just for your friends, understand what’s important to you.

“For myself, I always say, ‘Practice wonder, curate justice and cultivate belonging,’” she said. “And that is equal parts of listening to the community as much as it is making an offering.”

“Something that makes you very proud of your work when you’re a film programmer is to see how those relationships evolve,” Cadavid said. “And to see how the films that you bring to the table open up a conversation, both with the audience and within the industry.”

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The Programming Assistant works closely with the Programmer of the Chicago International Children’s Film Festival to coordinate Festival submissions, review entries, and develop and execute film screenings, educational materials, juries, and special events.

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Social / search, empowering perspectives: u.s. embassy supports inspiring stories at the ismailia film festival.

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CAIRO – The U.S. Embassy in Cairo is pleased to partner with Los Angeles-based Film Independent to support the 25th edition of the Ismailia International Film Festival for Documentaries and Shorts, the oldest documentary and short film festival in the Middle East and Africa established in 1991. The festival celebrates cinema as a medium to promote cross-cultural dialogue and showcases the best of Egyptian and international production in documentary and short films.

“Documentaries and short films are vibrant canvases where diverse narratives unfold,” U.S. Embassy Assistant Cultural Attaché Inga Litvinsky said. “The United States is proud to support Ismailia International Film Festival and its mission to promote cross-cultural dialogue and people-to-people ties. The festival is a bridge to connect the United States and Egypt through fostering understanding and celebrating the richness of our collective experience.”

This year’s festival also honors American film director and producer Steve James, whose documentary Hoop Dreams was nominated for an Academy Award in 1994 and ranked the best documentary of all time in an International Documentary Association poll in 2007. James is receiving a lifetime achievement award at the festival on February 28 and will host a master class series in Cairo on March 6.

As part of the festival, the U.S. Embassy and Film Independent are also presenting a short film documentary workshop led by Sisa Bueno, a film and multimedia maker dedicated to exploring powerful ripple effects within humanity while making seemingly inaccessible stories more accessible to audiences. Sisa most recently received the Film Independent Documentary Lab Fellowship for her current work in progress, For Venida, For Kalief .

Ismailia International Film Festival for Documentaries and Shorts takes place February 28 to March 5. More information is available at ismailiafilmfest.com . To learn more about the arts and cultural partnership between the United States and Egypt, visit eg.usembassy.gov. Follow @USEmbassyCairo on  Facebook ,  X , and  Instagram  for more information about events and programs at the U.S. Embassy.

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44 facts about krasnodar.

Margo Rhone

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Modified & Updated: 02 Mar 2024

Published: 08 Jul 2023

Modified: 02 Mar 2024

44-facts-about-krasnodar

Krasnodar is a vibrant and fascinating city located in the southern part of Russia. Known for its rich history, diverse culture, and stunning natural landscapes, Krasnodar offers an array of attractions and experiences for visitors to enjoy. From its iconic architecture to its delicious cuisine, this city truly has something for everyone.

In this article, we will explore 44 intriguing facts about Krasnodar. Whether you’re planning a trip to this dynamic city or simply want to learn more about it, you’ll find plenty of interesting tidbits to satisfy your curiosity. So, let’s dive in and uncover the hidden gems of Krasnodar!

Key Takeaways:

  • Krasnodar, the 16th largest city in Russia, offers a warm climate, vibrant culinary scene, and rich cultural heritage, making it a beautiful gift for visitors and residents alike.
  • With its diverse culture, thriving community, and rich history, Krasnodar provides something for everyone to enjoy, from outdoor activities to vibrant cultural events.

Krasnodar is the 16th largest city in Russia.

Located in the southern part of the country, Krasnodar occupies an area of about 300 square kilometers.

The city’s name translates to “beautiful gift” in Russian.

Krasnodar was named by Catherine the Great in 1794, who was impressed by the natural beauty of the region.

Krasnodar is the capital of Krasnodar Krai.

Krasnodar Krai is a federal subject of Russia , and Krasnodar serves as its administrative center.

The city is known for its warm climate.

Krasnodar experiences hot summers with temperatures reaching up to 35°C (95°F) and mild winters with temperatures rarely dropping below freezing.

Krasnodar is a major transportation hub.

The city is well-connected by air, rail, and road networks, making it a crucial transportation node in southern Russia.

Krasnodar is home to the popular FC Krasnodar football team.

FC Krasnodar competes in the Russian Premier League and has gained a significant following in the region.

The city is known for its vibrant culinary scene.

Krasnodar offers a wide variety of restaurants, cafes, and street food stalls serving both traditional Russian cuisine and international dishes.

Krasnodar is a major agricultural center.

The fertile land surrounding the city is ideal for agriculture, and Krasnodar is known for its production of grains, fruits, and vegetables.

Krasnodar is home to the Kuban River.

The Kuban River flows through the city, providing a picturesque backdrop and recreational opportunities for residents and visitors.

Krasnodar has a rich cultural heritage.

The city boasts numerous museums, theaters, and art galleries, showcasing the history and artistic talent of the region.

The famous artist Ivan Shishkin was born in Krasnodar.

Ivan Shishkin is one of Russia’s most renowned landscape painters and is known for his realistic and detailed depictions of nature.

Krasnodar is known for its annual Krasnodar Jazz Festival.

The Krasnodar Jazz Festival attracts jazz musicians and enthusiasts from around the world, showcasing both local talents and international artists.

The city is a cultural melting pot.

Krasnodar is home to people of various ethnicities, contributing to its diverse cultural landscape.

Krasnodar is famous for its traditional Cossack culture.

The Cossacks have a strong presence in Krasnodar, and their customs, dances, and music are celebrated throughout the city.

Krasnodar is a popular destination for outdoor activities.

The surrounding area offers opportunities for hiking, camping, and exploring the beautiful nature reserves and national parks.

The city is a center for higher education.

Krasnodar is home to several universities and colleges, attracting students from all over Russia and abroad.

Krasnodar has a thriving business and entrepreneurial ecosystem.

The city has experienced significant economic growth, with a range of industries contributing to its success.

Krasnodar has a bustling nightlife scene.

There are numerous bars, clubs, and entertainment venues where locals and visitors can enjoy music, dancing, and socializing.

Krasnodar hosts the annual Krasnodar International Film Festival.

The film festival showcases local and international films, attracting filmmakers and cinema enthusiasts.

The city has a well-developed public transportation system.

Krasnodar offers a network of buses, trams, and trolleybuses, making it convenient for residents and tourists to get around.

Krasnodar is home to the largest open-air market in southern Russia.

The central market, known as “Tsentralniy Rynok,” offers a wide variety of fresh produce, clothing, and other goods.

The city has hosted international sports events.

Krasnodar has been a host city for major events such as the FIFA World Cup and the European Athletics Championships.

Krasnodar is a center for healthcare and medical research.

The city is home to state-of-the-art medical facilities and renowned research institutes.

Krasnodar is known for its beautiful parks and gardens.

The city boasts numerous green spaces where residents can relax, exercise, and enjoy nature.

Krasnodar is experiencing rapid urban development.

The city’s skyline is continuously evolving with the construction of new residential and commercial buildings.

The city has a rich history dating back to ancient times.

Archaeological discoveries in the region have revealed traces of early civilizations that once thrived in Krasnodar.

Krasnodar is a city of sports enthusiasts.

From football and basketball to martial arts and water sports, Krasnodar offers a wide range of sporting activities and facilities.

The city is known for its warm and welcoming locals.

Krasnodar residents are known for their hospitality and friendly nature.

Krasnodar has a vibrant music scene.

The city hosts music festivals and concerts throughout the year, showcasing a variety of genres and talents.

Krasnodar has a developed network of bike lanes.

Cycling enthusiasts can explore the city and its surroundings using the extensive bike paths available.

Krasnodar has a rich tradition of folk dances and music.

Traditional dance groups and music ensembles perform regularly, preserving the cultural heritage of the region.

The city has a thriving technology sector.

Krasnodar is home to numerous tech startups and companies driving innovation in various fields.

Krasnodar is famous for its vibrant food markets.

Locals and tourists flock to the markets to find fresh produce, local delicacies, and traditional Russian ingredients.

Krasnodar has a strong sense of community.

Residents actively engage in volunteer work and community initiatives, fostering a close-knit and supportive environment.

The city has a rich architectural heritage.

From historical buildings to modern structures, Krasnodar showcases a blend of architectural styles.

Krasnodar is a gateway to the Black Sea coast.

The city’s proximity to popular coastal destinations makes it an ideal starting point for beach getaways.

Krasnodar celebrates various cultural festivals throughout the year.

The city embraces diversity by hosting festivals that showcase the traditions and customs of different ethnic groups.

Krasnodar has a well-established theater scene.

From classical plays to contemporary performances, theater enthusiasts can enjoy a range of productions in the city.

The city is known for its innovative urban planning.

Krasnodar has implemented modern urban planning principles to create livable and sustainable neighborhoods.

Krasnodar has a strong sense of environmental awareness.

Efforts are made to preserve the natural beauty of the region and promote eco-friendly practices within the city.

The city is home to the Kuban State University.

Kuban State University is one of the oldest and most prestigious educational institutions in southern Russia.

Krasnodar is a center for sports medicine.

The city offers state-of-the-art medical facilities and professionals specialized in sports-related injuries and rehabilitation.

Krasnodar has a well-developed retail sector.

From shopping malls to boutique stores, residents and visitors have access to a wide variety of retail options.

Krasnodar is known for its vibrant cultural events.

Throughout the year, the city hosts festivals, concerts, and exhibitions that showcase the creative talents of its residents.

As you can see, Krasnodar is a city with a rich history, diverse culture, and thriving community. From its warm climate to its vibrant culinary scene, there is something for everyone to enjoy in this beautiful gift of a city.

In conclusion, Krasnodar is a vibrant city that offers a wealth of history, culture, and natural beauty. With its rich architectural heritage, delicious cuisine, and friendly locals, it is no wonder that Krasnodar is a popular destination for travelers from all over the world. Whether you are interested in exploring the city’s museums and art galleries, experiencing its lively nightlife, or simply indulging in its delicious local dishes, Krasnodar has something for everyone. So, if you are looking for an exciting and memorable travel experience, be sure to add Krasnodar to your bucket list.

1. What is the best time to visit Krasnodar?

The best time to visit Krasnodar is during the spring and autumn seasons when the weather is pleasant and mild. Summers can be quite hot and humid, while winters are cold with occasional snowfall.

2. How can I reach Krasnodar?

Krasnodar is well-connected by air, rail, and road. The city has an international airport, and there are regular flights from major cities in Russia and Europe. Additionally, there are train and bus services available for travelers.

3. Are there any must-visit attractions in Krasnodar?

Yes, there are several must-visit attractions in Krasnodar. Some of the popular ones include the Kuban State University Botanical Garden, Krasnodar Regional Art Museum, Red Street, and the Krasnodar Safari Park.

4. Is it safe to travel to Krasnodar?

Yes, Krasnodar is generally a safe city to visit. However, it is always recommended to take normal precautions and be aware of your surroundings, especially in crowded areas.

5. What is the local cuisine like in Krasnodar?

The local cuisine in Krasnodar is diverse and delicious. Some popular dishes include Kuban-style barbecued meats, borscht ( beetroot soup), pirozhki (stuffed pastries), and traditional Russian desserts like blini (thin pancakes) and medovik (honey cake).

6. Are there any outdoor activities to do in Krasnodar?

Yes, there are plenty of outdoor activities to enjoy in Krasnodar. You can visit the beautiful parks and gardens, go hiking in the nearby mountains, or explore the stunning countryside on a bike tour.

7. Can I take day trips from Krasnodar?

Absolutely! Krasnodar is a great base for day trips to nearby attractions such as the Black Sea coast, the picturesque town of Gelendzhik, and the historic city of Anapa.

8. Is English widely spoken in Krasnodar?

While English is not widely spoken, you can still manage to communicate with basic English in major tourist areas. Having a few basic Russian phrases handy can also be helpful.

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Directed By Sanjay Rawal

82min | 2014 | usa | english | spanish | documentary.

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Alpha Arts Institute Announces Call for Submissions for the Alpha Arts Film Festival

Building upon the success of its inaugural edition, the Alpha Arts Institute at Sussex County Community College proudly unveils the call for submissions for the second annual Alpha Arts Film Festival (AAFF). The festival, slated to take place on September 19th, 20th, and 21st, 2024, invites filmmakers from across the globe to showcase their work in an atmosphere dedicated to celebrating cinematic creativity and innovation.

The Alpha Arts Film Festival aims to foster a dynamic environment for producing, discussing, and screening films, catering to diverse voices and visions. The festival is open to all international filmmakers, with a special section for New Jersey-based filmmakers. Categories are open to students (international), professionals and non-students (international), and New Jersey-based filmmakers. In line with this mission, the festival seeks entries from filmmakers in two categories for its 2024 lineup:

  • Experimental Films: This category embraces the avant-garde spirit of filmmaking, inviting submissions that push the boundaries of traditional cinematic conventions. Experimental films challenge narrative norms and explore alternative storytelling methods, offering audiences a glimpse into unconventional realms of visual expression.
  • Narrative Short Films: Short films provide a platform for concise yet impactful storytelling, allowing filmmakers to craft compelling narratives within a limited timeframe. This category welcomes submissions that showcase the art of storytelling in its most condensed and evocative form, offering audiences a diverse array of captivating narratives to experience. Time limit: 40 minutes.

Filmmakers interested in submitting their work to the Alpha Arts Film Festival can do so via the festival's official submission page on FilmFreeway.com: 

AAFF Submission Page

The submission period opens on March 1st and closes on August 1st, with the possibility of late submissions accepted for an additional two weeks for an additional fee.

A standard entry fee of $20 per film submission is applicable, with a reduced rate of $10 available for students. Late submissions can be submitted for an additional fee of $10. For more information on submission guidelines and deadlines, please visit the festival's AAFF Submission Page ( https://filmfreeway.com/AlphaArtsFF ) or contact Professor Michael Hughes at  [email protected]  or Daniel Cosentino  [email protected] .

Selected films will be screened at Sussex County Community College's Student Center Theater, which is equipped with state-of-the-art audiovisual technology to enhance the viewing experience. The festival will feature a diverse program of screenings, discussions, and networking opportunities, providing filmmakers and audiences a platform to engage with the vibrant world of independent cinema.

The Alpha Arts Film Festival is made possible through the collaborative efforts of faculty members, industry professionals, and community partners, all dedicated to promoting the arts and nurturing emerging talent. It is led by Daniel Cosentino, Assistant Professor of Art and Coordinator for Visual and Performing Arts.

Juror: Initial Selections will be made by the Alpha Arts Film Festival college faculty and guests. Guest Juror Michael Frank will make final selections. Michael Frank is a Humanities, Computing, and Design Lecturer at the Rochester Institute of Technology. In this role, he works with students to investigate the impact of narrative on audience perspective and transmedia expansion. Frank is also a filmmaker, writer, and podcaster, focusing on collaborative worldbuilding and the use of improv as a tool for creative expression.

Funding for the Alpha Arts Institute has been generously provided by the New Jersey State Council on the Arts/Department of State in partnership with the National Endowment for the Arts through the State/County Partnership Block Grant Program administered by the Sussex County Arts and Heritage Council.

Sussex County Community College is located at One College Hill Road in Newton. For more information about the festival and how to get involved, please visit  www.sussex.edu/community/alpha-arts-institute/ .

# # # # # #

The Alpha Arts Institute, founded in 2022, operates under the auspices of Sussex County Community College, a not-for-profit institution dedicated to fostering artistic excellence and cultural enrichment within the local and regional community. Through diverse programs and initiatives, the Alpha Arts Institute serves as a premier platform for artists, arts professionals, students, and audiences to engage with film and visual art. For inquiries, please contact Daniel Cosentino at [email protected] or call 973-300-2144.

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Krasnodar Music Festival Relies On Adamson Energia System

By Mix Staff

The festival’s 35-meter stage was flanked by left-right Adamson Energia line arrays followed by large-scale video walls. The Stairway to Heaven Festival, held in the Krasnodar Region of Russia, made its debut this summer. Live Master, located in Krasnodar City, provided lighting and an Adamson Energia sound reinforcement system for the event. Adamson’s Jochen Sommer […]

visit films festival assistant

The festival’s 35-meter stage was flanked by left-right Adamson Energia line arrays followed by large-scale video walls.

The Stairway to Heaven Festival, held in the Krasnodar Region of Russia, made its debut this summer. Live Master, located in Krasnodar City, provided lighting and an Adamson Energia sound reinforcement system for the event.

Adamson’s Jochen Sommer assisted with system design and was on-site to oversee the set-up and tuning of the Energia system. The festival lineup included Joe Lynn Turner, Ian Paice, Ken Hensley, Pink Floyd Show UK and Russian heavy metal band Aria.

The festival’s 35-meter stage was flanked by left-right Energia line arrays followed by large-scale video walls that delivered visual impact throughout each performance.

“In comparison to similar events, this was an extremely large undertaking,” explains Oleg Ivanov, Adamson Russia. “The Adamson system performed extremely well delivering exactly what the artists and those that ran the festival required.”

The main P.A. comprised two Adamson E15 line arrays, each comprised of 12 E15 enclosures. Due to the large width of the P.A. an additional flown infill system of four E12 per side was installed with an additional four Adamson E12 stacked in front of the stage for lip fill purposes. Low end was supported by six blocks of three Adamson T21 subwoofers arranged in an end-fired configuration left and right of the stage at ground level.

The system was driven by 22 Lab.gruppen PLM 20000Q amplifiers with Lake processing. A Midas Pro6 digital console took center stage at FOH along with one Lake LM44 for main system control. On stage monitoring was delivered by 16 Adamson M15 monitors along with 2 A218 subs for the drums.

“All of the performers were impressed with the sound quality,” Ivanov adds. “Aria’s lead guitarist Vladimir Holstinin said that the technical implementation of the concert could easily beat any other festival in Russia.”

Visit Adamson Systems at www.adamsonsystems.com .

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Alec Baldwin waved gun around on Rust film set before fatal shooting, court hears

  • Published 3 days ago

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Rust trial: Video shows Baldwin use gun as 'pointing stick'

Actor Alec Baldwin waved a gun around on the film set where a cinematographer was fatally shot, a court has heard.

In footage shown at the trial of the film's armourer Hannah Gutierrez-Reed, Mr Baldwin is also seen telling her to reload the gun more quickly.

She denies involuntary manslaughter and tampering with evidence.

Mr Baldwin was holding the gun when it went off but has said he didn't pull the trigger. He has pleaded not guilty to involuntary manslaughter.

The actor, who was also a producer on the film Rust, is expected to face a separate trial in July.

Cinematographer Halyna Hutchins died in the incident on the set near Santa Fe in New Mexico in October 2021.

Rust armourer 'sloppy' before Alec Baldwin gun fired

  • Baldwin pleads not guilty to involuntary manslaughter
  • How the Alec Baldwin fatal film set shooting unfolded

The footage played on Thursday showed Mr Baldwin gesticulating with a pistol loaded with blanks and firing the gun within close proximity to camera operators, the AFP news agency reported.

He was also seen asking Ms Gutierrez-Reed why she didn't have more weapons ready.

After the director called "cut", he said: "One more! One more! One more! Right away! Let's reload!"

He was also heard saying: "We should have two guns and both we're reloading."

Prosecutors have alleged that Mr Baldwin endangered safety by rushing production.

Halyna Hutchins

Firearms expert Bryan Carpenter, a prosecution witness, said Ms Gutierrez-Reed should not have allowed herself to be hurried.

"Rushing with firearms and telling someone to rush with firearms is not normal nor accepted," he told the court.

"In a situation like that, when you're getting rushed to that extent, that's when safety starts to fall by the wayside."

Asked about footage of Mr Baldwin showing crew members how he would hold the gun, Mr Carpenter replied: "He's using the weapon as a pointing stick."

Rust's first assistant director Dave Halls, who also gave evidence on Thursday, defended the actor. "There was never any Mr Baldwin rushing anybody," he said, according to Reuters.

In emotional testimony, Mr Halls told the court he was ultimately to blame himself because he did not do a final check on the gun.

Last year, Mr Halls pleaded no contest to negligent use of a deadly weapon and received a suspended six-month sentence.

As the armourer, Ms Gutierrez-Reed was in charge of firearms on the film set. She faces up to three years in prison if convicted.

Involuntary manslaughter against Mr Baldwin were dropped last April, just two weeks before he was due to go on trial, but were reinstated in January after New Mexico prosecutors said there was new forensic evidence.

Related Topics

  • Alec Baldwin

More on this story

  • Published 22 February

Hannah-Gutierrez-Reed

Trial of Rust armourer begins in New Mexico

  • Published 21 February

Halyna Hutchins in 2019

Alec Baldwin to be charged for fatal Rust shooting

  • Published 19 January 2023

Alec Baldwin speaks for the first time regarding the accidental shooting that killed cinematographer Halyna Hutchins, and wounded director Joel Souza on the set of the film "Rust", on October 30, 2021 in Manchester, Vermont.

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Film Sales Assistant

Visit films.

Part Time Job Visit Films is seeking a Part-Time Sales Assistant to support our team in the worldwide sales and distribution of feature films and documentaries to distribution partners around the world. Main duties for the position include assisting the sales team, interacting with domestic and international clients, film market preparation, preparing film rights licensing information and updating the client and rights databases, and contract work. The right candidate will be able to work with the assistant director of sales and the company president to optimize sales strategy and assist with the needs of territorial clients throughout the world for film licensing. Additionally, office management and basic admin work will be part of the daily tasks including ordering supplies, filing, and other general office / administrative duties. This position is 20(+) hours a week (with the hours increasing around busy markets) and has the potential to become full time for the right candidate. Main Responsibilities: Updating and maintaining client database, creating target lists of clients, prospecting new clients. Preparing availability reports for international and domestic distributors/broadcasters. Updating and maintaining the rights management database and sales contract database. Drafting basic contracts and deal memos. Collecting royalty statements and logging payments in our digital system Assisting the sales team with the company's participation in various films festivals and markets including - coordinating travel, schedules, accommodation, organization of booth, event preparation, product listing, coordinating events at select major film festivals. Assistance with digital film placement and distribution across the world. Experience and Skills: • Bachelor's Degree required. No current students please. • Strong working knowledge of Microsoft Office products including Excel and Word and database software (Pipeliner CRM / FilmTrack preferred but not required). Ability to quickly become familiar with new software and emerging platforms/apps. • Demonstrated experience in the film industry (sales/distribution or production), ability and enthusiasm to learn about the intricacies of the film sales business and its environment (should not be afraid of numbers and legal language). • Strong communication and organizational skills with a specific focus on / attention to detail. • Comfortable working with people who are traveling internationally and in various time zones. • Ability to prioritize and adapt to the demands of the job, meeting strict deadlines, problem-solving skills, remaining flexible, calm and focused while multitasking in high pressure situations. • Experience with/interest in independent film strongly preferred. Sales experience (in any industry) also helpful. • Enthusiastic and personable, ability to speak to clients with comfort and ease. • Fluency in at least one foreign language extremely helpful. • A strong love of international travel and social environments. • A born seller. Visit Films represents the best in world cinema for sales and distribution. Visit licenses to theatrical distributors, DVD/digital outlets and broadcasters. Additionally, Visit works with over 600+ festivals and non-theatrical screening venues each year to program our slate of titles. The company has been nominated or won Oscars, Gothams, Indie Spirits and prizes at every major festival in the world. ------------------------------------------------------------------------------------------------------------------------------------------------------------ Based in Brooklyn, NY, Visit Films is a world sales company specializing in daring and original work from diverse filmmakers all around the globe. Visit represents Oscar-nominated and award winning films from the world's top festivals, including Cannes, Berlin, Sundance, Rotterdam, Toronto, SXSW, Tribeca, and many more. With years of extensive expertise and a catalog of 200+ titles, Visit understands what it takes to navigate today's constantly evolving market. As one of the only true worldwide sales companies with a strong presence in the American market handling sales to N. America, the company is able to strategize and plan for coordinated worldwide releases. Visit works on films in all stages from development to completion and licenses to theatrical distributors, DVD/digital outlets, and broadcasters. Additionally, the company works with hundreds of festivals and non-theatrical screening venues each year to program its slate of titles. Visit has helped to launch some of today's most talented and innovative filmmakers, including the Safdie brothers, David Robert Mitchell, Eliza Hittman, and Kogonada, while continuing to cultivate relationships with steadfast auteurs such as Werner Herzog, Harmony Korine, Josephine Decker, and the Duplass brothers. Visit Films is also the parent company for US based distributor Monument Releasing and the feature and documentary development incubator Pretty ____ Ideas.

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    Festivals Assistant job in Brooklyn at Visit Films - Part Time Job in Brooklyn, NY - 286608. ... Pro-res and Blu-rays to and from festivals around the world, completing administrative tasks regarding film festival preparation and updating the client and film festival database. The right candidate will be able to work with the Festival Manager ...

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    Visit Films is a film sales firm that provides distribution and vending of documentaries, movies and motion pictures. Signal Hire. Start free trial. ... Sophie Gilbert - Festival and Non-Theatrical Assistant. View email & phone. M. Madeleine Tangney - Director of Sales. View email & phone. T. Tarek Shoukri - Director of Festivals and Non ...

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  23. Alpha Arts Institute Announces Call for Submissions for the Alpha Arts

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    The festival's 35-meter stage was flanked by left-right Adamson Energia line arrays followed by large-scale video walls. The Stairway to Heaven Festival, held in the Krasnodar Region of Russia, made its debut this summer. Live Master, located in Krasnodar City, provided lighting and an Adamson Energia sound reinforcement system for the event. Adamson's Jochen Sommer […]

  25. Alec Baldwin waved gun around on Rust film set before fatal ...

    Actor Alec Baldwin waved a gun around on the film set where a cinematographer was fatally shot, a court has heard. In footage shown at the trial of the film's armourer Hannah Gutierrez-Reed, Mr ...

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    Alexander Nevsky Cathedral was a military cathedral and first constructed in 1853. They spent a fortune building the church. In 1932 though, the cathedral was blown up and reconstructed only in 2003. Today, the White Cathedral is a major attraction in Krasnodar, Russia. They say the sight of it is breathtaking.