Fan Film Factor

Exploring the world of Star Trek fan films.

Fan Film Factor

A history of STAR TREK CONTINUES (feature, part 1)

NOTE: About a year a half ago, I published a 3-part blog tracing the fascinating history of STAR TREK CONTINUES .  In honor of their penultimate episode being released this past week and their series finale next month, I will be reprinting these blogs and adding an additional blog or two covering what happened between then and now.

Cover 1

Those were the last two words uttered by Captain Kirk before Star Trek the original series was canceled in 1969.

Kirk was referring to the tragic descent into hate-filled insanity of his former love, Dr. Janice Lester. But for me, these two words were so much more powerful: If only Star Trek hadn’t been canceled. If only Star Tre k could have…

…continued.

TOS fans always felt a pang of frustration that the five -year mission of the USS Enterprise was cut short after only three years in space (and on the air).  Sure, in 1973 an 1974, we got to see 22 animated episodes of the series, voiced by the same original actors, but we never got to see the end of that five-year mission.

Even when Star Trek crossed over into motion pictures, the end of Kirk’s first mission was still a mystery.  And the days of seeing those those bright red, blue, and gold uniforms and those amazingly colorful starship Enterprise sets—those days were gone forever…except in reruns, of course.

I used to have this dream where I was watching an episode of TOS that I’d never seen before.  Of course, I’d seen every episode dozens of times, so when I woke up, I’d sadly remember that there were no “lost” episodes of TOS.

Until there were…

I first felt that “feeling” that I was watching a “lost” episode in 2013 when I saw the first full-length episode of the new fan series STAR TREK CONTINUES …an episode titled “ Pilgrim of Eternity . ”

I’ll be honest, though, I didn’t feel it immediately.  It hit me at about the 31-minute mark of the episode.  Before that, this Star Trek Continues seemed fairly similar to Star Trek: New Voyages/Phase II , the trailblazing fan series from JAMES CAWLEY, who was the first to ever spend six-figures building precise recreations of the TOS sets from the 1960s.  Both fan series were telling “untold” stories from the fourth and fifth years of Kirk’s five-year mission.  In fact, VIC MIGNGNA, the show-runner behind Star Trek Continues , actually got his start in Trek fan films directing and guest-starring in one of Phase II ‘s most ambitious productions, an episode called “ Kitumba .”

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The most notable difference between the two productions—aside from the actors—was that NV/P2 decided to film in a widescreen 16×9 aspect ratio format, giving their series a more modern look.  And their VFX shots of the Enterprise included new angles and movements not previously seen in the original series.  STC , meanwhile, opted for a more classic 4×3 aspect format, intending for their episodes to feel almost exactly like the original series.  To that end, they also kept their VFX angles of the Enterprise similar to those seen in the 1960s episodes.

star trek continues dublado

The other notable difference between the two series, and one of the things that most excited fans like me, was that CHRIS DOOHAN, the son of TOS actor JAMES “Scotty” DOOHAN, would be reprising his father’s role (and Scottish brogue).  Although NV/P2 had featured a wide range of TOS and sci-fi actors as special guest stars (including Walter Koenig, George Takei, Grace Lee Whitney, and Denise Crosby), they would appear in single episodes rather than being a part of the regular cast.

None of this is meant to diminish the spectacular accomplishments of New Voyages/Phase 2 .  By the time that Star Trek Continues premiered their first full episode in May of 2013, NV/P2 had already released EIGHT full-length episodes, with even more in production!  So in many ways, STC was standing on the shoulders of a giant.

Anyway, there I was in 2013, watching this brand new fan series and thinking it was pretty impressive…much like NV/P2 .  It looked fantastic—nicely lit, well-fitting costumes, good hair and make-up, decent acting, and of course, amazing sets.  But it still felt like a fan film.  That’s not to say it was bad.  It was excellent!  But fan films usually don’t reach the threshold of looking or feeling like the real thing.  Even at its best, NV/P2 didn’t make me feel as though I were watching an actual “lost” episode.  And for the first half hour, “Pilgrim of Eternity” didn’t really give me that feeling either…and to be honest, I wasn’t really expecting it to.

But then it happened.

The moment lasted only about a minute and a half, but there it was: that feeling ! It was the same feeling I’d had as a kid watching a TOS episode for the first time! It was, quite literally, the feeling I’d been dreaming about for decades.

STC-2

At the midway point of the episode, where the god Apollo suddenly strengthens and turns his powers on Kirk, in that moment I suddenly forgot I was watching a “fan” film and immersed myself in the belief that I was watching a never-before-discovered episode of the original Star Trek !

Of course, I knew in my head that the actors were different (except for Apollo).  But in that moment when I heard Apollo’s voice reverberate, saw Kirk tossed into the air like a rag doll, and listened to that familiar music, it didn’t matter that it wasn’t William Shatner hitting the floor and being levitated. In those 90 seconds, in my heart, I was watching “pure” Star Trek .

I was hooked.

Star Trek Continues grew out of the Starship Farragut fan series.  In fact, Vic Mignogna first played a cameo role of Captain James T. Kirk in the third full-length episode of the Farragut series, “The Price of Anything” which Vic also directed.  (Look for Vic starting at the 1 minute, 45 second mark.)

Vic put in both his own money and secured financial backing from Dracogen Strategic Investments in late 2011, allowing Farragut Films to move into a much larger studio in Kingsland, GA.  This additional studio space and influx of capital gave Farragut Films the opportunity to expand their sets to include nearly every USS Enterprise interior that existed at Desilu studios back in the 1960s (except Engineering).

STC-3

It was obvious almost from the beginning that the acting was of a higher caliber than that of many other fan productions.  Not to put down other fan films, but Vic Mignogna, himself a well-known voice-over actor, insisted on bringing in others with acting backgrounds…and it showed.  These weren’t Emmy-winning Hollywood celebrities, of course, but they were more polished and professional than the typical amateur fans who populated most fan films.

But it didn’t stop there. Vic will be among the first to tell people who enjoy STC that the series owes its success to a lot more people than just him and the folks in front of the camera. STC is composed of a dedicated team (made up of both fans and industry veterans) who do professional-level work out of a love for this legendary franchise. I could spend several blogs just talking about the many individuals who make STC possible, but I want to shine a special light (pun intended) on Director of Photography Matt Bucy…to give you an idea of why it is that STC looks so close to the original Star Trek series.

STC-4

A resident of Vermont, this self-taught cinematographer had to fly down to Kingsland, GA for each episode to work his magic on STC (Matt is also a recreational pilot, but I suspect he flew commercial to get to Georgia). And part of that magic was lighting the STC sets the EXACT same way that the original sets were lit. You might be thinking, “Oh, that sounds so easy!” You’d be wrong.

Working closely with Vic, Matt carefully examined more than three thousand still images from multiple TOS season two and three episodes, trying to figure out precisely how the scenes and characters were lit. In an interview on the STC website, Matt commented, “One trick that directors of photography use is to look at the eyeballs of the actors. If you study them carefully, you can see a big dot that is reflecting the key light. You can see how a light will pick up the hair and shoulders.”

But it wasn’t as simple as just looking at eye reflections. Lighting on sets creates shadow and depth, can add color, and even provide texture on areas that would otherwise look flat if lit incorrectly. Matt continued, “It’s basically stage lighting, using hard light – a key light, a fill light, and a backlight. So we’re using a lot of light sources. When you look at the 1960’s series with a critical eye on lighting, you’ll notice that they didn’t care much about multiple shadows. In fact, I think that’s one of the things that makes our production feel so similar – because there are shadows everywhere! Light is coming from above, usually at a 45-degree angle with the actors. And there are certain facial shadows that give Star Trek Continues a very ‘classic Trek ’ look.”

Of course, the lights need something to actually illuminate, and in that department, Matt Bucy was also instrumental. In addition to being a pilot, Matt is also an architect and electronics wiz. (He’s also a real estate developer, if you’re curious.) But when it came to architecture, his expertise allowed the construction team to recreate the exact layout of the original Trek sets as they fit together on Stage 9 at Desilu Studios back in the 1960s. Take a look at this amazing walk-through of their sets:

Goose bumps, right?

STC-5

Indeed! In the meantime, other “little touches” abound in Star Trek Continues , some easier to notice than others. For example, it’s pretty obvious that the earliest STC episodes used much of the music and sound effects in the original Star Trek . But what you probably won’t notice unless you look closely is that the blocking of the actors (where they stand in a scene) is purposefully done to mimic what was done 50 years ago, as is the acting style. It’s not just that the actors are doing impressions of Shatner, Nimoy, Kelley, and the rest. They are working very hard to move their bodies, manipulate their facial expressions, and control their vocal delivery to mirror the performances provided back in the 1960s. Modern acting styles can present very different performances that, while still strong and engaging, would not have the same feel as TOS. Likewise are many directing choices, such as cutting to close-up reaction shots with a flourish of incidental music or showing a subtle sideways glance of one character to another.

And if that isn’t enough to impress you, there’s two final touches that are added in post-production. First, the colors in each scene are super-saturated to have that over-colorful look of the original Star Trek . And second, because Trek was originally filmed on 35mm film and not video, STC digitally adds in a “graininess” during post-production to make the image look a little less “perfect”…and that, my friends, is what makes it come out so perfect!

Next time : our focus on Star Trek Continues …er…continues with more about the actors and the earliest vignettes released to introduce this new fan series.  We also begin spotlighting the episodes themselves with a closer look at “Pilgrim of Eternity” and how that production came together.  And finally, we learn how much of his own money Vic Mignogna put into the roll out of STC and what happened when they held their first Kickstarter…er, KIRKstarter!

All of the amazing offerings of STC can be found on their website:

http://startrekcontinues.com/episodes.html

STC-7

I can’t really describe it, and I’ve only made it through about 54 minutes so far (I’m up to “look”), but I guarantee you’ll want to share it on Facebook! I cannot imagine the amount of work that went into editing this video!

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13 thoughts on “A history of STAR TREK CONTINUES (feature, part 1)”

I always wondered how the Theatrical acting quality of the cast of Babylon 5 was “missing” something that Star Trek had.. and I think you’ve found the head of the nail.

Its not that Trek was Scientifically “accurate” or “engaging”.. at the time most of it was speculative and fantastical.. as much as it was Science Fiction.. it was very emotionally charged.

But Trek seemed to roll around in all kinds of recent scientific speculation in service to the story. It was a kind of romper room for young adults or people coming of age, introducing them to all sorts of controversial ideas the conservative grown ups viewed with suspicion… it was a kind of counter culture.

But the sets the lighting, it was all theatrical make up.. just good enough to set the stage for a play, garnished with flourishes of cutting edge Special Effects.

When Star Trek the Movie and all that came after it were pumping money into Star Trek to make it seem “more real” they were taking away, or re-casting the story in a different mold that was not very much Original Trek.. it lacked the setting.. it was something different.

By virture of its limited budget Wrath of Kahn was “closer” to the original because of that limited budget, limited sets, use of physical mixed with digital Matte paintings for backdrops. It looked corny sure.. but in the World of Real Trek.. it was acceptable, okay.. even better than scientifically accurate Apollo Era detailed spacecraft like V’ger.. which was so 70’s.

Next Generation was similarly “handicapped” with a limited budget for new set construction, but a higher budget for special fx.. until later in its seasonal run.. in which the stories got better and better because of the lack of resources.. less was more.. the Writers Strike was the best thing ever to happen to them.. withholding the story until the next season opener.. brilliant!

Its so wickely odd.. but I think something very important has been stumbled upon here.. Star Trek is at its best when it leaves more to the Imagination.. when it has a tighter budget… when its a limited run.

Lucy.. I think for the greater good.. you’d best not Have anymore ‘Explaining to do.. leave it alone.

I think you hit on some interesting points there, John. Maybe Star Trek was at its best when the lower budgets forced the stories and acting to “sell” the episode or movie. When you rely too much on fancy VFX, funky costumes and make-up, and elaborately lit sets—when you take away the actors’ ability to actually act by covering their face in unwieldy prosthetics and sticking marbles into their mouths (and making them speak four pages of dialog in a language they never heard before being cast)–when you do all of that, the story itself has the potential to suffer by getting lost in all of the noise and chaos.

Oh, and what’s this I hear about Babylon 5 missing something? That show had half the budget of Star Trek, dude.

I really didn’t know that about Babylon 5.. those VideoToasters really did great for the time. And isn’t it the same company Will Wheaton went to work for after Next Generation?

One thing though that rarely gets paid attention to though is the terrific theatrical scene music.. I’m not speaking of the rip roaring themes.. but the Vulcan tone poems, those striking Crescendos just before Kirk makes a decision or right after. Bones raised eyebrow and the serious or playful little melody. — if those weren’t “over the top” I don’t know what was.. B5 had them too.. but not as strong.

I really love how STC reused those familar vibes.. perfectly placing them.. it made my childhood come back in Vivid color. .. Gosh darn it.. I want another episode !

Wil Wheaton ended up working for NewTek, the makers of the Amiga-based Video Toaster that was used to create the CGI effects for Babylon 5. (Newtek was based in Topeka, KS back then.)

The folks who actually did the VFX for B5–which was the first weekly TV series to use CGI rather than physical models for all of their outer space shots and also for some of their interiors and aliens–was Foundation Imaging…based in Valencia, CA. (Yep, the same Valencia where Axanar Productions built Industry Studios.) Wil Wheaton never worked for Foundation Imagining.

Foundation went on to do amazing VFX for the first few seasons of B5 and later worked on DS9 and Voyager, winning an Emmy for the latter. My long-time friend and collaborator on Starship Spotter , Adam “Mojo” Lebowitz, worked both at NewTek and Foundation, and later worked with Gary Hutzel and Doug Drexler on Battlestar Galactica, helping them win an Emmy, as well.

I bet you didn’t need to know any of that! 🙂

Very interesting to a kid from way back here in the sticks though.

That all seems to far away.. less real.. than the shows that reached us through the TV.

BSG.. didn’t Jamie Bamber (the new Apollo) appear in one of James Cawley’s New Voyages episodes?

Funny about Wil Wheaton though.. for some reason.. I guess because Colm Meaney and Michael Dorn showed up on DS9.. I always thought Wesley Crusher would show up on Voyager. Little did I know he wanted a clean break for a while.

My early 20 somethings I was thinking ‘Nova chron’ had to be in the Delta Quadrant and Wesley and the Traveler might actually be behind Voyagers winding up there instead of that Cat Paw like invaders from another Galaxy plot device.

Somehow Wesley maturing as an individual that might challenge even the powers of the ‘Q’ seemed rational to me.. after rescuing his Mom from the collapsing Warp Bubble Universe.. what he learned from that encounter spoke to a higher order of manipulating reality… maybe even discovering reality was a kind of program running on an alien super computer.. and unmasking the ‘Q’ as mere aliens that were aware of the true nature of reality. .. it dove tails rather nicely with the fate of Professor Moriarity.. and Picards suspicion.. that [all of this] might merely be a program running on a little device in someone elses living room.

.. I’ve had too many years to think about Next Gen locked in my solitary mind all alone.

Jamie Bamber was in the first episode of Star Trek Continues, “Pilgrim of Eternity.” I discuss the full cast of that fan film more in part 2 and mention Jamie.

As for Wesley, it’s kinda funny you should point that out. Harlan Ellison used to say that Gene Roddenberry had only one idea that he kept writing over and over and over and over again: “The Enterprise meets God, and God is a child.” In Wesley’s case, he started off as a child and kind of became God. Interesting, huh?

The sets on Continues are amazing – It is so impressive how they were able to so accurately portray the look and feel of T.O.S., as well as the portrayal of some of the characters, particularly Kirk, Spock, and even Scotty to some degree… P

Both STC and New Voyages built amazing TOS sets.

“The Enterprise meets God, and God is a child.” In Wesley’s case, he started off as a child and kind of became God. Interesting, huh? ..

Lol.. such is the fate of every Child.. to become their Parents, though as a Child I think we all aspired to that one day.. what little did we know..

Yeah, but I’m not God, John. I don’t even play him on TV. 🙂

Not even with the Big “Booming Voice” ?

Any father sufficiently older is indistingushable from a god or his creator.

Just ask 10 year old Data.

I think Jayden thinks of me as more fun than God…although God does wear a giant chicken costume. (That’s a long story.) 🙂

That’s probably what the Kelvins thought.. Kirk begged to differ however.

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Will ‘Star Trek: Discovery’ Continue After Series Finale? EP Teases Possibility

Blu del Barrio as Adira, Mary Wiseman as Tilly in Star Trek Discovery

Where No One Has Gone Before

For exclusive news and updates, subscribe to our star trek: discovery newsletter :.

The longest-running  Star Trek series on Paramount+ is coming to an end with the upcoming fifth season (premiering with the first two episodes on Thursday, April 4). But of course as tends to be the case when any show ends (especially now), we have to wonder what the chances are of Discovery continuing in any way, whether it’s a revival, a movie, a spinoff, or characters appearing on another  Trek show. TV Insider asked just that question when speaking with executive producer Alex Kurtzman ahead of  Discovery ‘s final episodes.

“I think the chances are good,” the EP tells us, but when pressed if there have been any talks about anything, only says, “I’m not going to spoil anything for you.”

Of course we immediately think of Mary Wiseman ‘s Sylvie Tilly, who left the U.S.S. Discovery and has been teaching at Starfleet Academy but does rejoin her former crew during the final season, given Paramount+’s upcoming Star Trek show. The streaming service ordered Star Trek: Starfleet Academy to series in March 2023. Kurtzman serves as executive producer and co-showrunner, alongside Noga Landau, on it.

Star Trek: Starfleet Academy will follow a young group of cadets who come together to pursue a common dream of hope and optimism. Under the watchful and demanding eyes of their instructors, they will discover what it takes to become Starfleet officers as they navigate blossoming friendships, explosive rivalries, first loves, and a new enemy that threatens both the Academy and the Federation itself.

Whether or not Tilly could be part of that,  Discovery Season 5 is about her figuring out what the future holds. Joining the crew on this mission then (presumably) returning to teaching “actually provides a very cool opportunity for her both to come back to Discovery where she started this journey and to be there as a person who stepped away and has her own thing going on right now,” says Wiseman. “I think that’s really empowering.”

The 25 Best Paramount+ Original Series, Ranked

The 25 Best Paramount+ Original Series, Ranked

It also gives her character the chance to evaluate some things going on in her current situation. “I also think that she’s facing some problems at Starfleet Academy that she needs a little distance and perspective from,” Wiseman continues. “So I think it serves her really well and she’s happy to be there to show up for Michael [Sonequa Martin-Green] and also to use the opportunity to get some thinking done.”

Do you want to see Star Trek: Discovery live on after the series finale? If so, how? Let us know your thoughts in the comments section, below.

Star Trek: Discovery , Fifth and Final Season Premiere (two episodes), Thursday, April 4, Paramount+

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Published Mar 14, 2024

The Star Trek Universe Beams into WonderCon 2024

Programming to feature Star Trek: Discovery's fifth season premiere and Star Trek: Strange New World's musical episode sing-along!

Breaking News Incoming Transmission alert from Starfleet Command

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The Star Trek universe will beam into WonderCon 2024 later this month, bringing fan-favorites Star Trek: Discovery and Star Trek: Strange New Worlds , for fans in attendance of the Anaheim, California convention.

Join us for the not-to-be-missed panels with the cast and creatives, starting Friday, March 29!

View this post on Instagram A post shared by Star Trek on Paramount+ (@startrekonpplus)

Friday, March 29

8:00 - 9:00 PM | Star Trek: Strange New Worlds — "Subspace Rhapsody" Sing-Along | Room North 200A

CBS Studios and Paramount+ invite you to join them for the first ever Star Trek sing-along screening of the Star Trek: Strange New Worlds musical episode, " Subspace Rhapsody " followed by a moderated Q&A with songwriters Tom Polce and Kay Hanley , also of Letters to Cleo fame, where they will discuss writing the songs for Star Trek ’s first ever musical episode. Moderated by Scott Manz.

Saturday, March 30

3:30 - 5:00 PM | Star Trek: Discovery – Final Season Premiere Screening | Room North 200A

Be one of the first to see the premiere episode of the final season of Star Trek: Discovery followed by a moderated Q&A with Michelle Paradise (EP/Showrunner) and Olatunde Osunsanmi (EP/Director) where they will discuss working on the exciting final season and tease what’s to come. Moderated by Scott Manz.

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Star Trek: Discovery Seasons 1 through 4 are currently streaming exclusively on Paramount+ in the U.S., the UK, Switzerland, South Korea, Latin America, Germany, France, Italy, Australia and Austria. Seasons 2 and 3 also are available on the Pluto TV “Star Trek” channel in Switzerland, Germany and Austria. In Canada, the series airs on Bell Media’s CTV Sci-Fi Channel. Seasons 1 to 4 of Star Trek: Discovery is also available to stream on SkyShowtime. Star Trek: Discovery is distributed by Paramount Global Content Distribution.

Star Trek: Strange New Worlds streams exclusively on Paramount+ in the U.S., U.K., Australia, Latin America, Brazil, South Korea, France, Italy, Germany, Switzerland and Austria. In addition, the series airs on Bell Media’s CTV Sci-Fi Channel and streams on Crave in Canada and on SkyShowtime in the Nordics, the Netherlands, Spain, Portugal and Central and Eastern Europe. Star Trek: Strange New Worlds is distributed by Paramount Global Content Distribution.

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14 biggest star trek updates: section 31, starfleet academy, strange new worlds & more.

Alex Kurtzman outlines his plans for the future of Star Trek to Variety, providing exciting updates on Section 31, Picard, Starfleet Academy and more!

  • Star Trek franchise teases exciting future with reveals on Section 31, Strange New Worlds, and more in recent interview.
  • Michelle Yeoh's Section 31 movie promises action-packed spy thrills in space, akin to Mission: Impossible.
  • Starfleet Academy set in 32nd century, with new sets and episodes for fan favorite series like Strange New Worlds.

The Star Trek franchise has just revealed a treasure trove of new information about Star Trek: Section 31 , season 3 of Star Trek: Strange New Worlds and much more. With Star Trek: Discovery ending in 2024, and concerns over the implications of a potential Paramount merger, it's reassuring to discover that the future of the Star Trek franchise looks very bright indeed. Key figures like Alex Kurtzman and Eugene Roddenberry Jr. have revealed new details about the upcoming Star Trek movies , Michelle Yeoh's Section 31 , and a possible sequel to Star Trek: Picard in a brand-new interview.

In a Variety feature entitled The Future of ‘Star Trek’: From ‘Starfleet Academy’ to New Movies and Michelle Yeoh, How the 58-Year-Old Franchise Is Planning for the Next Generation of Fans , Adam B. Vary talks to a number of key figures involved with the current Star Trek TV shows and movies about the exciting future for the franchise. Talking to stars Anson Mount, Ethan Peck, and Michelle Yeoh, Adam B. Vary unearths some exclusive information about what to expect from Star Trek 's next few years on TV and in theaters.

Every Upcoming Star Trek Movie & TV Show

14 the first image of star trek: section 31 is released, michelle yeoh's georgiou meets a mystery figure.

The Variety feature gives Star Trek fans their first glimpse of Emperor Philippa Georgiou (Michelle Yeoh) back in action. Star Trek: Section 31 wrapped filming recently, so attention now turns to post-production ahead of a future release on Paramount+. The image shows Georgiou whispering something into the ear of a mysterious, but memorable looking character . Whether this is a Section 31 asset or one of the movie's antagonists is not yet clear.

Who this metal mohawked character with the tattoos and cybernetic augmentations will likely remain a mystery until such time as Star Trek: Section 31 releases a trailer. However, it's good to see Michelle Yeoh back in her trademark black leathers playing Georgiou again after such a long delay. The first image is an intriguing tease of things to come for Michelle Yeoh's appropriately top secret Section 31 movie.

13 Star Trek: Section 31 Features A Young Rachel Garrett

Played by hannibal's kacey rohl.

One of the biggest surprises from Variety 's Star Trek: Section 31 set report is the revelation that Georgiou will team up with a young Rachel Garrett (Kacey Rohl). Until now, the roles played by Section 31 's cast have been kept under wraps. Now it's been confirmed that Kacey Rohl will be playing the future captain of the USS Enterprise-C in Section 31 . All that's known about Garrett is how she dies, meaning that there's a lot of unexplored backstory for Section 31 to reveal.

Kacey Rohl starred as Abigail Hobbs in Hannibal , created by Star Trek: Discovery co-creator, Bryan Fuller.

Rachel Garrett's involvement in Star Trek: Section 31 could also narrow down when in the Star Trek timeline the movie is set. Rachel Garrett was a Starfleet officer in the early to mid 24th century, and died in 2344. This suggests that the Guardian of Forever didn't send Georgiou back to her own time in Star Trek: Discovery season 3 , but instead sent her to some point a few decades later.

Rachel Garrett: Star Trek’s Most Tragic Enterprise Captain Explained

12 michelle yeoh calls section 31 "mission: impossible in space", star trek's spy movie is more tom cruise than john le carré..

Oscar winner Michelle Yeoh discussed her love for the character of Georgiou in the Variety piece, and gave an enticing tease of what to expect. Yeoh describes Star Trek: Section 31 as "" Mission: Impossible" in space " which is a neat elevator pitch that gives audiences a good idea of what to expect. Under the creative direction of Tom Cruise and Christopher McQuarrie, the Mission: Impossible movies have become thrilling globetrotting adventures, filled with incredible stunts.

The idea of transposing that Mission: Impossible style to the Star Trek universe suggests that Michelle Yeoh's movie will be full of action and adventure. Star Trek: Section 31 writer Craig Sweeny backs this up, by explaining what Star Trek 's spy movie isn ' t . Read Craig Sweeny's quote below:

“I didn’t want to make the John le Carré version, where you’re in the headquarters and it’s backbiting and shades of gray. I wanted to do the people who were at the edges, out in the field.

11 Section 31 Visit An Alien Nightclub

Georgiou visits a club full of classic star trek aliens..

When Adam B. Vary visits Michelle Yeoh on the set of Star Trek: Section 31 , she's preparing to shoot a scene inside an alien nightclub. From Quark's Bar in Star Trek: Deep Space Nine to the pleasure planet of Risa, there are many ways to unwind in the Star Trek universe. However, given that this is Section 31 , it's likely that the nightclub visited by Georgiou and Garrett will be a seedier location, perhaps where the mysterious mohawked figure is holding court.

Intriguingly, the Variety feature also reveals that the nightclub will be populated by some classic Star Trek aliens. This location is clearly some sort of hub where the movers and shakers of the galaxy are meeting up, making it a prime location for Section 31's best operatives to be seen. Adam B. Vary gives an enticing description of the action on set while filming this scene from Star Trek: Section 31 in a quote below:

A few minutes later, dozens of extras in all manner of outlandish evening wear file into the club, several of them made up as classic “Star Trek” aliens that fans might be surprised to see in this kind of swanky establishment.

10 Jonathan Frakes' Star Trek: Strange New Worlds Season 3 Episode Is A Hollywood Murder Mystery

Frakes says that it's “the best episode of television" he's ever done..

Jonathan Frakes is returning to direct an episode of Star Trek: Strange New Worlds season 3 that he says is "the best" he's ever done. That's quite a claim, given the director's prolific output between Star Trek: The Next Generation and SNW season 3. Frakes' episode is reportedly a "Hollywood murder mystery", which invokes images of hard-boiled detectives and glamorous settings. It sounds like one more thing to be excited about as production on Strange New Worlds season 3 continues.

9 Starfleet Academy Confirmed To Take Place In Star Trek's 32nd Century

The show will build on star trek: discovery's established canon..

Alex Kurtzman confirms to Variety that Star Trek: Starfleet Academy will be set in the 32nd century, presumably following on from Star Trek: Discovery 's final season . The Variety feature astutely points out that, by setting Starfleet Academy in the largely unexplored 32nd century, it will reduce the amount of revision that its young adult audience will have to do. Interestingly, the feature also highlights that Star Trek has an aging fanbase, which makes a show like Starfleet Academy vital in building fandom's next generation .

Alex Kurtzman doesn't confirm if any of Star Trek: Discovery 's cast will be making the transition to Star Trek: Starfleet Academy . However, the confirmation of the 32nd century setting does make it more likely that Mary Wiseman's Tilly could appear in the show as an instructor . While casting is still being kept under wraps, Kurtzman and the team did reveal some more information about Starfleet Academy 's setting.

Starfleet Academy Show Is "Trying To Tell A Star Trek Story In A New Way", Says Tawny Newsome

8 starfleet academy will be set in san francisco, star trek's ya show is making the voyage home..

Set designs shared with Variety by Alex Kurtzman and production designer Matthew Davies reveal that Star Trek: Starfleet Academy will return to San Francisco . When Captain Michael Burnham (Sonequa Martin-Green) and the crew arrived in the 32nd century in Star Trek: Discovery season 3, Earth was no longer a member of the Federation. This meant that Starfleet Headquarters, and a fledgling Starfleet Academy had moved off-world.

The designs reveal that the 32nd century Starfleet Academy will have " a striking view of the Golden Gate Bridge ", cementing its location. San Francisco has always been Starfleet's home , so it's fitting that Star Trek: Starfleet Academy will have its roots there. Rooting the show in San Francisco also gives Starfleet Academy a chance to explore what life on Earth looks like in Star Trek 's 32nd century.

7 Starfleet Academy Will Be Star Trek's Biggest-Ever Set

Every inch of pinewood toronto’s 45,900 square foot soundstage will be used..

Star Trek: Starfleet Academy appears to be literally building the titular educational establishment for use in the show, making it the biggest set ever constructed for Star Trek . Looking over the designs with Alex Kurtzman and Matthew Davies, Adam B. Vary gives a sense of the scale of the 32nd century's Starfleet Academy. Read his quote below:

a sprawling, two-story structure that will include a mess hall, amphitheater, trees, catwalks, multiple classrooms and a striking view of the Golden Gate Bridge in a single, contiguous space. To fit it all, they plan to use every inch of Pinewood Toronto’s 45,900 square foot soundstage, the largest in Canada

6 The Enterprise Gets A New Science Lab In Star Trek: Strange New Worlds Season 3

And there's a glimpse of ethan peck's spock at work..

Star Trek: Strange New Worlds season 3 will debut a new science lab set , and it looks very impressive. Intriguingly, the new lab is described as having "a four-foot pool of water that swirls underneath the central workbench". Whether this means that Strange New Worlds will introduce its own cetacean ops, or continue Starfleet's love of whales , remains to be seen. Either way, the new set is an impressive addition that suggests Lt. Spock (Ethan Peck) will need to upgraded facilities to solve some scientific conundrum in SNW season 3.

5 There's No Genre That Strange New Worlds Can't Do

"could it do muppets sure. could it do black and white, silent, slapstick maybe”.

Star Trek: Strange New Worlds showrunner Akiva Goldsman reaffirms that the Star Trek: The Original Series prequel can attempt any genre. Responding to Vary's question of whether there's a genre that Strange New Worlds couldn't do, Goldsman had an " impish " response. Read Goldsman's quote about a potential Star Trek: Strange New Worlds Muppet episode below:

“As long as we’re in storytelling that is cogent and sure handed, I’m not sure there is,” [...] “Could it do Muppets? Sure. Could it do black and white, silent, slapstick? Maybe!”

4 Strange New Worlds AR Wall Can Be Disorienting For The Cast

But not for everyone....

Elsewhere in the Variety feature, Anson Mount discusses Star Trek: Strange New Worlds ' use of the AR wall to create alien backdrops. Where previous Star Trek shows had used a greenscreen, the LCD screens that make up SNW 's AR wall allow the actors to actually see the environments that they're acting against . While it's a benefit, it doesn't always create a great experience for the actors, as Anson Mount points out.

“The images on the walls start to move in a way that makes no sense,” [...] “You end up having to focus on something that’s right in front of you so you don’t fall down.”

However, Ethan Peck says that he doesn't get disoriented by the AR wall, wryly joking that Spock wouldn't be fazed by it, so he's simply method acting. Hilariously, Anson Mount also reveals that they refer to the AR wall as the Holodeck. The route that actors take to the AR wall on the set of Star Trek: Strange New Worlds is even decorated with posters of the holodeck, and a sign that reads "Weclome to the Holodeck" in the classic Star Trek font.

Enterprise’s Holodeck Is Star Trek’s “Most Imaginative” Invention, Says TNG Producer

3 alex kurtzman is considering a "follow up" to star trek: picard, could patrick stewart get his wish for a final picard movie.

While news of Star Trek: Legacy is absent from Variety 's sprawling feature about the future of the franchise, Alex Kurtzman does drop a small hint about continuing the story of Star Trek: Picard . It's long been suspected that Star Trek: Section 31 will pave the way for more Paramount+ exclusive movies . This is confirmed by Kurtzman, who is already considering potential follow-ups should Section 31 be a success. A follow-up Star Trek: Picard movie is one of the projects that Kurtzman is considering, but there's no further information as to what this would be.

2 Toby Haynes' Star Trek Movie Is An Origin Story For The Entire Franchise

Is star trek's origin movie set for 2026's 60th anniversary.

Variety has confirmed that Seth Grahame-Smith's Star Trek movie, to be directed by Andor 's Toby Haynes, will be an origin story for the entire franchise . More interesting still is that the movie is rumored to be "on track" for pre-production to begin by the end of this year. This suggests that the theatrical release Toby Haynes' Star Trek origin movie could form part of the 60th anniversary celebrations in 2026. Star Trek: First Contact did something very similar for the 30th anniversary celebrations in 1996, so it will be interesting to see how a new movie continues that story 30 years later.

1 The Flight Attendant's Steve Yockey Is Working On Star Trek 4

Yockey is the latest writer to work on the kelvin timeline's finale..

While Toby Haynes' Star Trek origin movie currently appears to be on track, Star Trek 4 remains in development hell. The Variety feature states that Paramount still intends to give Chris Pine's Star Trek movies a final chapter, but not much has changed since the last disappointing update. However, it has been confirmed that The Flight Attendant creator Steve Yockey is now working on a new draft of Star Trek 4 , but there's no further information than this. While the Kelvin Timeline movies still being stuck at the scripting stage may be disappointing, it's hard to deny that the future of the wider Star Trek franchise looks very bright indeed.

Every Star Trek Show And The Kelvin Timeline Movies Are Now Streaming On Paramount+.

Source: Variety

Promotional art for Star Trek: Discovery season 5, featuring a cast lineup surrounded by alien runes. LtR: Blu Del Barrio as Adira, Mary Wiseman as Tilly, Wilson Cruz as Culber, Sonequa Martin-Green as Burnham, David Ajala as Book, Doug Jones as Saru and Anthony Rapp as Stamets.

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Star Trek: Discovery is finally free to do whatever it wants

Imagining the future of the future

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It’s a truth universally acknowledged that even among the greatest television shows in Star Trek history, most of them take two seasons to stop being kind of bad. Never has that been more true or more excruciating than in the case of Star Trek: Discovery .

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Polygon is looking ahead to the movies, shows, and books coming soon in our Spring 2024 entertainment preview package, a weeklong special issue.

Often it felt like what Discovery was really doing in its early seasons was discovering what didn’t work. Strong performances from a great cast? That works. A Klingon design that absolutely nobody liked ? Definitely not. But despite the stumbles, Discovery season 1 had still averaged C’s and B’s with reviewers, and had built an audience and a subscriber base for Paramount Plus. On the strength of Disco ’s first season, Paramount greenlit Star Treks Picard , Lower Decks , and Prodigy , three new shows covering a huge range of ages and nostalgic tastes. And spinning out of Disco ’s second season, which introduced familiar , nostalgic characters and a brighter, more Star Trek-y tone, Paramount produced Star Trek: Strange New Worlds , inarguably the best new addition to the franchise since 1996.

Star Trek: Discovery crawled so that the rest of modern Trek could run... and then it started to walk. The show’s third season saw the USS Discovery and crew in the place that should have been their starting blocks: the bleeding future edge of Star Trek’s timeline. Thanks to season 3’s groundwork, season 4 became the first time that Discovery had a status quo worth returning to. In its fifth and final season, Star Trek: Discovery is finally free — free in a way that a Star Trek TV series hasn’t been in 23 years.

Sonequa Martin-Green as Captain Michael Burnham in Star Trek: Discovery, season 5. Wearing a glowing uniformed spacesuit, she clings to the back of a spaceship speeding through hyperspace, colorful lights streaking the background.

Star Trek: The Next Generation is such an elder statesman of the television elite that it’s easy to forget that it was daring. The show’s triumph wasn’t just that it featured a new cast of characters, but also its audaciousness in imagining the future of the future — and making that future unmistakably different . The Original Series showed a racial and national cooperation that seemed fantastical in its time, with an alien crewmember to denote the next frontier of embracing the other . Next Generation saw that bet and raised it, installing a member of the Klingon species, the Federation’s once-feared imperialist rival state, as a respected officer on the bridge of Starfleet’s flagship.

Next Generation ’s time period — one century after Kirk’s Enterprise — wasn’t a nominal choice, but a commitment to moving the story of Star Trek forward. From the show’s foundations, Gene Roddenberry and his collaborators, new and old, set a precedent that the Federation would evolve. Therefore, in accordance with the utopian themes of the franchise, old enemies would in time become friends. Next Generation embraced The Original Series ’ nemeses and the rest of ’90s Trek saw that bet and raised it again, pulling many of Next Gen ’s villains into the heroic fold. Voyager welcomed a Borg crewmember and disincorporated the Borg empire; Deep Space Nine gave the franchise the first Ferengi Starfleet cadet, and brokered a Federation-Klingon-Romulan alliance in the face of an existential threat.

But Discovery — at least until it made its Olympic long-jump leap 900 years into the future — couldn’t move Star Trek forward. So long as it was set “immediately before Kirk’s Enterprise,” hemmed in by the constraints of a previously established era of Star Trek history, it could graft on new elements (like Spock’s secret human foster sister) but it couldn’t create from whole cloth (like a galaxy-wide shortage of starship fuel that nearly destroyed the Federation). Like its predecessor, the ill-fated Star Trek: Enterprise of the ’00s, it was doomed to hang like a remora on the side of the events of The Original Series , or, if you’ll pardon another fish metaphor, doomed like a goldfish that can only grow as large as its half-gallon fishbowl will allow.

Discovery ’s later, free seasons in the 32nd century have shown the Federation at its most vulnerable, a subtler echo of Picard ’s own season 1 swing at fallen institutions . (Fans of Voyager and Deep Space Nine know that this is an extremely rich vein of Trek storytelling.) In its third season, Discovery solved a galaxy-wide fuel crisis that had shattered the community of the Federation. In its fourth it fought for a fragile new Federation alliance and its millennia-old ideals.

And those seasons have also boldly committed to the idea of imagining the future’s future — 900 years of it. The centuries-old rift between Vulcans and Romulans is long healed, Ferengi serve as captains in Starfleet, the work of Doctor Noonien Soong has brought new medical technologies to the fore.

Even still, Discovery hasn’t been truly free in its third and fourth seasons. Star Trek: Picard was out there, forming new past elements of a post- Next Gen / Voy / DS9 era that Discovery had to abide by. And, after all, the show still had to make sure there was something for its own next season to come back to.

Blu del Barrio as Adira in Star Trek: Discovery. She kneels confused before a strange figure dressed in white with white hair, with red robed figures in the background.

But now — with Prodigy and Picard finished, and Strange New Worlds and Lower Decks locked into their settings of Star Trek’s established past, and Starfleet Academy and Section 31 not yet in production at the time that its final season would have been written — Discovery has reached the final final frontier for a Star Trek show. If you’re a Star Trek fan, that should excite you.

Not since Deep Space Nine in 1999 and Voyager in 2001 has a Star Trek series had the freedom to wrap up its run with the Federation in any state it wants to. With franchise flagship Next Generation at an end, and Voyager restricted to the Delta Quadrant only, Deep Space Nine used its last seasons to throw the Federation into all-out war, making sweeping changes to the established ficto-political norms of ’90s Trek. Voyager used its finale to do what Captain Picard never could: defang the Borg (mostly).

We don’t know exactly what Discovery will do with that freedom. Season 4 directors have talked about reaching “ into the past to get further into the future ,” and likened it to Indiana Jones. Official news releases have said the crew will “uncover a mystery that sends them on an epic adventure across the galaxy to find an ancient power whose very existence has been deliberately hidden for centuries.” But speculating on what that means would be beside the point.

Discovery , the show about an intergalactically teleporting starship, can finally, actually, go anywhere. It’s been almost a quarter of a century since a beloved Star Trek series was so free to boldly go. Let’s hope they’re very bold indeed.

Star Trek: Discovery season 5 premieres with two episodes on April 4 on Paramount Plus.

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Jonathan Frakes Says Star Trek: Strange New Worlds Season 3 Is "Best Episode Of TV" He's Ever Directed

  • Frakes directs his best hour of TV in new Star Trek: Strange New Worlds episode, calling it a "Hollywood murder mystery."
  • Frakes, known for directing Star Trek episodes, has directed 28 episodes and 2 feature films in the franchise.
  • Season 3, expected to debut in 2025, features an episode directed by Frakes that he hails as his best work in television.

Jonathan Frakes is directing an episode of Star Trek: Strange New Worlds season 3 that he calls the best hour of television he has ever directed. Frakes, arguably Star Trek' s most beloved and prolific director , helmed the popular Strange New Worlds season 2, episode 7 "Those Old Scientists", the series' crossover with Star Trek: Lower Decks featuring live-action versions of the usually animated Ensigns Beckett Mariner (Tawny Newsome) and Brad Boimler (Jack Quaid). All together, Frakes has directed 28 episodes of Star Trek and 2 feature films.

In a new Variety cover story about the Star Trek franchise , Jonathan Frakes talks about directing his episode in season 3 of Star Trek: Strange New Worlds, and he has high praise for his hour, which is a "Hollywood murder mystery." Read his quote below:

For Season 3, debuting in 2025, Frakes directed an episode framed as a Hollywood murder mystery that he calls “the best episode of television I’ve ever done.”

Star Trek: Strange New Worlds Season 3 - Everything We Know

Strange new worlds season 3 continues to explore genre, frakes' "hollywood murder mystery" is highly anticipated..

Teasing a "Hollywood murder mystery" on a Star Trek show may have raised a few eyebrows in the past, but after Star Trek: Strange New Worlds changed genre so successfully within its sci-fi framework, it's an exciting premise. Unlike the new crop of Star Trek shows that rely on heavy serialization, like Star Trek: Discovery and Star Trek: Picard, Strange New Worlds embraces the episodic format to highlight the potential of Star Trek storytelling from just about every angle imaginable, from creature-feature horror films to the hijinks of romantic comedies, and even the modern musical.

Frakes has demonstrated that he understands the beating heart of Star Trek is in its characters.

With a bevy of Star Trek directorial credits under his belt, Jonathan Frakes is a noted expert at making Star Trek feel familiar, even when the franchise experiments with risks instead of sticking to a tried-and-true formula. Frakes has demonstrated that he understands the beating heart of Star Trek is in its characters, whether in their relationships to one another or the moral dilemmas that reveal who characters are. Frakes' earlier SNW outing is a fan-favorite already, so it's almost assured that Frakes ' Star Trek: Strange New Worlds season 3 murder mystery will repeat that success, especially if Frakes himself notes it's a career highlight.

Source: Variety

Cast Bruce Horak, Celia Rose Gooding, Jess Bush, Melissa Navia, Ethan Peck, Babs Olusanmokun, Rebecca Romijn, Paul Wesley, Christina Chong, Anson Mount

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Writers Bill Wolkoff, Akiva Goldsman, Henry Alonso Myers

Directors Amanda Row, Valerie Weiss, Jonathan Frakes, Chris Fisher

Where To Watch Paramount+

Jonathan Frakes Says Star Trek: Strange New Worlds Season 3 Is "Best Episode Of TV" He's Ever Directed

  • Cast & crew
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  • Episode aired Jan 8, 2014

Lou Ferrigno, Vic Mignogna, and Fiona Vroom in Star Trek Continues (2013)

A survivor from a distressed Tellarite vessel pulls Captain Kirk and his crew into a moral quandary over her sovereignty. A survivor from a distressed Tellarite vessel pulls Captain Kirk and his crew into a moral quandary over her sovereignty. A survivor from a distressed Tellarite vessel pulls Captain Kirk and his crew into a moral quandary over her sovereignty.

  • Chris White
  • Gene Roddenberry
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  • Huston Huddleston
  • Vic Mignogna
  • Todd Haberkorn
  • Larry Nemecek
  • 16 User reviews
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Lou Ferrigno and Fiona Vroom in Star Trek Continues (2013)

  • Captain James T. Kirk

Todd Haberkorn

  • Dr. McCoy …

Christopher Doohan

  • (as Chris Doohan)

Lou Ferrigno

  • Crewman Kenway

Erin Gray

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Daniel Logan

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Grant Imahara

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Ryan T. Husk

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Did you know

  • Trivia Lou Ferrigno appears in green skin as an Orion reminding us of his earlier Hulk days. He has many more lines in this than he ever spoke throughout the entire Hulk series.
  • Goofs The costume used to simulate green skin for Lolani ( Fiona Vroom ) and Zaminhon ( Lou Ferrigno ) visibly wrinkles and lifts from their bodies as they move and flex. this is most noticeable on Zaminhon's arms and on Lolani's front of her shoulders.

Dr. Elise McKennah : We're each individuals with our own strengths and weaknesses, but we are not defined by our gender.

User reviews 16

  • Jan 5, 2018
  • January 8, 2014 (United States)
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  • Kingsland, Georgia, USA (Starship Enterprise)
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