the journey movie 1959 cast

The Journey

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Brief Synopsis

Cast & crew, anatole litvak, deborah kerr, yul brynner, jason robards jr., robert morley, e.g. marshall, photos & videos, technical specs.

In 1956 Hungary, a national uprising against Communist rule results in Soviet military occupation. At the Budapest airport, several foreigners anxiously waiting to depart are informed that flights have been canceled, but they will be transported to Vienna by bus. British television representative Hugh Deverill is surprised to find acquaintance Lady Diana Ashmore among the waiting passengers. Diana hopes to keep secret that she is traveling with Hungarian national Paul Kedes, who is hiding a severe wound from a street battle and is traveling under an assumed British identity. Although weak and exhausted, Paul insists that Diana disassociate herself from him in the event that he is detained. As the bus departs Budapest, Diana startles Hugh by confiding that she is divorcing her respected British husband. After the bus passes a Soviet roadblock, Paul faints and Diana rushes to his aid, raising Hugh's suspicions. Further down the road, the bus is halted by a group of Hungarian freedom fighters led by the steely Eva. Allowed to proceed, the bus soon arrives in Mosen, the last Hungarian town before the Austrian border. The officer in charge of the border check point, Major Surov, confiscates the passengers' passports and informs them that they must be individually questioned before being allowed to cross the border. Upon preliminary questioning, Surov is struck by Diana's poise and beauty, and also notes Paul's veiled hostility. At the local hotel, proprietor Csepege welcomes the travelers and, at the major's orders, places the men in quarters apart from the women. Sharing a room with Simon Avron and Teklel Hafouli, Paul collapses into bed with a high fever. Hugh warns Diana that if Paul is wanted by the authorities, Diana's association with him may place all the bus passengers in jeopardy. When the others go downstairs to dine, Diana slips into Paul's room to rebind his wound and Paul begs her not to place herself in danger. Surov attends the group's dinner and notices Diana's late entrance and Paul's absence. When gunfire outside interrupts the meal, Surov wonders why the Hungarians hate the Soviets. After dinner, Surov's impervious demeanor is shaken by the death of young freedom fighter killed just outside the hotel. That night, when Paul falls into a delirium and speaks an unfamiliar language, Simon awakens Hugh to express his and Teklel's fear that Paul is not British. Roused by the murmur of the men's voices, Diana overhears their discussion, then follows Hugh downstairs. Over tea, Diana reveals that Paul is a Hungarian biologist, whom she met and fell in love with in England years earlier. After Diana ended their relationship and married someone else, Paul returned to Hungary where his correspondence to England regarding her prompted government suspicion that he was a spy. Arrested and tortured mercilessly, Paul spent five years in prison and was just released. Still in love with Paul and wracked with guilt for his suffering, Diana is determined to get him out of the country. The following morning at breakfast, Csepege announces new regulations about reporting all Hungarian nationals and surrendering arms. Led by Simon, the men demand that Diana turn Paul over to Surov, but she refuses. When Surov arrives with forms for the passengers to fill out, he notices Paul's continued absence, but no one in the group gives him away. Diana brazenly offers to fill out Paul's form, then later takes it upstairs to him to sign. Surov follows and in a moment alone with Paul, accidentally finds and confiscates his gun. Later when Paul and Diana realize the gun is missing, Paul declares they must leave immediately. Diana asks Csepege how Paul might be smuggled across the border and he directs her to a contact at the fish market. After making the arrangements to escape that night, Diana is picked up by the military police and Surov. Taking Diana to a deserted brewery, Surov shows her Paul's gun and demands to know why Diana has been lying. Diana is startled when Surov admits that although he can arrest Paul, Diana's presence has forced him to hesitate and doubt his previous unquestioning attitude. That evening at dinner, Surov assures the anxious passengers that their trip will likely resume the following day and demands that the occasion be festive. Csepege secretly advises Diana that the escape plan is confirmed, but Diana is detained when Surov drunkenly insists that they dance together. Diana finally flees the dining room, but on her way to join Paul, Surov stops her to apologize for his behavior and to return Paul's gun as a farewell gift. Moments later, Diana joins Paul and a guide in a small boat in the canal. As the boat floats by the guard tower, Surov arrives on horseback and Diana and Paul are caught. Paul struggles to defend Diana, insisting that she is not responsible. Back at the hotel, the remaining passengers are placed under house arrest and several wonder why Diana and Paul did not inform them of their escape. Back at his office, Surov files his report on Paul's arrest, ignoring Diana's emotional pleas to spare Paul. Later, Surov visits Paul in jail and is affected by his courage and humanity despite his bitter experiences. Meanwhile at the hotel, the passengers, led by pregnant American Margie Rhinelander, accuse Diana of instigating their difficulties. Margie declares that everyone has noticed Surov's attraction to Diana and bluntly encourages Diana to take advantage of it to help save them. While riding back to the hotel from the jail, Surov's horse is shot out from under him by Eva hiding in a tree. Distressed, Surov returns to the military headquarters, but is unable to kill his suffering horse. When Diana arrives, Surov bitterly chastises her naïve idealism, then admits that her influence has ruined him. When Diana confesses that she came at the behest of the others, Surov is outraged, then demands that Diana confess that she returns his feelings. Despite sharing a passionate kiss with Surov, Diana departs. Early the next morning, the group, minus Paul, returns to the bus. A few miles away, as the relieved passengers disembark at a small bridge leading to Austria, Surov drives up in a jeep with Paul. Diana rushes to thank Surov, but he assures her that he has acted only to clear his conscience. Moments after Diana and Paul are welcomed to Austria by the border guards, shots ring out as Surov is killed by Eva.

Anne Jackson

Ronny Howard

Kurt Kasznar

David kossoff, gérard oury, marie daems, anouk aimée, barbara von nady, maurice sarfati, siegfried schürenberg, maria urban, jerry fujikawa, dimitry fedotoff, leonid pylajew, wolf neuber, michael szekely, charles regnier, ivan petrovich, ernst konstantin, eric allwright, georges auric, david aylott, gordon bond, moura budberg, george daniloff, gerald fisher, jack hildyard, noel howard, rene hubert, hermann meroth, michel michelet, gerald o'hara, isabella schlighting, werner schlighting, kurt schwarz, dorothy spencer, carl szokoll, george tabori, peter viertel, tibor zimanyi, photo collections.

The following prologue appears in the onscreen credits: "The action of this story takes place between Budapest, the capital of Hungary, and the Austro-Hungarian border, where the film was actually photographed. The time is November, 1956, during the tragic days of the Hungarian uprising." The opening and closing cast credits differ in order. A January 1957 Hollywood Reporter news item states that the idea for The Journey was based on an untitled story by French writer Joseph Kessel. An August 1957 item in the Los Angeles Times reported that Ingrid Bergman would star in the film.        Although the film's credits state, "produced at Wien Film Studios, in Vienna, Austria," news items specify that the film was partially shot at the Rosenhuegel Studio in Vienna. According to a February 1959 Variety article, producer-director Anatole Litvak indicated that the Soviet government had attempted unofficially to pressure the Austrian government to stop the production of The Journey . Litvak also noted that the film had been subject to severe criticism in the Communist press.        The film marked the screen debut of Jason Robards, Jr. (1892-1963), the son of character actor Jason Robards (1892-1963). Although Ron Howard had appeared in an unbilled part in the 1956 Top Pictures' film Frontier Woman , The Journey marked his first credited appearance; he was billed as Ronny Howard. For more information on the origins of the 1956 Hungarian uprising, please refer to the note for Allied Artists' 1958 film, The Beast of Budapest .

Miscellaneous Notes

Released in United States Winter February 1959

Ron Howard makes his feature film debut at 5-years old.

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The Journey (1959 film)

1959 american drama film by anatole litvak / from wikipedia, the free encyclopedia, dear wikiwand ai, let's keep it short by simply answering these key questions:.

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The Journey is a 1959 American drama film directed by Anatole Litvak . A group of Westerners try to flee Hungary after the Soviet Union moves to crush the Hungarian Revolution of 1956 . It stars Deborah Kerr , Yul Brynner , Jason Robards and Robert Morley . Deborah Kerr and Yul Brynner were paired again since they starred in The King and I in 1956, where he had an Oscar-winning performance. The Journey was shot in Metrocolor .

In 1956 a group of passengers stranded during the Hungarian uprising at Budapest Airport are taken in a bus towards the frontier with neutral Austria . From there they intend to drive to Vienna.

A sick man in the back seat, who claims to be an Englishman called Flemyng, seems known to an aristocratic Englishwoman, Lady Ashmore, sitting in the front seat. The journey is difficult with diversions and roadblocks, some operated by Soviet troops and others by Hungarian insurgents. At a small lakeside town close to the Austrian border, the passengers are removed from the bus by Major Surov, the local Soviet commander. After questioning them and impounding their passports, Surov orders they remain in the town's only hotel. He suspects the ailing Flemyng's passport is not genuine and develops a love interest in the attractive Lady Ashmore.

It emerges that Flemyng is a Hungarian insurgent whom Lady Ashmore, his lover, is smuggling to safety. Surov deduces both facts but does not act, hoping that Lady Ashmore will offer herself to him in exchange for safe passage into Austria. Speaking good English, which Surov claims to have learned in Canada, he uses the trapped passengers as a sounding board for his views, arguing that Russians are human too and questioning the imposition of Marxism by military force. However, with Flemyng getting weaker from what is revealed as an untreated gunshot wound, Lady Ashmore bribes a fisherman to take the two of them to Austria, across the lake under cover of darkness. Surov deduces what is happening and captures them both. After getting Flemyng treatment by an army doctor, Surov sends Lady Ashmore back to the hotel. The other passengers are furious that Lady Ashmore jeopardised their release with her selfish behaviour. A pregnant American woman warns Lady Ashmore very frankly what she should do to save them all.

Sniping by Hungarians has kept the Russian garrison on edge and a shot wounds Surov's beloved black horse. Unable to euthanise the horse himself, revealing a compassionate side to his nature, Surov orders a sergeant to kill the stricken animal. Lady Ashmore returns, dutifully, prompting Surov, in deep sorrow, to question if she returned willingly. When she truthfully says no, Surov releases Lady Ashmore. In the morning Surov orders the passengers to leave, minus the arrested Flemyng, driving to a quiet spot where they can walk into Austria. As the party crosses the border, Surov turns up with the weakened Flemyng, who he releases to Lady Ashmore. As Surov watches the two disappear, Hungarian bullets kill him.

• Deborah Kerr as Diana Ashmore
• Yul Brynner as Major Surov
• Jason Robards as Henry Flemyng / Paul Kedes
• Robert Morley as Hugh Deverill
• E. G. Marshall as Harold Rhinelander
• Anne Jackson as Margie Rhinelander
• Ron Howard as Billy Rhinelander
• Flip Mark as Flip Rhinelander
• Kurt Kasznar as Csepege
• David Kossoff as Simon Avron
• Gérard Oury as Teklel Hafouli
• Marie Daëms as Françoise Hafouli
• Anouk Aimée as Eva
• de:Maria Urban as Gisela von Rachlitz
• Siegfried Schürenberg as von Rachlitz
• Charles Regnier as Capt. Ornikidze
• Iván Petrovich as Szabó Bácsi
• Senta Berger as Serving Girl in Black Scarf

The following prologue appears in the onscreen credits: "The action of this story takes place between Budapest, the capital of Hungary, and the Austro-Hungarian border, where the film was actually photographed. The time is November, 1956, during the tragic days of the Hungarian uprising."

Although the film’s credits state, “produced at Wien Film Studios, in Vienna, Austria,” news items specify that the film was partially shot at the Rosenhuegel Studio in Vienna. According to a Feb 1959 Var article, producer-director Anatole Litvak indicated that the Soviet government had attempted unofficially to pressure the Austrian government to stop the production of The Journey. Litvak also noted that the film had been subject to severe criticism in the Communist press. [3]

Kerr and Brynner's relationship

The Journey was made in Vienna in March–June 1958, a period when there were rumors that there was a love affair between them. But Deborah Kerr ended the whole gossip by marrying for the second time. Peter Viertel, who was a talented playwright and also one of the screenwriters for The Journey , became her husband in 1960, and Yul Brynner was one of the witnesses. The relationship between Kerr and Brynner was described by their close friends as "sister and brother" or "equal to equal", even if Kerr herself admitted that she was very much attracted by Brynner's magnetism and piercing eyes. They trusted each other and they used to visit one another while they both lived in Switzerland in the 1960s.

This film was Jason Robards's screen debut.

Ron Howard had appeared in an unbilled part in the 1956 film Frontier Woman , but The Journey marked his first credited appearance; he was billed as Ronny Howard.

According to MGM records, the film earned $1,300,000 in the U.S. and Canada and $2,150,000 in other markets, resulting in a loss of $905,000. [1]

Stanley Kauffmann of The New Republic wrote- 'Cleariy Anatoie Litvak, the director, and George Tabori, the writer, were moved by the rebeiiion and wanted, as men and artists, to make a statement about it. Then, in themseives or under pressure, they began to compromise and whittle. The result is a mixture of cliches and shackled good intentions, seasoned with some highly effective moments.'. [4]

• List of American films of 1959
• [2] US and Canada figures see - "1959: Probable Domestic Take", Variety , 6 January 1960 p 34
• [3] "AFI | Catalog" .
• [4] "From Hungary to Sutton Place" . The New Republic . Retrieved 2023-10-26 .

External links

• The Journey at the TCM Movie Database
• The Journey at AllMovie
• The Journey at the American Film Institute Catalog

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The Journey

1959, Drama, 2h 5m

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The journey   photos.

During the Hungarian Revolution of 1956, a group of international travelers tries to get out of Budapest, but are thwarted at every turn by the Soviets. With the airport closed, they decide to flee by bus, but are stopped at the Austrian border by Major Surov (Yul Brynner). He delays them indefinitely, very much interested in British Baroness Diana Ashmore (Deborah Kerr), and little knowing that her lover is a Hungarian freedom fighter (Jason Robards Jr.).

Genre: Drama

Original Language: English

Director: Anatole Litvak

Producer: Anatole Litvak

Release Date (Streaming): Jan 1, 2009

Runtime: 2h 5m

Production Co: Alby Pictures

Cast & Crew

Deborah Kerr

Diana Ashmore

Yul Brynner

Major Surov

Jason Robards

Robert Morley

Hugh Deverill

E.G. Marshall

Harold Rhinelander

Anne Jackson

Margie Rhinelander

Billy Rhinelander

Flip Rhinelander

Kurt Kasznar

David Kossoff

Simon Avron

Gérard Oury

Teklel Hafouli

Marie Daëms

Françoise Hafouli

Anouk Aimée

Barbara von Nady

Maurice Sarfati

Jacques Fabbry

Siegfried Schürenberg

Von Rachlitz

Maria Urban

Gisela von Rachlitz

Jerry Fujikawa

Donatella Calucci

Dimitri Fedotoff

Anatole Litvak

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Deborah kerr (as diana ashmore), yul brynner (as major surov), jason robards (as paul kedes), the journey overview:.

The Journey (1959) was a Drama - Romance Film directed by Anatole Litvak and produced by Anatole Litvak.

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THE JOURNEY

A group of people stuck in Hungary during the 1956 Soviet occupation try desperately to get out. Just at the Austrian border they’re held up by a Soviet officer who becomes enamored with a British woman trying to smuggle her Hungarian lover out of the country using a fake passport.

The Journey

Cast & crew.

Deborah Kerr

Diana Ashmore

Yul Brynner

Major Surov

Jason Robards

Robert Morley

Hugh Deverill

E.G. Marshall

Harold Rhinelander

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© 1958 Turner Entertainment Co.

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About: The Journey (1959 film)

The Journey is a 1959 American drama film directed by Anatole Litvak. A group of Westerners try to flee Hungary after the Soviet Union moves to crush the Hungarian Revolution of 1956. It stars Deborah Kerr, Yul Brynner, Jason Robards and Robert Morley. Deborah Kerr and Yul Brynner were paired again since they starred in The King and I in 1956, where he had an Oscar-winning performance. The Journey was shot in Metrocolor.

Watch The Journey

• 6.8   (1,829)

The Journey is a 1959 drama film directed by Anatole Litvak, starring Deborah Kerr, Yul Brynner, and Jason Robards. The film is set in Hungary during the late 1940s, following the end of World War II, and revolves around a group of Western travelers who are trying to cross the country on a train. The passengers are forced to confront the reality of the ongoing war, as well as their own prejudices, fears, and desires.

Kerr plays Diana Ashmore, a British widow who is traveling with her young son after the death of her husband. Brynner plays Major Surov, a Russian officer who is escorting a Hungarian general back to Budapest. Robards plays a cynical American journalist named Hugh Deverill, who is traveling with his photographer girlfriend Joan (played by Eileen Heckart). The other passengers on the train include a wealthy British businessman, an American couple on their honeymoon, and a Hungarian woman traveling with her young daughter.

As the train makes its way across the country, the passengers are confronted with a series of increasingly dangerous situations. They witness the aftermath of a bombing by Soviet forces, and shortly afterward they are ambushed by Hungarian rebels. The rebels, led by the charismatic Kovacs (played by Robert Morley), take the passengers hostage and demand a ransom from the Soviet authorities.

As the situation grows more tense, the passengers are forced to confront their own prejudices and fears. Diana Ashmore and Major Surov develop a tentative romance, despite their initial distrust and hostility towards each other. Hugh Deverill is initially cynical and detached, but he gradually becomes more involved in the situation and begins to empathize with the rebels. The Hungarian woman and her daughter provide a humanizing element to the story as well, as they become increasingly vulnerable to the violence and chaos around them.

Despite the high stakes, the film is not simply an action thriller. Rather, it is a character-driven drama that explores the psychological and emotional toll of war and oppression. The film is notable for its nuanced and sympathetic portrayal of the Hungarian rebel fighters, who are shown as flawed but ultimately sympathetic human beings.

The performances in the film are uniformly excellent. Kerr brings a subtle sense of vulnerability and melancholy to her role, while Brynner is imposing and commanding as the Russian officer. Robards is particularly impressive as the jaded journalist who is forced to confront his own cynicism and detachment. The film is also visually stunning, with beautifully composed shots of the Hungarian countryside and a haunting, understated score.

The Journey is ultimately a sobering and thought-provoking film that remains relevant today. It touches on themes of war, nationalism, and the human cost of political conflict, and it raises important questions about the ethics of violence and the nature of empathy. The film is a testament to the power of cinema to explore complex social and psychological issues, and it remains a potent reminder of the enduring consequences of war and oppression.

The Journey is a 1959 drama with a runtime of 2 hours and 6 minutes. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 6.8.

• Genres Drama Romance
• Cast Deborah Kerr Yul Brynner Jason Robards
• Director Anatole Litvak
• Release Date 1959
• MPAA Rating Approved
• Runtime 2 hr 6 min
• Language English
• IMDB Rating 6.8   (1,829)

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The full cast of The Journey

Here you will find an overview of the cast of the movie The Journey from the year 1959, including all the actors, actresses and the director. When you click on the name of an actor, actress or director from the movie The Journey-cast you can watch more movies and/or series by him or her. Click here for more infomation about the movie.

We have made an overview that includes: actors , directors , the production team , the camera team , writers and other crew members .

Anatole Litvak

Gerry O'Hara

Noël Howard

George Tabori

Actors & actresses.

Deborah Kerr

Yul Brynner

Jason Robards

Robert Morley

Anne Jackson

Kurt Kasznar

David Kossoff

Gérard Oury

Marie Daëms

Anouk Aimée

Maria Urban

Siegfried Schürenberg

Charles Regnier

Iván Petrovich

Senta Berger

E.G. Marshall

Artistic design.

Isabella Schlichting

Werner Schlichting

Gerry Fisher

Jack Hildyard

Hermann Meroth

Costume & makeup.

René Hubert

Eric Allwright

Joan Joseff

Movie editing.

Dorothy Spencer

Georges Auric

Kurt Schwarz

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The Journey (1959) Stream and Watch Online

Watch 'The Journey' Online

Looking to watch ' The Journey ' on your TV, phone, or tablet? Searching for a streaming service to buy, rent, download, or view the Anatole Litvak-directed movie via subscription can be a challenge, so we here at Moviefone want to take the pressure off. Below, you'll find a number of top-tier streaming and cable services - including rental, purchase, and subscription options - along with the availability of 'The Journey' on each platform when they are available. Now, before we get into the fundamentals of how you can watch 'The Journey' right now, here are some specifics about the Alby Pictures, Metro-Goldwyn-Mayer, MGM drama flick. Released February 19th, 1959, 'The Journey' stars Deborah Kerr , Yul Brynner , Jason Robards , Robert Morley The NR movie has a runtime of about 2 hr 6 min, and received a user score of 64 (out of 100) on TMDb, which collated reviews from 22 top users. Curious to know what the movie's about? Here's the plot: "A Communist officer falls hard for a married woman trying to escape from Hungary." 'The Journey' is currently available to rent, purchase, or stream via subscription on Apple iTunes, Google Play Movies, Vudu, Amazon Video, and YouTube .

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The Journey (1959)

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A Communist officer falls hard for a married woman trying to escape from Hungary.

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The 8 john wayne movies that defined his career.

With a filmography spanning over 150 titles, there are 8 movies that cement his position as one of Hollywood's most legendary Western stars.

• John Wayne's iconic performances in films like Stagecoach and True Grit solidified his status as a Hollywood legend.
• Collaborations with directors like John Ford enhanced Wayne's versatility and deep impact on the Western genre.
• Wayne's ability to embody complex, morally ambiguous characters in films like The Searchers showcased his lasting influence.

Starring in over 150 movies, there are 8 films that epitomize the essence of John Wayne 's career, solidifying his status as one of Hollywood's most iconic Western stars. From his breakout role in Stagecoach to his Academy Award-winning performance in True Grit , these films showcase Wayne's versatility, charisma, and enduring impact on the genre. Through collaborations with renowned directors like John Ford and Howard Hawks, Wayne brought to life complex characters that resonated with audiences and redefined the archetypal Western hero.

Films such as Red River , Fort Apache , and The Searchers not only chart the evolution of Wayne's career, but also highlight his ability to adapt to changing trends in the genre while maintaining his distinct screen presence. His later works, including Rio Bravo and The Man Who Shot Liberty Valance , demonstrate his willingness to take on more nuanced roles and explore the deeper themes within the Western narrative. Looking at these landmark performances, it becomes evident that John Wayne's legacy extends far beyond his status as a Hollywood legend; he remains a timeless embodiment of the American spirit.

8 Stagecoach (1939)

Directed by john ford.

This career-defining performance marked the beginning of a legendary partnership with Ford that would shape the Western genre for decades to come.

John Wayne's portrayal of Ringo Kid in Stagecoach catapulted him from a B-movie actor to a Hollywood icon. Directed by John Ford, this groundbreaking Western elevated the genre from mere low-budget entertainment to a respected art form. Wayne's commanding presence and natural charisma shone through in his role as a wanted murderer who joins a diverse group of passengers on a perilous journey. Even though John Wayne isn’t portraying the hero , this career-defining performance marked the beginning of a legendary partnership with Ford that would shape the Western genre for decades to come.

7 Red River (1948)

Directed by howard hawks.

John Wayne's portrayal of Tom Dunson in Red River is the film that demonstrated his exceptional acting talent, proving that he was more than just a one-dimensional Western hero. As the headstrong and tyrannical rancher, Wayne navigates complex emotional terrain, clashing with his adoptive son, Matt Garth, played by Montgomery Clift. The film's exploration of themes like the father-son dynamic and the subtle homoerotic subtext between Matt and Cherry Valance added depth to the narrative. Red River' s psychological complexity and Wayne's nuanced performance solidified his reputation as a serious actor, capable of bringing multifaceted characters to life.

6 Fort Apache (1948)

Wayne's portrayal of York demonstrated his ability to embody principled and multi-dimensional roles.

Fort Apache is the first installment of John Ford's " cavalry trilogy ," and it provided John Wayne with a platform to showcase his acting versatility. As Capt. Kirby York, Wayne played opposite Henry Fonda's Owen Thursday, creating a compelling dynamic that explored the complexities of frontier life and the tensions between military duty and moral integrity. Wayne's portrayal of York, a character who stood firm in his beliefs and challenged Thursday's misguided ambitions, demonstrated his ability to embody principled and multi-dimensional roles. This performance further solidified Wayne's status as a Western star capable of bringing much needed depth to the genre.

5 She Wore a Yellow Ribbon (1949)

She Wore a Yellow Ribbon's success not only solidified Wayne's position as a box office draw, but also helped define the archetypal John Wayne character that would become synonymous with his name.

She Wore a Yellow Ribbon played a pivotal role in shaping John Wayne's screen persona and cementing his status as a Western icon. The film's portrayal of Nathan Brittles as a mature and wise leader marked a significant departure from Wayne's earlier roles as a young, brash cowboy. This transformation helped establish him as a credible leading man capable of embodying complex, nuanced characters.

20 Best John Wayne Movie Quotes, Ranked

Additionally, the film's exploration of themes such as duty, honor, and the passing of the torch to a new generation aligned perfectly with Wayne's own off-screen persona. These monumental themes helped to further blur the lines between the actor and his on-screen roles . She Wore a Yellow Ribbon 's success not only solidified Wayne's position as a box office draw, but also helped define the archetypal John Wayne character that would become synonymous with his name throughout his career.

4 The Searchers (1956)

The searchers.

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A f ilm that has influenced the works of Martin Scorcese , The Searchers marked a turning point in John Wayne's career, as his portrayal of Ethan Edwards showcased his ability to embody complex, morally ambiguous characters. As the vengeful and racist Civil War veteran, Wayne delivered a performance that was raw, intense, and emotionally charged , demonstrating his willingness to explore the darker aspects of the human psyche. The film's unflinching examination of themes such as obsession, racism, and the blurring of moral boundaries challenged the traditional Western narrative and established Wayne as an actor capable of tackling controversial and thought-provoking roles.

3 Rio Bravo (1959)

John Wayne's portrayal of the resolute sheriff in Rio Bravo demonstrated his unparalleled ability to lead an ensemble cast in a classic Western. His chemistry with co-stars Dean Martin, Walter Brennan, Ricky Nelson, and Angie Dickinson showcased Wayne's talent for elevating the performances of those around him, showing that he is a true Hollywood professional. The film's blend of action, humor, music, and romance allowed Wayne to display more range as an actor, effortlessly navigating between intense confrontations and lighthearted moments. Rio Bravo 's impact marks Wayne's position as a timeless icon whose influence on the Western genre remains unmatched .

2 The Man Who Shot Liberty Valance (1962)

Wayne subverted his own larger-than-life persona and demonstrated his ability to contribute to a story without necessarily being the central focus.

The Man Who Shot Liberty Valance marked a significant shift in John Wayne's career, as it showcased his willingness to take on more complex and contemplative roles in the latter stages of his acting journey. By playing Tom Doniphon, a character who operates in the shadows and ultimately sacrifices his own legacy for the greater good, Wayne subverted his own larger-than-life persona and demonstrated his ability to contribute to a story without necessarily being the central focus. The Man Who Shot Liberty Valance stands as a testament to Wayne's enduring impact on the Western genr e and his ability to evolve.

1 True Grit (1969)

Directed by henry hathaway.

The film's success and John Wayne's Oscar win confirmed his status as a true Hollywood legend.

True Grit' s impact on John Wayne's career cannot be overstated, as it finally earned him the coveted Academy Award for Best Actor after decades of iconic performances. His portrayal of the gruff U.S. Marshal Rooster Cogburn not only showcased his ability to bring a larger-than-life character to the screen, but also demonstrated his skill at balancing humor and vulnerability . The film's success and John Wayne's Oscar win confirmed his status as a true Hollywood legend, proving that his influence on the Western genre was undeniable. John Wayne’s best movie shows the timeless appeal of John Wayne ’s quintessential cowboy persona.

The 10 Best Westerns Of The 1950s, Ranked

• 1950s was a Golden Age for Westerns, featuring iconic films with strong social messages & ensemble casts.
• Westerns served as Blockbuster tentpoles with mass appeal, capturing the post-WWII era's fascination with American Cowboys.
• Films like "Giant," "Shane," & "High Noon" set the standard for character-driven narratives & memorable visuals in 1950s Westerns.

The most famous Western movies may not have originated from the 1950s, but the decade was actually something of a Golden Age for the genre, with some of the most triumphant films set in the American West filmed and released within the time period. When Westerns come to mind, images of John Wayne's most influential films or Clint Eastwood's Dollars trilogy are the first thing conjured by the imaginations of most, by far the most iconic voices to inhabit the genre. However, their most famous work spanned the 70s and 60s, pre-dated by a marvelously strong age for the Western.

In fact, the Western was one of, if not the single most, popular genres in the 1950s, essentially serving the same role for audiences at the time that Superhero movies serve today -- Blockbuster tentpoles with massive widespread appeal. Long before kids traded in their six-shooter cap guns for science fiction energy blasters, the idea of the illusive American Cowboy was the most captivating for a post-World War II media landscape. Though the Spaghetti Westerns of the following decades may be more recognizable today, the 1950s produced some of the genre's most incredible entries.

Giant (1956)

A meditative drama that didn't shy away from big issues.

Just because big names like Clint Eastwood had yet to materialize in the Cowboy genre in the 1950s, that wasn't to say that Westerns of the era couldn't have an impressive ensemble cast studded with the era's brightest stars. Enter Giant , which featured the talents of James Dean, Rock Hudson, Elizabeth Taylor, and Rock Howard among its impressive roster. Like many Westerns of the time, the film wasn't actually set that far back in the past, and told the story of a progressive New England socialite that comes to settle down with a wealthy Texas rancher.

Giant touched on some tender issues, and proudly wore a social message regarding Texan culture, misogyny, and race relations that was ground-breaking for the decade. As the story spanned the 1920s and 1940s, the film also touched on the wounds of Pearl Harbor and the beginning of America's involvement in World War II, still fresh when Giant was released in 1956. Though it may not have been an action-packed gunslinging thriller, the tender drama and surprisingly progressive thesis statements of Giant warranted it a vote for preservation in the United States National Film Registry by the Library of Congress.

Winchester '73 (1950)

A gripping anthology that began some notable careers.

A groundbreaking film, Winchester '73 chronicled the stories of the owners of the titular rifle as it passed hands over the years. Winchester '73 set the precedent for future films who would go on to try a similar novelty, such as Sandra Oh's best critically-received film , The Red Violin . In the background lurked a fairly-typical, if well-realized manhunt for a dangerous fugitive. Winchester '73 featured some of the earliest performances by actors who would go on to become big names, such as Rock Hudson and Tony Curtis, still playing small roles in their nascent careers at the time.

Each of the stories the prized rifle firearm manages to weave its way through felt special and weighty in their own right, with no single point of failure in the well-crafted anthology that let down the greater picture. The gripping action sequences also managed to truly pop even within the confines of the black-and-white color palette, as the film delivered pulse-pounding shootouts and introspective dialogue exchanges in equal measure. If there's one lasting strike on Winchester '73 , it's the poorly-aged Native American representation, unfortunately common for the 50s, including the Swiss-German Rock Hudson playing Chief Young Bull.

The Searchers (1956)

Presented john wayne's most vicious character.

While John Wayne may have risen to prominence during his escapades as a wise, sage cowhand folk hero in his 70s films, the actor had been starring in Westerns for much longer. The Searchers was perhaps John Wayne at his most edgy and vicious, playing a Civil War veteran hell-bent on rescuing his kidnapped niece from the clutches of a Comanche tribe. If Winchester '73 merely scratched the surface of the 50s Western's troubled relationship with Native Americans of the West, The Searchers pried open a bleeding wound, more realistic and thoughtful but no less unflattering.

The tormented psycho-sexual imagery of John Wayne's bloodthirsty trek to "rescue" his niece, having long-since adapted to and accepted her circumstances, warranted dissection by critics of the modern day, eager to parse the ratio of the film's condemnation of both obsessive White Western settlers and the often-brutal Comanche tribes. The uncomfortable violence raised questions about the film's position on racial bias, miscegenation, and the vicious cycle of revenge. Undeniably thought-provoking but relentlessly disturbing, The Searchers is a violent think-piece outweighed only by its ambition.

Johnny Guitar (1954)

Didn't shy away from bold female gunslingers.

Though many of those tuned in to the pop-culture zeitgeist may better recognize Johnny Guitar for the title track written for the film, used in the soon-to-be adapted Fallout series , the 1954 Western was actually based on a book of the same name. Johnny Guitar broke ground with its unapologetic female anti-hero protagonist, Vienna, who was soon to be run out of town for her unpopular decision to support the building of a controversial railroad. Luckily, Johnny Guitar turned up to defend her from the locals' tempers, though not without interference ran by the dastardly outlaw, The Dancin' Kid.

By far, the most captivating element of Johnny Guitar was the chemistry between Joan Crawford's Vienna and Sterling Hayden's Johnny, a volatile relationship that danced around the thin line between love and hate. While neither character may be particularly well-developed nor deepened by the end of the film, the novelty of Johnny Guitar' s use of Trucolor photography wasn't lost on critics. Johnny Guitar also deserved kudos for being one of the few Westerns to feature a high-noon duel between two women combatants, even including a rare glimpse of a woman being shot in the head.

3:10 To Yuma (1957)

A perilous journey flanked by excellent action scenes.

One of the few 1950s Westerns to get a remake in the 21st century, 3:10 to Yuma was well-made enough to have a profoundly enduring impact on American cinema as a whole. From the very logline, 3:10 to Yuma managed to craft a compelling narrative, weaving the tale of a down-and-out Arizona rancher who resorted to taking a dangerous job far outside his pay grade -- Escorting a dangerous criminal leader to his trial on the titular train route. Along the way, Van Helfin's Dan Evan had to dodge gunslinging outlaws, a vengeful pursuer, and his own temptations.

Perhaps the most striking thing about 3:10 to Yuma is its thoughtful visuals, cramming the camera into the claustrophobic quarters of a train while danger lurked just out-of-frame. The film also managed to put to screen some breathtaking shootouts, slowly ramping up the stress levels before maintaining the tension's fever pitch for a drawn-out climax, which admittedly does somewhat fumble the goodwill built up by the previous acts with an out-of-place happy ending. Still, 3:10 to Yuma presented some of the best character drama and classic Western action to come out of the 50s, cementing its cultural significance.

High Noon (1952)

A tense drama that plays out in real-time.

High Noon holds the unique position of being not only one of the first, but one of the best movies to take place in real-time . The film revolves around the difficult quandary presented to hero Marshal Will Kane, played by Gary Cooper. A vengeance-seeking criminal locked up by Kane years ago is hot on his trail, and Kane had to choose between staying in town to face his assailant head-on or fleeing with his wife in tow. High Noon was one of the first films to pioneer the "race against time" format, enhancing it with its diagetic runtime.

Despite the pleas of his friends and family, Kane's sense of honor ultimately forbade him from leaving his town in the hands of the outlaw for even one day before the new Marshal came to relieve him. Director Fred Zinnemann leveraged the mounting anxiety of the violent Frank Miller's arrival by commonly cutting away to clocks and time pieces leading up to the high noon confrontation, serving to build a veritable mountain of anticipation. Luckily, the payoff is worth the build-up, and even if High Noon 's conclusion didn't re-invent the real, the journey of getting there was utterly unforgettable.

Rio Bravo (1959)

One of the first westerns to rely on an oddball cast.

One of the latest entries of the 50s in the Western genre, Rio Bravo still managed to beat Magnificent Seven to the punch of an oddball party of gunslingers holding out against a wave of baddies on a lonely ranch. Curiously, Rio Bravo seemed to have been made as a sort of direct response to High Noon , with star John Wayne later admitting his distaste for the film. Similarly, the plot of Rio Bravo centers around an impending threat, only this time met with an assured, stoic fighting force rather than doubt and indecision of a single near-retirement Marshal.

The problematic implications of this response are worth examination, but there's no denying that Rio Bravo does some things better than High Noon . The ensemble cast are endlessly entertaining, with distinct personalities uncharacteristic in a genre filled with copy-pasted homicidal outlaws and morally incorruptible guardians of hodunk towns. That being said, the sluggish pace of the film may have benefited from taking a closer examination of High Noon 's pacing, even if it is punctuated by some of the best shootout sequences of the 1950s.

Bad Day At Black Rock (1955)

A delicious mystery with ground-breaking representation.

Another Western whose setting isn't preoccupied with the American frontier of old, Bad Day at Black Rock was set in 1945, a mere decade before the film's release. The film presented a complex mystery revolving around the eponymous town of Black Rock, beset by a stranger in order to uncover the truth behind the disappearance of an old man. The vile lengths the town of Black Rock ends up going to in order to hide its terrible secrets instantly made Spencer Tracy's John J. Macreedy a cheer-worthy protagonist.

For 1955, the film was shockingly progressive. Macreedy was a disabled veteran, missing one arm, who didn't let his injury stop him from uncovering the truth while preserving his own life. Additionally, Bad Day at Black Rock explored unheard of themes of racism against Japanese-Americans, still a fresh topic in the wake of World War II in both the story itself and the general public at the time of the film's release. Beyond simply being a well-made, if tragic, mystery thriller, Bad Day at Black Rock is a defining film that exemplifies the archetypal American Western hero .

Shane (1953)

A genre-defining western based on real events.

Based on the 1949 novel of the same name, Shane invoked real-life events while pioneering the ideal of the classic drifting gunslinger that became more popular of a character trope in the Westerns of decades to come. The titular hero, Shane, found himself embroiled in the conflict of a small town he wandered through, and quickly endeared himself to the locals while drawing the ire of the intimidating cattlemen looking to claim their land for themselves. From there, Shane presents a model Western no less surprising than it is iconic.

Shane was based on the very real violence that actually occurred in the American West between hopeful homesteaders and greedy cattlemen, putting to light an oft-forgotten conflict. Beyond that, the film was more influential for its influence on the genre, from the dramatic, sweeping landscape cinematography that captured the imagination of the time period to the enigmatic Shane, who fittingly rides away into the sunset after his work is done in the now-famous closing scene. It's hard to say the presence of Shane isn't felt in every Western to come since its release in 1953.

The Naked Spur (1953)

A visionary romp through colorado's rocky mountains.

Of the Westerns to come out of the 1950s, few can compete with the visionary filmmaking of The Naked Spur . Despite a relatively simple premise, The Naked Spur expertly distilled the foundations of the American West into pure cinematic gold, exemplifying the best of what the genre has to offer. Not relying on a complicated plot to enrapture its viewers, the film tells the simple tale of a bounty hunter forced to work with two unlikely allies in order to capture a murderer, putting the characters front-and-center rather than a needlessly convoluted narrative.

Much like the vast expanse of the American West itself, the story is a beautiful, if bare bones, structure against which the striking performances of James Stewarts' Howard Kemp and company were allowed to shine. The striking on-location shooting in Colorado's Rocky Mountains enhanced the tense action and delicate romance, which are all amplified by the soaring Beautiful Dreamer theme reverberating through the wilderness. From nail-biting shootouts to Kemp's quick wit and the raw power of the exposed performances, The Naked Spur is a truly exemplary Western .

The 15 Best Historical Epics of All Time

Journey into the past.

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The best historical epics continue to showcase the way cinema pushes the boundaries of what's possible to depict on the big screen, with new additions like 2022's All Quiet on the Western Front highlighting the way these remarkable films can span numerous genres. With ambitious set designs, numerous actors and incredible stories, historical epics are among the very best that the film industry has to offer.

A unique element of the cinematic arts is how film can give us a fully-formed look into a different time. By decorating a set and actors putting on some costumes, the audience can be transported hundreds or thousands of years into the past through epic movies.

RELATED: The Best Period Dramas and Historical Shows on Netflix Right Now

The historical epic is a staple of film, being part of the genre since the medium's inception. You have silent films such as Napoléon and Joan of Arc to modern films like Braveheart and The Northman . Many of these historical epic movies are shining examples of some of the most engaging stories ever put to the silver screen.

Updated by Hannah Saab:

The northman.

Robert Eggers pulled off a miracle with The Northman . The indie auteur, known for his distinct visual style, got a studio to give him $90 million without sacrificing any aspect of what he's known for. The Northman is a weird, dark, intense Viking revenge movie that just screams Eggers.

The film is based on the ancient Viking tale of Amleth, which inspired Shakespeare 's Hamlet . When King Aurvandill War-Raven ( Ethan Hawke ) is killed by his brother, Fjölnir ( Claes Bang ), who also takes his wife Gudrún ( Nicole Kidman ) as his Queen, his son Amleth ( Alexander Skarsgård ) swears to, "Avenge you, father. Save you, mother. Kill you, Fjölnir." Years later, after Fjölnir's reign has ended and Amleth has been long believed dead, Amleth infiltrates Fjölnir's life to meet his fate and get his revenge. The story may feel familiar because of how much of an impact the source material has had over the ages, but Eggers has made the definitive telling.

The Last Duel

Based on the non-fiction book by the same name, Ridley Scott 's The Last Duel tells an epic story of Medieval France that feels incredibly relevant in the 2020s. When Marguerite ( Jodie Comer ) accuses Jacques Le Gris ( Adam Driver ) of rape, her self-righteous husband, Jean de Carrouges ( Matt Damon ), challenges Le Gris to a duel to the death to legally determine whether she is telling the truth or not.

What makes this underrated Ridley Scott gem truly special is its structure. The movie is told in three distinct sections, showing the events in question from each character's point of view. The differences emphasize the way that each of the characters sees the world. It's a one-of-a-kind historical epic that does not get the love it deserves upon its release.

The slave Spartacus survives brutal training as a gladiator and leads a violent revolt against the decadent Roman Republic, as the ambitious Crassus seeks to gain power by crushing the uprising.

When you think of a classic Hollywood epic, chances are, you're going to think of Stanley Kubrick 's Spartacus . It's a legendary part of film history. It helped build the profile of Kubrick, one of the greatest directors of all time , was written by famous, blacklisted screenwriter Dalton Trumbo , and features a top-tier cast including Laurence Olivier , Charles Laughton , and an iconic performance by Kirk Douglas as Spartacus himself.

The movie, set in 73 B.C., follows Thracian slave Spartacus as he leads a rebellion against the Roman government. It's a well-crafted story with a nice balance of action and complex political intrigue as Roman senators maneuver against Spartacus to maintain their control.

Scottish warrior William Wallace leads his countrymen in a rebellion to free his homeland from the tyranny of King Edward I of England.

Braveheart tells the story of William Wallace ( Mel Gibson ), a legendary Scottish warrior who fought for Scotland's freedom against the rule of King Edward I of England. There are few movies as epic and inspiring as Braveheart . Wallace's speech rallying the troops will live forever in cinematic history as one of the all-time great monologues .

Braveheart is incredibly well directed by Gibson, who won the Best Director Oscar for his work. The film also won Best Picture and three more, proving itself to be a cultural juggernaut due to the widespread acclaim from both critics and audiences.

After a Jewish prince is betrayed and sent into slavery by a Roman friend in 1st-century Jerusalem, he regains his freedom and comes back for revenge.

Ben-Hur is a bonafide classic of Hollywood cinema. The chariot scenes are some of the most memorable action sequences of all time, and Charlton Heston 's performance as Judah Ben-Hur is one of the best of his entire career.

Historical epics are incredibly difficult to make. They require a precise understanding of historical context, high production value, and hard work. Ben-Hur pulled off each of these requirements, even under the restraints of making a blockbuster in the 1950s. Hollywood tried to remake Ben-Hur in 2016, but modern action movie sensibilities just don't match up to the craftsmanship of the original.

Dances With Wolves

Lieutenant John Dunbar, assigned to a remote western Civil War outpost, finds himself engaging with a neighboring Sioux settlement, causing him to question his own purpose.

Kevin Costner truly understands what makes cinema such a magical art form. He also understands the complexity of the American frontier, part of what makes him so compelling on the hit show Yellowstone . Dances With Wolves combines these two elements into what is undeniably Costner's masterpiece.

The film follows Lieutenant John Dunbar (Kevin Costner) as a Union soldier assigned to maintain a lonely outpost during the Civil War. While there, he meets and befriends a Native American tribe who take him in as one of their own. He then fights alongside them against the Union soldiers, trying to push them off of their land. It's a story that attempts to correct some of the lore surrounding America's Westward expansion and show it for what it really was.

Les Misérables (2012)

There aren't many historical epics that double as musicals, but without a doubt, Les Misérables is the best one. This story, set during a turbulent time in 19th Century France, is one of the most potent and emotional musicals ever made.

Les Misérables follows Jean Valjean ( Hugh Jackman ) as he runs from the viscous Inspector Javert ( Russell Crowe ), who hunts him down for breaking his parole. Simultaneously, it follows Fantine ( Anne Hathaway ), a poor woman who turns to prostitution to care for her child. As the stories intersect, the characters sing about their love and passion at a time when it would be easy to give up hope.

Seven Samurai

A poor village under attack by bandits recruits  seven  unemployed  samurai  to help them defend themselves.

Akira Kurosawa is one of the greatest filmmakers of all time, and Seven Samurai is one of his absolute best films. In fact, this movie is so beloved that it popularized the "assemble a team" plot structure that can be seen in other movies like The Magnificent Seven , The Dirty Dozen , and Star Wars . Filmmakers like George Lucas and Steven Spielberg have cited the film as a significant influence on their careers. The impact of Seven Samurai cannot be overstated.

The story centers on a small village that recruits seven unemployed samurai to help them defend themselves from bandits. The plot may be fairly simple, but it's emotional, and when the battle finally happens, it's nothing short of epic. Seven Samurai is undeniably the most iconic samurai movie of all time.

Crouching Tiger, Hidden Dragon

A young Chinese warrior steals a sword from a famed swordsman and then escapes into a world of romantic adventure with a mysterious man in the frontier of the nation.

Crouching Tiger, Hidden Dragon is Ang Lee 's multinational adaptation of the Chinese novel of the same name that became an instant blockbuster in the United States when it first premiered. American audiences were captivated by the story of love and adventure, regardless of the language barrier.

The film takes place in 19th century China and tells the story of Li Mu Bai ( Chow Yun-Fat ), who gives the legendary Green Destiny sword to young warrior Yu Shu Lien ( Michelle Yeoh ) to deliver to Governor Yu ( Fazeng Li ). However, when it is stolen from her, a game of cat and mouse becomes one of romance and redemption.

A former Roman General sets out to exact vengeance against the corrupt emperor who murdered his family and sent him into slavery.

Ridley Scott's Gladiator is one of the most epic movies ever made. The legendary tale of Maximus (Russell Crowe) captivated audiences around the globe, becoming a box office hit and winning the coveted Best Picture Oscar at the 2001 Academy Awards.

Maximus sets out on an unstoppable mission for revenge when Emperor Commodus ( Joaquin Phoenix ) has his family killed and is subsequently enslaved. The story is epic in the truest sense of the word, with the scenes at the Colosseum showing the vast scope and scale in a way we've never seen before. This film is truly one for the ages, and is still among the best gladiator movies ever made.

A seventeen-year-old aristocrat falls in love with a kind but poor artist aboard the luxurious, ill-fated R.M.S. Titanic.

Director James Cameron 's Titanic is a film that requires no introduction. Based on the true story of the eponymous ship's sinking, the award-winning epic disaster film follows the forbidden relationship that blossoms between Jack Dawson ( Leonardo DiCaprio ) and Rose DeWitt Bukater ( Kate Winslet ). The maritime accident claims multiple lives, and the devastation is emphasized by the main characters' doomed romance.

The classic film, which became a career-defining one for its leading stars, is still the subject of numerous parodies and homages in pop culture. It's an excellent example of a historical disaster-drama film done correctly, and it also held up incredibly well decades after its initial release.

Schindler's List

In German-occupied Poland during World War II, industrialist Oskar Schindler gradually becomes concerned for his Jewish workforce after witnessing their persecution by the Nazis.

Schindler's List , directed by Steven Spielberg, is one of the most iconic and internationally renowned portrayals of the Holocaust. Spielberg's legendary historical epic is based on Thomas Keneally 's popular historical non-fiction book, Schindler's Ark . The stirring film is about Oskar Schindler 's valiant rescue of Jewish immigrants, which he accomplished by recruiting them to work in his factories.

With its riveting and masterfully filmed scenes all depicted in black and white, audiences may recall one of the film's most unsettling moments. A brief scene shows a small kid wearing a bright red coat, which is subsequently seen again after she dies. It's a disturbing and crucial movie that's as relevant today as it was in 1993.

Apocalypse Now

A U.S. Army officer serving in Vietnam is tasked with assassinating a renegade Special Forces Colonel who sees himself as a god.

Director Francis Ford Coppola 's Apocalypse Now is an epic masterpiece that transports viewers to the horrifying height of the Vietnam War. While the war film is primarily centered on a clandestine operation to murder a Green Beret Colonel, it accomplishes much more over the course of the movie.

The film is both a wild psychological journey and a portrayal of the harrowing situation in Vietnam at the time. It highlights how conflict can change individuals and juxtaposes the macabre with the country's lovely scenery. It's a frightening depiction of the crimes that are frequently committed on the frontlines, as well as the people who are permanently affected by their horrifying involvement in them.

Lawrence of Arabia

The story of T.E. Lawrence, the English officer who successfully united and led the diverse, often warring, Arab tribes during World War I in order to fight the Turks.

Lawrence of Arabia , directed by David Lean and based on the 1926 novel Seven Pillars of Wisdom , redefined the epic historical drama genre. It recounts the protagonist's daring WWII raids on Aqaba and Damascus, as well as his emotional turmoil as he tries to accept his role in the war.

The narrative, magnificent visuals, and flawless soundtrack of the film have influenced numerous directors and continue to have an impact on the industry as a whole. Although it has been criticized for inaccuracy, the film's wide renown far trumps any shortcomings.

All Quiet on the Western Front

A young German soldier's terrifying experiences and distress on the western front during World War I.

All Quiet on the Western Front is already being recognized as one of the greatest war films ever made, and it does justice to Erich Maria Remarque 's eponymous 1929 novel. The film follows 17-year-old Paul Bäumer ( Felix Kammerer ) as he enlists in the Imperial German Army alongside his school pals in 1917, three years into the First World War.

War is not what they expect, and the film wastes no time in presenting the horrors of the battlefield in a raw, harsh and really horrifying manner. With massive set pieces, excruciatingly long one-take shots and no shortage of violence and blood, it's a horrible, painful-to-watch film that, unfortunately, is both significant and timely today.

NEXT: The Best War Movies of All Time, Ranked According to IMDb

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Journey to the Center of the Earth

An Edinburgh professor and assorted colleagues follow an explorer's trail down an extinct Icelandic volcano to the earth's center. An Edinburgh professor and assorted colleagues follow an explorer's trail down an extinct Icelandic volcano to the earth's center. An Edinburgh professor and assorted colleagues follow an explorer's trail down an extinct Icelandic volcano to the earth's center.

• Henry Levin
• Walter Reisch
• Charles Brackett
• Jules Verne
• James Mason
• Arlene Dahl
• 170 User reviews
• 72 Critic reviews
• 4 nominations total

• Sir Oliver S. Lindenbrook

• Alec McEwan

• Carla Göteborg

• Jenny Lindenbrook

• Count Saknussemm

• Hans Belker

• (uncredited)

• Prof. Bayle
• News Vendor

• Scots Newsman

• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia James Mason reportedly had very little patience with Arlene Dahl 's "movie star" preening. Their relationship off-screen was very much like their relationship on- screen.
• Goofs (at around 21 mins) Early in the movie, Oliver Lindenbrook speaks of the "stars and galaxies of outer space." In the 1880s, however, our Milky Way galaxy was believed to constitute the entire universe. Knowledge that other galaxies exist beyond our own did not come about till the 1920s. Thus a man of the 1880s would not use the word "galaxy" in its plural form.

Sir Oliver Lindenbrook : Are we to be abducted every day in Iceland?

• Alternate versions In some European versions of the film, for example the Spanish dubbing, the "Prof of Geology's Song" was re-dubbed into the "Gaudeamus Igitur" song.
• Connections Edited into Attack of the 50 Foot Monster Mania (1999)
• Soundtracks My Love is Like a Red, Red Rose By Robert Burns Set to music by Jimmy Van Heusen (as James Van Heusen) Sung by Pat Boone

User reviews 170

• Jun 17, 2006
• How long is Journey to the Center of the Earth? Powered by Alexa
• December 1959 (United Kingdom)
• United States
• Put u srediste Zemlje
• Carlsbad Caverns National Park - 727 Carlsbad Caverns Highway, Carlsbad, New Mexico, USA (the center of the earth)
• Twentieth Century Fox
• Joseph M. Schenck Enterprises
• Cooga Mooga
• See more company credits at IMDbPro
• $3,440,000 (estimated)

Technical specs

• Runtime 2 hours 9 minutes

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