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The New Parish | Oakland, CA

Takuya kuroda with isaiah mostafa & dj wonway posibul.

Telluride Town Park | Telluride, CO

Telluride jazz festival, latest setlist, takuya kuroda on march 16, 2024.

Flageyplein / Place Flagey, Elsene / Ixelles, Belgium

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Takuya Kuroda

Whether moving from Japan to the U.S. or navigating between the influences of jazz, soul, hip-hop, Afrobeat and electronica, trumpeter/composer Takuya Kuroda has never followed a straight path. On his fifth studio album and Concord Records debut, the aptly named  Zigzagger , Kuroda darts between those wide-ranging interests with a funky swagger and an intensely swinging vigor. The deeply infectious album finds the trumpeter snaking his way around the opposing poles of acoustic and electric, bristling grooves and blissed-out vibes, punchy brass and fluid synths, carving his own distinctive sonic path along the way.

“Life is sometimes not that easy, sometimes not so difficult, and it should never go straight,” Kuroda says. “It’s always zigzagging. So I put my soul and spirit into that word.”

Though it wasn’t intentional on Kuroda’s part, the title also can’t help but evoke The Sidewinder , Lee Morgan’s 1964 classic that became one of the touchstones of the then-burgeoning soul-jazz style. Morgan has been a major influence on Kuroda as a player and as a conceptualist, and with Zigzagger the 36-year-old trumpeter offers his own take on the state of the soul-jazz art more than half a century later. His music takes into account the electronic innovations of artists like Flying Lotus and J Dilla, while remaining true to the window-rattling funk and soul-stirring grooves which forcefully carry on the tradition.

Kuroda’s vision is realized with the help of his regular working band, most of them friends and collaborators for more than a decade since attending New York City’s New School together. They include trombonist Corey King, who also shows off his vocal chops on the simmering neo-soul tune “Do They Know;” bassist Rashaan Carter; drummer and percussionist Adam Jackson; and the band’s newest addition, keyboardist Takeshi Ohbayashi, who joined up in 2011. Three tracks bolster the band with master percussionist Keita Ogawa, who first crossed paths with Kuroda 20 years ago at jam sessions in their native Japan. Album closer “Think Twice” features the electrifying sounds of the popular Brooklyn Afrobeat band Antibalas.

Produced by Kuroda himself, Zigzagger is more purely an expression of his own distinctive approach. It maintains the unified style and infectious grooves of his earlier work, but mixes things up with more eclectic, shifting inspirations and perspectives. “When I write music I see a lot of elements and put them in different places, with different angles, a lot of counterpoint and strong melodies,” Kuroda explains. “It’s always easy to sing to, but has something like advanced changes underneath, kind of hidden so that people don’t get confused by the difficult elements. But it’s there. Musicians always tell me my music is easy to listen to but difficult to play.”

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Takuya Kuroda tour dates 2024

Takuya Kuroda is currently touring across 1 country and has 6 upcoming concerts.

Their next tour date is at Lodge Room in Los Angeles (LA), after that they'll be at Kuumbwa Jazz Center in Santa Cruz.

Currently touring across

Upcoming concerts (6) See nearest concert

Kuumbwa Jazz Center

The New Parish

Jack London Revue

Dimitriou's Jazz Alley

Past concerts

La Sala Rossa

Takuya Kuroda Livestream from Jimmy's Jazz & Blues Club

Jimmy's Jazz & Blues Club

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Recent tour reviews

It was absolutely insane! Had such a great time, chill vibe, some wine with friends in a small but perfect venue. Incredible musicians and good sound! Really looking forward to listen to Takuya again as soon as possible!

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Takuya Kuroda stepped into his own at Glasslands on July 26th. I’d seen him as a performer with other musicians for a few years and heard his album “Native Son.” As great as he was and is onstage and on recording, his performance (with amazing musicians whose names I mistakenly didn’t write down that night) was one for the ages. Note that Glasslands, like many of the smaller NYC and borough venues, is acoustically tricky. Sound’s power is often measured by its volume. While that was true of the DJ who preceded Takuya’s show, once Takuya took the stage, he took the stage. His management of the trumpet’s keys, tonalities, and vibrations makes him a musician who will one day be mentioned along with Louis Armstrong, Miles Davis, and Clifford Brown.

Now Takuya vibes and riffs in ways that feel in a most bizarre yet real manner as intimate and bold. Right? How often is something intimate direct, solid, bright, and brave?

There’s a globality to Takuya’s music reflected by tracks on “Rising Son” and absolutely displayed at this show. While I think he is still defining his jazz, its soulful, rich, and improvy quality is clear in his performances and compositions.

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Takuya Kuroda

A highly-respected trumpeter born in Kobe, Japan, Takuya is a forward-thinking musician that has developed a unique hybrid sound, blending soulful jazz, funk, post-bop, fusion and hip hop music.

After following the footsteps of his trombonist brother playing in big bands, he relocated to New York to study jazz & contemporary music at The New School in Union Square; a course he graduated from in the mid- noughties. It was here that Takuya met vocalist José James, with whom he worked on the ‘Blackmagic’ and ‘No Beginning No End’ projects.

Following graduation, Takuya established himself further in the NYC jazz scene, performing with the likes of Akoya Afrobeat and in recent years with DJ Premier’s BADDER band (also including acclaimed bass player, Brady Watt). Premier said “The BADDER Band project was put together by my manager, and an agent I’ve known since the beginning of my Gang Starr career. He said, ‘What if you put a band together that revolved around a trumpet player from Japan named Takuya Kuroda? He’s got a hip-hop perspective and respect in the jazz field…”

Takuya Kuroda is already incredibly prolific, releasing five albums in the past decade and fortifying a solid reputation in the global jazz scene. 2011 saw the release of Takuya’s independently-produced debut album, ‘Edge’, followed by ‘Bitter and High’ the following year and ‘Six Aces’ on P-Vine in 2013. Takuya was signed to the legendary Blue Note Records in 2014 for his album ‘Rising Son’, as well as appearing on their 2019 cover versions project, ‘Blue Note Voyage’. He released his 5th album ‘Zigzagger’ on Concord in 2016, which also featured Antibalas on a reimagining of the Donald Byrd classic ‘Think Twice’.

Late Summer 2020, Takuya Kuroda returns with his sixth album ‘Fly Moon Die Soon’. In his words, “this album is about the irony between the greatness of nature and the beautiful obsceneness of humanity. Melodies and grooves fly back and forth from being spiritual to being vulgar.”

REVIEW: Takuya Kuroda, ‘Fly Moon Die Soon’ (First World) 

Trumpeter and vocalist Takuya Kuroda’s sixth release deviates from his norm of live-in-the-studio tracking by increasing the use of studio effects. Loops, overdubs, sampling and beats combine with the input of guest musicians —periodically invited into the studio — to cohesively engender music that grooves to pop yet satisfies jazz yearnings. The resulting nine tracks

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• Apr 23 Lodge Room Los Angeles (LA), CA
• Apr 24 Kuumbwa Jazz Center Santa Cruz, CA
• Apr 25 The New Parish Oakland, CA
• Apr 30 Jack London Revue Portland, OR
• Jun 4 Dimitriou's Jazz Alley Seattle, WA
• Jun 5 Dimitriou's Jazz Alley Seattle, WA

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Promises by Floating Points, Pharoah Sanders & The London Symphony Orchestra

supported by 47 fans who also own “Rising Son”

Magic in its purest form. I love Floating Points, I love Pharoah Sanders, I love The London Symphony Orchestra. It's a match made in heaven, and the result is absolutely gorgeous. I have loved this record since its release, and realized I don't own it for some reason. So its time to change that. 9.5/10 honestly could become a 10/10 on an indepth vinyl relisten. angrypizza98

Black Classical Music by Yussef Dayes

supported by 46 fans who also own “Rising Son”

Great album! A crossover jazz-r'nb-african trip from continent to continent. London does it again. Nyubian Twist with more jazz overtones. John Woodward

Black Focus by Yussef Kamaal

supported by 37 fans who also own “Rising Son”

I feel now like I have 10 arms and 10 legs. Powerful and energetic. Griffyn Louis Denizard

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supported by 31 fans who also own “Rising Son”

Brilliant album from start to finish. Immensely captivating. toms_zar

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Fabiana Palladino stops by to talk about her mesmeric debut LP.

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How Takuya Kuroda Cut a Modern Jazz Classic (And Is Still Evolving 10 Years Later)

On the 10th anniversary of ‘rising son’, kuroda discusses his musical journey, discusses he and jose james’ seminal iteration of “everybody loves the sunshine” and more..

You are reading your free article for this month. Members-only

It’s a rainy January day in Brooklyn, and Takuya Kuroda has been afforded a brief respite from his packed schedule. With space to think, he gets to reminiscing. “It’s funny: I’ll still get DMs saying ‘I love your song! It’s so fresh!’” the trumpeter says, referring to the version of Roy Ayers Ubiquity track “Everybody Loves the Sunshine” that he reimagined alongside vocalist Jose James . “I’m like ‘It’s not my song! … It’s amazing that my arrangement of that song can open so many doors for people.”

Kuroda is far from nostalgic. Miles Davis , one of his significant trumpet influences alongside Clifford Brown and Freddie Hubbard, once said, “If anyone wants to keep creating, they have to be about change.” That mindset has also been at the forefront of Kuroda’s creative output over his nearly two-decade career as a bandleader, composer, side man and more.

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Upcoming Tourdates

• May 09 SpringSkunk Music Festival @ The SkunkFarm Greer, SC
• Jun 11 Lulu's Downtown Colorado Springs, CO
• Jun 12 The Velvet Elk Lounge Boulder, CO
• Jun 14 Off Broadway Nightclub St. Louis, MO

Margo Cilker’s sophomore album, Valley of Heart’s Delight, refers to a place she can’t return: California’s Santa Clara Valley, as it was known before the orchards were paved over and became more famous for Silicon than apricots. In this 11-song follow-up to 2021’s critically acclaimed Pohorylle, family and nature intertwine as guiding motifs, at once precious and endangered, beautiful and exhausting. Cilker and Pohorylle producer Sera Cahoone brought most of that record’s highly-acclaimed crew (studio players for The Decemberists, Band Of Horses, and Beirut) back to the studio with additional contributions from acclaimed Northwest traditionalist Caleb Klauder. Valley of Heart’s Delight, Cilker’s second record on Portland, Oregon label Fluff & Gravy Records, has already racked up an impressive list of accolades and year-end picks and has paved the way for 2024’s extensive touring and festival appearances.

Margo Cilker lives near the Columbia River in Goldendale, Washington with her husband, songwriter and working cowboy Forrest VanTuyl, as well their dog and some horses.

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Stereogum Album of The Week: Margo Cilker Valley Of Heart’s Delight

[Stereogum] BY CHRIS DEVILLE Before the computer scientists, marketing agencies, and self-described “disruptors” had their way with it, the Santa Clara Valley used to be known as the Valley Of Heart’s Delight. The Northern California region was so nicknamed because its abundance of orchards, plants, and flowering trees made it a leading exporter of canned fruit […]

Margo Cilker Premieres ‘With The Middle’

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Margo Cilker Hunts for a ‘Lowland Trail’ in First Release From New Album

The singer-songwriter is poised to have a breakout year with the upcoming Valley of Heart’s Delight [Rolling Stone] BY JON FREEMAN Margo Cilker is keeping an eye out for an easier patch of ground in “Lowland Trail,” the first offering from her new album Valley of Heart’s Delight. The follow-up to Cilker’s acclaimed 2021 album Pohorylle, the […]

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EVENT GUIDE →

PARKING POLICY →  |   BAG POLICY →   |   TAILGATING POLICY →   |   PERMITTED & PROHIBITED ITEMS →   |   PUBLIC TRANSPORTATION →   |   ACCESSIBLE SERVICES →   |    RIDESHARE →  |

Your mobile ticket must be displayed on your phone to get into the event. Your mobile ticket must be displayed on your phone to get into the event using the Levi’s® Stadium app or Ticketmaster app. 

We ask for all guests attending this event to please review the stadium event guide prior to your arrival.

The Rolling Stones are bringing their hugely successful NO FILTER tour to stadiums in 13 cities across America in 2019 with a stop in Santa Clara, CA on August 18, 2019 at Levi’s®️ Stadium.

The tour follows NO FILTER dates this past year that have taken Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood back out on the road amassing rave reviews as they played to sold out stadiums throughout the UK and Europe. 

Ticket Policy

All guests ages 2 and above must have an event ticket to enter the stadium. There is no re-entry after admittance. Guests should have their tickets ready to scan upon approaching the stadium entry gates. The ticket barcode must be visible no matter the ticket type.  Tickets will not be emailed or available to print. Your mobile ticket must be displayed on your phone to get into the event. 

Visa Box Office The Visa Box Office opens at 4:30pm and is located at the north end of the stadium inside Toyota Gate F. Walk-up tickets may also be available at the Visa Box Office.

Will Call Will call opens at 4:30pm and is located at the Visa Box Office.

Timeline Sunday, August 18, 2019

Quick Links

• Stadium map
• Parking and Tailgating map
• Visa Box Office
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Parking lots are scheduled to open at 4:30pm and all guests must be in possession of a valid event ticket, pass or credential to park in a designated parking lot. A few lots have been opened up for prepaid parking here .

Credit Card Lots Credit card lots (day of parking) will be made available on a first-come, first-served basis in all parking lots. Credit card lots for this event are Blue 1, Green 3 and Red 3. 

Accessible Parking Mobility services will be onsite at 4:30pm to provide roving carts throughout Red Lot 1 for assistance to stadium gates. 

Bicycle Parking Bicycle parking will be located at Gate A and opens at 4:30pm. All ticketed guests will be permitted the use of the San Tomas Aquino Creek trail beginning at 4:30pm. The Silicon Valley bicycle coalition will be administering this operation.

Buses/Oversized Vehicles – Tailgate Buses/oversized vehicles that wish to tailgate must park in Blue RV and contact the Visa Box Office at 408-579-4449 to purchase parking in advance.

Buses/Oversized Vehicles – Non-Tailgate Buses/oversized vehicles that do not wish to tailgate must park in the Green Bus Lot and contact the Visa Box Office at 408-579-4449 to purchase parking in advance.

Tailgating Tailgating is permitted in specified areas only. Please view the parking lot map for which parking lots allow tailgating. Non-compliance may result in ejection from the lot without compensation. Tailgating will cease after the event begins.

Parking Lots in Operation Please note, prices below represent event day pricing.  

*with valid placard

All guests must be in possession of a valid event ticket, pass, or credential to park in a designated parking lot. 

Levi’s® Stadium prohibits all bags, backpacks and other carriers from being brought into the stadium with the following exceptions:

• Clear Backpacks
• Clear Fanny Packs
• Clear Purses
• One gallon clear plastic zip lock type bags
• Small Clutch Bag (the size of an adult hand) (4.5” x 6.5”)
• Seat Cushion

Please note, tickets will not be emailed or available to print. Your mobile ticket must be displayed on your phone to get into the event. Your mobile ticket must be displayed on your phone to get into the event using the Levi’s® Stadium app or Ticketmaster app.

Tailgating is permitted in specified areas only. Non-compliance may result in ejection from the lot without compensation. Tailgating will cease after kickoff.

Tailgating is defined as; the use of any item (including tables, chairs, free-standing canopies or umbrellas, awnings attached to recreational vehicles, coolers, barbecues, grills, games, generators, televisions, sound systems, food or drink, food or drink preparation or serving equipment, or other items as identified by the City Manager or designee) for the purpose of an outdoor gathering by one or more people prior to, during or after a scheduled stadium event.

• Tailgating will cease after kickoff.
• All guests must be in possession of a valid event ticket or credential.
• Amplified sound is prohibited.
• Excessive consumption of alcohol is prohibited.
• Tailgating cannot impede vehicle or foot traffic.
• Tailgating is limited to the area directly in front of or behind your vehicle only.
• Empty spaces may not be reserved or used for the purpose of tailgating.
• Tents or canopies exceeding an 8’ x 8’ footprint are not permitted.
• Appropriate receptacles must be used for the disposal of hot coals.
• All Guest Code of Conduct and parking policies are in effect.

All individuals and their belongings are subject to search. The following information is subject to change without notice. 

Fans with medical bags or items they must carry with them must be inspected and have a wristband or sticker placed on it to show that it has been inspected. PLEASE ARRIVE EARLIER TO AVOID LAST MINUTE GATE PRESSURE.

The following ARE PERMITTED in the stadium during Levi’s® Stadium Events:

• Bags that comply with the Bag Policy (see Bag Policy above)
• Binoculars shorter than 6 inches (case prohibited)
• Non-professional cameras
• Diaper bags accompanying a child
• Flags smaller than 2’ x 3’ (No Poles)
• Plastic water bottles (factory sealed, no-alcohol, less than 24 ounces)
• Reusable transparent water bottles (no-alcohol, less than 24 ounces)
• Plastic water bottles (sealed) and thermoses (no alcohol)
• Seat cushions
• Strollers (contact the nearest Playmaker if in need of storing)
• Sunscreen & hand-powered misters
• Umbrellas (no obstruction of other fans view)

The following ARE PROHIBITED in the stadium:

• Aerosol cans
• Alcoholic beverages
• Bags that violate the Bag Policy (see Bag Policy above)
• Professional cameras or cameras with detachable lenses (lights, tripods, selfie-sticks and monopods are also prohibited)
• Cans, glass bottles or alcoholic beverages
• Drugs & Drug paraphernalia, marijuana & marijuana products
• Coolers (including soft-sided coolers)
• Glow sticks, light-up costumes, light-up signs, battery packs
• Intoxication or signs of impairment related to alcohol or drugs
• Irresponsible drinking or behavior
• Klaxons, bullhorns, whistles or any other noisemakers
• Laptops and Laptop Bags
• Laser pointers of any type
• Offensive clothing
• Plastic bottles larger than 24 ounces
• Projectiles (footballs, Frisbees, etc.)
• Selfie Sticks
• Signs, banners or poles
• UAVs (unmanned aerial vehicles)
• Weapons of any kind (including silverware).

Anyone possessing PROHIBITED items will be asked to return them to their cars, take them to one of our Bag Check stations or dispose of them in the garbage cans provided at the gate.

For additional information regarding public transportation click here .

Valley Transportation Authority (VTA)

VTA will offer extended services for 60 minutes post-concert to Winchester, Santa Teresa, Alum Rock and Mountain View stations.

VTA provides buses and light rail transportation in the greater San Jose area reaching Mountain View, Cupertino, and Sunnyvale. VTA buses will drop off guests in two (2) locations:

› Intersection of Tasman Drive and Great America Parkway › Intersection of Tasman Drive and Calle Del Sol

*VTA Bus Line 251 that services BART patrons to/from Levi’s Stadium will now operate out of the Warm Springs Bart Station. For more information please click here.

VTA light rail trains will drop off and pick up at the Great America Station located north of the stadium. For more information, please visit www.vta.org , or call 408-321-2300.

Caltrain will offer one extra northbound train departing approximately 75 minutes after the event, in coordination with VTA LRT connecting service.

Caltrain provides services from San Francisco to South San Jose with stops all along the peninsula. On event day, Caltrain transports passengers from all locations to connect with VTA light rail trains or buses at the Mountain View Transit Center, located at Evelyn Ave, and Castro Street. Fans heading to the game can get off at the Mountain View station and transfer to VTA light rail to Levis’® Stadium. 

For more information, please visit  caltrain.com/riderinfo/specialevents.html .

All accessible parking will be directed to Red Lot 1. Guests who possess a valid placard will be directed to park in Red Lot 1 and must display their placard at the entrance to be admitted.

Levi’s® Stadium takes pride in providing elite service to all guests including those requiring mobility assistance. We provide a variety of services for our guests with special needs. Included in these services are courtesy shuttle buses from several of our parking lots, golf cart shuttles in the Main Lot, and Guest Services representatives to provide wheelchair service if requested. Guests that require additional assistance are encouraged to contact our mobility assistance team at 408-579-4610 or email [email protected] .

Assisted Listening Devices will be available at all Guest Services kiosks presented by United located throughout the stadium.

Recommended exit routes to take based on your desired destination.

Exit Intel Gate A For fans riding the VTA Light Rail to Caltrain, ride-sharing or who have parked in Red Lot 1 should exit via Intel Gate A.

Exit Dignity Health Gate C For fans parked in Blue Lot 1 or heading to the Charter Bus Parking lot, we recommend exiting via Dignity Health Gate C.

Exit Toyota Gate F For fans riding VTA Buses, taxi or rideshare or who have parked in Yellow Lots 2, 3 should exit via Toyota Gate F.

Drop-off/Pick-up Area for Rideshare

The rideshare drop-off for this event will be at Green 1 West. The pick-up zone at Levi’s® Stadium is in Red Lot 7.  Follow staff & signage for additional direction.

If you’re interested in a luxury suite rental for this event, please fill out the form below, or contact us at 415-GO-49ERS, ext. 2 or [email protected].