pvris goddess tour setlist

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Godless/Goddess Tour

• View history
• 1 Announcement
• 2 VIP Experience
• 6 References

Announcement [ ]

On April 5 th , 2023, Poppy announced via social media that she would be going on tour in August 2023 alongside American artist Pvris. [1] Ticket pre-sales began on April 7 th , 2023.

VIP Experience [ ]

The VIP passes, also known as the "VIP Soundcheck Party" were upgrades to one's ticket. They were $250.00 USD, and contained 6 special features.

• Poppy Soundcheck Party
• Early Entry
• VIP Laminate
• 11 x 17 Poppy Original Artwork Print - Signed & Numbered Certificate of Authenticity
• Exclusive Merch Item
• Early Access to Tour Merch

Setlist [ ]

• " Bloodmoney "
• " Church Outfit "
• " Bite Your Teeth "
• " Hysteria "
• " Breeders "
• " Knockoff "
• " Sit / Stay "
• " Anything Like Me "
• " Scary Mask "
• " Don't Go Outside "
• " Lessen the Damage "
• " My Microphone "
• " I Disagree "
• " Spit " (Cover)
• " Concrete "
• This tour saw the return of " My Microphone " after nearly 4 years of being retired from Poppy's live setlists. It was last performed on December 8 th , 2019, at the Good Things Festival .
• Poppy only performed " Spit " at 7 shows. [2]
• The show at The Vic Theatre was later added to the tour dates and only had Poppy and The Pom Pom Squad perform.

References [ ]

• ↑ https://www.instagram.com/p/CqqIPjmJzcK/
• ↑ https://www.setlist.fm/stats/songs/poppy-3c3b177.html?songid=43d3e73b
• 2 Chris Greatti
• 3 Ghostemane

• Cover Story

Here’s PVRIS’ setlist from the first night of their UK tour

PVRIS hit the UK and look to the future with a killer setlist – from Animal to Mirrors

Last night PVRIS played their first UK show in almost three years, kicking off their UK tour at Manchester Academy.

The tour was due to take place last year, but was postponed “due to the unlimited amount of obstacles and setbacks brought on from the pandemic along with being placed in limbo by our old label”. But now they're back, with new label Hopeless Records, and new music in the form of singles Animal and Anywhere But Here – both of which received an airing last night in Manchester.

Recently speaking to Kerrang! about the next era of PVRIS , Lynn Gunn said, "There’s a lot of push and pull, there’s a lot of juxtaposition, and that dancing... of organic versus inorganic, real life versus synthetic. That’s a big thing that I’ve been exploring visually and sonically, and I think lyrically, too: there’s a lot of push and pull between doom and joy, and hate and love. That’s always been there, but it’s definitely been embodied and explored in a lot of different ways this time around.”

Alongside the two new aforementioned singles, PVRIS also played brand new track Goddess for the first time last night as part of the encore.

If you're heading along to PVRIS's UK tour, here's what you've got in store...

PVRIS UK tour setlist

Animal Monster Mirrors Dead Weight Gimme A Minute What's Wrong Fire Old Wounds My Way Anywhere But Here You And I Use Me Death Of Me

Encore: Goddess My House Hallucinations

READ THIS: PVRIS’ Lynn Gunn: The 10 songs that changed my life

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All Upcoming Events

Klub Proxima | Warsaw, POLAND

Ancienne belgique | brussels, belgium, o2 victoria warehouse manchester | manchester, united kingdom, o2 academy glasgow | glasgow, united kingdom, o2 academy birmingham | birmingham, united kingdom.

The Observatory | Santa Ana, CA

• Fast Lane Access - PVRIS - Not a Concert Ticket

Ace of Spades | Sacramento, CA

• Coat and Merch Check- PVRIS- Not a Concert Ticket

McMenamins Crystal Ballroom | Portland, OR

The depot | salt lake city, ut.

• Premium Balcony 21+ - PVRIS - Not a Concert Ticket
• Bottomless Soda - PVRIS - Not a Concert Ticket

Summit | Denver, CO

• SUMMIT - PVRIS - Fast Lane Pass - NOT A CONCERT TICKET
• SUMMIT - PVRIS - Coat Check - NOT A CONCERT TICKET

The Sylvee | Madison, WI

• Jack Daniel's Club No. 7 Entry: PVRIS
• Quick Entry: PVRIS (Not a Concert Ticket)

Old National Centre | Indianapolis, IN

• Reserved Parking - PVRIS - Not a Concert Ticket
• VIP Club Access - PVRIS - Not a Concert Ticket**
• VIP Club & Parking - PVRIS ** Not a Concert Ticket **
• Coat Check - Pvris - Not a Concert Ticket

Uptown Theater Minneapolis | Minneapolis, MN

• Marquee Lounge Access - PVRIS - Not A Concert Ticket

House of Blues Chicago | Chicago, IL

• HOB Foundation Room VIP Access - PVRIS- Not a Concert Ticket**

Saint Andrew's Hall | Detroit, MI

• Balcony Upgrade with Society Room Access -PVRIS- NOT A CONCERT TICKET

The Danforth Music Hall | Toronto, ON

Citizens house of blues boston | boston, ma.

• Foundation Room Access: PVRIS (NOT A CONCERT TICKET) 21+

Theatre of Living Arts | Philadelphia, PA

Irving plaza powered by verizon 5g | new york, ny.

• Jocco's Ransom Lounge Access - Pvris - Not a Concert Ticket

9:30 CLUB | Washington, DC

Brooklyn bowl nashville | nashville, tn, the masquerade - heaven | atlanta, ga, jannus live | st petersburg, fl, house of blues orlando | orlando, fl.

• Fast Lane Access -PVRIS - Not a Concert Ticket

House of Blues Houston | Houston, TX

• HOB Foundation Room VIP Access - PVRIS - Not a Concert Ticket**

Emo's Austin | Austin, TX

House of blues dallas | dallas, tx.

• Fast Lane Pass - PVRIS - Not a Concert Ticket

The Van Buren | Phoenix, AZ

The observatory north park | san diego, ca.

• VIP Club Access - PVRIS - Not A Concert Ticket

The Wiltern | Los Angeles, CA

• VIP Club Access - 5PM - PVRIS - NOT A CONCERT TICKET
• Premier Parking + Club Access - PVRIS - NOT A CONCERT TICKET

Starlight Theatre | Kansas City, MO

The smashing pumpkins: the world is a vampire tour, illinois state fairgrounds il state fair | springfield, il, the smashing pumpkins, hollywood casino amphitheatre - st. louis, mo | maryland heights, mo.

• Premier Parking: The Smashing Pumpkins - Not a Concert Ticket
• Ultra Premier Parking: The Smashing Pumpkins - Not A Concert Ticket
• VIP Club: The Smashing Pumpkins - Not a Concert Ticket
• Academy Air Cool Zone: The Smashing Pumpkins - NOT a Concert Ticket
• Green Room Access: The Smashing Pumpkins - NOT a Concert Ticket
• Fast Lane: The Smashing Pumpkins - Not a Concert Ticket
• Concierge Experience: The Smashing Pumpkins - NOT A Concert Ticket
• Live Nation Blanket: The Smashing Pumpkins - Not a Concert Ticket
• Hollywood Casino Shuttle: The Smashing Pumpkins - NOT a Concert Ticket
• Rockstar Parking: The Smashing Pumpkins - NOT a Concert Ticket

CCNB Amphitheatre at Heritage Park | Simpsonville, SC

• Fast Lane Access: The Smashing Pumpkins - This is NOT a Concert Ticket

BankPlus Amphitheater at Snowden Grove | Southaven, MS

Fontainebleau | las vegas, nv, latest setlist, pvris on december 5, 2023.

The Triffid, Brisbane, Australia

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Teaming up for the girl-power tour of the summer, PVRIS and Poppy  have embarked on a massive 18-date North American tour that began on August 18th in Seattle, WA and will conclude on September 15th in Toronto, ON.

On night three of the tour, The Godless/Goddess Tou r made its way to San Francisco’s Regency Ballroom – along for the ride was opener Tommy Genesis .

After recently releasing their fourth studio album ‘Evergreen’ back in July, Lynn Gunn took the stage performing the first track of the record titled “I DON’T WANNA DO THIS ANYMORE”.  The 20 song set list included performances of every single song from the album including singles “Animal” , “Goddess” , “Good Enemy” , “Love Is A…” , “Evergreen” , and more. Other set standouts include “Smoke” , “Deadweight” , “Death Of Me” , and “My House” .

Check out the full photo gallery of the performances below. Photos by photographer  Alfredo Preciado  ( Instagram ).

**POPPY NOT FEATURED**

Tommy Genesis

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‘Metalcore Dropout 2nd Semester Tour’ Featuring Fit For A King, The Devil Wears Prada, Counterparts, and AVOID – San Francisco, CA – 2.11.24

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‘Live In America 2024 Tour’ Featuring Neck Deep, Drain, Bearings, and Higher Power – Orlando, FL – 1.27.24

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’10 Years Of Wage War’ Featuring Wage War, ERRA, Gideon, & Zero 9:36 – Orlando, FL – 12.15.23

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PVRIS Drops New Single 'Goddess'

PVRIS has just embarked on a 13-date UK/EU tour, marking her first tour overseas since 2019.

Producer, singer/songwriter, and multi-instrumentalist Lyndsey Gunnulfsen, who records and performs as PVRIS, has dropped a new single "GODDESS" via Hopeless Records.

The single is a gritty, punchy and action packed dance party that channels female rage, power, confidence, and autonomy all in one. Lyndsey says, 'It's a celebration of femininity, all shapes and forms, and a cathartic, guttural scream at the same time."

"Goddess" is the follow up to the pair of singles that PVRIS shared in late 2022 - "ANYWHERE BUT HERE" and "ANIMAL." Together they served as a reminder of the range and multifaceted nature of Gunnulfsen's artistry. Accompanying the singles was PVRIS' first short film, directed by long-time friend and tourmate Jax Anderson. Watch the clip here.

PVRIS has just embarked on a 13-date UK/EU tour, marking her first tour overseas since 2019. She is playing at London's O2 Academy in Brixton tonight and the tour concludes on February 10 in Berlin, Germany. All dates are listed below.

Since the inception of PVRIS in 2015, Gunnulfsen has catapulted the project across genres via three critically-acclaimed studio LPs beginning with 2014's debut White Noise (Rise Records) which earned massive commercial success on Billboard's alternative charts and world-wide critical praise.

PVRIS followed that with All We Know of Heaven, All We Need of Hell which debuted in the Top Five of BIllboard's Top Alternative Albums chart in 2017, in conjunction with momentous live debuts at Coachella, Reading and Leeds, and Lollapalooza.

In 2019, PVRIS' electrifying third studio LP Use Me was unveiled via Warner Records, featuring the Marshmello-assisted alternative radio hit, "Hallucinations," and numerous collaborations ranging from American hip-hop artist 070 Shake, to British pop-powerhouse Raye.

Throughout her career, Gunnulfsen's dynamic vocal abilities and instrumentation transcend effortlessly across her largely co-produced catalog, from enchanting and angelic harmonies, to aggressive and gritty deliveries that rival some of rock's greatest. Gunnulfsen has been showing PVRIS's musical range since the start and continues to carve her own lane with this next release.

Listen to the new single here:

PVRIS Tour Dates:

1/26 - London, UK 2 - Eventim Apollo

1/29 - Antwerp, Belgium - Kavka Zappa

1/31 - Tilburg, Netherlands - 013 Poppodium

2/1 - Paris, France - Alhambra

2/2 - Cologne, Germany - Gloria Theater

2/4 - Hamburg, Germany - Gruenspan

2/6 - Vienna, Austria - Flex

2/7 - Munich, Germany - Technikum

2/8 - Milan, Italy - Magazzini Generali

2/10 - Berlin, Germany - Gretchen

Slam Dunk Festival

5/27 - Hatfield, UK - Slam Dunk Festival @ Hatfield Park

5/28 - Leeds, UK - Slam Dunk Festival @ Temple Newsam

Sad Summer Festival w/ Taking Back Sunday & The Maine and more

7/6 - Jacksonville, FL - Daily's Place

7/7 - Clearwater, FL - Coachman Park

7/8 - Alpharetta, GA - Ameris Bank Amphitheatre

7/11 - Portsmouth, VA - Atlantic Union Bank Pavilion

7/12 - Baltimore, MD - Pier Six Pavilion

7/14 - Holmdel, NJ - PNC Bank Arts Center

7/15 - Philadelphia, PA - Skyline Stage @ The Mann

7/16 - Boston, MA - Leader Bank Pavilion

7/18 - Sterling Heights, MI - Michigan Lottery Amphitheatre at Freedom Hill

7/19 - Cincinnati, OH - Smale Riverfront Park

7/21 - Chicago, IL - Huntington Bank Pavilion at Northerly Island

7/22 - Indianapolis, IN - TCU Amphitheatre at White River State Park

7/23 - Nashville, TN - Ascend Amphitheater

7/25 - Irving, TX - The Pavilion at Toyota Music Factory

7/26 - Del Valle, TX - Germania Insurance Amphitheater

7/29 - Irvine, CA - FivePoint Amphitheater

TICKET CENTRAL

POPPY announces summer North American tour with PVRIS

Things are moving along in camp Poppy . On Monday (April 3rd), the genre-bending phenom dropped a new industrial-pop loosie called "Church Outfit," which marked her return to longtime label home Sumerian Records. Today (April 5th), she's announced that she's hitting the road later this year. Dubbed the "Godless/Goddess Tour," the summer trek is a co-headlining tour with alt-pop band PVRIS, with Tommy Genesis and Pom Pom Squad joining on for support. 

The run kicks off August 18th in Seattle and will travel throughout the U.S. (though notably not on the East Coast) before concluding September 15th with a show in Toronto. Tickets go on sale this Friday April 10th at 10 a.m. local time, and you can see the full list of dates below. 

Poppy, PVRIS, Tommy Genesis, Pom Pom Squad 2023 tour dates: August 18 - Seattle, WA August 19 - Portland, OR August 22 - San Francisco, CA August 24 - Los Angeles, CA August 25 - Tempe, AZ August 26 - Las Vegas, NV August 28 - Salt Lake City, UT August 29 - Denver, CO September 1 - San Antonio, TX September 2 - Houston, TX September 3 - Oklahoma City, OK September 6 - Kansas City, MO September 7 - Minneapolis, MN September 9 - St. Louis, MO September 10 - Columbus, OH September 13 - Pittsburgh, PA September 14 - Cleveland, OH September 15 - Toronto, ON

View this post on Instagram A post shared by Poppy (@impoppy)

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PVRIS announce world tour dates for Europe, the UK and North America

Following on from their dates with Fall Out Boy last year, PVRIS will launch a headlining world tour this spring

PVRIS will kick off a lengthy world tour in support of their 2023 album Evergreen in Germany in late April. Lynn Gunn's band will tour Europe, the UK and North America as part of the tour, which will wind up in Los Angeles on July 12.

Somewhat unusually, the band have released their 2024 tour schedule without specifying which venues they will be playing in each city they are set to visit, but they have revealed that Scene Quee n, Pale Waves, Bruses and Sophie Powers will support at select shows.

The tour itinerary is as follows: Apr 24: Hanover, Germany ^ Apr 25: Hamburg, Germany ^ Apr  26: Berlin, Germany ^ Apr 27: Warsaw, Poland ^ Apr 29: Prague, Czech Republic ^ Apr 30: Vienna, Austra ^ May 02: Milan, Italy ^ May 05: Frankfurt, Germany ^ May 06: Cologne, Germany ^ May 07: Brussels, Belgium ^ May 09: Utrecht, Holland ^ May 10: Paris, France ^ May 12: Manchester, UK^^ May 13: Glasgow, UK^^ May 15: Birmingham, UK^^ May 16: London, UK^^ Jun 01: Santa Ana, CA* Jun 02: Sacramento, CA* Jun 04: Seattle, WA* Jun 05: Portland, OR* Jun 07: Salt Lake City, UT* Jun 08: Denver, CO* Jun 11: Madison, WI* Jun 12: Indianapolis, IN* Jun14: Minneapolis, MN* Jun 15: Chicago, IL* Jun 16: Detroit, MI* Jun 19: Toronto, ON* Jun 21: Boston, MA* Jun 22: Philadelphia, PA** Jun 24: New York, NY** Jun 26: Washington, DC** Jun 28: Nashville, TN** Jun 29: Atlanta, GA** Jul 01: St. Petersburg, FL** Jul 02: Orlando, FL** Jul 05: Houston, TX** Jul 06: Austin, TX** Jul 07: Dallas, TX** Jul 09: Phoenix, AZ** Jul 10: San Diego, CA** Jul 12: Los Angeles, CA** ^ with Scene Queen ^^ with Scene Queen & Sophie Powers *with Pale Waves **with Pale Waves & Bruses A pre-sale for the tour begins on January 9 at 10am local time with password “WORLD”. The general on-sale beginson  January 12 at 10am local. More details at pvris.com. "More than ever, PVRIS has, and always will be anti-formula, anti-virality, and anti-instant gratification", Lynn Gunn declared ahead of the release of her band's latest album. " Evergreen is a reclamation of control in our post-pandemic culture, posing a complex discussion on fame, technology, spectacle, and female autonomy.”

"It’s not my job as an artist to cater to certain trends or people’s nostalgia, I have to follow what I feel compelled to follow and do my best to uncover what truths and messages I can find within that."

A post shared by PVRIS (@thisispvris) A photo posted by on

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• April 18, 2024 Setlist

Laufey Setlist at Winspear Opera House, Dallas, TX, USA

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• Apr 15 2024 Arizona Financial Theatre Phoenix, AZ, USA Add time Add time
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Madonna returns to Austin after 40 years with sweaty, sexy Celebration Tour at Moody Center

“It took 40 years to invite me back,” Madonna told an Austin audience on Sunday night. “Should I take that personally?”

The Queen of Pop indeed last performed in the Live Music Capital in 1985 at the Erwin Center. Strange, but true (blue).  Perhaps the mistress of reinvention, ever looking for the new, waited until that venue was demolished and she could pack in two nights at Moody Center . She’ll perform again on Monday.

Regardless, Austin has missed a lot of Madonna over four decades. That made her retrospective Celebration Tour all the more spectacular — and if the cradle of weird can appreciate anything, it's a spectacle. 

Madonna postponed her original September dates following a health scare, and pent-up fan pride runneth over. Before the show, material girls and leather daddies filed through the corridors of the arena. Blonde Ambition-era high ponytails mingled with “Lucky Star” hair bows. Local drag artists like Brigitte Bandit — in full “Like a Virgin” regalia — posed for photos a few steps away from a Trisha Yearwood-branded nacho stand. On the floor, a group of middle-aged ladies in tulle skirts and fishnet gloves chatted next to a row of bears in decades-old concert tees. Accessorization was key. If you forgot your chunky silver cross pendant, hopefully someone could lend you their riding crop.

The air conditioner took the night off. The show had an 8:30 p.m. start time, but the main event didn’t get going until 10:30 p.m., when tour emcee Bob the Drag Queen emerged wearing the rosy contents of Marie Antoinette’s closet. 

“It’s showtime,” Bob said with a tongue pop. 

Her Madgesty lived up to her name, appearing as a holy apparition, much more exciting than her namesake’s various cameos on pieces of toast. Cloaked in a dark kimono with giant sleeve cutouts, Madonna donned a headpiece equal parts crown and halo to sing late-’90s techno earworm “Nothing Really Matters.”  A giant lighting rig circled above like an even larger hat from heaven. It’s right there in the name, folks.

“Nothing takes the past away/ Like the future,” she sang. The song made a fitting icebreaker for the mother of all pop music: “Everything I give you/ All comes back to me.”

Then it was off to the time machine — though as the star admitted later in the show, the setlist made emotional sense, if not always the chronological kind. First stop: Danceteria. Madonna conjured her early 1980s it-girl era with “Everybody” and “Into the Groove.” Dancers swarmed around her in thrift store finery and spotted the singer in a backbend. There was a lot of crotch work.

“I’m about to share the story of my life with you,” Madonna said during the first of several rambling, prickly stretches of crowd work that skirted right up to coherence but instead opted for a middle finger. Joined by a masked dancer dressed as her past self, she asked if everyone knew what a metaphor was. An audience member asked who her next boyfriend would be. “My next boyfriend is me,” she cracked.

Then, Madonna offered a sage bit of advice for the next two hours: “Embrace the confusion.”

The singer astral projected into CBGB with an electric guitar as her guide, shredding through “Burning Up” and spewing Budweiser at the front rows. (Shout out to the stage tech responsible for wiping up Ms. Ciccone’s beer spit immediately afterward.) 

So much of Sunday’s party hinged on awe-inspiring choreography. For “Open Your Heart,” Madonna and company made iconic use of a few chairs and the laps that went on top of them. For “Holiday,” the singer and her crew became a many-headed disco hydra massed around a mirror ball the size of New Jersey.

A trip through time also invited sorrow. At the end of “Holiday,” a dancer fell to the ground as Madonna gazed mournfully. She entered a floating picture frame rigged to the ceiling, one of the night’s most oft-used set pieces, for a gorgeous rendition of “Live to Tell.” Around her, photos memorialized icons lost to AIDS — Freddie Mercury, Keith Haring, Robert Mapplethorpe, Arthur Ashe, Cookie Mueller and more. An affecting vigil from a pioneering activist.

But this was a Madonna show, so then shirtless men in lace gimp masks came out to writhe around glowing crosses. Robed monks, rosary beads, a Catholic censer and a snippet of Sam Smith’s “Unholy” helped usher in “Like a Prayer.” One of her most controversial pop culture moments, the song played like a thumping salute to sacrilege and gymnastics.

Madonna put on a Marlene Dietrich wig and thrusted her way into the 1990s: “Erotica,” “Justify My Love” and “Bad Girl.” In the middle there, she squeezed in 2005’s “Hung Up,” which might have felt like an awkward fit for that act if not for the fleet of topless dancers.

Of course, Madonna couldn’t curate her legacy without two things: cone bras and “Vogue.” Bob the Drag Queen took the stage with a glittery bowler hat and a houndstooth fan to take Austin to the ballroom. Clips of the tour’s “Vogue” segment have gone viral for months, and it was just as joyful in person. A conically breasted Madonna always welcomes a special guest to help her judge a cavalcade of runway looks. For Sunday’s show, she brought up drag superstar Trixie Mattel , and the pair gave their 10s and chops as appropriate. A gay ol’ time.

The dancers weren’t the only ones falling into dips on stage. The setlist meandered a bit after Ginger Rogers danced on air and Rita Hayworth gave good face. “Human Nature” and “Crazy For You” led into James Bond theme “Die Another Day,” a song this reviewer appreciates for nostalgic reasons but admits is an oddball cut for a four-decade hit parade. If you longed to see Madonna dressed like a character from Alejandro Jodorowsky’s “The Holy Mountain” while dropping mainstream music’s foremost reference to Sigmund Freud, congrats.

The wide-brimmed hats kept coming. Madonna stripped to full cowgirl leathers, boot-scooted and strummed out “Don’t Tell Me” from the “Music” album. For “Mother Father,” she brought out son David Banda to sing and play guitar. (She also welcomed daughters Mercy and Estere onstage to perform during “Bad Girl” and “Vogue,” respectively.)

“People don’t get tired in Texas, do they?” Madonna asked after picking up her fallen cowboy hat with her foot. More freewheeling Madge moments: bragging on the kids, talking about forgiving herself for mistakes, berating an audience member for not lighting up his phone upon her command. 

“It’s so important you understand the concept of light,” she said while vamping about darkness and such. Madonna led the “boys and girls and theys and thems” in a campfire singalong to an acoustic “Express Yourself.” 

During “La Isla Bonita,” she projected jumbo photos of cultural revolutionaries like Sinead O’Connor, Che Guevara and Martin Luther King Jr. Not sure what the thematic connection between song and imagery was, but RIP Malcolm X — you would have loved dreaming of San Pedro, I guess.

As Madonna rounded the home stretch, she changed into a pink wig and textured silver catsuit that evoked Jane Lynch performing “Super Bass” on that one episode of “Glee.” Nevermind the sartorial critique: As Madonna soared above the arena in her aerial frame and doused the crowd in lasers during “Ray of Light,” she truly was goddess of her universe.

“Take a Bow” led into a questionable amount of time devoted to a Michael Jackson tribute. But there wasn’t much time to marinate on that, as Madonna stormed the stage flanked by her cadre of dancers, all dressed in recreations of some of her most famous looks. The finale: “Bitch I’m Madonna,” of course. 

Super Bowl Madonna strutted next to “Frozen” Madonna. If you’d sealed an Austin fan in a cryogenic tube for the decades since the pop icon last came to town, the multiversal procession might have driven them to madness.

But, then again … the American-Statesman’s review of Madonna’s 1985 show praised the “slick, polished, contemporary Las Vegas-style production.” The critic also wrote: “Madonna may be considered by some music critics as a fleeting pop star and her penchant for lingerie and erotic posturing understandably irritates feminists. Nevertheless, Madonna is a formidable, timely talent.” 

Erotic posturing. Formidable talent. She might be the living avatar of reinvention, but Madonna never lost her own plot. That’s something worth waiting 40 years to celebrate.

Eric Webb is an award-winning culture writer based in Austin. Find him at www.ericwebb.me .

Little Big Town and Sugarland Collaboration on CMT Awards Wasn’t a One-Off: LBT Members Talk Covering Phil Collins for Joint Single, Plus Fall Tour

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

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For the group’s 25th anniversary, Little Big Town is pouring some sugar on it. Some Sugarland , actually, as the two country groups will be spending some quality time together later this year, in the wake of their joint performance Sunday night on the CMT Music Awards , where they hooked up to sing their newly arranged cover of Phil Collins ‘ 1985 smash “Take Me Home.”

Popular on Variety

There’s a throwback element to the new single and tour, as well as Sunday’s CMTs appearance: The two groups toured together in the late 2000s, and they sang a cover of the Dream Academy’s “Life in a Northern Town” (then joined by Jake Owen as well) on the 2008 show that at the time went under the name of the CMT Flameworthy Awards.

Backstage at Austin’s Moody Center during CMT Awards rehearsals, the four members of Little Big Town sat down to discuss with Variety their feelings about reuniting with their old vocal-harmony pals.

The tour plan preceded choosing which song to do together, says Karen Fairchild. “When we were on the road together years ago, we would really learn songs in the afternoon and then sing ’em,” she recalls. “Like, if we were in Memphis, we’d do ‘Walking in Memphis.’ So it was just something fun that we did on the road. So when this tour was gonna be announced and we were gonna get to do a song, then it was like, what do we do? And this song was Kristian Bush’s (of Sugarland) idea. and then we decided that we should get in the studio, because it sounded so good, and make it our own.”

There’s a more personal, if slightly indirect, connection as well. “We should tell you: Akil Thompson that plays in the band — he’s on keys, but he plays everything — his dad is Chester Thompson. Well, Chester, created the drum part on this. There are so many followers of drummers of just his part on that, on YouTube. So that’s why there’s so many drums out there on the CMTs stage — because Hubert (Payne, the group’s drummer) is channeling his inner Chester Thompson… with Akil sitting next to him. Akil showed us a picture of himself standing side-stage at a Phil Collins concert, watching his dad play on this song, so it’s kind of a full-circle moment for him.”

There is plenty of full circling happening now with the Little Big Town/Sugarland reconnection, which couldn’t have happened that many times in other recent years, since the latter duo’s Jennifer Nettles and Bush have been pursuing solo activities more than band work for the most part.

Says Fairchild, “We used to hang out with them because we went to see them open up for Brooks and Dunn, and we played cards one night, and then we just became fast friends.” Although LBT has been in existence as a unit slightly longer, Sugarland broke big in country first, so she tells a story of Nettles and Bush being helpful as they struggled.

“We ran into them again at a festival, back in the day when we were broke and we didn’t have any gear. The guys were locked down on wired packs and we really wanted to invest in some wireless packs — ad this seems really silly now, but back then that was an important thing; we didn’t have any freedom to move around the stage. Sugarland had just had their first big No. 1 or something. And they bought us wireless packs — gave ’em to us and said, ‘Just pay the kindness forward.'”

Says Westbook, “They were so sweet, and I know they felt like they were investing in in our future and helping us out, because they know what that means.”

“And then they bought us wardrobe cases!” adds Fairchild. “And then we gifted those wardrobe cases to Old Dominion, but they kept our names on there, so the guys had Kimberly, Karen, Phillip and Jimi on their wardrobe cases. They just gave those cases away — I don’t know who they gave the old ones to — but we’re trying to just keep the tradition going.”

As for their collaborating now… four-part harmony is hard enough. Isn’t six-part harmony going to be tougher?

They laugh. There isn’t quite so much of that, in actuality, as usually someone is singing a lead vocal that doesn’t have to fit in with the background parts. “The great thing about that is, there’s so many like ad libs in this song,” Schlapman says. “The rest of us keep the harmonies going while the ad libs also go along, so that’s where the six voices come in really handy.” But, as CMT Awards viewers say, all six members of the two groups got in at least a little lead-vocal time as the song went on.

The concluding night of the tour at Nashville’s big arena will mark the first time Little Big Town has headlined in Music City since a multi-night residency at the Ryman in 2017.

“With COVID, we didn’t plan on staying away that long,” says Fairchild. “But touring in the last few years, we did play there with George Strait, but yeah, we have not headlined anything until this Bridgestone show coming up. And that’s gonna be the last night of the tour. So it’s gonna be a party.” Chimes in Schlapman: “Katy-bar the door.”

After the CMTs, Fairchild was trying to figure out how to stick around Austin long enough to get in some vintage clothes-shopping, as is her habit when visiting the city. “This is one of my favorite places to shop, and I’m trying to figure out how I’m going to do that because they have us pretty busy. The vintage shopping here is phenomenal. I could stay and watch the eclipse, I guess, and shop.”

It’s suggested that she could shop in the dark, during the blackout. “She brought a headlamp,” quips Westbrook.

“Spelunking?” says Fairchild. “No, shopping.”

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