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Seattle WA - The Kingdome
Rocks tour 1976-09-03.
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Aerosmith: Hard Rock’s Down and Dirty Heroes
By Ed McCormack
Ed McCormack
I t was almost like one of Cecil B. DeMille’s great crowd scenes or footage from some rock festival film like Woodstock or Monterey Pop. They came staggering across the parking lot in the still, brackish Michigan dusk and advanced on Pontiac Stadium – one of those monstrous modern sports arenas – like a boozy army of hard hats whose intention it was to dismantle the place. They looked like hell. Nobody dresses up for concerts anymore.
They gobbled reds and chug-a-lugged beer. Some fell on their faces and tumbled down the hill. The oldest among them could not have been much more than 18 years old, but there wasn’t an illusion left in the crowd. You had to get close enough to see the reds of their eyes to realize that this was a generation whose rock & roll rituals had been raised up out of the ashes of Altamont rather than the bright muck of Woodstock.
The 100 Greatest Artists of All Time: Aerosmith
Tyler has a fetish for scarves. They trail from his nubile form like unraveled mummy wrappings and from the microphone stand that he flails like a staff as he prowls about the stage, bawling and spitting like an irritable enfant terrible. The total effect is a caricature of a caricature, but Aerosmith ‘s legions eat it up and regard Tyler’s fashions the ultimate in déclassé dishabille. And while the costumery is clearly his own, he owes the best part of his image to Mick Jagger .
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In order to see this top new heavy-metal group in their natural element, I had been told I’d have to travel out into the industrial areas surrounding the fabled Motor City, where rock & roll animals, whose fathers labor on assembly lines, have been known to eat opening acts for an appetizer. Aerosmith began to gather their constituency in tank towns like Pontiac while playing second bill to bigger bands. But now that they’ve sold more than 4 million records, they’re headlining in all the large halls from coast to coast.
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The 500 Greatest Albums of All Time: Rocks
Aerosmith has become the powerhouse act Krebs and his partner, Steve Leber, had attempted to create a couple years earlier with another cult band, the New York Dolls . The Dolls were also a second-generation caricature of the Rolling Stones, whose lead singer, David Johansen, was as smitten with Jagger as Tyler. But the Dolls never managed to reach beyond their audience of New York glitter tots. Krebs, who had had high hopes for the Dolls, claims his mistake was allowing them to be overhyped – Krebs second-guesses another reason why Aerosmith succeeded where the Dolls had failed:
“The Dolls made the mistake of getting too heavy into the unisex trip, while Aerosmith had the good sense to go in the direction of the Rolling Stones of the Seventies , which is more difficult to pin down.”
M eanwhile, behind the big black curtain, guitarist Joe Perry, toking a last-minute cigarette, plugs in his guitar like a greasemonkey getting ready to tune a hot carburetor and Steve Tyler limbers up like an acrobat in black pajamas. It’s pandemonium out there – you’d think Muhammad Ali (who may now be our last yardstick of superstardom) had started his long stately walk from the dressing room to the ring. . . .
When Aerosmith’s set finally begins with “Mama Kin,” a hard rocker from their first album, it’s almost immediately apparent that the predictably criminal acoustics of the oversized hall hardly matter. The faithful, at least, seem wholly satisfied with watching the tiny firefly figure of Steven he’s-even-cuter-when-he’s-mad Tyler point an accusing finger and damn the dumb technology of the adult world, screaming, “Wot’s wrong with the fuckin’ P.A.?”
Tyler throws a very impressive temper tantrum in an accent that vacillates between Yonkers and Liverpool. Perhaps it reminds them of Jagger – the debt to Stones-style rock is especially apparent during “Train Kept a Rollin’,” a tune picked up from the Yardbirds , the very band that replaced the Stones at the Crawdaddy Club back in ’63.
The 100 Greatest Singers of All Time: Steven Tyler
It’s brain-damage music, all right. Yet the stoned audience reacts with a passion that surpasses the reverence shown the lordly Stones. . . . For, if Jagger is an icon one step removed from Elvis and just two jumps from Jesus, Steve Tyler is infinitely more accessible, performing an anthem called “Lord of the Thighs” – a title whose allusion to William Golding’s chilling parable about children who revert to heathenism suddenly seems perceptive, gazing out at the hungry faces of Aerosmith’s children straining up at the stage. In terms of rock rabble-rousing, it’s a moment worthy of early Alice Cooper.
S teven Tyler’s first brush with celebrity came when he made the front page of his local paper in Yonkers for being busted in a High School Confidential pot raid:
Tyler and Joe Perry make their combined struggles sound like a first-person rewrite of Catcher in the Rye as told by “Johnny,” the mixed-up-punk-protagonist of their fourth album, Rocks.
Tyler had been living this schitzy existence, going to school in Yonkers all week and commuting on the weekends up to Sunapee, New Hampshire, where he played drums in the house band of a small resort hotel owned by his parents. At the same time he was doubling on drums and vocals – a frustrating combination even for a formidable character like Buddy Miles – in his first rock & roll band, Chain Reaction. Somehow they managed to land a gig in Southampton, playing at this ritzy resort. It was heavy, Tyler claims, “a real Mrs. Robinson scene,” with all these rich older women coming on to the band but never delivering because their escorts were always around. . . . Tyler put up with it as long as he could, but he eventually freaked out, leaping over his drum set and attempting to strangle the lead guitarist onstage. They practically had to pry his fingers off the axe-man’s jugular as a room full of Southampton matrons gawked in horror.
“Needless to say, that was the end of Chain Reaction,” Tyler chuckles fiendishly – remembering that first demonstration of his penchant for onstage dramatics. “I ended up thumbing my way back to Sunapee, where I finally heard this band Joe Perry and Tom Hamilton were in,” he says of his first meeting with Aerosmith’s lead guitarist and bass player. Perry and Hamilton suggested that he join forces with them and try being a frontman instead of knocking himself out by doubling on vocals and drums. So Tyler called on his old buddy Joey Kramer (who had been kicked out of school with him in that drug raid) and a guy called Ray Tabano, who was replaced by Brad Whitford, the current rhythm guitarist.
Perry’s parents were worried about him – he didn’t seem to be going anywhere – so they tried to salvage his future by sticking him in a snooty prep school. “. . . That’s where I really learned to hate the system, ’cause the faculty was always hassling me to cut my hair and yelling every time I picked up my guitar.”
Joe Perry is a very self-aware, second-generation rock & roll star, an archetypical, darkly glowering lead guitarist. Very cool, doesn’t say much. But they still kid him about his recent “dude phase.” They say he acted like a typical white punk on dope let loose in Gucci’s. . . .
Perry dropped out of prep school a month before graduation, got a job and saved enough bread to buy his first halfway decent guitar. The only semiprofessional musician in either family is Tyler’s father, who teaches music at Roosevelt High School in Yonkers, the school Tyler and Kramer had been expelled from. The elder Tyler still plays piano in the house band at his resort hotel on weekends.
But the sleepy burg of Sunapee was no place to launch a rock & roll career, so after Aerosmith was formed, they moved to Boston, the nearest big city. “We all lived together in this basement dump and ate peanut butter and jelly sandwiches for breakfast, lunch and supper. . . .”
Aerosmith’s bass player, Tom Hamilton, shakes his lanky blond rock & roll hair, chuckling at the memory. “Man, we played every damned high-school auditorium in Boston and New Hampshire,” he recalls. “We’d set up and play for 50 people, anybody who’d listen. That’s why it has to be a kick to play a place like that stadium tonight – 85,000 fuckin’ people!”
T he whole band has to laugh when they remember how they thought they had it made after Clive Davis signed them. “We thought: ‘This is it – signed by Clive! Aerosmith has arrived!”‘ Steven Tyler remembers, miming wide-eyed wonder, but looking more like a startled racoon.
The grueling reality of touring constantly after being signed by Columbia is best expressed in Tyler’s line, “I ain’t seen daylight since I started this band.”
But there’s nothing laid back about Tyler, who will tell you that he might like to get married someday, but that his main old lady, for the moment at least, is that bitch called rock & roll. Well – Julia Holcomb is always nearby, trailing in her wistfully towering way off his arm like a scarf – but Steven Tyler is wedded to his career and image 24 hours a day.
There is something almost sad about the way he can’t seem to crawl out of his skin – how the bitch won’t seem to let go for a minute. Most rock star types, after the initial buzz of fame wears off, become rather retiring individuals. But Tyler’s fantasies follow him right out in public: whisking into an airport lounge in a floppy black cavalier hat, a long leather coat thrown over the same cockamamie haberdashery he flaunts onstage – and, of course, a pair of shades just in case you don’t notice that this is someone famous who is trying not to be noticed. . . .
“I t still excites me to think about headlining Madison Square Garden,” Tyler says, anticipating the next date on this 58-city tour. “I mean, there’s still something special – still a magic about that place. We actually did play there last year, but that was when we were still the opening act for Black Sabbath . . . . Wait till you see us at the Garden. Then you’ll see what we’re really about.”
Neal Smith still has streamers of blond hair down to his bony elbows and stands seven feet off the sidewalk in his stacked heels; Mike Bruce, with his Roll-over-Beethoven mane and the build of a varsity quarterback, would be almost as hard to miss – yet no one at the backstage door seems to recognize Alice Cooper’s former drummer and rhythm guitarist as the old security guard scans the guest list like W.C. Fields playing a house dick, making sure these two freaks are legit. When they finally get backstage and Smith tries to cop a beer out of Aerosmith’s dressing room he is politely told that he will have to drink in the “courtesy room.” Like Rodney Dangerfield, former rock & roll stars just don’t get no respect.
The procession that follows can only be compared in terms of pomp and lordly chutzpah to certain papal displays. First to emerge from the dressing room are Joe Perry and Brad Whitford, the grave greasemonkey guitarists, toting their instruments like carbines; then, boyishly befuddled Tom Hamilton, followed by Joey Kramer, the stocky sweathog drummer, jauntily clicking his sticks in a “V” for victory like some amiable “Fonz” of a gang fighter.
But, as usual, the whole point of this display is Steven Tyler bringing up the rear, a little ragamuffin dressed up for some school pageant, complete with cape and plumed musketeer hat and the fair maiden Julia on his arm.
After you’ve witnessed the procession from the dressing room to the stage, the show seems almost anticlimactic.
Onstage, Joe Perry bends over his axe in the hernia posture of heavy-metal guitarists everywhere, sending out shrill electric shivers to the faithful while Tyler plays to the bleachers of their premature depravity and humps Tom Hamilton. The Veronica Lake bass player gives him a look like he wants to hit him with his pocketbook.
As the set progresses Tyler begins to remind me of a kid I once saw wreaking incredible havoc in a crowded department store. He couldn’t have weighed more than 90 pounds, but he fought off two burly managers and a store detective when they tried to nab him for shoplifting a Led Zeppelin album in the record department. He led them on a wild chase – screaming like a banshee and knocking merchandise off counters – take that Burt Bacharach! – as they chased him down the aisles. You had to root for that kid if you have any life left in you at all. . . .
“Like it or not, I have to hand it to your boy,” I finally admit to David Krebs, who is watching from the wings like a proud papa, looking a lot happier than he did two nights ago in Michigan. “He’s the mutant bastard offspring of Jagger and Iggy Stooge.”
“Only he’s better than both of them,” smirks Krebs with the graceless overconfidence of a man who doesn’t yet know he would be lucky to be only half right.
“Well . . . they’re . . . different,” Smith admits with more than a trace of sour grapes and maybe just an inkling of the deflating realization that he may already be on the wrong side of the solid-platinum generation gap.
Onstage, they’d come across like mutant apparitions, but now they look more like a high school basketball team celebrating a big victory as relatives from Yonkers and Sunapee swarm the fluorescent dressing room. Tom Hamilton is blushing as buxom ladies plant sloppy kisses on his cheeks, while men in leisure suits line up to shake Steve Tyler’s hand.
Meanwhile, one nice lady is introducing herself to perfect strangers with, “Hi, I’m Mrs. Kramer. Do you know my son Joey. . . the drummer?”
Several days later David Krebs lays a startling piece of information on me, and I finally begin to get an inkling of what Aerosmith is really about: “This is the last big tour. After this one there won’t be much more touring.”
The news is surprising, to say the least, considering that this is a band that is just starting to make it big.
“Correction,” says Krebs, “they’re already big, and they just don’t need to kill themselves anymore. . . . So, next year, their touring is going to be severely limited – so they can concentrate on putting out product.”
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Only, with improved retirement benefits.
This is story is from the August 26, 1976 issue of Rolling Stone.
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Aerosmith Rocks Tour 1976
Jun 26, 2022
By Brian Kane
We are excited to welcome the Bad Boys from Boston and America's Greatest Rock and Roll Band, Aerosmith , to the Iconic by Collectionzz family with this new limited edition screenprint by Arian Buhler !
Aerosmith is the best-selling American hard rock band of all time, having sold more than 150 million records worldwide, including over 85 million records in the United States. With 25 gold, 18 platinum, and 12 multi-platinum albums, they hold the record for the most total certifications by an American group and are tied for the most multi-platinum albums by an American group. They have achieved twenty-one Top 40 hits on the US Hot 100, nine number-one Mainstream Rock hits, four Grammy Awards , six American Music Awards , and ten MTV Video Music Awards . They were inducted into the Rock and Roll Hall of Fame in 2001.
In 1976, Aerosmith's fourth album was Rocks , which "captured Aerosmith at their most raw and rocking". It went platinum swiftly and featured two Top 40 hits, "Last Child" and "Back in the Saddle". Rocks would eventually go on to sell over four million copies. Rocks is highly regarded, especially in the hard rock genre: it appears on such lists as Rolling Stone's 500 Greatest Albums of All Time and is cited as influential by members of Guns N' Roses, Metallica, and Mötley Crüe. Kurt Cobain also listed Rocks as one of the albums he thought were most influential to Nirvana's sound in his journal in 1993. Soon after Rocks was released, the band continued to tour heavily, this time headlining their own shows, including large stadiums and rock festivals.
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Aerosmith to Release Highly-Collectible Greatest Hits Compilation for Farewell Tour
To commemorate their farewell tour, rock band Aerosmith has revealed a stunning collection of 44 timeless tracks in a variety of formats.
Photo by Chris Tuite/WireImage for Kaaboo Del Mar via imageSPACE
To commemorate their farewell tour , rock band Aerosmith has revealed a stunning collection of 44 timeless tracks that encapsulates the band’s unparalleled journey through the realms of rock ‘n’ roll. The Greatest Hits collection promises to be a treasure trove for fans old and new, showcasing the band’s remarkable legacy in a truly comprehensive way.
Listen to Aerosmith and more ’70s/’80s rock on Classic Rewind (Ch. 25)
The collection spans the band’s early classics to their more recent hits, making it an indispensable addition to any rock enthusiast’s collection. From the electrifying riffs of “Dream On” and the timeless power ballad “I Don’t Want to Miss a Thing,” to the gritty rockers like “Walk This Way” and “Love in an Elevator,” this Greatest Hits compilation captures the essence of Aerosmith’s artistry.
It comes in a variety of formats, including:
- Super Deluxe 4-LP colored-vinyl box set
- Numbered 2-LP 180-gram black vinyl pressing with alternate cover
- Limited CD with featuring Aerosmith’s 2000s image and logo
- Deluxe 4-LP box set on 180-gram black vinyl
- 2-LP black vinyl
- Single LP black vinyl
- Deluxe 3-CD box set with photo booklet
- CD with photo booklet
The Greatest Hits not only offers an exhaustive selection of Aerosmith’s biggest songs but also includes rare live recordings and previously unreleased studio tracks, providing an even deeper glimpse into the band’s creative journey.
With its remarkable collection of 44 iconic songs, this release serves as a testament to Aerosmith’s enduring legacy and their profound impact on the music industry. Pre-orders start now on the official Aerosmith store and will ship out on August 18, 2023.
1. MAMA KIN 2. DREAM ON 3. LORD OF THE THIGHS 4. SAME OLD SONG AND DANCE [SINGLE VERSION] 5. TRAIN KEPT A-ROLLIN’ 6. S.O.S. (TOO BAD)
1. SEASONS OF WITHER 2. WALK THIS WAY 3. BIG TEN INCH RECORD 4. ADAM’S APPLE 5. SWEET EMOTION 6. TOYS IN THE ATTIC
1. BACK IN THE SADDLE 2. LAST CHILD 3. COMBINATION 4. NOBODY’S FAULT 5. HOME TONIGHT 6. BRIGHT LIGHT FRIGHT
1. DRAW THE LINE 2. KINGS AND QUEENS [SINGLE VERSION] 3. LET THE MUSIC DO THE TALKING 4. WALK THIS WAY WITH RUN-D.M.C. 5. HANGMAN JURY
1. DUDE (LOOKS LIKE A LADY) 2. RAG DOLL [LIVE] 3. ANGEL [SINGLE VERSION] 4. MONKEY ON MY BACK 5. WHAT IT TAKES [CHR SINGLE EDIT]
1. WATER SONG / JANIE’S GOT A GUN 2. LOVE IN AN ELEVATOR 3. THE OTHER SIDE 4. GET A GRIP 5. AMAZING [CHR SINGLE EDIT]
1. LIVIN’ ON THE EDGE [CHR EDIT] 2. CRYIN’ 3. EAT THE RICH 4. CRAZY [RADIO EDIT] 5. FALLING IN LOVE (IS HARD ON THE KNEES)
1. PINK 2. NINE LIVES 3. I DON’T WANT TO MISS A THING 4. JADED 5. JUST PUSH PLAY [RADIO REMIX] 6. WE ALL FALL DOWN
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- August 13, 1976 Setlist
Aerosmith Setlist at Spectrum, Philadelphia, PA, USA
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- Mama Kin Play Video
- Write Me a Letter Play Video
- Toys in the Attic Play Video
- Same Old Song and Dance Play Video
- Lord of the Thighs Play Video
- Back in the Saddle Play Video
- Sweet Emotion Play Video
- Big Ten Inch Record ( Bull Moose Jackson cover) Play Video
- Sick as a Dog Play Video
- Lick and a Promise Play Video
- Last Child Play Video
- The Train Kept A-Rollin' ( Tiny Bradshaw cover) Play Video
- Walk This Way Play Video
- Dream On Play Video
Edits and Comments
7 activities (last edit by bendobrin , 1 Feb 2020, 19:00 Etc/UTC )
Songs on Albums
- Back in the Saddle
- Lick and a Promise
- Sick as a Dog
- Write Me a Letter
- Sweet Emotion
- Toys in the Attic
- Walk This Way
- Lord of the Thighs
- Same Old Song and Dance
- Big Ten Inch Record by Bull Moose Jackson
- The Train Kept A-Rollin' by Tiny Bradshaw
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- Aug 10 1976 Hartford Civic Center Hartford, CT, USA Add time Add time
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- Aug 13 1976 Spectrum This Setlist Philadelphia, PA, USA Add time Add time
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Aerosmith, the iconic American rock band, was formed in 1970 in Boston, Massachusetts. Known for their blues-based hard rock style, they quickly gained notoriety as "the Bad Boys from Boston" and "America's Greatest Rock and Roll Band." Their debut album, released in 1973, featured the enduring hit "Dream On."
1976-1977 Rocks Tour - Aerosmith Temple. 76-77' Rocks Tour. | Concert Reviews | 5 Legs70 Shows. Opening Acts: Black Oak Arkansas Bob Segar Jeff Beck Nazareth Rick Derringer Rush Slade Starz.
Aerosmith had enjoyed a strong year of popular growth and that album and tour had pushed the band's catalog sales to over 3 million units. Additionally, each of those three studio albums had been certified Gold by the RIAA throughout the year (Platinum awards didn't exist at the time, with that certification level being created in 1976 with the ...
Rocks Tour Beginning April 17, 1976, it was the band's first major headlining tour. The band played some of the largest stadiums in the U.S., including the Silverdome, the Kingdome, Three Rivers Stadium, Angels Stadium, Sun Devil Stadium, and Comiskey Park. In the fall of 1976, Aerosmith toured Europe for the first time, supported by Phoenix.
Aerosmith (71) Aerosmith Express Tour (54) Back On the Road Tour (18) Back in the Saddle (70) Blue Army Tour 2015 (16) Cocked, Locked, Ready to Rock (43) Deuces Are Wild (63) Done With Mirrors (93) Draw the Line (52) Get Your Wings (119) Get a Grip (239) Girls of Summer (53) Global Warming (77) Global Warming Tour Promo (3) Honkin' On Bobo (51)
Get the Aerosmith Setlist of the concert at Comiskey Park, Chicago, IL, USA on July 10, 1976 from the Rocks Tour and other Aerosmith Setlists for free on setlist.fm!
Aerosmith (71) Aerosmith Express Tour (55) Back On the Road Tour (18) Back in the Saddle (70) Blue Army Tour 2015 (16) Cocked, Locked, Ready to Rock (43) Deuces Are Wild (63) Done With Mirrors (93) Draw the Line (52) Get Your Wings (119) Get a Grip (239) Girls of Summer (53) Global Warming (77) Global Warming Tour Promo (3) Honkin' On Bobo (51)
Good evening people, welcome to the show... On the road with Aerosmith throughout the turbulent '70s (and into 1980), when the bad boys from Boston kicked ass, toured virtually non-stop, only taking time-out to record, while keeping the backstage party rollin' at all stops. The group's motto throughout the dazed and confused decade: We come to play!
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Mama KinWrite me a LetterS.O.S. (Too Bad)Lick and a PromiseBig Ten Inch RecordSweet EmotionRats in the CellarDream OnLord of the ThigsLast ChildWalk this Way...
Setlist with statistics. Compared with most recent known setlist (1976-08-28) Songs per album. Setlist Unknown.
REVIEW: Aerosmith - Rocks (1976) Packaged clean and sharp, Aerosmith made their intentions clear on the cover art for Rocks. The album launched a million guitar players and a hundred careers in rock and roll. It is also notable as being the last album before a major turning point; the point at which Aerosmith let the drugs work against them ...
Get the Aerosmith Setlist of the concert at Kingdome, Seattle, WA, USA on September 3, 1976 from the Rocks Tour and other Aerosmith Setlists for free on setlist.fm!
June 12th, 1976. Aerosmith Opens For ZZ-Top On The World Wide Texas Tour. WDVE 102-FM Radio Station Promotional Shirt. Categories 70s, Rocks Tour, Shirts Post navigation. Previous Post Previous "You Gotta Move" 2005 Special CES Promotional Edition UMIXIT cakewalk.
Aerosmith's bass player, Tom Hamilton, shakes his lanky blond rock & roll hair, chuckling at the memory. "Man, we played every damned high-school auditorium in Boston and New Hampshire," he ...
Rocks is the fourth studio album by American rock band Aerosmith, released on 3 May 1976. AllMusic described Rocks as having "captured Aerosmith at their most raw and rocking."Rocks was ranked number 366 on the updated Rolling Stone ' s list of the 500 Greatest Albums of All Time in 2020. It has influenced many hard rock and heavy metal artists, including Guns N' Roses, Metallica, and Nirvana.
Get the Aerosmith Setlist of the concert at Providence Civic Center, Providence, RI, USA on August 6, 1976 from the Rocks Tour and other Aerosmith Setlists for free on setlist.fm!
Mama KinWrite Me A LetterS.O.S (Too Bad)Lick And A PromiseBig Ten Inch RecordSweet EmotionRats In The CellarDream OnLord Of The ThighsLast ChildWalk This Way...
2009 Guitar Hero Aerosmith Tour; 2007 World Tour; 2006 Route Of All Evil Tour; 2005-2006 Rockin The Joint Tour; 2004 Honkin On Bobo Tour; 2003 Rocksiumus Maximus Tour; ... 1976-1977 Rocks Tour; 1975 Toys In The Attic Tour; 1974 Get Your Wings Tour; 1973 Aerosmith Tour; 1970-1972 Tour Dates; Aero Merch. Aerosmith Temple 1996 - 2021.
* For information or to purchase the CD Art Clock pictured in the video (along with many more!), please click on the link below (or Copy & Paste into web bro...
In 1976, Aerosmith's fourth album was Rocks, which "captured Aerosmith at their most raw and rocking". It went platinum swiftly and featured two Top 40 hits, "Last Child" and "Back in the Saddle". Rocks would eventually go on to sell over four million copies. Rocks is highly regarded, especially in the hard rock genre: it appears on such lists ...
Get the Aerosmith Setlist of the concert at CNE Stadium, Toronto, ON, Canada on July 24, 1976 from the Rocks Tour and other Aerosmith Setlists for free on setlist.fm!
With its remarkable collection of 44 iconic songs, this release serves as a testament to Aerosmith's enduring legacy and their profound impact on the music industry. Pre-orders start now on the official Aerosmith store and will ship out on August 18, 2023. TRACKLIST. SIDE A. 1. MAMA KIN 2. DREAM ON 3. LORD OF THE THIGHS 4.
Get the Aerosmith Setlist of the concert at Spectrum, Philadelphia, PA, USA on August 13, 1976 from the Rocks Tour and other Aerosmith Setlists for free on setlist.fm!