safari 5 camera review

When you buy a product via links on our site, we may earn an affiliate commission. See our disclosure .

5 Best Cameras for Safari

This is my review of the best cameras to take out on safaris and capture stunning shots of both landscapes and animals.

All of the below choices do a great job on a safari, but the Fujifilm X-T3 is the best of the best thanks to its well-rounded design and strong construction.

I enjoy photography and making movies, two activities that have given me intimate knowledge of how cameras work as well as what attributes make them stand out. That, combined with my love of travel and ample research, allowed me to pick the best camera for safaris.

The X-T3 checks every box when it comes to a good safari camera. From the stunning resolution to crisp clarity, advanced autofocus, and a sturdy build the model will deliver you excellent wildlife photography with every click.

However, it’s far from the only safari camera out there. This guide will cover some other excellent options and break down what key traits you want to look for when getting them.

1. Fujifilm X-T3 Mirrorless Digital Camera

2. Canon DSLR Camera [EOS 90D] with Built-in Wi-Fi

3. panasonic lumix fz1000 4k point and shoot camera, 4. canon eos 5d mark iv full frame digital slr camera, 5. canon powershot sx740 digital camera, how to choose a camera for safari, top choices for best camera for safari.

The following choices are my favorite safari cameras that all bring something unique to the table.

1. Fujifilm X-T3 Mirrorless Digital Camera

Best for: Overall
Key Features: Mirrorless design. 4k recording and strong internal SD card. Excellent processor. Tough, weather-resistant body and top tier autofocus function.
Optical Zoom: 3x
Weight: 3.1 pounds
Style: Mirrorless

Equipped with a slew of impressive features, including amazing autofocus and 4K recording, the Fujifilm X-T3 is a wonderful model to bring out with you to a safari.

This easy-to-handle item does well in low-light, gives you a strong processor, and has some of the best resolution on the market. That combination enables you to take up close plant and animal pictures with stunning clarity.

The other reason this model makes the top of the list is its strong construction. Not only did Fujifilm give the X-T3 excellent materials, they also outfitted it with a solid all-weather design to ensure you never get caught off guard while on your journey.

This is not a perfect camera. It lacks true image stabilization and the battery life could definitely be longer. Even so, it will give you incredible videos and shots no matter where you go.

Best for: Durability.
Key Features: 4K UHD 30P. Excellent image quality thanks to the 32.5 megapixel CMOS sensor. Wireless connectivity. A powerful, all-weather build.
Optical Zoom: 0x
Weight: 1.32 pounds
Style: DSLR

The Canon 90D is a strong, well-made camera. The weather-proofing, in particular, makes it an excellent choice for those who want to go out into dusty, wet, or unstable environments. You’re never going to have to worry about any external factors affecting your shooting capabilities.

This camera is also more than a strong body. There are a ton of impressive specs packed into this device. The 32.5 megapixel CMOS sensor works wonders, and the full HD 120 video looks incredible.

The camera even comes with full Wi-Fi functionality, making it easy to connect to your phone, as well as a full dynamic range. It could be a bit better in low-light and all the menus and functions are much too busy for what they offer.

Despite those small drawbacks, the 90D is a strong device that will help you record or capture anything you see on your safari.

Best for: Casual or new users.
Key Features: Streamlined, easy-to-use design. Strong sensor that works well in low light situations. Wi-Fi capabilities and excellent lens stabilization.
Optical Zoom: 16x
Weight: 1.83 pounds
Style: Point and shoot

If you’re a novice to the photography world or someone who doesn’t want to get overwhelmed by modern features, the Panasonic Lumix is the way to go.

This is a well-rounded model that does a lot of the heavy lifting for you. That’s due to the 1MP MOS sensor, which gives you better low light capture, as well as the amazing lens stabilizer that enables you to shoot without blur.

Another bonus here is the Wi-Fi capabilities that let you integrate the camera with your smartphone. You get remote imaging control through the Panasonic image app. The body is also extremely strong and the build is natural to use. That’s useful if you’re out shooting all day.

This camera is definitely not the most feature-heavy out there, which might be a bummer for those who want something cutting edge. The lens is also not interchangeable. Even so, it still makes my list for safari cameras because of how easily it lets you capture photos with ease.

Best for: DSLR fans.
Key Features: Great weather sealing for a multitude of conditions. Great resolution. 4k motion JPEG video. Good weight and comfortable to handle.
Optical Zoom: 1x
Weight: 1.76 pounds

There are many great camera types to take out onto a safari, but if you want the best of the best, a DSLR is a great purchase. There are a few solid models, but the Canon 5D is one of the best thanks to its lightweight design, handability, and stunning resolution.

This is a model you’ll be able to bring out into just about any environment (thanks to the weather sealing) and it provides stunning 4K motion capture. There are a few setbacks, however. This is not the best camera for low light situations. It lacks a tilt screen and electronic viewfinder (EVF).

You should also note that this is one of the more expensive safari camera options out there, but that’s when you get when looking at a higher-end DSLR. Overall, the inherent versatility and full-frame sensor easily put it on my list.

Best for: Budget users
Key Features: 40x optical zoom. Solid optical image stabilizer with zoom framing assist. Shoots in 4k video and has a high-speed continuous shooting. Small size. Easy portable.
Optical Zoom: 40x
Weight: 0.61 pounds

The Powershot SX740 is a fantastic safari camera for those who want something that won’t cost an arm and a leg. That alone makes it worth the purchase, but the specs and impressive handleability truly put it over the top.

This model comes in at a much lower price point than many more premium options, but still does a good job when you’re out on safari. Even while saving some money, you get 4K video, 40x optical zoom, an optical image stabilizer, and high-speed continuous shooting.

Another bonus is the size. This is a lightweight camera with a smaller shell that you can easily carry around in your pocket or bag. It’s also easy to hold for long periods of time, meaning you’ll have no issue while you bring it around on a longer safari.

You will certainly not get any extra features or premium traits, but most people looking for a compact device won’t even notice they’re gone.

When getting a safari camera, there are a few key attributes you want to keep in mind. The following will give you a better device.

You need to be quick when out on a safari. That means your camera needs to be quick too. It’s easy to miss something if you aren’t ready, especially with so many interesting animals running around. To ensure you get perfect shots, you need a device with a good frame rate (fps).

That metric shows how many frames a camera can capture in one second, and it gives you more chances at taking the picture or image you want. A high FPS is important when photographing wildlife in particular because you never know when an animal will move or react.

When you’re out on Safari, you’re going out into the wild. Not only does that mean sun, and rain, it also means you’re going to encounter different obstacles and unknown factors. When entering such regions, it’s important to get a camera that’s able to withstand both heat and cold.

When possible, purchase a device that’s able to withstand bumps, dings, or accidents. Safaris, while fun and relaxing, can also be unpredictable. If you’re taking an interesting shot or something unexpected happens you want to ensure your camera can bounce back with ease.

When getting a camera for a fun event, like a safari, it can be easy to go overboard. That’s to say, you can end up spending a lot of money on something that, while impressive, you can’t easily use.

That might mean it’s too bulky, comes with too many buttons, or is filled with extra features you don’t understand. Always avoid getting something that’s too much for your experience level.

Not only will that make the camera much less fun to use, it may also cause problems when trying to snap a fast photo and cause you to miss a good opportunity. Streamlined devices with simple interfaces are always preferred unless you’re truly experienced with your device.

The Fujifilm X-T3 is my pick for the best safari camera. It’s packed to the brim with exciting features, including 4k recording and a great internal SD card. Everything comes out picture perfect and clear.

The large sensor is excellent if you want to venture out at dusk or in the early morning. All of that is then complemented by a strong body to ensure you’ll be able to shoot no matter what weather you encounter.

Login to my account

Enter your e-mail and password:

New customer? Create your account

Lost password? Recover password

Recover password

Enter your email:

Remembered your password? Back to login

Create my account

Please fill in the information below:

Already have an account? Login here

Safari 5 4K Waterproof 30 FPS WiFi 2" Screen Action Camera Kit (SAFARI5D)

Select options at checkout

DESCRIPTION

ew Front Facing Selfie Screen

The new Safari 5D features a dual screen design with a front facing HD LCD screen, ensuring you’ll never miss the action. Immediately see who is in the shot, what is in the shot and whether the camera is recording, without having to check the back of the camera.

4K Video for Incredible Detail

The Safari 5D is capable of recording up to 4K 30 frames per second (interpolated) footage for stunning visual results. Great colour and sharpness are achieved with the integrated Sony imaging sensor, providing stunning results.

Safari Connect App

Download Safari Connect 5 in the iOS or Android App Store and unlock the full potential of the Safari 5D. Easily control your cameras settings, start/stop record, get a live image transmitted to your photo, or download videos and photos directly to your smartphone.

Safari 5D Specifications

Exposure control.

Included Accessories

Waterproof Housing
USB Charging cable
Adhesive mounts
Tripod mount
Audio frame cage
Bicycle/handlebar mount
Right angle mount
Tether cable
Secure straps
Cleaning cloth

Payment & Security

Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.

Hands on: Safari 5 review

Reader mode, HTML5 and a browser that goes Bing

Apple 's been busy this week: if a new iPhone wasn't enough, there's a new version of Safari for Mac and Windows users too.

The new browser has a new version number, too - this is Safari 5.

Some of the new features are tiny but useful.

There's arevised address bar that's smart enough to search entire URLs for your text; the ability to make Safari the browser that Bings by changing the default from Google to Bing - but some are considerably bigger.

NEW BAR: The address bar now scans entire URLs for easier recall of visited web pages

The biggest new feature is Reader mode. When you're visiting a site that Safari reckons contains an article, the word Reader appears in the address bar; click it and the ads and layout disappear, replaced with a clean white page with the article text on it. If you've used the excellent Readability bookmarklet or used a word processor in 1993 you'll be at home immediately.

Reader doesn't just strip the ads: it also takes multi-page articles and stitches them together, which is good news for readers and bad news for sites that split their articles into bits to maximise page views.

Get daily insight, inspiration and deals in your inbox

Get the hottest deals available in your inbox plus news, reviews, opinion, analysis and more from the TechRadar team.

It doesn't work with everything, though, so for example sites that insist on Powerpoint-style slideshows for the simplest nuggets of information aren't Reader-ised into punter-friendly format.

We suspect it probably won't work for long, either: if ad-funded sites suss out that Reader is depriving them of ad views, it's just a matter of time before they find a way to evade it.

CHANGE DEFAULT: Safari can be the browser that Bings if you'd rather not have Google as your default search engine

Something that may be more useful in the longer term is the Safari Developer Program, which urges developers to create Safari Extensions using HTML

5, CSS3 and JavaScript.

The Extension Builder tool is bundled with the browser (although you'll need a certificate from the Safari Developer Program to use it) but Extensions themselves are disabled by default. It's impossible to say whether Safari Extensions are worthwhile until we've seen some; for now it's a feature for the developers, as is the tweaked Web Inspector for viewing how Safari handles your web page code.

As we've come to expect from new browser versions, Safari 5 delivers better performance than before. Windows users now benefit from hardware acceleration, while all users get Chrome-style DNS pre-fetching for faster link loading.

There's also a considerably faster JavaScript engine. On our trusty MacBook Pro, Safari's fastest Sunspider benchmark was 365ms, compared to Google Chrome's best of 408ms.

In the real world the difference is negligible, though, and when we tried Office Live (admittedly out of sheer amusement at the thought of running Office inside Apple and Google browsers) there was no noticeable difference in the two browsers' performance.

OFFICE INSIDE: Hell freezes over as we successfully run Microsoft Office inside an Apple browser on a Mac. Safari's a nippy web-app platform

Last but not least there's HTML5, with support for a bunch of new HTML5 tags. Existing video support has been enhanced with support for full screen mode and closed captions, and Safari now supports geolocation. As with the iPhone, you'll be asked before Safari shares your location with anyone.

Does it deserve a whole new version number? Probably not: Reader aside, Safari 5 is more about the promise of new things than the delivery of new things, so better HTML5 support will be useful when more sites use HTML5 and Safari Extensions may well be useful when they finally appear. It's always nice to have improved performance, though, and Reader mode saves the odd bit of eye strain.

It's hardly essential and it's unlikely to tempt Chrome or Firefox users away, but if you're already a Safari user it's a worthwhile update.

Writer, broadcaster, musician and kitchen gadget obsessive Carrie Marshall ( Twitter ) has been writing about tech since 1998, contributing sage advice and odd opinions to all kinds of magazines and websites as well as writing more than a dozen books. Her memoir, Carrie Kills A Man , is on sale now. She is the singer in Glaswegian rock band HAVR .

In praise of Google Keep: an ode to the digital notebook for modern minds

Quordle today – hints and answers for Monday, April 1 (game #798)

People laughed when Google announced Gmail on April 1 2004 — but nobody's laughing now

Best Safari camera for beginners

What is the best Safari camera for beginners ? Going out on a safari is one of the most adventurous and magical things you can do in your life.

You don’t want to miss anything. This is why you need the best safari cameras.

It might not be necessary, but having the best safari camera is essential for your trip.

Taking the perfect picture at the perfect moment is one of the best challenges you can do on any trip. With a camera, you can be sure you will share the experience with friends and family.

We need to remember wildlife experience in high-quality. Take great pictures and videos, so you feel like you are back there when you look at them.

If this is your first time going on this kind of trip and you don’t want to forget anything, you are in the right place. We bring you today the best safari cameras for beginners.

Travelers are always looking to buy the best camera to have their adventures in high quality.

Do you want to know what qualities to look for before buying a safari camera and the best cameras in the market?

Keep reading this article to know the best safari cameras for beginners.

If you need a camera bag you might consider reading about the best safari camera bag .

Top 10 best safari cameras for beginners

Some people might wonder why they need a camera for a safari when they have their smartphone.

But suppose you want to take quality pictures of every animal or landscape.

In that case, you’ll need a camera that doesn’t have delays in taking photos and has zoom capabilities.

1. Canon G7X Mark III

Weight: 294g
Megapixel: 20.1
Adjustable Lenses: No

This camera is light and fits in your pocket.

This is one of the reasons why it’s one of the best cameras for people who have blogs or document their lives.

It’s the third release of this model. That’s why they put a three at the end of the name. The version before this one, Mark II, is also a great option to consider if you are on a tight budget.

The difference between Mark III and Mark II is minimal. It changes in the price and weight.

Mark III is lighter than Mark II, and that’s why it is a great option to travel.

2. Olympus TG-5

Weight: 250g
Megapixel: 12
3″ LCD Screen
Charged using USB

This might be one of the worst cameras on this list; it has a 12 megapixels lens. But it has incredible durability that makes us overlook the lack of quality a little.

It might not be the perfect camera for other activities, but it’s one of the best choices for taking on safari.

Some people get worried about taking an expensive camera on a safari when traveling. It’s a wild trip, and you can break the camera by accident.

This is why Olympus TG-5 is on the list of best safari cameras for beginners; it’s a camera labeled as damage-proof.

What includes damage proof? Well, it can stand many different conditions.

Waterproof up to 15m
Drop-proof up to 2.1 meters
Freezeproof up to -10c
Crush-Proof up to 100kg

If you’re interested in durability, this is the best safari camera. You can buy the dedicated waterproof case to allow the camera to be waterproof up to 45m.

3. Olympus OM-D E-M10 Mark IV

Weight: 620g
Megapixel: 20
Adjustable Lenses: Yes
Wi-Fi and Bluetooth built-in

This camera has an old-style metal look that it’s very popular. It’s a flexible camera that allows you to film in 4K and shoot in 20 MP.

When you compare it with the other camera in this list, it’s a disadvantage that it doesn’t have a mic input.

If you’re looking to film high-quality videos, this camera might not be for you.

Then, why is it on this list? Because of its stand-out feature: the selfie screen.

The selfie screen flips down below the camera and allows you to take a perfect in-frame.

4. Canon M50

Weight: 387g
Megapixel: 24.1
10 FPS continuous shooting
Wi-Fi and Bluetooth capabilities

Canon is one of the most known brand cameras in the market and the favorite of amateur photographers.

This is because Canon keeps upgrading itself over the years.

You can shoot videos in 4K and add an external microphone with this camera. It’s perfect if you want to record videos on your trip.

It’s one of the best safari cameras for beginners. It is compact, mirrorless, and allows you to change lenses.

5. Sony A7 III

Megapixel: 24.2
Animal eye autofocus

The Sony A7 III is the most luxurious camera on the market. It’s perfect for those who want to switch between 4K photos and high-resolution images.

The Sony A7 III has 5-axis image stabilization. This is one of the reasons this camera is on the list of best safari cameras.

It’s ideal for the irregular land you will face while out on safari.

Are you interested in this camera? We recommend you buy it and take your time to know it before your trip because it has many options.

6. Canon EOS 4000D

Weight: 436g
Megapixel: 18
Optical viewfinder with 9 point autofocus

This camera is one of the most affordable and best safari cameras on the market.

It comes with built-in Wi-Fi. This means you can transfer images from the camera to your phone or other devices on the go.

The 22.3 x14.9mm camera sensor allows you to take high-quality pictures.

With this camera, you can take 500 shots before running out of battery.

So if you consider buying this camera for your trip, you’ll need to buy extra batteries.

7. Nikon D3500

Weight: 420g
Megapixel: 24.78
5FPS continuous shooting
Built-in Bluetooth
Great battery life

The designers had beginners in mind when they designed this camera.

The camera has a guide mode that tells you, on the screen:

How to shoot in different situations
What settings to change to have the best result in tour pictures.

It’s a small and lightweight camera. It is perfect for those who don’t want to carry big cameras but want quality in their pictures.

8. Nikon D5600

Weight: 415g
Wi-Fi and Bluetooth
Allows external microphone or flash

The Nikon D5600 is the new version of the Nikon D3500. It has so many features that your safari photos will look professional.

Nikon has put an incredible effort into making this camera the best camera it can be.

It has a 23.5×15.6 sensor that shoots at 5FPS. The 24-megapixel resolution and HD LCD screen allow you to review your shots on the go.

The Nikon D5600 has Wi-Fi and Bluetooth built-in. It has a battery that lasts 970 shots before charging.

The only letdown of this camera is that you can only record in Full HD 1080P; it doesn’t have a 4K recording.

9. GoPro HERO8

Weight: 120g
Charges from micro USB
Voice activation/Controls

GoPro Hero 8 is one of the favorite cameras of the sports world. It has been improving its model since its first release in 2004.

It’s the favorite among athletes because it’s lightweight and durable. It can shoot videos in 4K, and it’s waterproof for up to 10m.

What makes this camera one of the best safari cameras is the many accessories you can buy for it. It has selfie sticks, suction cup attachments, surfboard straps.

There is an accessory that allows you to Strap your GoPro to anything, and it’s great to use on a trip.

10. DJI Osmo Pocket

Weight: 116g
Charges by USB
Gimble based

DJI is a company that used to create only drones. In 2018 the company expanded into the camera video market and released the DJI Osmo Pocket.

DJI Osmo Pocket is one of the best safari cameras in the market. It’s built onto a gimble, so you’ll have complete stabilization when recording.

It’s an excellent choice to take it to your safari. You can take clear pictures or film animals despite the uneven terrain.

It’s an affordable camera and has many attractive characteristics. It films in 4K at 60FPS, shots stills at 12mps, take panoramics, slow-motion, and motion lapse video.

What to consider before buying a safari camera for beginners?

You can find excellent cameras in the market at a great price. But, for a safari, beginners can’t use all cameras.

It would be best if you considered that you’d be far away from the animals and on uneven ground.

The camera you choose needs to have unique characteristics like auto-focus or lightweight.

We have a list of the factors you should consider when buying a camera for a safari if you are a beginner:

Weight or Portability

Most cameras nowadays are light, according to their descriptions. But you need to consider the accessories and lens attachment.

If you are not used to the camera’s weight, it will be hard to maintain balance when shooting. The result will be poor pictures, or you might miss incredible moments.

If you have a camera at home, weigh it and test if you can hold it for more than five minutes without your whole body aching.

Frames per second

It’s essential to look for a camera with high frames per second to have the best chance of getting a great shot.

Frames per second are the rate at which the camera takes photographs.

It’s better to have high frames per second because you and the animals will be in constant motion on a safari.

The optimal FPS for cameras on safari is between 4 FPS and 10 FPS. Most cameras have an average of 6 FPS.

If you have a 4FPS camera, you’ll be able to take 40 photos during that time on continuous shots, which means four frames per second x 10 seconds.

The sensor in a camera determines the amount of light that enters the camera.

The camera uses light to create an image and help the camera to receive information. The more light enters the camera, the more detailed the image is.

A better sensor can produce better photos in low light and help you give the image a better depth of field.

Lack of light is something that you’re most likely to experiment on a safari.

Autofocus is a feature that you can find in most cameras nowadays. This is ideal for photography beginners.

A camera’s autofocus uses a combination of parts to focus on an area to take the picture. It will adjust the camera lens to achieve the best possible image.

Experts in the photography business prefer to adjust the focus on their own. That’s a great way to achieve more aesthetic pictures.

But if you are in a place like a safari is no time to prepare the camera for the shot.

Having a camera with autofocus can help you take great pictures.

Some cameras have interchangeable lenses. Different lenses create different effects and give you, as a photographer, more flexibility.

We recommend investing in lenses to improve your photos. if you have the budget, of course

Different lenses are beneficial in a safari trip. Longer lenses can give you a clear shot of something that it’s too far in the distance.

Dust and Water resistance

Usually, there is a considerable amount of dust on a safari. Of course, it depends on where your destination is.

For example, If your destination is in Africa, you’ll need a camera that can withstand lots of dust.

The same goes for waterproof cameras. There is usually a lot of humidity, rain, and water around safaris.

I am a digital marketer who loves helping others succeed. In addition, traveling is another of my passions so this site is the best place to share all what I know and have experienced.

Best Superzoom Cameras for Birding

Which is the best superzoom camera for birding ? A super zoom camera is an immaculately ideal choice if you practice birding and want to capture birds in the wild. And to be able to do so you would require a decent zoom with an equivalent focal length of at least 300mm. Some of the…

Best Flippers for Snorkeling

Looking for the best flippers for snorkeling? Snorkeling is a fantastic way to see the underwater world, no matter what your age or level of experience is. Whether you’re just getting started or you’re an expert water sports person, a great pair of snorkel flippers is a must for a good snorkeling adventure. Make sure…

Best tablet for reading newspapers and magazines

Have you ever wondered what is the best tablet for reading newspapers and magazines? Many users online share their experiences with different brands and we´ve gathered them all for you to get the right one! Keep reading to discover the top favorites tablets and what makes them great. Whether you´re looking to purchase your first…

The best tablet for traveling abroad

What is the best tablet for traveling abroad ? Traveling is something most of us enjoy a lot. And nowadays, with globalization and technology, the options to go on trips are widely spread. Whether you enjoy backpacking or you’re more into all-inclusive hotels, or whether you enjoy long travels or weekend getaways, going on a…

What is Kindle Unlimited and How does it Work

Amazon has a lot of services for book lovers that make their lives convenient and sometimes even help them save money on books. One of these services is their Kindle Unlimited subscription. If you just found out about this service or if you’ve heard of it before but haven’t used it, you may be curious…

Best Safari Camera Bag

If you are looking for the best Safari Camera Bag you are in the right place. Safari photographers who take pictures of wildlife have to deal with some of the most challenging places on the planet, from desert areas to snow-covered arctic tundras and thick, humid tropical rainforests. Users have to be confident that their…

The Best Camera For Safaris: 5 Favourites From The World’s Greatest African Wildlife Photographers

Alex Gillard

Since 2015 I have been a freelance writer and wildlife photographer, working out of some of the planet’s most spectacular wildlife and nature travel destinations–from the Amazon to Raja Ampat–diving, snorkelling, fieldherping, birding and photographing my way around the world.

This article contains affiliate links and we will be compensated if you purchase something after clicking on them.
Check out our review guidelines .

In 2015, I decided I was going to quit my job and travel the world photographing wildlife on my own–even if I didn’t get paid for it.

Want a list of 150 of the most unique nature and wildlife travel experiences?

I was determined that I was going to be a documenter of natural history, emulating the master photographers and documentarians I’d grown up idolizing–people like Michael Poliza and Jonathan and Angela Scott.

Why a good quality safari camera geared towards wildlife photography is a worthwhile investment

To take great photographs, you need, first and foremost, an eye for a shot, but undoubtedly the gear to create as good a simulacrum of the natural world (i.e., what you are witnessing in front of you) as possible.

With that in mind, the below article is a breakdown of the best camera for safaris (African or otherwise) from 5 of the world’s most famous wildlife photographer .

If you would like to watch the accompanying YouTube video I have created, which includes actual video and stills shot by each photographer on each camera, before having a look at the written breakdowns, here it is:

Read full camera breakdowns below

Marlon du toit’s best camera for safari: sony a1.

Will Burrard-Lucas: Canon EOS 1D Mark IV

Michael Poliza’s Best Camera for Safari: OLYMPUS OM-D E-M1 Mark II

Jonathan and Angela Scott’s Best Camera for Safari: The Canon EOS-1D X Mark II

David Yarrow’s Best Camera for Safari: Nikon D850

Sony A1 camera with elephant in the background

Wildlife photographer and safari guide Marlon Du Toit’s work has been featured in National Geographic and other international nature and wildlife publications. His Instagram is well worth subscribing to, and he shoots spectacular African wildlife, from birds to megafauna. His favourite camera is the Sony A1, a gorgeous, state-of-the-art mirrorless.

Why the Sony A1 is Marlon Du Toit’s best camera for safari:

This is a beast. You can get up to 50fps at 50MP, so incredible resolution, very very fast, great in low light and it has bird-eye autofocus, which is something that they only introduced now in the sony alpha 1.

Lenses used by Maron: Sony FE 600mm G Master Cameras: Sony Alpha 9 II , Sony Alpha 7R IV

Will Burrard-Lucas’s Best Safari Camera: Canon EOS 1D Mark IV

Canon EOS 1D Mark IV with a giraffe in the background

UK Photographer Will Burrard-Lucas is probably most famous for his award-winning shot in 2021 of a black leopard under the night sky (the first ever melanistic leopard properly photographed in Africa) at the Laikipia Wilderness Camp in Kenya.

He shot the photo using the Canon EOS 1D Mark IV, about which he says:

My primary camera. It’s full-frame, fast, great autofocus, good lowlight performance, and has customizable controls. This camera does everything I ask of it.

Here is a TED talk Will did in 2022 that I highly recommend titled “What I Learned While Photographing Wildlife.”

OLYMPUS OM-D E-M1 Mark II with a baby gorilla in the background

German wildlife photographer, author, and winner of the 2008 international photography award Michael Poliza has been photographing and writing about Africa for decades. His “ Eyes Over Africa ” is a mesmerizing work of aerial photography and his Flickr is one of the best wildlife photography social media accounts out there.

Why the OLYMPUS OM-D E-M1 Mark II is Michael Poliza’s Best Camera for Safari:

As an animal photographer, I have high expectations for the speed of a camera that the D E-M1 Mark II definitely meets. The startup time is extremely short, so the camera is directly ready for the next shot. The auto-focus has been massively improved, and the electronic shutter with 60fps is really convincing. With the new pro capture feature, I can save a buffer of up to 15 images when I press the release button halfway down, so I never miss the right moment. The IS of this new camera is just amazing. Thanks to the combination of the five-axis stabilization in the camera body and the built-in stabilization in the lens it’s possible to correct up to 6.5 EV steps while shooting handheld.

Take a look at this video of Michael Poliza shooting with the OLYMPUS OM-D E-M1 Mark II in the Canadian Arctic.

If you are interested in seeing what the Mark II’s 4K video can produce, this short collection of vignettes from Sri Lanka does a good job of it (and of some fauna from a part of the world that is not as well known).

Jonathan and Angela Scott’s Best Camera for Safari: Canon EOS-1D X Mark II

Canon EOS-1D X Mark II with an eagle diving into the water in the background

Jonathan and Angela Scott have been working as wildlife photographers in Kenya’s famous Masai Mara for decades. Their big “break,” so to speak was as the presenters of the popular BBC series “Big Cat Diaries” and “Big Cat Tales,” but their award-winning wildlife photography has also been featured in National Geographic, Geo, Geographical, BBC Wildlife, Digital Photography, and Outdoor Photography . Much of which they have shot with their Canon EOS-1D X Mark II .

Why they love the Canon EOS-1D X Mark II :

“The Canon EOS-1D X Mark II is by far my preference for action wildlife stills photography. It’s rock-solid, heavy-duty, and has a high burst-speed frame rate when shooting in RAW format, which we do all the time. When I’m shooting fast-moving wildlife, such as an adult cheetah running at 120km/h or perhaps a cub rolling around quickly, then I need the extra-fast burst rate of a full-frame Canon camera such as the Canon EOS-1D X Mark II”

Here is a video of Jonathan and Angela Scott discussing how to “visualize your shot.”

Nikon D850 with a pod of orcas off the coast of Vancouver Island in the background

David Yarrow is a world-renowned Glaswegian wildlife, fine art and sports photographer who has been taking iconic shots since 1986 (the famous Maradona holding the world cup photo). An ambassador for the African Community and Conservation Foundation, David has been taking award-winning shots of African wildlife for decades. He has an absolutely fantastic Instagram .

Here’s why the Nikon D850 is David’s go-to:

It’s faster than anything I’ve worked with before, it’s higher resolution than anything I’ve worked with before. The focusing capability of the D850, the resolution is a game changer. The ergonomics are sleek, they’re intuitive, it’s what you’d expect from Nikon. If you get it in pin-sharp it’s going to be pin-shap, and it can be pin sharp the size of a pool table, there’s going to be no more accurate reflector of your work than the d850. It’s a great piece of kit.

Here’s a short video of David with Zookeeper Kevin Richardson (aka “The Lion Whisperer”) shooting some of Kevin’s lions with the D850.

What Went Into My Selection Process for the Best Camera for Safari List

I’ve been photographing wildlife for years, and while I certainly don’t hold a candle to the titans of African wildlife photography above, I know enough about the gear to know why they use it, but I thought I would let the experts speak for themselves on their preference for the best camera for safari.

In addition to having spent many years idolizing the above group of brilliant African photographers, I also spent a lot of time going through my dozens of Facebook wildlife photography groups and reading the specs of my favourite shots.

The cameras covered in this article are recurring favourites among both amateur and professional wildlife photographers, and for good reason: They produce amazing photographic representations of our natural world, even in the hands of amateur naturalists and wildlife enthusiasts who don’t photograph wildlife for a living and whose shots haven’t appeared in publications like the BBC, Audubon or National Geographic.

Main Evaluation Criteria to Choose the Best Camera for Safari

If you read or watched any of the articles or YouTube videos that I included with each of the above “best safari camera” breakdowns, there are some recurring specs that are touched on by the above 5 master wildlife photographers.

Bear in mind that another recurring theme among great wildlife photographers and great photographers, in general, is that gear is secondary.

In the words of the inimitable Annie Leibovitz on cameras and gear, “If that’s what you’re thinking about, you are not taking pictures.”

That said, good gear in the hands of a good photographer makes a difference and choosing the best camera for safari is going to produce better quality images than a cheap point and shoot.

Shutter Speed

Animals tend to be moving subjects, particularly if you are talking about African savannahs, where predator and prey comingle perhaps unlike any other terrestrial habitat on earth.

The best camera for safari is going to have a fast shutter speed so that rapid movements (of legs, wings, tails, heads) don’t become a blur. Shutter speeds of 1/250, 1/500 or faster are ideal.

Performance in low light

Any good wildlife photographer worth their salt will tell you that the best camera for safari has to perform well in low light.

My experience shooting mammals and birds in dense vegetation in the Amazon and SE Asia has shown me this first-hand.

salvins curasows on a fallen log in the Amazon

Many animals on the African Savannah are active at dusk and dawn as they settle in for the evening or emerge to start their day of searching for (and avoiding becoming) food.

The best safari cameras are going to have ISO capabilities of 3200-6400. At this ISO, try to keep your shutter speed around 160-400.

With that in mind, the best camera for safari is going to have ISO capabilities in this range as well as a big and adaptable enough sensor to allow light in these low light conditions.

Full frame sensor

Most new-gen DSLR cameras and mirrorless cameras are either going to have full-frame or APS-C/H sensors.

Full frame sensors have the advantage over APS-C/H sensors at high ISO because there are more light-sensitive photo sites in the sensor, which means better image quality.

While you can still take incredible shots with cameras that feature APS-C sensors, and plenty of pros use them, the very best camera for safari is going to have a full-frame sensor.

Good autofocus

Autofocus is important for wildlife photography, especially of speedy and twitchy African savannah animals, because the alternative is manually focusing, which is just not feasible when you’re trying to take on-the-fly photos of flighty animals.

The best safari cameras have good autofocus capabilities and make focusing on and capturing fast-moving subjects much more accurate.

Short Startup Time

This is probably the most self-explanatory feature of all the best safari cameras.

The longer your camera takes to start and get ready to take photos from the moment you press the power button, the more great photo ops you’re going to miss out on.

I’ve definitely missed opportunities that haunt me to this day because I didn’t have the best camera for safari purposes and what I had took its sweet ass time powering on.

By the time I was ready to take the shot, the animal had changed positions or moved on.

When you’re paying thousands for an African safari (for many people, a once-in-a-lifetime experience), you don’t want to regret the photos you could have taken, but your camera wouldn’t let you.

Image Stabilization

Your IS or vibration reduction (VR), whether it’s built into your camera body or the lens you’re using is a crucial element of wildlife photography.

Some of the best safari cameras recommended by the wildlife photographers on the above list have IS in the camera body, others don’t and likely compensate for it in the lens.

The bottom line, however, is that if you want to capture animals on the move, especially if you are not using a tripod (and a lot of safari photography is done from the back of a Landcruiser), then you want a camera that will allow you to track and shoot at the same time.

Safari shooting often requires moving with your subjects, so the best safari camera will allow you to do this.

It’s not really possible to capture moving subjects (especially an animal like a cheetah, or any bird for that matter) if you don’t have some sort of IS.

Wildlife Photography Tips From the Experts

So far this guide has covered the types of cameras that some of the world’s top wildlife photographers use and why, but that is more the quantitative part of the art of photography. Below are some of the hard-won and well-used tips from these same experts.

Jonathan and Angela Scott

Shoot from the hip

Jonathan and Angie recommend investing in a good point and shoot and always having it handy with you at all times.

You never know when you are going to need to be able to just draw your camera and fire, and an imperfect shot with lesser technology is always going to be better than no shot at all.

You might want to check out my birding camera guide, where I’ve reviewed a couple of nice superzoom camera (aka bridge cameras) options like the Canon SX540 HS and Nikon Coolpix p1000 or the Panasonic Lumix.

Even professional photographers will travel with a point and shoot camera that has a digital zoom. Good point and shoot cameras are still capable of producing high quality images and many give you the ability to fit great interchangeable lenses to them.

Shoot with the sun

Either at the side of the animal (side-lit) or from behind (back-lit) for more emotionally evocative images. Shooting in the early morning or late afternoon is best for richer colours.

Know your camera

You need to read the manual to be able to use your gear on the fly (which wildlife photography is all about).

Learn from the greats

All good photographers are inspired by the work of others and know what makes them great. They take this, use it and adapt it to their own style and needs.

Learn about histograms and exposure

Even the best safari camera is not always going to expose your shots the way you see them through the viewfinder or on your screen (if you even have an electronic viewfinder). It’s helpful to learn about over and under-exposure and how to read your camera’s histogram (which analyzes tone and brightness) for better results.

Understand the depth of field

When you adjust your aperture, you control how much an image is in focus. This is known as your depth of field, and it’s a vital part of shooting good portraits (where you need a shallow depth of field) and pin-sharp landscapes (max depth of field).

Get down low for the best shots.

A lot of people are tempted to pop out of the roof hatch to shoot something like lions eating but getting down low gives you more impactful photos.

Understand your subject

Knowing where the animals you are looking to photograph live and how they behave are the keys to good wildlife photography.

Don’t be afraid to get creative

If you pan the camera as you press the shutter at a shutter speed of 1/15th to 1/100th, you create a great partial blur that does a great job of communicating speed and motion. A faster shutter speed of 1/1000th is better for giving you pin-sharp images of animals sprinting or birds in flight.

Processing and cataloguing are part of photography

Lightroom and Photoshop CC are your friends. Learn them.

Marlon Du Toit

The eye is the most important part of the image

The eye is the essence of your subject, and they attract attention to the composition as a whole. If you want people to stop and stare at your photo, the eyes must be a focal point.

Never leave the house without extra batteries

There is nothing worse than being excited to document nature only to have your camera die.

Extenders are your friend

Extenders are key for getting up close while minimizing loss in autofocus performance. Your extender fits between the camera body and the lens to magnify your subject. The smaller the teleconverter (e.g., 1.7x vs 2x), the less it affects autofocus speed.

Reserve teleconverters for fixed focal telephoto lenses like a 400 f2.8 or 600 f4.

These lenses have excellent image quality, which means little loss in quality once you’ve attached your converter.

Try to have your camera at the lowest point on the vehicle

This is important when trying to capture an interesting angle. A lower angle will almost always give you a better image and something you will be happier with.

Know your gear before heading out

Trying to capture great shots of wildlife with new-gen DSLR or mirrorless cameras without an intimate understanding of how they work and where all of the controls are located is counterproductive.

Shooting wildlife in action requires fast shutter speeds

You get faster shutter speeds by raising your ISO.

Will Burrard-Lucas

A recurring tip from all of the pros, having the camera at the same level of the subject or lower is important for two reasons:

1) it helps to give your animal subject a greater presence and helps the viewer better connect with the wildlife.

2) It increases the distance between subject and background, unfocusing the background and instead drawing more attention to the animal.

Faster shutter speeds are almost always better

Wildlife is usually photographed with a telephoto lens, and long lenses will exaggerate the effect of camera shake because every tiny movement has a big impact on the picture frame.

A fast shutter speed is, therefore, required for sharp images. General rule: the longer the lens, the faster the shutter speed.

Go for the eyes

If the eyes aren’t in focus, it’s very difficult for the viewer to connect with the animal.

The best safari mirrorless cameras will be ones that have, at the very least good auto-focus, but, if you opt for the Sony A1, revolutionary eye focus as well.

Don’t ignore your background

a pod of orcas off the west coast of vancouver island

Your background can make or ruin your photo. A good background is free of bright spots and messy foliage.

Your animal subject should be easily distinguishable from the background and framed nicely by the landscape.

Stay with your subject longer

The longer you stick with one subject before moving on to the next, the more likely you are to get good shots.

The longer you spend around an animal, the higher your chances of seeing them do something incredible.

Michael Poliza

A recurring piece of advice, the closer you can get to an animal’s level, the more stunning the shot.

Don’t always take headshots

a herd of zebras on the african savannah

Don’t be afraid to zoom out so that you adequately capture the beauty of your surroundings. A wider lens is always nice to have around.

Eye contact

Try to get shots of the animal’s eyes as it heads straight toward you. It’s very often a more engaging shot and increases the quality of the image.

an assortment of african animals around a watering hole during the dry season

While you are certainly surrounded by life on an African safari and, perhaps, even more animals than you have ever seen in your life, it’s always worthwhile to spend some time observing your subject.

Spending 20-30 minutes just watching what a buffalo or a herd of zebras does is likely to yield more opportunities for special shots than trying to excitedly photograph every animal you spot.

David Yarrow

Get below eye level.

When you are looking up at big majestic animals, they look more powerful and magnificent.

Use the shortest lens possible

Shoot with a wide angle lens as much as possible to capture the animal’s habitat. You get less compression, and the image is almost always more intimate.

Shoot into the sun

a pelican soaring with the clouds and sun in the background

If you’re willing to do some processing work to balance all the dynamic range, shooting into the sun is a good way to make the sky more dramatic.

This is a great tip for birds, but also for animals in trees or anything with an amazing sky in the background.

Utilize golden hour light

Try to photograph in the mornings or evenings for more dramatic light.

The afternoon light from above is much harsher. Softer golden hours light does a better job of pulling the “character” out of the animals and if you’ve chosen any of the above pro’s pics for the best camera for safari, they should all have the ISO range to make good use of this light.

Take fewer photos

Ansel Adams famously said that “12 significant photos in any one year is a really good crop.”

Be intentional and take fewer photos but aim for more outstanding work in your portfolio. The crazy FPS of modern cameras means too many people are taking too many photos.

Research a subject’s location

The more you know about the animals you’re trying to photograph, the more you know about the behaviour of the animal, the dynamics of location and the better able you are to plan your shots and end up with something special.

Looking After Your Camera

Some camera care essentials:

Use a camera bag. If you’re investing a couple of thousand (or any amount of money) in a camera, a good waterproof camera bag that protects against moisture, scratches and dust is a worthwhile investment.

Don’t use your shirt and/or household cleaning products to clean your lenses and LCD screen. Buy a special cleaning kit that includes the proper lens and screen cleaners and micro fibre cloths and brushes.

Don’t leave your batteries in your camera for a long time. If you keep your camera in a humid environment with alkaline or lithium batteries inside for a long period of time, they can become corrosive.

Don’t use canned air . Canned air isn’t air, it’s full of a bunch of chemicals that you shouldn’t be exposing your camera to. Canned “air” can permanently discolour plastics, and the vapours can leave streaks on your camera sensor, which could mean permanent damage.

Turn your camera off before doing any cleaning or maintenance. Changing lenses with the camera on increases the chances of getting dust on the sensor and leaving it on while actively writing to the SD card increases the odds that you ruin the card if you take it out.

Don’t neglect your memory cards. Transport your memory cards inside a protective case, ensure they’re dust free and don’t get them near magnets.

Attach a UV filter to protect your lens. This helps ensure long-term picture quality.

Safari Photography and Camera Type

Once you know how much you are willing and able to spent, there are a handful of camera type considerations.

The best new smartphones are actually quite sophisticated pieces of camera equipment.

The zoom lens isn’t really worth writing home about on a phone camera, and of course, don’t expect amazing stabilization or amazing safari photos in low light.

But new generation smartphones will give you landscape photos and video that are on par with good quality point and shoot cameras and they do a ton of the work for you, so you don’t need great photography skills to come away with great photos you will be happy to show friends and family.

As a backup compact camera, your smartphone will perform quite well and will have a longer battery life than a dslr camera or mirrorless camera.

But if you want stellar quality safari photos, you will want either a DSLR or mirrorless camera. I certainly wouldn’t spend a bunch of money to go on a safari trip with just a phone.

Superzoom camera (aka bridge camera)

Most people who are serious about safari photography definitely want a dslr camera or mirrorless camera as their main set up and, for good reason: they are the more serious pieces of camera equipment.

But a bridge camera is a nice digital camera option for when you need to get up and shooting wildlife fast. Imperfect safari photos are better than none at all and you can always work a lot of magic in lightroom after the shot.

Most have quite a versatile zoom lens that lets you get quite up close. Of course, you’re going to lose image quality when you’re zoomed all the way in with a digital zoom, but you can still take wonderful safari photos (and shoot video) with bridge cameras.

Below is a smattering of some photos I’ve taken with a superzoom camera lens over the years. Obviously not the image quality you would expect from camera equipment worth thousands of dollars.

DSLR camera or Mirrorless Camera

A professional photographer, in ideal circumstances, is almost always going to prefer a DSLR or mirrorless camera setup from reputable camera brands with a full frame camera sensor, a good telephoto lens, a wide angle lens, camera accessories.

These are the best cameras for any serious wildlife photographer and the best cameras for safari. They have the best autofocus, the best stabilization, the best performance in low light, and the largest sensors.

The zoom lenses made by a camera manufacturer like Canon camera

The best point and shoot compact camera on the market won’t be able to compete with the image quality of the safari photos you will take with the very best cameras out there–DSLR or mirrorless cameras.

Why Investing in Good Quality Camera Makes Sense For Wildlife Photography

Cultivating an eye for and understanding of wildlife photography is definitely the foundation upon which everything else is built. But a good quality piece of gear is also fundamental.

Whether you photograph wildlife as a hobby or are looking for something to make memories with before a once-in-a-lifetime holiday, spending a bit of money on getting the best safari camera is one of those investments in your happiness you can feel good about making.

I hope the above review and insight into how the pros approach their craft helps you find to make a decision on the best safari camera for your budget, preferences, location and target animals.

Related Reviews

Best Spotting Scope on a Budget : 5 Great Scopes For Wildlife Enthusiasts
The Best Travel Telescope for Amateur Stargazers
The Best Hiking Flashlight : 5 Great Options For Wildlife Enthusiasts
The Best Hammock With Mosquito Net For Backpackers
Essential Bushcraft Gear and Hiking Gadgets: 15 Must-Haves According to BBC Bushcraft Expert and Survival Instructor Ray Mears
The 5 Best Jungle Boots For Tropical & Wet Forests
10 Essential Clothes For Rainforest Trekking: A Wildlife Photographer and Guide’s List
The 5 Best Instant Tents: A Wildlife Photographer’s Picks
The 6 Best Tent Cots : A Wildlife Photographer’s Picks
6 of the Best Cameras Under 1000 That Have Won Wildlife Photographer of the Year Awards

11 Best Cameras for Safari (with Lens Recommendations) 2024

The best cameras for safari are all-round Sony, Nikon, and Canon mirrorless ones… The first time I went to Africa, I had a Sony bridge camera . It had a huge zoom range but a tiny sensor. But I wouldn’t recommend that to anyone as a safari camera! It served its purpose in getting me back into wildlife photography .

When DSLR cameras started to become popular, mirrorless was just getting going. Electronic viewfinders (EVFs) often suffered from lag and low resolution. But those problems were solved. The best mirrorless camera offers blackout-free, silent shooting and a real-time WYSIWYG viewfinder. And that makes it much easier to adjust your camera settings in difficult light.

If you buy a product through one of our referral links we will earn a commission (without costing you anything). Prices last updated on .

As an Amazon Associate, I earn from qualifying purchases. Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon at the time of purchase will apply to the purchase of this product.

The basic mirrorless design makes camera bodies and lenses much smaller and lighter . They offer better autofocus systems , frame rates, shutter speeds, and video capabilities. Last year, I traded in all my Nikon camera equipment for two Sony mirrorless a1s. And I’d never go back to a DSLR camera now…

What is the Best Safari Camera to Buy?

Are you gearing up to take a safari photography trip? Here’s a quick roundup of the best cameras for an African safari.

Large sensor captures tons of detail
High frame rate of 30 fps
Eye tracking (human, animal, and bird)
Easy customization
Silent shooting for quiet situations
Incredible 8K/30p Ultra HD video

Ultra-fast image processor
High, 120 fps compressed frame rate
No visible rolling shutter
Excellent battery life
8K/60p Ultra HD video
Unlimited low-resolution recording

Large 45 MP sensor
High frame rate of 20 fps
In-Body Image Stabilization (IBIS)
Body, face, eye, and animal tracking
8K/30p Ultra HD video

A high frame rate of 30 fps
Less noise with BSI stacked sensor
8 stops of image stabilization
6K / 60p RAW video
620-shot battery life

High-resolution sensor
Automatic bird or animal eye detection
Autofocus can track cars, trains, airplanes, and insects
Big, bright, clear, and sharp electronic viewfinder
3.2-inch tilt, flip LCD screen

Impressive 20 fps continuous shooting
Lightning-fast autofocus
Improved ergonomics
Great file transferring speeds
5-axis in-body image stabilization to counter camera shake

Excellent image quality
Super responsive autofocus
5.5 stops of image stabilization
Fully articulating rear screen
Powerful video capabilities (4K / 60p, 10-bit video) and live streaming

High-resolution image sensor
Rapid 1/8000 s shutter speed
Excellent AF system
Dual memory card slots
Great 4K video at 60 fps

Excellent low-light focusing
Lightweight and portable
Superb low-light dynamic range

Relatively affordable
Excellent in-body image stabilization
Compact and ergonomic design
Fantastic expandable ISO range
Rapid burst speeds

Good resolution and dynamic range
Excellent subject tracking
A great frame rate and deep buffer
Pleasing JPEG colors
Up to 7.5 stops of in-body image stablization with supported lenses
Weather-sealed body

11 Best Safari Cameras to Buy (in Detail!)

Now let’s take a more detailed look so you can find the best camera for an African safari.

Highest frame rates only for JPEG, HEIF, and lossy compressed RAW files
Eye tracking only selected manually
Small rear LCD screen

There’s not much to choose between the top full frame mirrorless models. Sony, Canon, and Nikon offer solid options. But the Sony a1 comes out on top—if you can afford it! I have a couple of them. And I’m always amazed by the image quality and how easy they are to use.

The a1’s secret is the lack of trade-offs. It’s hard to find a safari camera with such all-round features. It has a high resolution and frame rate, great autofocus, and a deep buffer. Plus, it has good low-light performance . The a1 somehow manages it all!

Also, it’s very easy to use. The EVF is astonishingly bright and clear. The main buttons and dials are all well-positioned. And there are lots of customization options.

You can save three drive modes. This means it only takes seconds to change from portrait to action settings by turning the main dial.

Battery life is often a problem with mirrorless cameras as they have to power the EVF. But I’ve noticed I can get far more frames than the official CIPA total for each charge. And shooting an 8K video isn’t a problem, either.

I don’t even bother using my battery grips anymore. I don’t need the extra battery life. And the reduced weight makes it easier to shoot handheld for long periods.

But shooting wildlife in portrait format isn’t as easy. And I get blisters on my right hand after a long day in the field!

2. Nikon Z9

Only 11 MP files at the highest frame
You can only shoot RAW files at 20 fps
Tracking can fail with erratic movement
IBIS not as good as Canon R3
Autofocus isn't as good for video
The screen doesn't fully articulate

The Nikon Z9 is the one that got away! I wanted a full frame mirrorless camera. This was before I photographed the polar bear migration in Canada last year.

I had hoped the Z9 would be on sale before I went. I had a lot of Nikon lenses. So it would’ve been handy if I could’ve bought a Z9 and used them with an adaptor.

In the end, the Z9 didn’t come out in time. That meant I had to trade in all my old camera equipment. And I took out a hefty bank loan to afford two Sony a1 camera bodies and all my new lenses!

The Z9 is almost twice the weight and size of the a1 with a lower RAW frame rate. So I’m happy I bought the a1. But the Z9 does have an ultra-bright EVF. And it offers a good combination of the major features. The Nikon Z9 vs Sony a1 comparison shows how close these models are!

Those include sensor resolution, autofocus speed, eye recognition, buffer depth, and low-light capability. It also has 8K / 60p video thrown in for good measure!

On the downside, there’s no easy way to select focus areas while using the EVF. So you must keep clicking on the eight-way controller.

The Z9 also doesn’t have the a1’s ability to save universal custom presets. Instead, you must click through the Shooting Menu and Custom Settings banks. That takes far too long if your sighting only lasts a few seconds!

3. Canon EOS R5

The photo/video switch allows you to easily switch between shooting modes
5-axis In-camera image stabilization
Compact and lightweight
Unlimited video recording due to built-in fan preventing overheating
Reduced video sizes with Cinema RAW Light modes
Limited native lens compatibility
Continuous AF only covers 80% of the image sensor in video mode
Bigger than the original EOS R5
Must use an external battery source for the fastest shooting speeds

I can never decide between the Canon EOS R5 and the R3 . The R5 has more megapixels, But the R3 has a higher frame rate and a few other bells and whistles… including Eye Control AF (autofocus).

When in doubt, I favor the model with the larger sensor. And the R5 wins—just barely!

The specifications are like the Z9. It has the same camera sensor size, max RAW frame rate, and the highest video quality.

The eight-stop in-camera body image stabilization (IBIS) helps reduce camera shake with long lenses. The updated Dual Pixel AF II is almost at the level of Sony’s AF systems. That’s due to the use of Deep Learning to track both people and animals.

But the electronic viewfinder is not as impressive as the one on the a1. It has a lower magnification and resolution.

You also don’t get blackout-free shooting. And video recording is limited due to overheating (unless you buy the “C” version). The fastest shutter speed is slower. And battery life is much shorter.

4. Canon EOS R3

Relatively expensive
Low-resolution for some photographers
No 8K video
Slowed frame rate with an SD card or low battery

The EOS R3 is a full frame Canon camera that offers 195 fps, Dual Pixel AF, and minimal rolling shutter. It also has endless battery life if you shoot in bursts.

There are also a few other innovative features helpful in wildlife photography. Eye Control AF allows you to direct the focus point by simply looking toward a particular part of the EVF.

And the AF-ON buttons have optical thumbprint readers. These let you move AF points around. Plus, you can scroll around magnified images while using the viewfinder.

The IBIS system provides up to eight stops of built-in image stabilization. It even works with unstabilized EF lenses.

But the price of all those advantages is a smaller sensor. That’s why the R3 doesn’t come higher up this list… even though it’s actually bigger than the one on the 1DX Mark III, Canon’s flagship DSLR camera.

5. Sony a7R V

Slow frame rate of only 10 fps
Focus stacking can't be done in-camera
No in-camera RAW processing
May be unbalanced with a big lens
Rolling shutter effect with 8K video

The Sony a7R V has only just come out and is a major evolution. The high-resolution sensor is the same, and the readout speed is limited. That means the highest frame rate doesn’t change. And it leads to significant rolling shutter with 8K video. To avoid that, you really have to shoot in 4K or, even better, in the cropped Super 35 mode.

But the a1 has a dedicated AI processor and a Bionz XR processor. This means the autofocus has been dramatically upgraded. It can now identify parts of people’s bodies. This includes their torsos (with “pose estimation”) and their faces and eyes. It can also track airplanes, cars, trains, and even insects!

Another handy new feature is combining animals and birds into one setting. I’m still stuck with separate Human, Animal, and Bird options on my a1. That’s a pain when you forget which mode you’re in… especially since there’s nothing in the EVF to tell you!

That leads me to the new EVF. It has been “borrowed” from the a1. The a1’s EVF is big, bright, clear, and sharp. When I first used it, I actually forgot I was “watching TV” rather than seeing the real world outside!

With a larger 3.2-inch tilt and flip LCD screen with higher resolution, the EVF is a big advantage. I almost always shoot while looking through the EVF, but there’s nothing this new screen can’t do!

Finally, a few more features are helpful for wildlife photography. It has two new CFexpress card slots now. This means the buffer is effectively infinite (unless shooting in uncompressed RAW).

Focus bracketing is also now possible. But the camera can’t put the final image together for you. So you have to do it using Sony’s Imaging Edge software (or a third-party equivalent).

IBIS now offers eight stops of stabilization to deal with camera shake. And the 241 MP Pixel Shift High-Res mode can now take movement into account!

6. Sony a9 II

No in-camera RAW image processing
Confusing menus
Battery performance isn't great
No S-Log video
Subpar video quality compared to new full-frame cameras

The Sony a9 II is the “sports-oriented” camera in Sony’s line-up. But what’s good for sports photography is also good for wildlife photography!

The full frame sensor doesn’t offer very high resolution. But there are several benefits:

A high RAW frame rate to take action shots
An enormous ISO range for low-light shooting
14-bit uncompressed RAW files for more image details
Oversampled 4K Ultra HD video for more recorded pixels

You also get simple but accurate and rapid autofocus. And there are two dials and a joystick for choosing the AF point. Plus, there is five-axis image stabilization and a touch-enabled LCD. All of that comes in a weather-sealed body.

It’s a shame you only get slots for SD cards. But the Gigabit Ethernet and USB 3.2 ports let you transfer files fast over FTP (File Transfer Protocol). And the new Wi-Fi system works in the 5 GHz band.

Like many Sony models, the customization options are excellent. The a9 II allows you to save up to seven sets of FTP and camera settings. That means, in theory, seven different photographers could use the same camera!

The rear screen and touch interface could do with an upgrade. But the only real problems come when you try to shoot video. There are no picture profiles for Log capture.

And the exposure settings are carried over between stills and video. So you must set up custom memory banks if you want to shoot both.

7. Sony a7 IV

More expensive than the Sony a7 III
6 fps with 14-bit lossless compressed or uncompressed RAW files
Significant distortion with moving subjects using a silent shutter
Occasional issues with rolling shutter
Requires a fast memory card

The Sony a7 IV is a full frame mirrorless camera that offers a decent RAW frame rate with a deep buffer. The IBIS system provides 5.5 stops of stabilization. But it’s slightly jerky at times.

It can also shoot 4K video up to 30p (oversampled from 7K). And there are various other options. They include Super 35 / 60p, 10-bit Log, H.265, and S-Cinetone color mode. Plus, it offers breathing compensation when using high-end Sony lenses.

There are extensive customization options available. But the camera gets it right straight out of the box with image quality and autofocus capability. The sensor provides excellent detail, and noise reduction is adequate at lower ISOs.

You can also create 10-bit HEIF files for HDR displays using the Hybrid Log Gamma (HLG) standard. These are designed to capture a wider, more natural range of tones. And you can view them by connecting your camera to an HDR TV with an HDMI cable.

The AF system is powerful and easy to use. And you can turn on Face/Eye Priority for the best results. Tracking is nice and “sticky.” So the camera isn’t fooled by the subject looking away or someone else moving to a closer position.

The latest firmware has improved the Eye AF feature. But it’s still not up to the standard of the a1. And you might even be better off focusing manually!

If the price of the a7 IV is steep, you can always opt for a7 III or the a7C compact version.

8. Nikon Z7 II

Disappointing battery life of 420 shots
Tilt screen has limited flexibility
Limited lens range
Slow frame rate of 10 fps in continuous shooting speed

The Nikon Z7 II and Z6 II are like the Canon R5 and R3 in that they offer a trade-off. You can choose a high resolution. Or you can opt for other benefits like frame rate and low-light capabilities. Again, I prefer a larger sensor. So the Z7 II comes out on top.

The extra megapixels allow the camera to produce more detailed images. And you get quality 4K / 60p video (with a 1.08x crop). It has an extra Expeed 6 image processor, XQD, and CFexpress card support. This means a deeper buffer, a higher frame rate, and improved autofocus.

The AF system works down to -3 EV at f/2 (or even lower with Low Light AF). But the camera’s Eye AF does have a habit of front-focusing slightly. And the tracking mode doesn’t always stick to the same point on the subject.

The other problem? Tracking and face and eye detection don’t work together as they do with Sony and Canon models. That means you often must switch between different modes depending on the shot.

The low native ISO of 64 reminds me of my old D850 . It’s useful if you want the highest possible image quality and dynamic range. This is particularly true at sunrise or sunset when the contrast is high.

A complementary benefit is five-axis image stabilization. This should help reduce the effects of camera shake.

The ergonomics and usability are slightly disappointing. The viewfinder resolution is low. And the tilting touchscreen is not a patch on a fully-articulated LCD. You also must buy an external recorder to shoot a 10-bit Log or RAW video.

Unlike the Z9, the Z7 II doesn’t have a built-in integrated grip. You can buy an MB-N11 battery grip as an optional extra. But the battery life is pretty good even without that. And you get USB charging and a separate plug-in charger.

9. Nikon Z6 II

Autofocus can be slow
Relatively short battery life
Lower MP count than main competitors
Needs more customizable buttons

The Nikon Z6 II is the low-resolution sister of the Z7 II. The feature set is almost identical to that of the Z7. But the lower-resolution sensor does mean a higher frame rate (with a single AF point).

You can still shoot 4K video using the whole sensor up to 30p. But Ultra HD / 60p comes from an APS-C crop (enabled using the latest firmware).

10. Canon EOS R6

Low megapixel count compared to closest competitors
Interface is challenging to navigate
EVF drains the battery
Camera heats up shooting 4K / 60 fps

The Canon EOS R6 is a more affordable version of the R5. It has a reduced feature set but a user-friendly interface. It provides excellent RAW and JPEG images. And they have good dynamic range and low-light performance.

You also get Dual Pixel AF II (with 100% AF coverage) and eight stops of IBIS. And it has a decent frame rate with either the mechanical or electronic shutter.

As with a lot of Canon cameras, the video performance is good. The autofocus works well when shooting video. And the separate banks of settings make it easy to switch between video and stills.

The R6 offers 4K / 60p video in both Ultra HD and DCI (standard for the film industry). And you can save clips in either RaW or H.265 format.

You can also shoot 10-bit 4:2:2 footage. You can use C-Log (for color grading) and HDR PQ (for high-definition TVs). And you can do so without needing an external recorder.

But you get a noticeable rolling shutter in 4K. And overheating is such a problem. So you can’t record for longer than 30 minutes. Trying to take still pictures cuts down that time even more.

There is no support for high-speed cards. But you do get a lot of “standard” Canon features. These include comfortable ergonomics, weather sealing, Wi-Fi, Bluetooth, and a fully articulated touchscreen.

Unfortunately, that also includes non-optional noise reduction. And that limits sharpness at low ISOs.

11. Olympus OM-D E-M1X

Sensor doesn't match up to many close competitors
Electronic shutter might lead to rolling shutter effects and banding
Large, heavy, hard to handle body
Motion artifacts with Cinema 4K at 24p

With such a small Micro Four Thirds sensor, the Olympus OM-D E-M1X is a pretty big camera! But it’s built for speed and ideal for sports and wildlife photography.

You can shoot at 18 or 60 fps with AF / AE (autoexposure) lock. And it has Dual TruePic VIII processors with a 121-point hybrid autofocus system. That provides subject recognition for trains, race cars, and planes or helicopters. Pro Capture mode also lets you save images you take before you even press the shutter!

Overall, the OM-D E-M1X is packed with features. These include the following:

Live ND multi-shot mode to show long exposures without filters
Five-axis IBIS (up to 7.5 EV) and an accelerometer to deal with camera shake
Handy built-in GPS to show where you take your photos
Temperature and pressure sensors for extra metadata

You also get IPX1 weather sealing. And there is a fully articulating touchscreen and a built-in battery grip.

The video performance is good. It can capture DCI 4K / 24p and Ultra HD 4K / 30p clips at 237 and 102 Mbps. You can also use OM-Log400 for easier color grading.

Best Lenses for Safari by Brand

Here are our lens recommendations for the Sony, Nikon, Canon, and Olympus lenses we have listed. Mix and match to meet your wants and needs.

Best Sony Lenses for Safari Photography

Sony has been making full frame mirrorless lenses since 2013. And it gives third-party brands access to its E-mount specs. That means there’s a wide range of native options available.

My “go-to” lenses are Sony’s FE 400mm f/2.8 GM and the FE 600mm f/4 GM prime lenses. They both have wide max apertures for good bokeh and excellent low-light capability. I usually go on game drives with those two fitted to my cameras.

Sony FE 400mm F/2.8 GM OSS SEL400F28GM

But there are times when you need a wide-angle lens. An example is photographing elephants from close range. I just came back from Botswana. And I definitely needed my FE 24-70mm f/2.8 GM II and FE 70-200mm f/2.8 ED GM OSS zoom lenses for the Chobe riverboat rides.

Best Nikon Lenses for Safari Photography

Nikon has fewer mirrorless lenses than Sony. But Nikon’s Z 400mm f/2.8 TC VR S and the new Nikon Z 600mm f/4 TC VR S match the Sony versions’ max aperture and come with built-in 1.4x teleconverters. They’re also light enough that you don’t need a tripod. (My old 800mm was a real beast. And it was impossible to handhold for more than a few seconds!)

Nikon NIKKOR Z 24-120mm F/4 S

Nikon’s Z 100-400mm f/4.5-5.6 VR S closely matches my old 80-400mm. And that makes it a good companion for a 600mm or 800mm lens.

But if you’re looking for a shorter focal length with macro-style capability, there’s Nikon’s Z 24-120mm f/4 zoom lens. Or there are various S-line f/1.8 primes from 20 to 35mm.

Best Canon Lenses for Safari Photography

Canon has a huge range of lenses. But they’re playing catch-up with Sony in terms of native mirrorless lenses.

The Canon EF 100-400mm f/4.5-5.6L IS II USM is a flexible zoom lens. And there are RF-mount versions of its 400, 600, 800, and 1200mm lenses. Canon recently brought out two affordable 600mm and 800mm f/11 lenses. These use diffractive optics .

Canon EF 100-400mm F/4.5-5.6L IS II USM

Canon’s professional range is the L-series. With the RF mount, you can get several wide-angle zoom lenses in that range. This includes the RF 15-35mm f/2.8L IS USM and the RF 24-70mm f/2.8L IS USM .

USM stands for UltraSonic Motor. And Nano USM lenses are faster, quieter, and smoother than plain USM or Stepping Motor (STM) lenses.

Best Olympus Lenses for Safari Photography

Olympus makes many camera lenses. And you won’t go far wrong with something in their PRO series . These include the following:

Olympus 7-14mm f/2.8 PRO versatile wide-angle zoom lens
Olympus 12-100mm f/4 IS PRO IS rugged zoom with stabilization
Olympus 40-150mm f/2.8 PRO full-featured zoom

Olympus ED 7-14mm f/2.8 PRO

But third-party manufacturers also offer compatible lenses. Panasonic has teamed up with Leica to produce various lenses. These include the following Micro Four Thirds lenses:

Panasonic Lumix G 8-18mm f/2.8-4 high-performance wide-angle
Panasonic Lumix G 50-200mm f/2.8-4 O.I.S high-end telephoto
Panasonic Lumix G 100-400mm f/4-6.3 superzoom telephoto lens

Note that the crop factor of Micro Four Thirds cameras is 2.0x. So the focal length has to be doubled to match the equivalent on a full frame camera.

Our Verdict

Whether you prefer full frame, APS-C, or Micro Four Thirds… the best cameras for safari these days are generally mirrorless . If you have the budget, the Sony a1 , Nikon Z9 , and Canon R5 offer unbeatable specs. They have high resolution, fast frame rates, and deep buffers. The AI-assisted autofocus lets you choose a focus point right across the frame. Or you can lock onto your subject’s eye without even being told what to do! That’s something even the best DSLR cameras will never manage.

Further down our list, there are plenty of other options from the big three camera brands . And Olympus has also carved out a nice niche in Micro Four Thirds cameras . And they’re packed with handy features.

FAQs for Safari Cameras and Lenses

Here are some of the more common questions about cameras and lenses for safaris.

What Type of Camera is Best for Safari?

There are the key specs for the best safari camera. They include resolution, frame rate, buffer size, autofocus, and low-light performance. There are often trade-offs, especially between resolution and frame rate. But modern mirrorless cameras such as the Sony a1 have begun to offer everything you need—at a price!

Are Mirrorless Cameras Good for Safari?

Yes. A mirrorless camera offers a higher frame rate and max shutter speed than a DSLR camera. And they have deeper buffers and better autofocus performance. That includes eye detection for animals, birds, and even insects! The camera body and lenses also tend to be smaller and lighter. This is a real benefit given the 15 kg weight limit for many local flights in Africa.

What is the Best Way to Take a Picture on Safari?

Get down to eye level. But that’s a bit difficult if you’re sitting in a jeep! Also, go on game drives at sunrise and sunset for the warmest light at “golden hour.” I use Manual mode with Auto ISO and shoot wide open for camera settings. My shutter is normally 1/1000 s for animals and 1/3200 s for birds… unless I’m planning on a “trick shot” such as a slow pan.

Is a GoPro good for a Safari?

A GoPro camera is excellent for video. But it’s designed for adventure sports rather than wildlife. A GoPro can take still photos. But it doesn’t give you many setting controls. And the fixed lens can only take wide-angle shots. That might work if you get up close and personal with an elephant. But it won’t generally be suitable for small or distant animals and birds.

Is a SmartPhone Good to Have on Safari?

Yes. Many devices, including smartphones, are featuring new technology. So even my iPhone can manage 4K video these days. And it’s often said that the best camera is the one you have with you. So it’s always in my pocket! But you’ll probably want a different main safari camera than a GoPro or smartphone.

Still not sure which safari camera to buy? Check out our posts on the best camera for bird photography or outdoor photography cameras next!

Still Not Sure? Try Our Camera Tools!

Try our camera comparison tool.

Enter any two cameras to compare specs:

Explore our Camera DatabaseX

Try our camera finder quiz.

Buying a camera can be scary if you're not sure where to start. That's why we made this quiz! Answer a few simple questions to see the best camera options for you!

Olympus Tough TG-6 Red Product Image on jazzy background as our best rugged camera

Best Rugged Cameras (11 Tough Cameras to Buy in 2024)

The best rugged cameras on the market are sometimes the best waterproof cameras. But it depends on what you mean by “rugged camera.” Do you want something to take with you on a beach holiday? If so, a compact waterproof camera like the Olympus TG-6 is fine. But if you’re more interested in taking video, […]

Panasonic Lumix DMC GH6 best camera for skateboarding

11 Best Cameras for Skateboarding in 2024

The best cameras for skateboarding need to capture incredible photos and videos. There’s no point performing high-risk maneuvers on your board if no one’s going to see it. That’s why skate video has been an integral part of the skateboarding scene since the early 1990s. My friends and I were hooked on classic skate videos […]

13 Best Cameras for Amateur Photographers in 2024

What are the best cameras for amateur photographers these days? Having considered all the options, I’ve chosen the Sony a6100 as our best amateur camera. Read on for the full list!

11 Best Cameras for Skiing, Snowboarding & All Snow Sports in 2024

The best camera for skiing lets you capture all the action from the slopes. The GoPro Hero 11 tops our list but there are 10 other action cameras for skiing or snowboarding.

11 Best Sony 4K Cameras for Photos and Video in 2024

Are you in the market for a new camera with great video specs? We discuss the best Sony 4K cameras for photos and video. We’ve done the research for you and rounded up the top models on the market. Read on to learn more and decide which one is right for you! What is the […]

Best Nikon mirrorless camera featured image

7 Best Nikon Mirrorless Cameras (Nikon Z Camera) in 2024

The best Nikon mirrorless camera (or Nikon Z camera) is the Z9. It is a full frame model with high resolution, a fast burst rate, and excellent autofocus (AF). But it’s a little on the heavy side! After that comes a pair of mid-market Nikon cameras. The Z7 II offers higher resolution, while the Z6 […]

The Camera Store's newsletter includes promotions, video reviews, event information, contest links, interesting articles and more.

Login to my account

Enter your e-mail and password:

New customer? Create your account

Lost password? Recover password

Recover password

Enter your email:

Remembered your password? Back to login

Spend $99.00 more and get free shipping!

Your cart is empty

Safari 5D 4K Action Camera Kit

Description.

The Safari 5D 4K Action Camera Kit includes all the accessories you need to film the most intense moments!

This kit includes:

Safari 5D 4K action camera
Waterproof housing
Handlebar mount
4K video recording
2" HD rear LCD
1.4" HD front-facing LCD
170° ultra-wide lens
Electronic image stabilization
Burst photo
Slow motion video recording
Dash cam mode

Specifications

Sensor Resolution: 16 megapixels

Video Resolution: 4K

Screen Size: 2"

Recording Media: microSD (up to 64GB)

Frame Rate: 120fps

SAFARI CAM 5 NATIVE 4K SYSTEM

Overview or Features
Detail & Specifications

Safari 5 - Native 4K 30fps Wifi Action Camera Kit.

170-degree super-wide angle lens, In body electronic and gyro stabilization.

Sony sensor: 16MP Burst, timed auto photo capture, waterproof 30m (100ft).

Wifi Connected App for Android and iOS.

Included Accessories:

Waterproof Housing

Handlebar Mount

Frame Cage with Clip

Mount Straps

Angle Adapter

Tripod Adapters

Quick Release Mount

Helmet Mounts

Wire and Adhesives

Micro USB Cable

Microfibre Cloth

Instruction Manu

0 Review for SAFARI CAM 5 NATIVE 4K SYSTEM

Write a review, you may also like.

DJI OSMO POCKET 3 CREATOR COMBO

DJI OSMO POCKET 3

DJI MINI 4 PRO BATTERY

Canon PowerShot V10 Vlog Camera - Black

Sony FDR-AX43A 4K UHD Handycam Camcorder

Panasonic HC-V785K Full HD Camcorder

Canon XA60 Professional 4K UHD Camcorder

Canon VIXIA HF G70 4K UHD Camcorder

Online Return Policy
Privacy Policy
STORE GIFT CARD / CREDIT
1402 - 11th Avenue SW Calgary, Alberta T3C 0M8, Canada
Phone: (403) 228-1865
Fax: (403) 228-5350
Email: [email protected]

Saneal Cameras (this includes any of our staff or owners) is not responsible in the event of an error on our website. Errors are not limited to pricing only. We reserve the right to not supply product in the event of an error. We will not be responsible for any form of compensation due to an error or omission on our website.

Reviews TV REVIEWS v1.11 HEADPHONES REVIEWS v1.6 MONITOR REVIEWS v1.2 SOUNDBAR REVIEWS v1.3 MOUSE REVIEWS v1.5 KEYBOARD REVIEWS v1.3.1 PRINTER REVIEWS v1.2 VACUUM REVIEWS v1.2 PROJECTOR REVIEWS v0.8 TOASTER REVIEWS v1.0 BLENDER REVIEWS v1.0 KEYBOARD SWITCH REVIEWS v1.0 SPEAKER REVIEWS v0.8 CAMERA REVIEWS v0.12.1 LAPTOP REVIEWS v0.8.2
In Progress
Newsletters
Table of Contents
Best Camera
Best Mid-Range
Best Budget
Best Superzoom
Best Portable

Notable Mentions

Recent updates, all reviews, the 5 best bridge cameras - spring 2024 reviews.

Generally speaking, the best camera with a zoom lens will be an interchangeable lens model paired with a compatible telephoto lens, but going that route can also be expensive. If you aren't a pro but still want a lot of zoom range in a convenient all-in-one package, a bridge camera (so-called because they're meant to "bridge" the gap between point-and-shoots and DSLRs ) can be a good solution. While their smaller sensors don't offer the same image quality as crop sensor and full-frame cameras, they combine the simple usability of point-and-shoot cameras with unparalleled zoom range, making them a good fit for casual wildlife and sports photography or family and travel photos.

We've bought and tested over 100 cameras, and below, you'll find our top recommended bridge cameras. If you're looking for more compact fixed-lens cameras, check out our recommendations for the best compact cameras . If you're a beginner looking for your first camera, try the best cameras for beginners instead. Or, if you're interested in a camera specifically for birding or nature photography, you can check out our picks for the best cameras for wildlife photography .

Best Bridge Camera

The Sony RX10 IV is undoubtedly the Rolls-Royce of bridge cameras. While it isn't cheap, it's one of the most impressive bridge cameras on the market, thanks to a larger-than-average 1-inch type sensor with a stacked design that keeps rolling shutter effect to a minimum and makes it possible to shoot at a blistering 24 fps. Beyond that, it's a very well-built camera, with weather-sealing, a generous handgrip, and premium touches like a top display to check your settings and battery life at a glance.

Image quality is great straight out of the camera, with RAW shooting and manual controls for more advanced users. On top of that, you get Sony's typically reliable autofocus, with a highly effective tracking feature that makes this a great choice for birding and wildlife. The camera's built-in Zeiss zoom lens also covers a wide-ranging full-frame equivalent focal length of 24–600mm, meaning you can shoot everything from landscapes to far-off wildlife.

See our review

Best Mid-Range Bridge Camera

If the Sony RX10 IV is out of your price range, the Panasonic LUMIX FZ1000 II is an excellent mid-range option. It's an especially good choice if you don't need more premium features like weather sealing or a 24 fps burst rate. Like the Sony, it uses a 1-inch sensor, allowing for better image quality than most bridge cameras. That said, it isn't a stacked sensor, meaning the camera isn't as speedy, particularly when it comes to burst shooting. However, its 11 fps shooting speed is still very respectable and will suit most photographers just fine.

The FZ1000 II's 25-400mm equivalent focal length is quite versatile, giving you a fairly wide zoom range to work with. The camera's also packed with extra features, including a '4k PHOTO' mode that lets you pull stills out of 30 fps video clips, along with features like 'Focus Stacking' and 'Post-Focus', which, respectively, allow you to expand an image's focal plane or adjust the focus point after the fact. That said, the camera uses slower contrast-detection technology for its autofocus system, so it isn't as quick or reliable for faster-moving subjects. Despite that, the FZ1000 II offers a lot of value for its price.

Best Budget Bridge Camera

If you're on a tight budget, the Panasonic LUMIX FZ80 is one of the best cheap bridge cameras you can get. Build quality isn't as good as the pricier models above, and the camera uses a smaller 1/2.3-inch sensor, resulting in worse overall image quality. However, this camera still has plenty to offer for the casual photographer who wants a lot of zoom range. Its 20-1200mm full-frame equivalent field of view gives you lots of flexibility to zoom in on far-away subjects like birds or other wildlife.

Like the higher-end Panasonic LUMIX FZ1000 II , the FZ80 comes with a ton of extra features, including a '4k PHOTO' mode and creative shooting modes for nighttime and macro photography. While the electronic viewfinder doesn't have a very high resolution, it's something you don't always see on budget bridge cameras and is nice to have for framing and stability. On top of that, the camera shoots at a quick 10 fps burst rate and has a decent battery life, making it a well-rounded choice for birding or family photos on a budget.

Best Superzoom Bridge Camera

While every camera on this list has a zoom lens, the Nikon COOLPIX P1000 is the bridge camera to buy if you're looking for the longest possible zoom range on the market. Its built-in lens has a remarkable 125x zoom, allowing you to zoom in to a max equivalent focal length of 3,000mm, blowing all other bridge cams out of the water. It's so long that it can capture details on the moon's surface, though it's also suitable for landscapes or everyday photos at shorter focal lengths.

The trade-off of having such a long zoom lens is that the camera is very heavy and bulky, so it isn't very portable or well-suited to travel. While it has an electronic stabilization feature, you'll still need to use a tripod when shooting at the tail end of its zoom range to avoid camera shake. Its small sensor also means that image quality won't be as out-of-this-world as the potential subjects you can capture with the camera, though images taken in broad daylight can still look good, and you won't find this kind of zoom capability on any other bridge camera.

Best Portable Bridge Camera

Though bridge cameras aren't known for their portability, you might still want an all-in-one camera with a long zoom lens and comfortable ergonomics that won't give you neck strain. The Canon PowerShot SX70 HS is a good option if that's the case. Though it isn't the most compact bridge camera on the market, it's relatively small, lightweight, and comfortable to shoot with, thanks to an intuitive menu system and a simple control scheme.

Unlike some cheaper bridge cameras, it has a viewfinder, which can help with framing and is nice to have on sunny days when it might be harder to see the screen. Its built-in lens also has a very long 21–1365mm equivalent focal length, so you can easily go from wide-angle shots and landscapes to close-ups of far-away subjects. That said, like most superzoom cameras, it uses a 1/2.3-inch sensor, meaning that image quality is notably worse than pricier options like the Sony RX10 IV or the Panasonic LUMIX FZ1000 II . Still, this is a solid bridge camera for the price, especially if you want something relatively lightweight.

Nikon COOLPIX P950: The Nikon COOLPIX P950 is similar to the Nikon COOLPIX P1000 but has a shorter maximum full-frame equivalent focal length of 2,000mm. While this is still a substantial amount of zoom and may be enough for you, it falls considerably short of the P1000 and is only marginally more portable. In this case, go big or go home. See our review

Mar 12, 2024: We've brushed up some of the article's text for better readability.

Jan 23, 2024: No changes to recommendations after reviewing that the picks were still the best choices for users.

Nov 24, 2023: Removed the Leica V-Lux 5 from the Notable Mentions because of price and lack of benefits over similar models.

Sep 29, 2023: Checked article for accuracy and clarity; no change to recommendations.

Aug 03, 2023: Reviewed article to ensure that picks are still relevant to users.

Our recommendations above are what we think are currently the best cameras with zoom lenses built in. We factor in the price, feedback from our visitors, and availability (no cameras that are difficult to find or almost out of stock in the U.S.).

If you would like to choose for yourself, here's the list of all our reviews for bridge cameras. Be careful not to get caught up in the details. There is no single perfect camera. Personal taste, preference, and shooting habits will matter more in your selection.

Sigma Lenses
Manfrotto Tripods
Lowepro Camera Bags
Sandisk Memory Cards
Klipsch Audio
Pioneer Receivers
Pro-Ject Audio Systems
Onkyo Receivers
Gentec Kustom Solutions
iQ Television Mounts
Portable Power Stations
Ultralink Cables
iShieldz Screen Protectors
Razer Mobile Gaming
Zeiss Cinema
FeiyuTech Gimbals
Manfrotto Video Tripods
Syrp Motion Control
Alpine Car Audio
AAMP Global Harnesses
Sony Car Audio
Zeiss Sporting Goods
Midland Two Way Radios
Energizer Flashlights
Commercial Audio
Custom Install & Integration
Loudspeakers
Televisions
Pro-Ject Audio
Bell’O
Zeiss Sports Optics
Bushnell Service Canada
Klipsch Repair
Manfrotto Spare Parts
Sigma Service and Repair
Sony Imaging Service
Zeiss Sports Optics Service
View All Services
iShieldz Warranty Portal
SIGMA Warranty
Manfrotto Warranty
View All Warranties
Partnerships
Become a Dealer

View Products

Safari Action Cameras let adventurous creators tell their story, for less.

These waterproof action cameras provide stunning footage and a wide array of features, with select models including WiFi preview, slow motion and timelapse modes.

Please enable JS and disable any ad blocker

Leica V-Lux 5 Review

Introduction
Ease of Use
Image Quality
Sample Images
Product Images
Rating & Conclusion
Main Rivals
Review Roundup
Specifications
Preview Images

Latest Reviews

The Leica V-Lux 5 is a new super-zoom camera featuring a 1-inch, 20 megapixel sensor and a 16x optical zoom lens offering an equivalent focal range of 25-400mm and f/2.8-4 maximum apertures.

Other key features include a 2.36 megapixel OLED electronic viewfinder with 0.74x magnification, touch-sensitive LCD screen, high-speed auto-focusing, 12fps continuous burst shooting, 4K/30p video recording, 4K photo modes, and Wi-Fi and Bluetooth connectivity via the Leica FOTOS app. Zoom Compose Assist has been added to help when shooting with longer focal lengths and the button layout has been revised since the previous model.

At the time of writing, the Leica V Lux 5 retails for around £1050 / $1250 in the UK and US respectively.

Partly because its price tag, at a not inexpensive £1,050, is nevertheless one of the cheaper routes to owning a Leica-badged camera – and partly because the standard-issue bridge model layout and design makes for more intuitive handling than we’re used to from this manufacturer – Leica is pitching the V Lux 5 as a perfect camera for ‘all’ photographers.

We’d refine that further as a camera suitable for most shooting scenarios, without needing to swap out the lens in use (here, you can’t), or take a step forward or back to fit your subject into the frame. In short, versatility is the selling point.

The V-Lux 5 feels familiar when held in the palm. Its plastic (yet not overly plastic-y feeling) frame, as opposed to Leica’s more usual metal build, suggests a deliberately budget-conscious approach this time around – and, more obviously, another collaboration with Panasonic, whose own original Lumix FZ1000 and its more recent Mark II successor this most closely resembles in terms of core lens and sensor specification.

As usual, we’re paying a premium for that Leica badging here – around £280 more compared with the electronics manufacturer’s equivalent model at the time of writing. The above being said, the Leica V Lux 5 feels well built enough that it wouldn’t fall apart with a couple of accidental knocks.

While the Leica V-Lux 5’s suggested audience includes travel photographers, the camera is as bulky as you’d expect a bridge model or all-in-one to be. In other words it’s almost as big as a consumer level DSLR or premium compact system camera – meaning that it won’t fit even in a roomy jacket pocket. This is one for attaching the shoulder strap – provided with our review sample.

The industrial-feel chunkiness, which, admittedly, we do quite like, is partly due to the Leica-crafted 16x optical zoom lens bolted on the front of this camera, providing a focal range the 35mm film equivalent of 24-400mm on the front, with a maximum f/2.8 aperture at the optic’s widest setting. This is twinned with a one-inch sensor that we’d expect at this price, along with the ability to capture 4K video up to a respectable rate of 30 frames per second (with a built-in stereo microphone, plus the ability to add an external microphone, provided).

As we know this chip is physically bigger than the 1/2.3-inch sensor formerly found in most compacts, albeit here providing a standard-for-its-class but perfectly usable 20-megapixel resolution. This is also the first model in Leica’s bridge camera series that is compatible with Leica’s much-trumpeted Leica Fotos smartphone application, described as being ‘like a gallery in your pocket’.

Like the Panasonic near doppelganger, the standard-sized 3-inch LCD screen on the Leica V Lux 5 is articulated, meaning that it can be swung out from the body so that it faces the subject, camcorder-style. With a clear resolution of 1,240,000 dots and 100% filed of view provided, it’s also a touch screen. The alternative, of course, for those who prefer compositing images in a more traditional manner, is to utilise the OLED electronic viewfinder ranged above, which provides an even more life-like 2.36 million-dot resolution and, again, 100% field of view. The manufacturer suggests that said EVF has been newly developed.

A one-inch sensor has enabled Leica (or partner Panasonic) to provide a maximum sensitivity of ISO12800 to help avoid camera blur resulting from slower shutter speeds in low light conditions, while there is responsiveness here too – courtesy of a 0.1-second AF acquisition. Panasonic specific technology such as ‘Post focusing’ mode is also included on this model, while there’s a vacant hotshoe for accessory flash even while there’s a built-in, spring-loaded pop-up variety sitting just in front.

Leica provided our V Lux 5 review sample out of the box with just a spare USB lead in lieu of a standalone mains charger. No matter. Luckily you can, of course, connect this to the plug you use to charge your smartphone.

Although undoubtedly a cost saving exercise, the manufacturer would also doubtless suggest it was more ‘convenient’ for users this way. What we do also get provided however is a removable lens hood – useful for reducing any possible chances of lens flare or ghosting.

The lens can be operated one of two ways – either via a twist of the lens ring that encircles the lens barrel itself – a mode of operation that will be immediately familiar to existing DSLR or CSC users – or, alternatively, via a left or right flick of the lens lever that encircles the shutter release button, which will be more familiar to standard compact camera users, trading up from a point and shoot.

For anyone wanting greater accuracy via more incremental adjustments, the lens ring is probably the better bet, as an on-screen distance bar is provided along the bottom of the LCD by way of broad guidance. Focusing range is the expected 30cm to infinity.

Given the lens reach on offer here and the potential for hand wobble and resultant camera shake towards the telephoto end of the zoom, thankfully Leica has provided a large and rounded handgrip, around which it’s possible to squeeze four fingers, with the thumb left to hover at the back. Although there’s a rubberized and slightly rugged-ised rear to the grip, there’s not an obvious indentation to rest the thumb – it naturally falling into place over the ‘Q.Menu’ (or Quick Menu) button, which is a regular feature of Panasonic compacts and has been for quite some time.

Naturally, with this being a camera aimed both at travelling types and photo enthusiasts combined, the ability to shoot Raw files alongside or in tandem with standard, Fine quality JPEGs is provided. There’s barely any noticeable slow down if you choose to shoot Raw and JPEG together, rather than just the latter separately.

Operationally, the Leica V-Lux 5 handles very much like the consumer level DSLR it outwardly resembles. The front is dominated by its aforementioned lens, above which sits a recessed flash, an activation switch for which is provided just in front of the camera’s EVF, meaning that this falls under the thumb of the left hand when holding the camera and shooting with it.

Nestled to the side of the lens, looking at the camera front on, is that covetable red Leica logo we’re paying a premium for, while on the lens barrel itself we have not only a lens ring, but three dedicated function buttons.

Actually, it feels as though the Leica V Lux 5 is festooned with non-function specific (and so, non obvious) function buttons, and they have been crammed into every nook and cranny not otherwise featuring more obvious switches and dials. We get eight pinhead sized user selectable function buttons in total.

Rather more familiar are the camera’s top plate dials, the larger one of which is festooned with the camera’s shooting modes (10 in total, including the familiar P,A,S,M, scene and custom settings), while the second features its drive modes (single, burst, 4K capture and post focusing settings, plus two self timer options). Both are reassuringly stiff in operation, thereby preventing accidental jogging from one option to the next, with their ridged edges providing plenty of purchase between forefinger and thumb.

The shooting mode dial is the one you’ll find conveniently encircled by the on/off lever, with the shutter release button, as on a DSLR, located on the forward slope of the handgrip. While there is not quite room for a small LCD function window on the top plate, as we’d find on a semi pro DLSR, we do get two command wheels for scrolling through options in conjunction with the larger back plate LCD, one just behind the shutter release button where it falls under the forefinger, and one further back on the grip where it can be spun by the thumb. In short, then, the layout feels ergonomically designed and therefore intuitive to use.

The nearest function button allows us to, in conjunction with said control wheel, adjust exposure compensation on the fly. Here the range is a very impressive +/- 5EV. The function button just behind this again allows the adjustment of ISO and white balance.

To be honest, it would be much more useful to have these settings displayed via a small plate LCD than to have them ‘hidden’ behind unmarked function buttons providing short cuts. That said, we do get the alternative option of selecting ISO and white balance with a press of the four-way control dial on the camera back, seeing the options available on the larger LCD.

The camera’s back is, inevitably, where we see most of the action happening with the Leica V-Lux 5. With its electronic viewfinder jutting out proudly, enveloped by a comfortable eye cup, the most natural way of handling the camera feels to be to press your eye up against it, as one would do with a DSLR.

Expectedly, we have a dioptric adjustment wheel nestling to the left of it for adjustment by spectacle wearers, just above which is a slider switch for activating the pop up flash. We would have liked a dedicated control governing flash settings by way of a time saver – as it is, you have to drill down into the camera’s menu system to find them if you want to make any manual adjustments.

The other buttons at the camera’s rear are split between what you’d expect to find on a premium compact and that of a DSLR – namely we get the familiar four-way control pad which here has settings around it governing ISO, white balance, macro and AF mode. But we also get the opportunity to lock auto exposure and AF, as well as switch between single shot or continuous AF, or indeed manual focus.

In manual focus mode the adjustment ring on the lens that formerly controlled the zoom now controls focus, with a distance slider newly called up on screen and a central portion of your frame enlarged so that accurate focus can be more keenly determined – with the areas of the image in focus highlighted with a purplish blue colour, looking for all the world like an effect beloved of TV vision mixers in the 1970s.

The base of the Leica V Lux 5 meanwhile offers up a screw thread for a tripod, and a compartment that houses both your optional media card (high capacity and high speed SD card required) and the removable lithium ion battery. As mentioned earlier no separate mains charger came supplied with our review unit. A full charge of the battery requires around 180 minutes, while the amount of captures achievable according to CIPA standards is up to a maximum 440 shots or 220 minutes of video, which, again, is a very respectable showing.

So, with the above in mind, how does the Leica V-Lux 5 fare when it comes to the quality of the images themselves? Read on to find out...

Colours are as rich as we’d expect to see from a Panasonic, sorry, Leica, camera. Detail too is on a par with what we’d envisage a bridge camera to deliver - meaning that, while perfectly acceptable, it’s not quite a match for what we’d see a compact system camera or DSLR in this price range deliver. That said, neither of those alternatives could offer this camera’s focal range and lens ‘poke’ for the price, so we have to expect some degree of compromise.

In terms of ISO performance, here the combination of a large lens, a decent maximum aperture and a big sensor have come up trumps, in providing a surprisingly good showing as we dial upwards through the range – it only really being at the top two settings, including maximum ISO 25000 equivalent, that we are seeing an obvious degradation in the image when viewing on screen. This means that the V-Lux 5, as long as a steady surface is provided, is pretty adept at delivering the goods, whether we’re talking day or night. Versatility when it comes to image capture is what we are paying for here.

The V-Lux 5 has ten sensitivity settings available at full resolution, ranging between ISO 80 and ISO 25000. These are selectable in 1EV and 1/3EV steps, and the upper limit that Auto ISO uses can also be user-defined.

Focal Range

The V-Lux 5’s 16x zoom lens covers a focal range of 25-400mm when converted into 35mm camera format. This can be increased to 32x using Extended Optical Zoom, but only by reducing the image size.

Chromatic Aberrations

The Leica V-Lux 5 handled chromatic aberrations very well during the review, with limited purple fringing present around the edges of objects in certain high-contrast situations, as shown in the examples below.

A 3cm minimum wide-angle focus distance gives good scope for close-up shots. Some bridge cameras boast 1cm macro modes, however sticking such a large camera even 3cm from your subject is often too close, as it blocks out a lot of the available light.

The Leica V-Lux 5’s built-in flash includes four modes: Forced Flash On, Forced On/Red-Eye, Slow Sync., Slow Sync./Red-Eye.

Our testing revealed that the V-Lux successfully avoids red-eye with and without red-eye reduction enabled. It does however produce minor wide-angle vignetting when shooting from a distance of 1.5m.

With Handheld Night Shot activated, the V-Lux 5 quickly captures several exposures of a night scene and combines them into a single image with increased clarity and reduced noise. The end results are attractively bright and detailed, especially considering they’re often captured at ISO 3200. Alternatively, you can switch to shutter priority mode and shoot a long exposure at a low ISO sensitivity, but you’ll need a tripod.

This is a selection of sample images from the Leica V-Lux 5 camera, which were all taken using the 20 megapixel Fine JPEG setting. The thumbnails below link to the full-sized versions, which have not been altered in any way.

1/1600s · f/3.2 · ISO 125 27mm Download Original

1/250s · f/4 · ISO 125 432mm Download Original

1/250s · f/4 · ISO 125 270mm Download Original

1/400s · f/4 · ISO 125 432mm Download Original

1/1000s · f/2.8 · ISO 125 27mm Download Original

1/800s · f/4 · ISO 125 432mm Download Original

1/1600s · f/4 · ISO 125 216mm Download Original

1/3200s · f/4 · ISO 125 424mm Download Original

1/2000s · f/2.8 · ISO 125 27mm Download Original

1/640s · f/4 · ISO 125 432mm Download Original

1/320s · f/3.9 · ISO 125 121mm Download Original

1/250s · f/3.7 · ISO 125 89mm Download Original

1/640s · f/3.7 · ISO 125 76mm Download Original

1/640s · f/4 · ISO 125 307mm Download Original

1/100s · f/2.8 · ISO 125 27mm Download Original

1/80s · f/3.6 · ISO 200 70mm Download Original

1/800s · f/3.9 · ISO 125 124mm Download Original

1/1000s · f/4 · ISO 125 432mm Download Original

1/400s · f/4 · ISO 125 249mm Download Original

1/320s · f/4 · ISO 125 432mm Download Original

1/640s · f/3.8 · ISO 125 97mm Download Original

1/320s · f/4 · ISO 125 200mm Download Original

1/60s · f/3.5 · ISO 400 63mm Download Original

1/60s · f/3.5 · ISO 320 63mm Download Original

Sample RAW Images

The Leica V-Lux 5 enables users to capture RAW and JPEG format files. We've provided some Leica RAW (RWL) samples for you to download (thumbnail images shown below are not 100% representative).

1/1600s · f/3.2 · ISO 125 27mm Download original

1/250s · f/4 · ISO 125 432mm Download original

1/250s · f/4 · ISO 125 270mm Download original

1/400s · f/4 · ISO 125 432mm Download original

1/1000s · f/2.8 · ISO 125 27mm Download original

1/800s · f/4 · ISO 125 432mm Download original

1/1600s · f/4 · ISO 125 216mm Download original

1/3200s · f/4 · ISO 125 424mm Download original

1/2000s · f/2.8 · ISO 125 27mm Download original

1/640s · f/4 · ISO 125 432mm Download original

1/320s · f/3.9 · ISO 125 121mm Download original

1/250s · f/3.7 · ISO 125 89mm Download original

1/640s · f/3.7 · ISO 125 76mm Download original

1/640s · f/4 · ISO 125 307mm Download original

1/100s · f/2.8 · ISO 125 27mm Download original

1/80s · f/3.6 · ISO 200 70mm Download original

1/800s · f/3.9 · ISO 125 124mm Download original

1/1000s · f/4 · ISO 125 432mm Download original

1/400s · f/4 · ISO 125 249mm Download original

1/320s · f/4 · ISO 125 432mm Download original

1/640s · f/3.8 · ISO 125 97mm Download original

1/320s · f/4 · ISO 125 200mm Download original

1/60s · f/3.5 · ISO 400 63mm Download original

1/60s · f/3.5 · ISO 320 63mm Download original

Sample Movie & Video

This is a sample movie at the quality setting of 3840x2160 pixels at 30 frames per second. Please note that this 33 second movie is 368Mb in size.

The Leica V-Lux 5 is one of the more affordable means of owning a Leica camera – albeit one that is not quite a ‘pure’ Leica, in that it shares so much with a more mass-produced Panasonic model costing almost £300 less.

That said, we do get the covetable red Leica badge on the front and of course Leica branded optics. Image quality, whilst not up there with the best of what compact system cameras or DSLRs can currently offer, is nevertheless pretty decent in terms of both the colours and definition delivered, with the Leica V Lux 5 being capable of better results than expected in challenging conditions, such as low light or even night time shooting (as long as the camera is resting on a steady surface).

The f/2.8 maximum aperture whilst not overly impressive on paper fortunately seems to deliver in practice, while the broad lens range, reaching from a 35mm equivalent ultra wide angle 25mm all the way up to 400mm at the telephoto end is very useful, avoiding the need to shuffle forward or back to achieve the framing you were after. Indeed it’s much easier to zoom in quickly to achieve that ‘capture’ you might otherwise have missed.

At the end of the day, convenience and versatility is what we’re actually paying a slight premium for with the Leica V-Lux 5. Since we can shoot 4K video and 20 megapixel stills and do so with a larger than average sensor, the ‘one camera fits all’ approach here may well be more than enough for most photographers.

Listed below are some of the rivals of the Leica V-Lux 5 .

Leica V-Lux (Typ 114)

The Leica V-Lux (Typ 114) is is a new super-zoom compact camera, offering a large 1-inch image sensor with 20 megapixels, 4K video recording and a 16x zoom lens with a 25-400mm focal range. Priced at £925 / $1350, read our expert Leica V-Lux (Typ 114) review to find out if it can justify its price-tag...

Panasonic Lumix DC-FZ82

The Panasonic Lumix DMC-FZ82 super-zoom camera (also known as the DMC-FZ80) features a massive 60x zoom lens with a focal range of 20-1200mm. Other highlights of the FZ82 / FZ80 include a 3 inch LCD touchscreen, 4K movies, 10fps burst shooting, P/A/S/M modes, RAW support, a flash hotshoe and an 18.1 megapixel MOS sensor. Read our in-depth Panasonic Lumix DMC-FZ82 review now...

Panasonic Lumix DMC-FZ1000

The Lumix DMC-FZ1000 is Panasonic's new flagship super-zoom compact camera, offering a large 1-inch image sensor with 20 megapixels, 4K video recording and a 16x zoom lens with a 25-400mm focal range. Priced at £749 / $899, read our expert Panasonic Lumix DMC-FZ1000 review to find out if it can justify its price-tag...

Panasonic Lumix DMC-FZ2000

The Panasonic Lumix DMC-FZ2000 is a flagship super-zoom compact camera, offering a large 1-inch image sensor with 20 megapixels, 4K video recording, and a 20x zoom lens with a 26-480mm focal range. Priced at £1099.99 / $1199.99, read our expert Panasonic FZ2000 review to find out if this is the ultimate do-it-all camera...

Panasonic Lumix FZ1000 II

The Panasonic Lumix FZ1000 II is an updated version of the 5-year-old FZ1000 bridge super-zoom camera. This new version offers a touchscreen, Bluetooth connectivity, Zoom Compose Assist function, enhanced 4K photo mode, and in-camera battery charging. Read our Panasonic Lumix FZ1000 II review to find out exactly what this new camera has to offer...

Sony RX10 III

The Sony RX10 III is a new premium super-zoom camera featuring a 28-600mm lens with a maximum aperture of f/2.8-4, a 20.1 megapixel 1.0-type CMOS sensor, 4K video recording, wi-fi and NFC connectivity, support for the Raw format and full manual controls. Read our in-depth Sony Cyber-shot DSC-RX10 III review now...

Reviews of the Leica V-Lux 5 from around the web.

ephotozine.com »

The Leica V-Lux 5 offers a great 16x optical zoom lens, a comfortable, easy to use camera body, with easy to access controls, and a high resolution electronic viewfinder with a good magnification ratio of 0.74x. The Leica V-Lux 5 is a very competent ultra-zoom camera, delivering both high quality images, as well as excellent 4K video quality. The Leica design and the famous red dot make this more expensive compared to the Panasonic version of the camera, and if you want to save money you can do so by going for the Panasonic version. However, if you want to stand out, with the Leica Red Dot, then the Leica V-Lux 5 is definitely cheaper than a Leica M digital rangefinder. Read the full review »

The Leica V-Lux 5 is a new super-zoom camera with a 25-400mm lens, 20 megapixels and 4K/60p movies.

20 megapixel 1-inch sensor
9.1-146 mm (25-400 mm equiv.) f/2.8-4 ASPH. lens
2.36 megapixel OLED EVF with 0.74x magnification
High-speed AF & 12 fps continuous burst shooting
4K video recording and 4K photo modes
Wi-Fi + Bluetooth connectivity with the Leica FOTOS app

The Leica V-Lux 5 is available now priced at £1,050 / $1,250.

Made for Adventure: the Leica V-Lux 5.

London, 10 July 2019 . Leica Camera presents the Leica V-Lux 5, one of the most versatile and multifaceted cameras in its product portfolio. No matter if the subject is far or close, indoor or outdoor, static or moving, the 24–400mm zoom lens , rapid autofocus and newly developed larger sensor make it the ideal camera for travel and adventure seekers. Whether you are on safari or planning your next backpacking journey, no trip can be complete without the V-Lux 5.

The camera offers a multitude of powerful functions, but not only for photos – it is also the ideal camera for capturing highest quality video footage, recording at 60-frames-per-second in excellent 4K definition which is four times the resolution of full-HD.

Featuring a newly developed OLED electronic viewfinder and flip touchscreen panel on the back provide the best view of the subject from every angle. With the touchscreen, helpful automatic modes and smart functions like face recognition or burst shooting, the Leica V-Lux 5 supports amateur photographers on their search for the perfect image. Thanks to its fast autofocus and a high continuous-shooting rate, the camera captures every detail, while innovative exposure modes like ‘Focus Stacking’ and ‘Post-focusing’ enrich its wide range of functions. The V-Lux 5 is the first model in this range that can be used with the Leica FOTOS App. To use the app, the user simply connects the camera to their iOS or Android smartphone via Bluetooth so it can be fully operated remotely. Photos and videos can be quickly and easily transferred for post-processing or sharing on social networks at any time.

The V-Lux 5’s state-of-the-art 20-megapixel one-inch sensor and Leica Vario-Elmarit 9.1-146mm f/2.8-4 aspherical lens delivers outstanding image performance whether shooting in macro, wide-angle, standard or telephoto settings. It takes shake-free stills and video in low lighting without needing a tripod thanks to its maximum apertures, ISO 12800 sensitivity and its integrated optical image stabiliser. The Leica V-Lux 5 takes 0.1 seconds to focus sharply on a subject, reliably capturing all the action in sensational clarity and detail.

The camera offers fantastic tools for composing subjects. With a resolution of 2.36 megapixels and organic light-emitting diode technology, its newly developed electronic viewfinder brings improved contrast and richer colour depth while simultaneously consuming less power. The battery can be charged via USB in addition to a main electric socket which comes in particularly handy when travelling.

The Leica V-Lux 5 is available from 10th July at Leica Store Mayfair, Leica Store City, Leica Store Harrods, authorised dealers and online at www.leicastore-mayfair.co.uk

About Leica Camera AG

Leica Camera AG is an international luxury brand and manufacturer of cameras and sport optics products. Since Leica introduced the first 35mm camera in 1914, the legendary status of the brand was built on a tradition of excellence in the construction of lenses, and in making photography a part of everyday life. Today, in combination with innovative technologies, Leica products continue to guarantee better pictures in all moments and worlds of visualisation and perception. Simultaneously, Leica has been deeply involved in the culture of photography since the company’s inception, and this ethos is still something that it champions today with its magazine, global galleries, and the esteemed Leica Oskar Barnack Prize. For Leica, photography has always been at the forefront of its thoughts and actions, along with a message to “focus on the essential”. Leica Camera AG has its headquarters in Wetzlar, in the state of Hesse in Germany, and a second production site in Vila Nova de Famalicão, Portugal. The company operates branch offices in Australia, China, France, Italy, Japan, Switzerland, Singapore, South Korea, UK, and the US.

Image Gallery

Click on a thumbnail to see the full version.

Ahead of our full review, here are some sample JPEG and Raw images taken with the Leica V-Lux 5 super-zoom camera. The Leica V-Lux 5 is a new super-zoom camera with a 25-400mm lens, 20 megapixel sensor and 4K/60p movie recording.

A gallery of sample images taken with the Leica V-Lux 5 super-zoom camera.

Leica V-Lux 5 Sample Images

Your comments.

Loading comments…

Home · Cameras · Lenses · Accessories · Software · Printers · Best · Compared · News

Search · Advertise · About · Privacy · Contact Us

Ten Months and Thousands of Images Later: We Review the Fujifilm X-T5

The Fujifilm X-T5 has been out for some time. It was announced back in November 2022, but I’ve been using it since a few weeks before that so you could say I’ve had the camera for a long enough time to be able to tell you my opinion on it. Is it the right camera for you? What are its pros and cons?

Buyer’s Remorse? No Sir!

The reason I have been using the camera so long is simple. I work in a camera store, and we get review units ahead of the announcements to be able to get our marketing material ready before the embargos drop. I was in no way contacted by Fujifilm, and they did not even know it was going to be me specifically who was going to be working on the review so no need to worry about any of the “He’s paid by Fujifilm” or similar. Well, all of that applied to the initial review I wrote about in an article on my personal blog here named “ Ok, I’m interested - Fujifilm X-T5 review ”. Read that if you’re interested in my initial thoughts and more technical specs.

Because I liked the pre-production unit so much, I preordered it as soon as the news was official. And I haven’t had a single regret since. It was the first ever piece of tech I’ve actually bought on day one. Usually, I am much more careful when it comes to spending money. I take my time. Do my research. Consult myself and think about whether I even need whatever I’m wishing for. More often than not I end up changing my mind and realizing the purchase is not necessary. This time it was different. Everything felt right. But how am I feeling ten months later?

A Quick Introduction to the Camera

If you are indeed interested in the Fujifilm X-T5 , you’ve already read the spec sheets. You already know about the new sensor and the autofocus system. But let’s just do a quick summary for the uninitiated here. The camera features an APS-C 40-megapixel X-Trans 5 HR CMOS sensor powered by a rather new X-Processor 5 in a body smaller than its predecessor the Fujifilm X-T4.

The body is fully weather-sealed, offers two UHS-II compatible SDXC card slots, and can shoot up to 15 frames per second using the mechanical shutter and up to 13 using the electronic one. The electronic shutter is capable of speeds up to 1/180,000s for wide aperture shots on a bright day. The viewfinder offers the same resolution of 3.69 million pixels as the older models. However, it was improved in terms of magnification to now be at 0.8x.

Did I See a Major Difference?

The quick answer to that is both a yes and a no. Whenever I’m capturing an event, a wedding, a concert, or when I’m traveling Ukraine I always take two cameras with me. The first one is an X-T5 with a wider lens like my trusty, battered XF 23mm f/2 R WR and an X-T3 with an XF 56mm f/1.2 R WR . This setup pretty much guarantees not just consistency in color or post-processing, but they also both be controled precisely the same, so I never have to think about it. The only difference is the photo dial being replaced by the still/movie dial on the X-T5 , but I always use my cameras on center weighted mode so I never need to change that setting anyway.

It feels nice to be able to effortlessly swap between bodies and not have to think about which camera I’m currently grabbing. The only downside to the X-T3 compared to the X-T5 is the smaller NP-W126S battery. The NP-W235 used in the X-T5 combined with the newer and more efficient processor is just a perfect combo. I’ve never needed to replace the battery with less than 1,300 shots taken on it. The trick is to use the high-performance mode and switch the body off whenever I’m not using it. The startup time is near-instantaneous and the “battery anxiety” many of us have felt in the past is gone. I can stretch the X-T3’s battery to four digits but that is when I’m really pushing it and keeping it on my mind constantly.

What About the Megapickles?

The newer X-Trans 5 HR offers 14 whole megapixels more than the older model found in X-T3, X-T4, and other cameras of the same generation. Can I see a massive jump in detail? Not by a huge margin. Yes, I can crop a bit more aggressively and yes, I do capture a bit more detail, but the difference is not something to be overly excited about. I might be spoiled by using cameras like the Nikon Z8 or the Leica Q3 a lot in the last few months, but even then, I often use the 26-megapixel X-T3 along with the X-T5 , as I’ve stated above, and the files complement each other perfectly. Neither stands out.

That being said, I haven’t really seen a difference in grain levels either. For the majority of the time, my cameras sit with their ISO dials set to auto, with the limit being set from the lowest native setting (125) to the highest available (12,800), and I never truly care what number it picks. A grainy image is far superior to no image at all, especially when you are shooting once-in-a-lifetime moments or never-to-be-repeated documentary work like I do. It is truly incredible what the sensor is capable of producing considering the pixel pitch of just 3.04µm. Granted, other cameras like Canon R6 Mark II will get you cleaner files with its pixels being near twice the size, but even still, the X-T5 delivers wonderful results.

A 300% crop of X-T5 (Left) and X-T3 (Right) images taken with the same settings of f/8, 1/250s, ISO 160, and flash. The difference in detail is there, but it is not a major one.

The files are so nice I even find myself shooting much more color than I did before. Those who know me know I am obsessed with black and white. Up until now, 99.99% of my work was captured in monochrome, but the X-T5 has changed that. I often swap between Classic Negative, Classic Chrome, Pro Neg, and even Lightroom’s Adobe color profiles when I’m shooting all kinds of events. The fact that the higher ISO values look grainier instead of noisier helps with my newfound love for color tremendously.

The dynamic range is as good as it has always been even with my previous Fujifilm bodies. The ISO invariant sensor made by Sony allows me to just expose for the highlights and worry about the shadows later. The detail is always there and ready to be brought up by a few slider movements in Lightroom. The grain levels will only increase as if you shot the image at a higher ISO value in-camera.

Is It Fast AF?

One of the major differences I’ve most certainly noticed is the speed and accuracy of the autofocus system. Fujifilm claims the main culprit behind this is the new processor. Whatever is happening under the hood it is clearly working. Saying it is all-powerful and never misses, however, would not be true at all. It is a major improvement compared to older Fujifilm bodies. It can track pretty well, it can recognize subjects, faces, and eyes at impressive distances, and it can even single-point-focus near instantly with the right lens. But there are cameras out there that track even better. The a7 IV from Sony comes to mind, the aforementioned Canon EOS R6 Mark II is more consistent, and don’t get me started on the near-flawless Nikon Z8 , which I reviewed not long ago.

Whenever I’ve got the XF 56mm f/1.2 R WR mounted, I use a single point in AF-S mode, and it works pretty well. The speed of the lens holds the AF system back a bit, though. Whenever I put some of my faster glass onto the body though, like the XF 35mm f/2 R WR or the XF 23mm f/2 R WR , I switch to the AF-C mode and choose the wide/tracking AF point. With these lenses, I can be almost certain the shots will be sharp. The only time that has failed me considerably was when I shot an afterparty of a wedding in a seriously poorly lit venue. I trusted the AF square to indicate the correct focus, but when I imported the images into Lightroom, the keeper rate was significantly lower than I was hoping for. The main culprit of that was the fact I selected “Release priority” in my AF-C mode instead of “Focus priority.” Lesson learned.

I’m not even going to talk much about the framerates. 15 fps is more than enough for most uses, and I often just choose the slower options, as I can't be bothered to wade through the files afterward. The last thing to mention regarding the speed is the shutter speed. I truly welcome the ability to use up to 1/180,000 s, as I love using my aperture at f/1.2, even on a sunny day. Shooting a silhouette directly into the sun is a possibility now, though even then, I overexposed the shot a bit.

Built for Anything

As I have said before, I use my X-T5 nearly daily. It’s always in my bag. Often accompanied by my tiny Fujifilm X70, but many times just on its own. I’ve never cared for what weather I’m in, since every single weather-resistant Fujifilm has never failed me in the past, and the X-T5 is no different. It can be a freezing blizzard, a scorching hot day, or a pouring rainstorm, the camera just works. I took it to my latest journey to Ukraine, where I visited Kherson oblast. In a high-risk area as dangerous as an active warzone, your life comes first, and your gear may be third if it is lucky.

This meant I had no time to handle my cameras with a velvet pillow and a feather-filled quilt blanket. I tossed them around, and they got knocked against the door frames of whichever vehicle I was getting in and out of at the moment, often against each other. I followed a humanitarian NGO delivering food and supplies to war-ravaged villages in the Kherson and Mykolaiv oblast. This meant carrying literal tons of flour in large bags. The cameras would often get covered in the fine dust, but they never gave in. Not once have they failed me. The only harm done was the viewfinder eyepiece of my X-T3 that got ripped off probably after getting caught on one of the molle loops of my kevlar vest. The X-T5 came back with me with a few scratches, but other than that, in perfect condition.

Only recently, I happened to have a minor accident. I was attaching a strap to the camera when it slipped out of my hand. Having one side of the strap already attached, I quickly pulled the strap as high as I could, stopping the camera from hitting the ground a mere centimeter away. The whiplash from that extended my tilt-screen mechanism, which is now experiencing a slight wobble whenever it’s extended fully. Nothing major, but boy am I glad it wasn’t the single-point swivel like the X-T4 had. Something tells me I’d be screenless now.

Have I Finally Found the One?

I’ve always been an X-Pro lover. I’ve used all three models and enjoyed them all. Their form factor is perfect for my use and their non-aggressive look helps with photographing people. That being said, the X-Pro lineup has always been a bit nerfed compared to the X-Tx cameras. I got tired of the flaws of the X-Pro3 pretty quickly, and I haven’t really looked back since. The X-T5 is everything I’d want in a rangefinder-style Fujifilm body, but I do enjoy the deeper grip and the extra controls I get compared to the X-Pro cameras.

So, as I have said in the beginning. I’ve got no regrets about buying the camera brand new as soon as it came out. Not a single one. And that is coming from a budgeting enthusiast/part-timer who’s mostly used second-hand gear for the majority of his photographic journey due to the fact they often get the job done just as well. Thanks to the X-T5 , I now have full albums of professional as well as personal work I am truly happy with, as well as a plethora of family events, gatherings, and friendly get-togethers captured perfectly, naturally, and, most importantly, honestly.

What I Like

The compact size without sacrificing the grip and ergonomics
Viewfinder resolution and speed
Quiet mechanical shutter
Fast and mostly reliable AF system
Beautiful image quality and pleasing “grain” at higher ISO values
Film simulations (Mainly Acros+R, Classic Chrome, and Pro Neg)
Battery life
USB-C charging
Dual card slots
Easy and fast connectivity with the new XApp
Intuitive and fully customizable controls
Three-way tilting screen
Fast operation and framerates
Rugged body and weather-sealing
Threaded shutter button
Fast start-up time
Lockable dials
AF switch and the ability to map AF-ON to the front button where my middle finger rests naturally

What I Don’t Like

The consistency of AF tracking in bad lighting conditions when AF-C is set to “Release priority”
The inability to use an electronic shutter when the flash is set to on even though there is no flash present on the body. A simple warning message would be nice to avoid overexposing the image.

Samples of images I have taken using the Fujifilm X-T5 and a mixture of Fujifilm XF lenses throughout the months. The images feature family gatherings, street photography, a wedding, then president-elect Petr Pavel after his victory announcement, the Ukrainian Kherson oblast during one of our supply runs, corporate events, the Austrian Alps, and many random shots taken in between.

Ondřej Vachek is a Prague based independent documentary photographer and photojournalist with multiple journeys to war-torn Ukraine where he covered everything from the frontline in the Donbass to the civilian life adapting to the new normal. Avid street photographer with love for writing and storytelling.

Retro Review: Shooting With a 20-Year-Old Fujifilm/Nikon Frankenstein Monster

Thanks for the review. I always prefer reviews from people who have used gear for a considerable amount of time and not just for a few days. Also thanks, for holding up the tradition of writing a review instead of making a video.

I'm still on the fence for the X-T5. I'd like to see a really small 18mm to 23mm lens to accompany it (I tried the 27mm but couldn't get used to the FOV). Either a pancake lens like the 27mmF2.8 or an update of the 18mmF2. I'll probably wait until next year to see what the X100mk6 will look like.

Yeah, the XF 27/2.8, or the XF 18/2 are small, but they're not fast. I have the newer 27 WR but I rarely use it, it's loud and a bit slow. I much prefer using the XF 23/2. That one is quick and quiet. Plus the X-T5 is by no means a tiny camera, so this lens doesn't add much.

I'd love to see an updated 18/2 with a quieter and faster motor, maybe sealed too. But I'm afraid that would increase the size.

I really tried to get used to the FOV of the 27mm, but I "see" the world with a 23mm FOV. Every time I lifted the camera to my eye I had to take step back and than the composition I had seen was gone. I rarely use focal length between 23mm and 50mm. I just can't get the hang of it. That's why I hope that there will be a pancake ir at least muffin sized lens between 18mm and 23mm. Something like Sony's 20mmF2.8 would be perfect. But Fujirumors just announced that the X100V successor will come early 2024, so I'll probably wait until then. A few years ago, I used a X100T for two years almost exclusively. If the next X100 gets the 40mpx sensor I'll probably go for that.

I have been on the fence of which camera to upgrade to. The X-T5 is my main choice. After reading your review, my mind is definitely made up. Thanks for the thorough review. Also, nice work. I enjoyed your sample images.

Thank you very much! :)

This camera is very popular and loved. Six comments!

Thanks for the great review. Bought the X-Pro2 3rd hand last month and loving it. THinking of the X-H2 or the X-T5 and the smaller footprint is drawing me to the X-T5 instead. In Singapore where I am from, all gears are expensive.

Thank you! X-Pro2 is a great choice! I still miss mine and I'm thinking of getting one again... https://fstoppers.com/reviews/still-brilliant-choice-seven-years-later-f...

Thanks for sharing, Ondřej! Why is everyone so happy with the Fuji image quality? You are a good artist, composition, subject, colors and depth are perfect. But none of the photos are sharp and seem "unfocussed". Coming from an APS-C Canon 7D with L-lenses, I am very disappointed in my Fuji XT3. All photos are blurry and soft around the edges and this XT5 does not show an improvement. They even tout it as "created with the stills photographer in mind".

Is it the cheaper glass, or is Fuji of lesser quality then what Canon has to offer? After seeing your results, I will not "upgrade" to an XT5: nice to have all those extra toys built in, but they are of no use when the image quality is low.

Back to Canon? Or are there small form factor cameras with better performance available?

Thank you for the comment!

I'd say it's important to keep in mind that the Fstoppers sample gallery won't let you zoom all the way to 100% even when I upload a full-res image. That is why I only use 2048p files when I make these galleries. But once you see the full files the story is a little different.

Here are some 100% crops of a few sample images. I definitely would not say they are in any way "unfocused" or not sharp. Grainy yes, because I rarely use low ISO values (I often get into 5 digits when it comes to ISO), blurry thanks to me rarely shooting past the maximum aperture available. But the parts in focus are always sharp and full of detail.

It's the same with all of my other Fujifilm files ever since the X-Pro1. And when shot with a flash and the aperture closed to f/8 it can rival much more expensive bodies with much larger sensors. I've just finished a studio shoot and the detail captured is incredible.

On top of that, I've never been a pixel peeper, I rarely care for detail as the light, composition, and moment feel much more important to me than megapickles, but I've rarely been held back by the sensors. Nowadays you'd have to try hard to buy a bad camera, to be honest. Unless you pick up a 4000D, you've got a great camera. It's more about how you use it. Canons sure are great! So are Sonys, OMs, Nikons, even Pentaxes. Use whatever makes you want to shoot. That is more important than any specs.

Great pictures Ondrej. Can I ask what sim you are using in the B&W images. Thanks.

Thank you very much, Peter. It's mainly Acros+R. Although I apply the profile in Lightroom as I shoot RAW.

Optex Manuals
Action Cameras

Optex Safari 5 Manual

Instruction manual (21 pages)
page of 20 Go / 20

Quick Links

Related manuals for optex safari 5.

Action Cameras Optex SAFARI 5 Instruction Manual

Summary of Contents for Optex Safari 5

Page 1 OPTEX SUPER-SMOOTH BUILT-IN STABILIZATION ACCESSORIES...

Page 3: Important Notice

Page 4: appearance and buttons.

Page 5 OPERATING INSTRUCTIONS 1. T ransferring media to a computer Note: Charging can also be achieved by and charging the camera battery plugging the camera into a USB wall charger. No Connect the camera to a computer using the mode selection is needed to charge this way. Micro USB cable. The camera will be powered on and three options will appear on the screen: USB Mode, PC Camera and Charging Mode. USB Mode USB Mode: is used to transfer media from the camera to a computer. To select the USB Mode PC Camera press the Shutter/OK button Charging Mode PC Camera: is used to access the web camera...
Page 6 OPERATING INSTRUCTIONS 2. U sing the Micro SD card 4. Busy Indicator Push the Micro SD card into the slot until it The Busy Indicator light will flicker blue when clicks into place. The label will face the rear the camera is recording videos, shooting of the camera. To remove the Micro SD card, photos and etc. When not busy the indicator press the tail of the storage card inward softly light will be solid blue with no flicker. and it will eject from the camera. 5. WiFi Connection To connect to WiFI on the camera, press and hold the WiFi Up button for 3 seconds. A WiFi information window will appear on the screen and the WiFi Indicator will flash orange. Go into the WiFi settings on your smart device and search for the WiFi SSID. Once Note: Please use Class 10 - U1 / U3 Micro SD you have selected the WiFi SSID, enter the cards up to 128GB only. Please turn off the password that is listed on the camera’s WiFi camera prior to plugging-in or pulling-out the information screen.
Page 7 OPERATING INSTRUCTIONS 6. Cycling Between Working Modes Note: Once in a working mode you can quick The camera has 9 Working Modes: photo, access the Working Mode Menu by pressing timer photo, burst photo, auto photo, normal the Power/Mode button recording, slow recording, lapse recording, 7. Working Mode Settings recording+photo and dashcam. After the In Working Mode Settings you can adjust the power is on, press the Power/Mode button video and camera’s resolution, recording size, to enter the Working Mode Menu. Using the setting functions and much more. WiFi Up button and Down button select the mode you would like to use, then press To access the Working Mode Settings press the Shutter/OK button to enter the mode. and hold the Shutter/OK button for 3 seconds while in a Working Mode. Working Mode Once in Working Mode Settings use the Power/Mode button to toggle through video, photo, gear or exit icons and press the Shutter/OK button to select. Photo Timer Photo Burst Photo After selecting an icon, use the WiFi Up button and Down button to toggle the secondary menu and press the Shutter/OK button...
Page 8 OPERATING INSTRUCTIONS 8. F ormatting the Micro SD card g) P ress Down button to select the When using the Micro SD card for the first “Confirm” option. time the message, “Please format SD card!” h) P ress the Shutter/OK button to format may appear. the card. Once completed you will see If the message appears please follow these “Format successfully!” message. The micro instructions: SD card is now ready to use. a) W ith the camera turned OFF insert the i) T o Exit the settings screen, press the micro SD card (up to 128GB capacity). Power/Mode button b) P ress and hold the Power/Mode button on the front of the camera for 3 seconds to power ON the camera. c) P ress and hold the Shutter/OK button for 3 seconds to bring up the Settings menu.
Page 9 OPERATING INSTRUCTIONS Notice Notice Format Card Format Card Format Card Format SD? Format SD? Reset Reset Reset Quick format? Quick format? Format successfull Form Language Language English English Language Cancel Cancel Con rm Con rm Diagram (E) Diagram (G) Notice Format Card Format SD? Reset Quick format?
Page 10 OPERATING INSTRUCTIONS 9. Video Recording Mode (Normal Rec) 7 S tabilizer icon, indicating that camera shake After the power is on, the camera will start off reduction is on. in video recording mode. Press the Shutter/ 8 T ext indicating what mode you are OK button .to start recording; press the currently in. Shutter/OK button .again to stop recording. Press the WiFi Up button and Down button T ext indicating what resolution you are 9 to zoom in and out. shooting in. Note: If the memory card is full or the battery power is low, the camera will automatically stop recording. 3 4 5 1 V ideo icon, indicating that the camera is in video recording mode. 00:00:00/02:18:44 2 T ext, indicating recording time of a video. 3 S D icon, indicating that the Micro SD card is inserted in the camera.
Page 11 OPERATING INSTRUCTIONS 10. S low Rec, Lapse Rec and Rec+Photo Modes Lapse Rec: This mode records time lapse After the power is on, press the Power/Mode video at 10, 30, or 60 seconds and 200, 300, button .to enter the Working Mode Menu. 500 minutes. To set the recording time go into Use the WiFi Up button and Down button the Working Mode Settings menu. and toggle to slow rec, lapse rec, rec+photo or Rec+Photo: This mode records and takes dashcam mode. Once in the select mode press photos simultaneously. the Shutter/OK button to take a photo. Note: Dashcam mode is available to record Slow Rec: This mode records video in slow while driving. The camera is also able to loop motion at FHD 1080p (90fps) or HD 720p record which can be turned on in the Working (120fps). To set the recording size go into the Menu Settings. Working Mode Settings menu. 00:00:00/02:18:44 00:00:00/02:18:44 00:00:00/02:18:44 Slow Rec Lapse Rec Rec+Photo 1080P90 4K30 4K30 Slow Rec Lapse Rec Rec+Photo...
Page 12 OPERATING INSTRUCTIONS 11. Photography Mode (Photo) 3 4 5 After the power is on, press the Power/Mode button .to enter the Working Mode Menu. 0038/34327 Use the WiFi Up button and Down button and toggle to Photo, then press Shutter/ OK button to enter the mode. Once in Photo Mode press the Shutter/OK button to take a photo. P hoto icon, indication that the camera is in 1 Photo photography mode. 2 T ext, indicating how much space is left on the inserted memory card. Photography Mode 3 S D icon, indicating that the Micro SD card is inserted in the camera. M icrophone icon, indicating that the 4 microphone is active. 5 B attery icon, indicating current battery power level. 6 T ext, indicating what mode you are currently in.
Page 13 OPERATING INSTRUCTIONS 12. Timer, Burst & Auto Photo Modes Burst Photo: This mode takes multiple After the power is on, press the Power/Mode photos of 3, 5 or 10 shots in 1 second. To set button .to enter the Working Mode Menu. the amount of photos the camera takes go Use the WiFi Up button and Down button into Working Mode Settings menu. and toggle to timer, burst or auto photo Auto Mode: This mode capture a series of mode. Once in the select mode press the photos continuously. Shutter/OK button to take a photo. Timer Photo: This mode takes a photo with a delayed timer of 1, 3, 5, 10 or 30 seconds. To set the delayed time go into the Working Mode Settings menu. 0038/34327 0038/34327 0038/34327 Timer Photo Burst Photo Auto Photo Timer Photo Mode Burst Mode Auto Mode...
Page 14 OPERATING INSTRUCTIONS 13. Playback Mode After the power is on, press the Down button for 3 seconds to enter Playback mode. In Albums Playback mode use the WiFi Up button and Down button to toggle. Deleting Media: Toggle to the trash can icon and press the Shutter/OK button Once gray boxes appear on the images, toggle to the items that you wish to delete and press the Shutter/OK button to select it. Then toggle back to the trash can icon and press the Shutter/OK button again. You will be Playback Mode prompted to confirm or cancel the deletion. Select & Deselecting: To select all images toggling to the check mark icon and press the Shutter/OK button . To deselect images press the Power/Mode button Note: Playback Mode is not available when in the Working Mode Menu.
Page 15 APP (FOR ANDROID AND IOS) I. H ow to obtain the APP installation 4. E nable the WiFi function of the mobile program phone or tablet and wait for the “Safari5K” network to appear; select the connection 1. O n Android and Apple (iOS) devices search and enter the password that appears on “Safari Connect 5K” in the Apple APP Store the screen of the camera. or Google Play Store (depending on your mobile device) proceed with installation 5. T ap and enable the “Safari Connect 5K” APP of the APP on your device. on the mobile phone or tablet. 6. S elect the camera name as it appears II. H ow to connect the camera on screen. to the mobile device 7. Y ou can directly view the preview picture 1. P lease install the “Safari Connect 5K”...
Page 16 APP (FOR ANDROID AND IOS) Search: Safari Connect 5K ATTENTION This APP requires Android 4.1 or more and iOS 7 or more.

Page 17: Included Accessories

Page 18: specifications.

Page 20 OPTEX safaricam.ca Distributed in Canada by Gentec International • gentec-intl.com...

Rename the bookmark

Delete bookmark, delete from my manuals, upload manual.

Leica V-Lux 5 review: the premium bridge camera

A rare beast in today’s digital camera climate, does this leica-badged bridge camera with 25-400mm equivalent lens reach make it an ultimate all-in-one.

Digital Camera World Verdict

Sharing many core qualities with the less expensive Panasonic Lumix FZ1000 and its Mark II successor, precisely because of that, the V-Lux 5 is one of the more affordable Leica cameras that we can own. Marrying a one-inch sensor to a 16x optical zoom also makes this a viable alternative to both a premium compact, a DSLR, or a mirrorless camera for someone looking for a single option that does it all, despite necessitating a chunky and weighty build. Still, this Leica’s larger-than-average sensor, generous zoom range, and the ability to capture 4K video makes it a versatile package for anyone who wants DSLR-like operation, but to forego the faff of swapping or expense of owning a bunch of lenses.

All encompassing 25-400mm lens reach equals versatility

One-inch sensor

One of the most affordable Leica cameras

4K resolution video capture

Tilt and swivel 3-inch touchscreen LCD

We’re paying a premium for the Leica badge compared to the practically identical Panasonic FZ1000 Mark I & II

Big and bulky because of the lens reach offered

Why you can trust Digital Camera World Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out how we test.

Specifications

Key features, design & handling, performance, alternatives.

Bridge cameras – once so-called because they formed a ‘bridge’ between a compact point-and-shoot and the operability of a fully blown DSLR with telephoto lens – used to be a must-have in the ranges of any self respecting camera manufacturer. And up until around five or 10 years ago, when smaller, lighter mirrorless cameras began to steadily replace DSLRs, they were.

However, nowadays such bridge units, also known as super zooms or all-in-ones, because of their generous lens reach, are pretty thin on the ground and we’re more likely to find one secondhand than new.

Still listed in its manufacturer’s online store, some five years since it was originally announced, is the Leica V-Lux 5.

Even in an era where compact mirrorless cameras and equally compact telephoto lenses are king, we feel cameras like this still have a place. Because, as was the case when bridge cameras were being sold as alternatives to DSLRs, buying a body plus separate lens approaching anything like the 35mm equivalent 25-400mm reach, or 16x optical zoom, offered by Leica here would be much more expensive still.

So what else does the Leica V-Lux 5 offer to deserve a place in today’s camera bags? Read on to find out.

Leica V-Lux 5 camera held in a hand against a white wall

While the 16x optical zoom is the main selling point for the Leica V-Lux 5, this is married to a 20-megapixel resolution from a larger-than-average one-inch sensor. Images and 4K video are composed and reviewed via an eye-level electronic viewfinder with a life-like 2.36 million dots resolution, and/or a flip-out and rotating 3-inch touch screen LCD, which can be fully turned to face whatever is in front of the lens. The latter monitor still offers a more than respectable 1,240,000 dots of resolution and once again 100% field of view, while the camcorder-like flexibility of how we can angle the screen proves particularly effective for video.

As noted in our intro, this camera offers a Leica Vario-Elmarit 9.1-146mm f/2.8-4 aspherical lens delivering a creatively versatile 25-400mm equivalent reach in 35mm terms, and, as indicated, the brightest aperture setting of f/2.8 at its widest point.

While the top plate buttons here resemble what we’d expect to find on a DSLR, the smaller, inset rear plate buttons more closely resemble those of a mirrorless camera or premium-level compact. So operation will not daunt either category of user.

The camera is powered by a removable lithium-ion battery that can also be charged on-the-fly, while still in the camera, via USB lead. Unfortunately, no mains plug or standalone charger is provided. We found a full charge of the battery takes around 180 minutes, with industry body CIPA confirming that a fully juiced up cell will last for up to 440 stills or 220 minutes of moving footage, which is respectable when compared with the mirrorless camera body we could alternatively buy for a similar outlay.

A vacant hotshoe atop the camera signals that this one is compatible with accessory flash, while a spring-loaded pop-up integral flash is alternatively offered just forward of the EVF and directly above the lens. It would seem therefore that the Leica V-Lux 5 has most bases covered in terms of the sort of feature set we’d expect.

The design of the Leica V-Lux 5 is chunky and industrial looking, and with that whopper of a lens bolted on the front isn’t actually that much smaller than a beginner-level DSLR, or indeed a premium mirrorless camera body.

Unlike those alternatives, the lens here isn’t removable/swappable, so the fact that we can quickly jump from an ultra-wide angle setting to a super telephoto one with a flick of its zoom lever is a real boon. Top plate mode wheels detailing the shooting modes available, as well as continuous and single shot options, will be familiar to anyone who is more at ease with a DSLR, as will command dials at the front and back of the handgrip. These ergonomically fall under the forefinger or thumb respectively.

Overall the camera feels robust and sturdy in the hand, if a little heavy at just under a kilogram. Like a DSLR or mirrorless camera, this is built for two-handed use, with the left hand encircling and steadying the lens barrel as the right holds the grip and squeezes the forward-angled shutter release button. Fortunately, a shoulder/ neck strap is supplied so we don’t have to carry it around in our hands. Too big to fit into a jacket pocket, a dedicated camera bag or backpack will alternatively be required.

The V-Lux 5’s zoom lens can in fact be operated in a couple of ways. Via a flick of the lever encircling the shutter release button, which will be familiar to most compact camera users already, or via a twist of the ridged ring encircling the lens barrel, which will feel more familiar to anyone who’s owned or used a DSLR or mirrorless alternative. For more precise incremental adjustments we’re better off favoring the use of the lens ring, as an on-screen distance bar is provided along the bottom of the LCD for guidance, in addition to markings on the lens barrel itself, its focusing range stretching from a minimum 30cm to infinity.

In summary the angular, almost brutalist build feels like it would withstand the odd accidental knock in the heat of the action, though we wouldn’t want to drop or knock it when the lens is fully extended and the camera therefore at its most vulnerable.

With its obvious audience being travel photographers, wildlife watchers, and photo enthusiasts collectively, on the Leica V-Lux 5 we get the ability to shoot Raw files either in preference to, or in tandem with, standard, maximum fine quality JPEGs. If we choose to shoot Raw and JPEG together, rather than just the latter separately, we’re happy to report there’s barely, if any, noticeable slowdown.

While results may not stand up to direct comparison with what is achievable with a full-frame DSLR or mirrorless camera in terms of razor-sharp image quality, it delivers better performance than we could have hoped for in the most challenging low light or nighttime conditions, as long as we have a flat surface onto which to further steady it.

While a maximum f/2.8 aperture might not sound groundbreaking on paper, in practice here it proves sufficient. The 25mm to 400mm is also creatively useful, enabling us to squeeze most subjects into our frame without having to physically shuffle our feet forward or back to achieve the framing we desire. Convenient and versatile, with the V-Lux 5 it’s easy to quickly zoom in and capture the moment before it passes, meaning a greater average hit rate for the photographer using it.

Green grass in a park with some trees and houses in the background

In terms of colors, these are as punchy as we’d expect from a camera this close to Panasonic ’s own, and as regards manually selectable light sensitivity settings, it’s only really when we nudge up to ISO12800 that we’re noticeably seeing image degradation, without needing to enlarge areas to actively check for it. Inevitably a huge and versatile zoom range at our fingertips requires a degree of compromise in knowing that a one-inch sensor camera isn’t going to be a match for an APS-C or full-frame DSLR or mirrorless chip. But to give it its due, the Leica V-Lux 5’s quality comes near enough to the former to make it worth our consideration.

In being a chunky Leica bridge camera with generous 16x optical zoom equivalent to 25-400mm in 35mmm terms, this ‘super zoom’ is eminently suitable for capturing everything from wide-angle landscapes to wildlife close-ups, slotting the equally common pursuit of portraiture in between.

While some observers may grumble that the V-Lux 5 is basically a re-badged Panasonic Lumix FZ1000 with a higher price tag, others will relish the fact that they can own an all-subjects-encompassing Leica and its covetable red badge without having to survive on soup for the rest of the year.

Leica V-Lux 5 camera on a floor of pebbles

If you’re checking out the Leica V-Lux 5 then it’s a must to compare and contrast it with Panasonic’s FZ2000 cousins – so close in identity they could almost be the proverbial kissing cousins.

However, like someone sizing up a Rolls-Royce car, if you’re considering a Leica then you probably definitely know that you do want a Leica and are prepared to pay the premium to realize that dream.

Thank you for reading 5 articles this month* Join now for unlimited access

Enjoy your first month for just £1 / $1 / €1

*Read 5 free articles per month without a subscription

Join now for unlimited access

Try first month for just £1 / $1 / €1

Gavin has over 30 years’ experience of writing about photography and television. He is currently the editor of British Photographic Industry News , and previously served as editor of Which Digital Camera and deputy editor of Total Digital Photography .

He has also written for a wide range of publications including T3 , BBC Focus , Empire , NME , Radio Times , MacWorld, Computer Active , What Digital Camera and the Rough Guide books.

With his wealth of knowledge, Gavin is well placed to recognize great camera deals and recommend the best products in Digital Camera World’s buying guides. He also writes on a number of specialist subjects including binoculars and monoculars, spotting scopes, microscopes, trail cameras, action cameras, body cameras, filters and cameras straps.

Earth & Climate

The solar system, the universe, aeronautics, learning resources, news & events.

What’s Up: April 2024 Skywatching Tips from NASA

NASA VIPER Robotic Moon Rover Team Raises Its Mighty Mast

NASA’s Curiosity Mars rover captured this 360-degree panorama

NASA’s Curiosity Searches for New Clues About Mars’ Ancient Water

Search All NASA Missions
A to Z List of Missions
Upcoming Launches and Landings
Spaceships and Rockets
Communicating with Missions
James Webb Space Telescope
Hubble Space Telescope
Why Go to Space
Astronauts Home
Commercial Space
Destinations
Living in Space
Explore Earth Science
Earth, Our Planet
Earth Science in Action
Earth Multimedia
Earth Science Researchers
Pluto & Dwarf Planets
Asteroids, Comets & Meteors
The Kuiper Belt
The Oort Cloud
Skywatching
The Search for Life in the Universe
Black Holes
The Big Bang
Dark Energy & Dark Matter
Earth Science
Planetary Science
Astrophysics & Space Science
The Sun & Heliophysics
Biological & Physical Sciences
Lunar Science
Citizen Science
Astromaterials
Aeronautics Research
Human Space Travel Research
Science in the Air
NASA Aircraft
Flight Innovation
Supersonic Flight
Air Traffic Solutions
Green Aviation Tech
Drones & You
Technology Transfer & Spinoffs
Space Travel Technology
Technology Living in Space
Manufacturing and Materials
Science Instruments
For Kids and Students
For Educators
For Colleges and Universities
For Professionals
Science for Everyone
Requests for Exhibits, Artifacts, or Speakers
STEM Engagement at NASA
NASA's Impacts
Centers and Facilities
Directorates
Organizations
People of NASA
Internships
Our History
Doing Business with NASA
Get Involved
Aeronáutica
Ciencias Terrestres
Sistema Solar
All NASA News
Video Series on NASA+
Newsletters
Social Media
Media Resources
Upcoming Launches & Landings
Virtual Events
Sounds and Ringtones
Interactives
STEM Multimedia

A woman stands on the left side of the image, seen from the waist up. She wears a white clean suit that covers her arms, torso, and over her head. She also has on a white mask that covers her nose and mouth and blue latex gloves. Behind her and to the right in the image is a large, rectangular piece of equipment - the PACE satellite. The side of the satellite visible is black and reflects light off it. Behind the woman and PACE is a large wall that has a green gridded pattern on it.

Veronica T. Pinnick Put NASA’s PACE Mission through Its Paces

That Starry Night Sky? It’s Full of Eclipses

Scientists Use NASA Data to Predict Solar Corona Before Eclipse

NASA Astronaut Loral O’Hara, Expedition 70 Science Highlights

2021 Astronaut Candidates Stand in Recognition

Diez maneras en que los estudiantes pueden prepararse para ser astronautas

image of an astronaut posing next to 3D printer aboard the space station

Optical Fiber Production

NASA Data Shows How Drought Changes Wildfire Recovery in the West

On February 20th, 2024, Antarctic sea ice officially reached its minimum extent for the year.This cycle of growth and melting occurs every year, with the ice reaching its smallest size during the southern hemisphere's summer.

Antarctic Sea Ice Near Historic Lows; Arctic Ice Continues Decline

NASA Partnerships Bring 2024 Total Solar Eclipse to Everyone

Universe Stories

Hubble Finds a Field of Stars

NASA Awards Astrophysics Postdoctoral Fellowships for 2024

Illustration showing several future aircraft concepts flying over a mid-sized city with a handful of skyscrapers.

ARMD Solicitations

NASA photographer Jim Ross, flying with research pilot Nils Larson in F-15D #884, took this photograph of F-15D #897 with Troy A

F-15D Support Aircraft

This is a graphic about NASA's Gateways to Blue Skies Competition. The graphic has text that reads "The Gateways to Blue Skies Competition is sponsored by NASA's Aeronautics Research Mission Directorate and is managed by the National Institute of Aerospace."

University Teams Selected as Finalists to Envision New Aviation Responses to Natural Disasters

David Woerner

Lazurite's ArthroFree Wireless Camera System on a table, held by a person wearing surgical gloves.

Tech Today: Cutting the Knee Surgery Cord

false color map of moon surface with colors showing height of craters, mountains

NASA, Industry Improve Lidars for Exploration, Science

Dr. Makenzie Lystrup shakes hands Dr. Carolyn R. Lepre at a table, with Dr. Laurie Couch and Dave Pierce standing behind them.

NASA, Salisbury U. Enact Agreement for Workforce Development

NASA, Partners Select Universities for CubeSat Summer Program

NASA Engineer Chris Lupo Receives 2024 Federal Engineer Award

Six members of the OSIRIS-REx team pose for a photo in front of a screen that says: "Neil Armstrong Space Flight Achievement Award. OSIRIS-REx Flight Team."

NASA’s OSIRIS-REx Earns Neil Armstrong Space Flight Achievement Award

Meet the Two Women Leading Space Station Science

Astronauta de la NASA Marcos Berríos

image of an experiment facility installed in the exterior of the space station

Resultados científicos revolucionarios en la estación espacial de 2023

Five tips from nasa for photographing a total solar eclipse, mara johnson-groh.

A total solar eclipse creates stunning celestial views for people within the path of the Moon’s shadow. This astronomical event is a unique opportunity for scientists to study the Sun and its influence on Earth, but it’s also a perfect opportunity to capture unforgettable images. Whether you’re an amateur photographer or a selfie master, try out these tips for photographing the eclipse.

#1 – Safety First

Looking directly at the Sun is dangerous to your eyes and your camera. To take images when the Sun is partially eclipsed, you’ll need to use a special solar filter to protect your camera, just as you’ll need a pair of solar viewing glasses (also called eclipse glasses) to protect your eyes. However, at totality, when the Moon completely blocks the Sun, make sure to remove the filter so you can see the Sun’s outer atmosphere – the corona.

#2 – Any Camera Is a Good Camera

Taking a stunning photo has more to do with the photographer than the camera. Whether you have a high-end DLSR or a camera phone, you can take great photos during the eclipse; after all, the best piece of equipment you can have is a good eye and a vision for the image you want to create. If you don’t have a telephoto zoom lens, focus on taking landscape shots and capture the changing environment.

Having a few other pieces of equipment can also come in handy during the eclipse. Using a tripod can help you stabilize the camera and avoid taking blurry images when there is low lighting. Additionally, using a delayed shutter release timer will allow you to snap shots without jiggling the camera.

#3 – Look Up, Down, All Around

While the Sun is the most commanding element of a solar eclipse, remember to look around you. As the Moon slips in front of the Sun, the landscape will be bathed in eerie lighting and shadows. As light filters through the overlapping leaves of trees, it creates natural pinholes that project miniature eclipse replicas on the ground. Anywhere you can point your camera can yield exceptional imagery, so be sure to compose some wide-angle photos that can capture your eclipse experience.

NASA photographer Bill Ingalls recommends focusing on the human experience of watching the eclipse. “The real pictures are going to be of the people around you pointing, gawking, and watching it,” Ingalls noted. “Those are going to be some great moments to capture to show the emotion of the whole thing.”

#4 – Practice

Be sure you know the capabilities of your camera before eclipse day. Most cameras, and even some camera phones, have adjustable exposures, which can help you darken or lighten your image during the tricky eclipse lighting. Make sure you know how to manually focus the camera for crisp shots.

For DSLR cameras, the best way to determine the correct exposure is to test settings on the uneclipsed Sun beforehand. Using a fixed aperture of f/8 to f/16, try shutter speeds between 1/1000 to 1/4 second to find the optimal setting, which you can then use to take images during the partial stages of the eclipse. During totality, the corona has a wide range of brightness, so it’s best to use a fixed aperture and a range of exposures from approximately 1/1000 to 1 second.

#5 – Share!

Share your eclipse experience with friends and family afterwards. Tag @NASA to connect your photos on social media to those taken around the country and share them with NASA.

While you’re snapping those eclipse photos, don’t forget to stop and look at the eclipse with your own eyes. Just remember to wear your solar viewing glasses (also called eclipse glasses) for all stages of the eclipse before and after totality!

Related Terms

Science & Research
2017 Solar Eclipse
2024 Solar Eclipse
Heliophysics
Heliophysics Division
Science Mission Directorate
Solar Eclipses

Explore More

On Monday, April 8, NASA and its partners will celebrate the wonders of the total…

Our star, the Sun, on occasion joins forces with the Moon to offer us Earthlings…

Our Sun, like many stars, is adorned with a crown. It’s called a corona (Latin…

Discover Related Topics

Solar System

COMMENTS

Safari 5 action camera review
I was looking for a cheep alternative to my GoPro Hero 4. An action camera that I don't feel too bad if someone rips it off when I leave it alone in a locati...
SAFARI 5D Action Camera
•••SUBSCRIBE TO OUR CHANNEL•••AKAFunTimeshttps://www.youtube.com/channel/UCwn8m_Ev8TNQM0DFwhjhXLwSAFARI 5D Action Camera Review:•Has vibrant colour ...
Safari 5d 4k action camera review
music byMusic: Turn Up The WattsMusician: Jason ShawURL: https://audionautix.comLicense: https://creativecommons.org/licenses/by/4./legalcodeSafari 5d 4k ac...
Top 5 Best Cameras for Safari in 2024 (Quick Guide)
Top Choices for Best Camera for Safari. 1. Fujifilm X-T3 Mirrorless Digital Camera. 2. Canon DSLR Camera [EOS 90D] with Built-in Wi-Fi. 3. Panasonic LUMIX FZ1000 4K Point and Shoot Camera. 4. Canon EOS 5D Mark IV Full Frame Digital SLR Camera.
Amazon.ca:Customer reviews: Safari 5 Action Camera with Native 4K 30
Find helpful customer reviews and review ratings for Safari 5 Action Camera with Native 4K 30 with Built in stabilization at Amazon.com. Read honest and unbiased product reviews from our users.
10 BEST Safari Cameras And Lenses In 2024
Superb Image Quality. Excellent Color Rendition. Leading Class Auto-Focus. 45MP Sensor. Canon Color Quality. Cons. High Price. Expensive Lenses. The Canon R5 is the flagship model of Canon's mirrorless line, and they back it up with an impressive range of lenses ready to capture wildlife.
Safari 5 Action Camera with Native 4K 30 with Built in stabilization
This item: Safari 5 Action Camera with Native 4K 30 with Built in stabilization. $8999. +. SanDisk 256GB Extreme microSDXC UHS-I Memory Card with Adapter - Up to 190MB/s, C10, U3, V30, 4K, 5K, A2, Micro SD Card - SDSQXAV-256G-GN6MA. $3699.
Best Safari Cameras and Lenses: Your Ultimate Guide for Wildlife
Canon EF 24-105mm f/4L IS II USM: Great for landscapes and general wildlife photography. Nikon D850:The Nikon D850, a favorite among professional safari-goers, boasts a 45.7 MP full-frame sensor, 4K UHD video recording, and exceptional low-light performance. Nikon AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR: Versatile zoom and vibration reduction.
Safari 5 4K Waterproof 30 FPS WiFi 2" Screen Action Camera Kit
Save $1,002. Hikvision HikVision 75" 4k Interactive Display with Camera and Microphone array, Android 11.0, Memory 4GB, Built-in 64GB Storage ( DS-D5B75RB/D) $5,998.00 $6,999.99. Check for Specials. The new Safari 5D features a dual screen design with a front facing HD LCD screen, ensuring you'll never miss the action.
Hands on: Safari 5 review
Hands on: Safari 5 review. News. By Carrie Marshall. ... The world's smallest mirrorless camera is being crowdfunded by a classic Japanese brand. By Timothy Coleman March 28, 2024.
10 Best Safari camera for beginners
The Nikon D5600 is the new version of the Nikon D3500. It has so many features that your safari photos will look professional. Nikon has put an incredible effort into making this camera the best camera it can be. It has a 23.5×15.6 sensor that shoots at 5FPS.
Best Camera For Safaris: 5 Wildlife Photographers Weigh In
Read full camera breakdowns below. Marlon Du Toit's Best Camera for Safari: Sony A1. Will Burrard-Lucas: Canon EOS 1D Mark IV. Michael Poliza's Best Camera for Safari: OLYMPUS OM-D E-M1 Mark II. Jonathan and Angela Scott's Best Camera for Safari: The Canon EOS-1D X Mark II. David Yarrow's Best Camera for Safari: Nikon D850.
11 Best Cameras for Safari (with Lens Recommendations) 2024
Best Nikon Lenses for Safari Photography. Nikon has fewer mirrorless lenses than Sony. But Nikon's Z 400mm f/2.8 TC VR S and the new Nikon Z 600mm f/4 TC VR S match the Sony versions' max aperture and come with built-in 1.4x teleconverters. They're also light enough that you don't need a tripod.
Safari 5D 4K Action Camera Kit
The Safari 5D 4K Action Camera Kit includes all the accessories you need to film the most intense moments!This kit includes: Safari 5D 4K action camera Waterproof housing Handlebar mount Frame cage Features: 4K video recording 2" HD rear LCD 1.4" HD front-facing LCD 170° ultra-wide lens Electronic image stabilization Burst photo Self-timer ...
SAFARI CAM 5 NATIVE 4K SYSTEM
Safari 5 - Native 4K 30fps Wifi Action Camera Kit. 170-degree super-wide angle lens, In body electronic and gyro stabilization. Sony sensor: 16MP Burst, timed auto photo capture, waterproof 30m (100ft). ... 0 Review for SAFARI CAM 5 NATIVE 4K SYSTEM. Your Rating. Write a review.
The 5 Best Bridge Cameras
7.6. Action Video. 2.8. Body Type Bridge. Mirrorless Yes. Sensor Size 1-inch. Max Focal Length (Full-Frame Equivalent) 400 mm. See all our test results. If the Sony RX10 IV is out of your price range, the Panasonic LUMIX FZ1000 II is an excellent mid-range option.
Safari Action Cameras
Safari Action Cameras let adventurous creators tell their story, for less. These waterproof action cameras provide stunning footage and a wide array of features, with select models including WiFi preview, slow motion and timelapse modes.
SAFARI 5D ACTION CAMERA KIT SAFARI5D
Capture all your adventures in high resolution with the Safari 5D Action Camera. Featuring a Front Facing HD selfie 1.3" LCD screen, 170-degree ultra-wide angle lens to capture complete scenes, WiFi functionality for sharing on-the-go, slow motion mode and much more. Included Accessories: Waterproof Housing. Handlebar Mount. Frame Cage. Battery.
Leica V-Lux 5 Review
The Leica V-Lux 5 offers a great 16x optical zoom lens, a comfortable, easy to use camera body, with easy to access controls, and a high resolution electronic viewfinder with a good magnification ratio of 0.74x. The Leica V-Lux 5 is a very competent ultra-zoom camera, delivering both high quality images, as well as excellent 4K video quality.
Ten Months and Thousands of Images Later: We Review the ...
Granted, other cameras like Canon R6 Mark II will get you cleaner files with its pixels being near twice the size, but even still, the X-T5 delivers wonderful results. A 300% crop of X-T5 (Left ...
OPTEX SAFARI 5 MANUAL Pdf Download
O n Android and Apple (iOS) devices search and enter the password that appears on "Safari Connect 5K" in the Apple APP Store the screen of the camera. or Google Play Store (depending on your mobile device) proceed with installation 5. T ap and enable the "Safari Connect 5K" APP of the APP on your device. on the mobile phone or tablet. 6.
Fujifilm X-T5 in-depth review
Read our initial review here. 90%. Overall score. Jump to conclusion. The Fujifilm X-T5 is a photography-focused 40MP APS-C mirrorless camera that continues the company's line of cameras with traditional control dials. 40MP BSI CMOS sensor with X-Trans color filter array. Up to 15fps continuous shooting. In-body stabilization rated at up to 7.0EV.
Leica V-Lux 5 review: the premium bridge camera
Verdict. In being a chunky Leica bridge camera with generous 16x optical zoom equivalent to 25-400mm in 35mmm terms, this 'super zoom' is eminently suitable for capturing everything from wide-angle landscapes to wildlife close-ups, slotting the equally common pursuit of portraiture in between. While some observers may grumble that the V-Lux ...
Security camera: This new device has an extraordinary Wi-Fi range
Solar powered camera. Battery backup on base station. Works well with no monthly fees. Decent app. Dislikes: Doesn't integrate easily with home automation. Price: Two-camera kit with base ...
Five Tips from NASA for Photographing a Total Solar Eclipse
#2 - Any Camera Is a Good Camera. Taking a stunning photo has more to do with the photographer than the camera. Whether you have a high-end DLSR or a camera phone, you can take great photos during the eclipse; after all, the best piece of equipment you can have is a good eye and a vision for the image you want to create.

5 Best Cameras for Safari

2. Canon DSLR Camera [EOS 90D] with Built-in Wi-Fi

1. Fujifilm X-T3 Mirrorless Digital Camera

Leave a Reply Cancel Reply

Related Posts

Login to my account

Recover password

Create my account

Safari 5 4K Waterproof 30 FPS WiFi 2" Screen Action Camera Kit (SAFARI5D)

ew Front Facing Selfie Screen

4K Video for Incredible Detail

Safari Connect App

Safari 5D Specifications

Payment & Security

You may also like

Hands on: Safari 5 review

Get daily insight, inspiration and deals in your inbox

Most Popular

Best Safari camera for beginners

Top 10 best safari cameras for beginners

1. Canon G7X Mark III

2. Olympus TG-5

3. Olympus OM-D E-M10 Mark IV

4. Canon M50

5. Sony A7 III

6. Canon EOS 4000D

7. Nikon D3500

8. Nikon D5600

9. GoPro HERO8

10. DJI Osmo Pocket

What to consider before buying a safari camera for beginners?

Weight or Portability

Frames per second

Dust and Water resistance

Similar Posts

Best Superzoom Cameras for Birding

Best Flippers for Snorkeling

Best tablet for reading newspapers and magazines

The best tablet for traveling abroad

What is Kindle Unlimited and How does it Work

Best Safari Camera Bag

Leave a Reply Cancel reply

The Best Camera For Safaris: 5 Favourites From The World’s Greatest African Wildlife Photographers

Want a list of 150 of the most unique nature and wildlife travel experiences?

Read full camera breakdowns below

Michael Poliza’s Best Camera for Safari: OLYMPUS OM-D E-M1 Mark II

David Yarrow’s Best Camera for Safari: Nikon D850

Will Burrard-Lucas’s Best Safari Camera: Canon EOS 1D Mark IV

Jonathan and Angela Scott’s Best Camera for Safari: Canon EOS-1D X Mark II

What Went Into My Selection Process for the Best Camera for Safari List

Main Evaluation Criteria to Choose the Best Camera for Safari

Shutter Speed

Performance in low light

Full frame sensor

Good autofocus

Short Startup Time

Image Stabilization

Wildlife Photography Tips From the Experts

Jonathan and Angela Scott

Shoot from the hip

Shoot with the sun

Know your camera

Learn from the greats

Learn about histograms and exposure

Understand the depth of field

Get down low for the best shots.

Understand your subject

Don’t be afraid to get creative

Processing and cataloguing are part of photography

Marlon Du Toit

The eye is the most important part of the image

Never leave the house without extra batteries

Extenders are your friend

Reserve teleconverters for fixed focal telephoto lenses like a 400 f2.8 or 600 f4.

Try to have your camera at the lowest point on the vehicle

Know your gear before heading out

Shooting wildlife in action requires fast shutter speeds

Will Burrard-Lucas

Faster shutter speeds are almost always better

Go for the eyes