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The List of Journey Albums in Order of Release

by Ram · September 22, 2023

Journey Albums in Order: This iconic American rock band, emerged onto the music scene in 1973 in the vibrant city of San Francisco.

Journey, the iconic American rock band, emerged onto the music scene in 1973 in the vibrant city of San Francisco. Founded by former members of illustrious groups such as Santana, the Steve Miller Band, and Frumious Bandersnatch, the band has undergone various transformations over the years while maintaining its core spirit. As of 2021, the lineup featured the indomitable guitarist and vocalist Neal Schon, the longest-serving original member, as well as the talents of keyboardist, guitarist, and vocalist Jonathan Cain, keyboardist and vocalist Jason Derlatka, drummer and vocalist Deen Castronovo, bassist Todd Jensen, and lead vocalist Arnel Pineda.

Journey’s journey to musical stardom encompasses a remarkable timeline of success, with their pinnacle period spanning from 1978 to 1987 when Steve Perry assumed the role of lead vocalist. During this era, the band produced a string of chart-topping hits, including the timeless anthem “Don’t Stop Believin’,” which earned the distinction of becoming the top-selling track in iTunes history for songs not released in the 21st century. Their album “Escape” soared to number one on the Billboard 200, while “Frontiers” continued to captivate audiences in the United States and beyond. With numerous gold and platinum albums, record-breaking sales, and a reputation as one of America’s most influential rock/pop bands, Journey’s legacy is etched in the annals of music history.

Their enduring impact is celebrated globally, and their induction into the Rock and Roll Hall of Fame in 2017 solidified their place among the legends of rock. With a worldwide fan base and an enduring presence on rock radio, Journey’s melodies continue to resonate, ensuring their status as one of the world’s best-selling and most cherished bands of all time.So, if you are a die heart fan of Journey Albums then check out here we have list of Journey albums in order of release so far.

Journey Albums Available on:  Apple Music 

How many albums does Journey have?

The discography of American rock band Journey has released 15 studio albums, five live albums, 11 compilation albums, and 51 singles.

All Journey Albums in Order: Check Out The List of Journey Albums in Order of Release Here!

• Journey — April 1, 1975
• Look into the Future — January 1, 1976
• Next — February 1977
• Infinity — January 20, 1978
• Evolution — March 23, 1979
• Departure — February 29, 1980
• Dream, After Dream — December 10, 1980
• Escape — July 17, 1981
• Frontiers — February 22, 1983
• Raised on Radio — April 21, 1986
• Trial by Fire — October 22, 1996
• Arrival — December 1, 2000
• Generations — August 29, 2005
• Revelation — June 3, 2008
• Eclipse — May 24, 2011
• Freedom — July 8, 2022

Journey Band Albums List

1. journey (1975).

• Of a Lifetime
• In the Morning Day
• To Play Some Music
• In My Lonely Feeling / Conversations
• Mystery Mountain

Released on April 1, 1975, “Journey” marked the debut studio album of the iconic American rock band Journey, distributed by Columbia Records. In contrast to their later works, this album embraced a jazzy progressive rock style, showcasing the band’s instrumental prowess. Notably, it featured rhythm guitarist George Tickner, a unique inclusion in their lineup. Prior to this release, Journey recorded a demo album, featuring the same songs but in a different order and with Prairie Prince as the drummer. Several unreleased tracks, including instrumental pieces and the original title track “Charge of the Light Brigade,” didn’t make the final cut of this foundational album.

2. Look into the Future (1976)

• On a Saturday Nite
• It’s All Too Much
• She Makes Me (Feel Alright)
• You’re on Your Own
• Look into the Future
• Midnight Dreamer
• I’m Gonna Leave You

“Look into the Future,” Journey’s second studio album, marked a shift in the band’s musical direction upon its January 1976 release through Columbia Records. While tempering the overt progressiveness of their debut self-titled album, this sophomore effort still retained elements of experimentation, notably in tracks like the title song and “I’m Gonna Leave You.” The album also featured a cover of The Beatles’ “It’s All Too Much” from the Yellow Submarine film. “Look into the Future” stands out as the longest recorded Journey song. Notably, this album saw the departure of rhythm guitarist George Tickner, leaving behind a lineup that included Gregg Rolie, Neal Schon, Ross Valory, and Aynsley Dunbar.

3. Next (1977)

• I Would Find You
• Here We Are
• Nickel and Dime

“Released in 1977, ‘Next’ stands as Journey’s third studio album, a continuation of their signature sound that melded elements from 1976’s ‘Look into the Future’ with traces of their earlier jazzy progressive rock style. Notably, ‘Next’ marked the end of an era, being the final album to showcase Gregg Rolie as the primary lead singer. The album’s single, ‘Spaceman’/’Nickel and Dime,’ was a notable release. Interestingly, an instrumental track titled ‘Cookie Duster’ was initially listed on early pressings but not included. ‘Next’ reached No. 85 on the Billboard 200 Albums chart and witnessed the beginnings of lead vocalist Robert Fleischman’s journey with the band, setting the stage for the group’s evolving musical direction.”

4. Infinity (1978)

• Feeling That Way
• Wheel in the Sky
• Somethin’ to Hide
• Winds of March
• Opened the Door

“Infinity,” the fourth studio album by the renowned American rock band Journey, marked a pivotal moment in the group’s history. Released in January 1978 under Columbia Records, this album represented a significant transition for the band as it introduced the powerful vocals of Steve Perry, becoming their first album with him as the lead singer. Simultaneously, it marked the end of an era, being the final album to feature drummer Aynsley Dunbar. This milestone release showcased Journey’s evolving sound and set the stage for their future successes, laying the foundation for the iconic musical journey that lay ahead.

5. Evolution (1979)

• Lovin’, Touchin’, Squeezin’
• City of the Angels
• When You’re Alone (It Ain’t Easy)
• Sweet and Simple
• Lovin’ You Is Easy
• Just the Same Way
• Do You Recall

“Evolution,” the fifth studio album by American rock band Journey, marked a significant turning point in their career. Released in March 1979 under Columbia Records, this album introduced drummer Steve Smith to the band’s lineup. “Evolution” proved to be their most successful album at the time, peaking at No. 20 on the US Billboard 200 chart and selling three million copies in the US. Produced by Roy Thomas Baker, known for his work with Queen, the album featured the hit “Lovin’, Touchin’, Squeezin’,” their first top 20 single, and “Just the Same Way,” which showcased both original lead vocalist Gregg Rolie and Steve Perry. With tracks like “Too Late,” “Evolution” pushed the boundaries of rock ballads, featuring Neal Schon’s impressive guitar work.

6. Departure (1980)

• Any Way You Want It
• Walks Like a Lady
• Someday Soon
• People and Places
• Precious Time
• Where Were You
• I’m Cryin’
• Line of Fire
• Good Morning Girl
• Stay Awhile
• Homemade Love
• Natural Thing
• Little Girl

“Departure,” the sixth studio album by American rock band Journey, made its debut on February 29, 1980, under the Columbia Records label. This album marked a significant milestone for Journey as it became their first top 10 Billboard 200 album, reaching No. 8. Featuring the hit track “Any Way You Want It,” which also made it to the top 25 singles chart, “Departure” showcased a slightly edgier sound due to its unique “live in studio” recording approach. The album included three singles, with “Walks Like a Lady” and a medley of “Good Morning Girl” and “Stay Awhile” also making their mark on the charts.

Notably, this album marked the departure of founding member Gregg Rolie and paved the way for Jonathan Cain to join the band. In subsequent years, “Departure” underwent remastering and reissues to introduce bonus tracks for fans worldwide.

7. Dream, After Dream (1980)

• Sandcastles
• A Few Coins
• When the Love Has Gone
• Festival Dance

“Dream, After Dream,” the soundtrack album by American rock band Journey, accompanies the Japanese fantasy film “Yume, Yume No Ato,” directed by Kenzo Takada. Released in 1980 on Columbia Records, it marked the band’s seventh album and a significant departure from their hard rock sound, embracing their progressive rock roots. The album, with nine tracks, includes vocals on “Destiny,” “Sand Castles,” and “Little Girl,” the latter becoming the B-side of “Open Arms.” This soundtrack also holds historical significance as it was the last studio album featuring founding member Gregg Rolie. While the film remained relatively obscure, the album remains a unique chapter in Journey’s musical journey.

8. Escape (1981)

• Don’t Stop Believin’
• Stone in Love
• Who’s Crying Now
• Keep On Runnin’
• Still They Ride
• Lay It Down
• Dead or Alive
• Mother, Father

Escape, stylized as E5C4P3 on the album cover, marks the pinnacle of Journey’s musical journey. This seventh studio album, released on July 17, 1981, via Columbia Records, soared to the top of the American Billboard 200 chart. A true chart-topping sensation, Escape boasts an impressive quartet of Billboard Hot 100 singles, including the iconic anthem ‘Don’t Stop Believin’ (no. 9), ‘Who’s Crying Now’ (no. 4), ‘Still They Ride’ (no. 19), and the heartfelt ballad ‘Open Arms’ (no. 2). This rock masterpiece also gifted the airwaves with the enduring classic ‘Stone in Love.’ In July 2021, the RIAA certified it as diamond, solidifying its status as Journey’s most successful studio album and second most successful overall, following only behind their Greatest Hits compilation.

9. Frontiers (1983)

• Separate Ways (Worlds Apart)
• Send Her My Love
• Chain Reaction
• After the Fall
• Edge of the Blade
• Troubled Child

“Frontiers,” the eighth studio album by the American rock band Journey, was released on February 1, 1983, under Columbia Records. Notably, it marked the last appearance of bassist Ross Valory until 1996’s “Trial by Fire.” The album achieved great success, reaching No. 2 on the Billboard 200 chart and spawning four top 40 singles: “After the Fall” (No. 23), “Send Her My Love” (No. 23), “Faithfully” (No. 12), and “Separate Ways (Worlds Apart)” (No. 8). “Frontiers” was later certified six times platinum by the RIAA. Interestingly, the album’s tracklist underwent last-minute changes, with two songs replaced, one of which, “Only the Young,” gained popularity in the movie “Vision Quest.”

10. Raised on Radio (1986)

• Girl Can’t Help It
• Positive Touch
• Be Good to Yourself
• Once You Love Somebody
• Happy to Give
• Raised on Radio
• I’ll Be Alright Without You
• It Could Have Been You
• The Eyes of a Woman
• Why Can’t This Night Go on Forever

“Raised on Radio,” the ninth studio album by the American rock band Journey, made its debut in April 1986 under the Columbia Records label. This album marked a significant transition as it was the first without founding bassist Ross Valory, replaced initially by session bassist Bob Glaub and later by Randy Jackson. Drummer Steve Smith contributed to select tracks but was eventually replaced by session drummer Larrie Londin and later Mike Baird for the subsequent tour. The album was a commercial success, yielding three top 20 singles in the US, including “Girl Can’t Help It,” “I’ll Be Alright Without You,” and “Suzanne.” It reached No. 4 on the Billboard 200 chart and achieved double platinum certification in the USA.

11. Trial by Fire (1996)

• Message of Love
• When You Love a Woman
• If He Should Break Your Heart
• Forever in Blue
• Castles Burning
• Don’t Be Down on Me Baby
• Still She Cries
• Colors of the Spirit
• When I Think of You
• Easy to Fall
• Can’t Tame the Lion
• It’s Just the Rain
• Trial by Fire
• Baby I’m a Leavin’ You
• I Can See It in Your Eyes

“Trial by Fire,” the tenth studio album by American rock band Journey, released on October 22, 1996, marked a significant reunion. It brought together the classic 1981–1985 lineup, which hadn’t recorded together since 1983’s “Frontiers.” Produced by Kevin Shirley, the album featured bassist Ross Valory and drummer Steve Smith, rejoining since “Frontiers” and marked the final collaboration with vocalist Steve Perry. Notable tracks include the Grammy-nominated hit “When You Love a Woman” and spiritually-inspired songs. Despite its success, it’s the only Journey album without a supporting tour, due to internal disputes and Perry’s hip injury. “Trial by Fire” reached No. 3 on the Billboard 200 and was certified platinum.

12. Arrival (2001)

• Higher Place
• All the Way
• Signs of Life
• All the Things
• Loved by You
• Livin’ to Do
• World Gone Wild
• I Got a Reason
• With Your Love
• Lifetime of Dreams
• Live and Breathe
• Nothin’ Comes Close
• To Be Alive Again
• Kiss Me Softly
• We Will Meet Again

“Arrival,” the eleventh studio album by the iconic American rock band Journey, made its debut on April 3, 2001, following a Japanese release in 2000 with one substituted song. This record marked a significant transition for the band, as it introduced new lead vocalist Steve Augeri, taking the reins from the beloved Steve Perry, and featured Deen Castronovo as the new drummer, succeeding Steve Smith. “Arrival” showcased a blend of hard rock influences reminiscent of the band’s ’70s and ’80s material, alongside signature ballads akin to Perry’s style. While commercially successful, peaking at #12 on Billboard’s Top Internet Albums chart, the album garnered mixed critical reviews, with praise for Neal Schon’s guitar work but criticism for its formulaic elements.

13. Generations (2005)

• Faith in the Heartland
• The Place in Your Heart
• A Better Life
• Every Generation
• Butterfly (She Flies Alone)
• Knowing That You Love Me
• Out of Harms Way
• In Self-Defense
• Better Together
• Beyond the Clouds
• Never Too Late
• Pride of the Family

“Generations,” the twelfth studio album by iconic American rock band Journey, marked the end of an era with lead singer Steve Augeri. Released in 2005 on Sanctuary Records, it solidified the line-up that had debuted in 2000’s “Arrival” and continued with 2002’s “Red 13 EP,” featuring Deen Castronovo on drums. A distinctive feature of this album was that all band members shared lead vocal duties, driven by Augeri’s vocal fatigue. Critical reception was mixed, with praise for Augeri’s performance and the band’s diverse musical direction, but uncertainty about the vocal-sharing decision. The album peaked at No. 170 on the Billboard 200 chart, and Augeri left the band during the 2006 tour due to a throat infection, marking the end of an era for Journey’s sound.

14. Revelation (2008)

• Never Walk Away
• Like a Sunshower
• Change for the Better
• Wildest Dream
• After All These Years
• Where Did I Lose Your Love
• What I Needed
• What It Takes to Win
• Turn Down the World Tonight
• The Journey (Revelation)
• Let It Take You Back

“Revelation,” the thirteenth studio album by American rock band Journey, marked a significant chapter in the band’s history as their first featuring lead singer Arnel Pineda. The album boasted 11 new songs and 11 re-recorded greatest hits, all showcasing Pineda’s vocal prowess. Additionally, the North American version included a DVD capturing the band’s energetic March 8, 2008 concert in Las Vegas. Notable singles like “Never Walk Away,” “Where Did I Lose Your Love,” and “After All These Years,” penned by Neal Schon and Jonathan Cain, found success on the adult contemporary charts. The album received positive reviews, lauding Pineda’s vocals and the band’s return to form. A bonus track, “Let It Take You Back,” was included in the European release.

15. Eclipse (2011)

• City of Hope
• Edge of the Moment
• Chain of Love
• Anything Is Possible
• She’s a Mystery
• To Whom It May Concern

Eclipse (stylized as ECL1P53) marks the fourteenth studio album by the iconic American rock band Journey and the second featuring lead singer Arnel Pineda. Released on various dates worldwide in 2011, with the United States and Canada receiving it on May 24, followed by Japan on May 27, the United Kingdom on May 30, and the international release on June 3, this album showcases the songwriting prowess of Neal Schon and Jonathan Cain, with contributions from Pineda. Notably, it stands as the final album with bassist Ross Valory, who departed the group in 2020. ‘Eclipse’ adds another chapter to Journey’s enduring musical legacy.

16. Freedom (2022)

• Together We Run
• Don’t Give Up on Us
• Still Believe in Love
• You Got the Best of Me
• Live to Love Again
• The Way We Used to Be
• Come Away with Me
• Let It Rain
• Holdin’ On
• All Day, All Night
• Don’t Go
• United We Stand
• Life Rolls On
• Beautiful as You Are

“Freedom,” the fifteenth studio album by the iconic American rock band Journey, made its debut on July 8, 2022, under the labels BMG Rights Management and Frontiers Records. Marking a significant change, it stands as the band’s second album without founding bassist Ross Valory, replaced by Randy Jackson, who last appeared on “Raised on Radio” in 1986. Boasting fifteen tracks and a runtime of an impressive one hour and thirteen minutes, it secures the title of Journey’s lengthiest album, excluding compilation records. While lauded for performances and musicianship, the album garnered mixed critical reviews, with attention drawn to production, mixing, and its extended duration.

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Tags: Albums

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Overthinking It

Album Covers That Blow My Mind: Journey’s Escape

A deconstruction of the cover art for the journey album escape ..

[This is the first in what will hopefully be a series of deconstructions of album covers that blow our minds .]

Journey’s seventh studio album, “Escape,” was released in 1981 and spawned no less than four hit singles: “Who’s Cryin’ Now,” “Still They Ride,” “Open Arms,” and everyone’s favorite karaoke/wedding/cryptic Soprano ‘s soundtrack choice, “ Don’t Stop Believin’ .” As if that somehow weren’t enough, these songs all come wrapped in fantastically mind-blowing cover art:

What’s so mind blowing about this?

The Birth of “Leet Speak”?

Did you notice the strange spelling of “Escape” (or rather, “E5SC4P3”) on the cover of this album? Looks pretty “1337,” doesn’t it?

Im in ur st3r30 rockin ur d00dz

Overthinking It readers are probably familiar with (and at least partially annoyed by) the prevalence of “1337” or “leet” speak across the internet. For the uninitiated, leet speak is the substitution of letters with numbers or other symbols to create a symbolic language decipherable only be a select–or shall I say elite–or shall I say “leet”–few.

Though leet speak became widespread with the proliferation of online gaming, in particular, Doom, the practice originated back the early 1980’s, when its use was limited to an actually somewhat “elite” corps of hackers and other sophisticated computer users to mask illicit activity (software piracy and porn distribution) from BBS administrators.

Hmm. Early 1980’s. You mean, like 1981 early?

Obviously, it’s a stretch to think that either the band Journey or the artist responsible for this album cover invented leet speak, or was even aware of its existence at the time. Yet, despite my best attempts at googling, I couldn’t find a more specific date for the birth of leet speak other than “the early 80’s,” which leaves open the oh-so-slight possibility that Steve Perry was teh 0r1g1n4l h4x0rs.

d0nt st0p bl3v1ng w00t!

Even if the leet phenomenon and the Journey album art are causally unrelated, the two combined do result in some pretty rich irony. Leet speak was originally used by an elite few to mask the true nature of contraband material from both the unknowing masses and from the authorities. Journey, on the other hand, was the polar opposite from “contra”-bands (pun intended) like AC/DC or Judas Priest and strove to maximize its appeal among the unknowing masses.

So why use the cryptic spelling of E5C4P3 on its album cover? Perhaps to convey a sense of mystical other-worldliness to go along with…

The Star Ship Scarab Beetle

Power ballads. The final frontier.

By now, you’re probably used to seeing the scarab beetle in association with Journey–it’s featured prominently on their mega-selling Greatest Hits compilation, of which I am a proud owner–but at the time of Escape , it was only the second instance out of their seven studio albums to use the scarab beetle on its cover. The previous album to do so, Departure , was released a year prior to Escape, and also featured other-worldly imagery, but Escape kicks things up several notches with its depiction of a warp-speed beetle busting out of some sort of spherical object.

Dude, it’s a dung beetle.

(Updated April 23, 2017: Twitter user @raycoopteacher pointed out that Journey released a live album  Captured that featured the dung beetle prior to  Escape. )

Google mysteriously comes up short in providing an explanation as to why the band chose to incorporate the scarab beetle on its album covers. Fortunately for us, that allows us to create our own interpretation.

First, a quick primer on Egyptian mythology: the scarab beetle was notable for a couple of things: first, it’s a dung beetle. Yup, the band Journey chose the same beetle that begins its life eating from the ball of shit that it was born into, then later rolls its own ball of shit into which it will plant its own eggs. Nothing says “80’s power pop/rock” like shit-eating beetles, right?

So that makes Steve Perry the shitty Paul McCartney?

Instead, let’s examine the other thing that the dung, er, scarab beetle is notable for. It’s a symbol of the Egyptian god, Khepri, who in turn is a symbol of rebirth, the sun, and creation. The solar association helps make some sense of the Departure album art–the beetle in that image is one of several heavenly bodies depicted–but that still leaves a lot to be explained for the star ship beetle on the cover of Escape.

The best explanation I can provide centers around the rebirth and escape elements. Rebirth, in the case of Journey, refers to the band itself: they started out as a jazz fusion/progressive rock group, but with the addition of singer Steve Perry in 1977, were reborn as a straight pop group. As for escaping, well, that one’s easy: “They took  the midnight train, goin’ anywhere…” Granted, a dung beetle traveling at light speed is several steps removed from the midnight trains referred to in “Don’t Stop Believing,” but you get the idea.

Bonus Video Game Postscript:

Or maybe I’ve got it wrong. Perhaps the scarab beetle is meant to be a vehicle for the band to escape from groupies and unscrupulous promoters:

Yup, that’s the Journey video game based on the album Escape. Hmm, it looks rather difficult. Perhaps only the most “elite”—or dare I say, “1337”—players could truly master this one.

And now it all comes together.

23 Comments on “Album Covers That Blow My Mind: Journey’s Escape”

Nothing about the countdown progression of “5-4-3” in the l33t speak letters?

No one has noticed the word “HOLY” in the breaking glass at the top?

The scarab beetle looks like a computer mouse to me. A rocking computer mouse.

I thought the same, I think the artist of the cover is a prophet , it took a message of God and put it on a draw, in 1981 mouses were not that broadly used , and if you google it, they were kind of square , this ship looks like a 2000’s mouse. and another coincidence is that the artist last name is Mouse. could you decipher the message

Mlawski amazing you mention the beetle looks like a computer mouse, as the artist who came up with the cover is named Stanley Mouse…. no kidding. Hmm..

@Sharper: good catch. I wonder where the 2 and 1 are.

Something else that I didn’t get around to overthinking: the way “Journey” is tilted 90 degrees on its side. I desperately want there to be some sort of hidden message. The N and E become a Z and W sideways. Could that be a clue?

In terms of the name Journey on its side, perhaps the artist wants us to view the cover at the angle so the word journey is standing upright and legible. I’m still looking… help me out here

@mlawski: ME FRIGGIN’ TOO!! So could that be intentional, as well? It would fit with the leetspeak, wouldn’t it? Did computer mice look like that yet?

Um, how could you forget the glaringly obvious Freudian subtext- here not a phallus, but the oddity of sperm actually escaping from the egg? Although to be fair (and the space theme helps this) it could equally be a fully formed fetus and the womb.

Ouch, that childbirth looks quite painful. Look at all the rips, and the deep red… Poor space woman metaphor.

Maybe it’s because my time zones are all messed up, and maybe I’m severely jet lagged, and maybe, just maybe it’s the result of a deranged thought process, or just too simple a mind, but am I the only one seeing the phallic representation here?

Journey’s live album “Captured” thus the next being Esc4p3(between Departure and Esc4p3) also featured the Beetle on the cover as well as the infinity symbol, which started with the album “Infinity”. Esc4p3 was the first album with Jonathan Cain, who replaced original keyboardist Gregg Rolie, so it kind of was an escape from their past sound. The original covers also had raised letters and art.

Recently I saw videos from the flat earth society (not that I believe it is) and it looks like the beatle is breaking free of the alleged dome that keeps humanity trapped inside. It could symbolize ascension and our souls being able to join with cosmic consciousness, freed from the confines of what some feel is a prison planet.

Mark Lee, I guess you are over thinking it. The band has always been fixated on the future and celestial travel, which they featured on the album covers. The members are seen floating like zero gravity, being transported on Look into the Future, Evolution, Departure, Captured, Escape and Frontiers. All had space travel as a theme one way or another…it’s the band’s JOURNEY together. I remember the tilted letters when the album Escape was released and it made you thing it was some alien writing. The Scarab was also a symbol of transformation which the band adopted in late 70’s. You have to realize we landed on the moon in 69 and the band was formed a couple of years later.

Journeys Music (with Steve Perry,of course,)transports the fans minds,hearts,and souls, to a whole other dimension. Journey has always poured its heart and soul in to it’s music. That is why Journey and it’s music has always resonated with me, and all it’s other devoted fans. I do not care if the music of Journey is esoteric in any way,shape,or fashion, they will always be The best to me,and all there worldly fans. Steve Perry is and always, shall be known, as the heart and soul of Journey. #1 fan, and admirer, for life.

I’ve taken the beetle to be a Jungian reference.

Diving in to The Red Book, it seems to be about synchronicity, awakening, and awareness of the human journey.

Like many bands of the mid 70’s- early 80’s, Journey presented their message/beliefs in their album covers. The limited access to see these bands in media platforms (tv award shows, later MTV), other than in concert, made album covers a big part of a fan’s ‘experience’. Journey was a leader in giving fans some amazing album covers.

Nobody has yet mentioned that their covers represented their belief in Astral Projection, an out of body experience, and reincarnation. Thus the connection with the Egyptian Scarab (Beetle), space travel, pyramids. This belief was shared with other bands in that era – Earth, Wind, and Fire is a good example.

As far as the Leet message, computer coding was in its infancy back in 81. If you were in a high school math class you may have been introduced to something called FORTRAN. This is what you’re seeing on E5C4P3.

https://www.deviantart.com/leathurkatt-tftiggy/art/Journey-Album-Covers-404525347

Departure Captured Escape

I think it’s as simple as that. The sphere the beetle is escaping from is the same one it’s captured in on the cover of the previous album.

You can almost make out Holy Horus in the cracking orb.

Almost zero people knew about 1337 at this point. However, it’s likely that the among the few people who did know, there were Sound Engineers if they were making/experimenting with computer sound creation/manipulation, which at that point was extremely low level programming. They’d certainly be what we’d consider 1337. Also, amongst the 1337 community there has always been a very close affinity and connection with such low level sound and music programming. Also, this is the type of music that alot of the 1337 computer creators and manipulators listened to. Also the fact that the cover points to Egyptian Gods and far-reaching ideas WAY outside the mainstream makes it far more likely to have had more meaning to the 1337folk. It’s entirely possible that this album cover created the movement, and 1337 users adopted it in tribute, at least for much of it. There would be a single handful of people who would have used it at that time, and in 81 you could pretty much say whatever you wanted in IRC, the entire internet was Dark web at that point. The fact that Journey is flipped 90 with a font design purposefully intended to be confusing for the layman and appear foreign is the very essence of 1337, and points to the E5C4P3 being their own original concept as well. Very likely they started the movement, not the band directly, but Sound Engineers and Designers of the day on the project.

Also, the Breaking out theme probably really resonated with the smarter, more technically elite people of the day, as it represents really the movement of the entire internet at that point, and the liberating ideas of the global perspective seeking to break limits and barriers and dogmatic views and beliefs oppressing and limiting the masses of the day. In truth, the cover represents currently much of what many people on the internet still feel today. It seems just as relevant to all of the people who are currently breaking free of the mainstream ideologies, looking beyond common beliefs and mass media consumption, breaking through the barriers that have been put in place to keep us confined, to an interspatial, limitless journey far beyond what “they’d” like us to believe. It really represents much of the Dark Web today.

It’s Osiris,or Baal or (INSERT OTHER CULTURES SUN GOD HERE), aka SATAN. They are obviously Satan worshipers.

The spaceship beetle bursting from the sphere, to me, is an obvious follow up to the album art for Captured. The cover art is spherical and the band members are shown looking trapped in a sphere on the back. Clearly they “escaped” from being “captured” on their next album by bursting through in a space beetle. I was a little surprised this wasn’t in the blog post, or am I the only one with this opinion?

All this talk about beetles and Egyptian mythology and no mention whatsoever about crediting the artist(s) who created it. One should think think that would be – oh I don’t know – maybe the very first thing that you would bring up.

does the word between journey and escape spell or mean anything? it almost looks like a word upside down and backward .

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Anthemic arena rock outfit who achieved huge success in the 1970s and '80s thanks to musical prodigy Neal Schon and smooth tenor Steve Perry.

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How an Unused Jimi Hendrix Album Cover Led to Journey’s Scarab

Near the end of the video for Journey 's new single " The Way We Used to Be ," an animated proxy of guitarist Neal Schon appears to transform into a dung beetle. It would be an odd visual choice if not for the insect's importance in Journey lore, appearing — in various fantastical forms — on multiple album sleeves.

But why a beetle to begin with? The answer involves another rock giant.

"We got the job to do a Jimi Hendrix album cover," visual artist Stanley Mouse told NBC Bay Area in 2017, referencing his creative partner Alton Kelley. "And just as we finished it, [Hendrix] died, so the album cover never came out.

"But it was a scarab beetle with wings — very art nouveau, all done, airbrushed," he added of the image, prints of which are currently available for sale under the title "Power of Soul." "And when we got back to San Francisco … I knew the bass player in Journey, and he came over and said, 'Hey, can you do us an album cover?' So we morphed the Jimi Hendrix beetle into the Journey emblem, and that's where the Journey scarab was born."

It may be an unusual choice for a cover centerpiece, but the scarab immediately stood out on the front of Journey's sixth LP, 1980's Departure , as a rainbow-hued winged creature flies among the planets. Journey obviously dug the vibe: Two projects from the following year, the live LP Captured and blockbuster Escape , reworked the bug into new contexts.

The meaning of these images didn't need to be decoded: They're just striking as abstract art pieces. But Mouse, a regular collaborator in the psychedelic scene (including the Grateful Dead ), offered his own trippy explanation for the iconography.

"I did the Captured album in 1981, and it is a scarab that carries its eggs in a dung bowl," Mouse told the Washington Post in 2015. "When the eggs hatch, the babies feed off the dung and become beetles. It’s the regeneration of life. Escape is the beetle breaking out of a planet, which was the dung ball he was pushing around."

Asked if the band was aware of this meaning, he replied: "I didn’t even know about it. Some Japanese media people came to interview me about it. So I had to do some research. I went into ancient Egyptian mythology and learned myself."

By this point, Mouse had been a Journey regular for years, having earlier co-created sleeves with Kelley for 1978's Infinity and 1979's Evolution . But the succeeding dung-y era could be the most distinctive: bold enough to warrant picking the LPs off the racks, weird enough to keep fans intrigued years later.

The beetle also became a signature Journey reference, even spilling into other forms of media. A 1982 Journey Escape Atari game tasked users with guiding the band to the scarab spaceship amidst "hordes of Love-Crazed Groupies, Sneaky Photographers, and Shifty-Eyed Promoters," according to the manual .

Other artists prepared modified scarabs that appeared on subsequent Journey album covers – including 2001's Arrival , 2005's Generations and 2011's Eclipse – but the image remained crucial for Mouse on a personal level.

"I was working with [Kelley] for many years and that came to an end just before Escape ," he recalled in Neil Daniels' 2012 book,  Don't Stop Believin': The Untold Story of Journey . "We did a few Journey covers together. I did the Escape art by myself and, now that I think about it, the album was well named for my escape.

"I had escaped many things at that time when I look back at it," Mouse continued. "I had an agent that was also Journey's marketing agent, Jim Welch. My lady was pregnant with my daughter at the time (might be something to read into that). My influence was from a German artist who did a similar bursting, breaking-out smashing explosion. I don't recall his name, but it left a big impression on my mind. … You might say Captured and Escape was some 'breakthrough' art for me."

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From stadium-filling rock to the ultimate lighter-waving ballads, AOR titans Journey and their various frontmen have done it all

They are one of the biggest rock bands of all time, and their most famous song is the best-selling digital track from the 20th century. But for Journey, global stardom might never have happened if not for a hard-hitting ultimatum from their record company back in 1977. As the band’s original drummer Aynsley Dunbar recalled: “We were told: ‘Get a singer, get some hit songs or you’re off the label.’”

At that time, the San Francisco-based band had made three albums for Columbia Records, and all three had stiffed. Guitarist Neal Schon and vocalist/keyboard player Gregg Rolie had previously played in Santana , but Journey’s early music, mixing Santana-style jazz fusion and progressive rock, was a hard sell, and Rolie’s voice wasn’t the strongest.

Everything changed when Steve Perry joined the band after they’d tried out another singer, Robert Fleischman. With a richly expressive voice, Perry could hit high notes that other singers could only dream of. His first album with the band, 1978’s  Infinity , reinvented Journey as a mainstream rock act. The album promptly went platinum, and from there, the only way was up.

In the 80s, Journey became one of the biggest bands in America, with the Holy Trinity of AOR albums:  Escape ,  Frontiers  and  Raised On Radio . Perry also had a huge hit in 1984 with his first solo album, Street Talk . But the pressures of fame led Perry to quit the band in 1987, leaving Journey on hiatus until his return in 1995. And when he quit again two years later, he was gone for good.

How to replace the irreplaceable? Journey survived by finding the best Steve Perry impersonators on the planet. They made two albums in the early 2000s with Steve Augeri, formerly the singer in cult AOR band Tall Stories. And in 2007, when Journey’s classic hit  Don ’ t Stop   Believin ’  was featured in The Sopranos - making the song more famous than ever before, and putting the band’s name back in the spotlight - they unveiled a new singer who had been discovered via YouTube.

Filipino Arnel Pineda’s performance of Journey songs in covers band The Zoo was enough to secure him his dream job. He sounds uncannily like Steve Perry, and has now made three albums with Journey, including Freedom , released in 2022.

Perry, meanwhile, had withdrawn from public view for many years after leaving the band. But in 2018 he made a comeback with a solo album Traces , his first full-length recording since Journey’s Trial By Fire back in 1996. And if something had been lost over time - the power he’d had in his youth - it was still, unmistakably, the voice that made Journey the greatest AOR band of them all…

18. Journey: Look Into The Future (Columbia, 1976)

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In the credits to Journey’s 1979 album  Evolution , the band stated, gratefully: “Columbia Records stands alone in the field of developing new artists.” The company’s ‘tough love’ approach certainly worked for Journey, who couldn’t buy a hit record until Columbia ordered them to find a proper singer and write some tunes.

Tellingly, the catchiest number on Look   Into The Future, the band’s second album, is a cover of The Beatles ’ It’s All Too Much . The other tracks run like a loose jam session, veering from prog to psychedelia, jazz to heavy rock. Despite the album’s title, the sound is stuck in the 60s.

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17. Journey: Eclipse (Frontiers, 2011)

Journey got off to a strong start with Arnel Pineda on 2008’s million-selling Revelation, but the follow-up was an outright flop.  Eclipse was by design a heavy, guitar-focused album. As keyboard player Jonathan Cain said: “If people want to hear ballads, they can certainly find them on other records.”

But aside from the opening track, the mighty anthem City Of Hope , there is nothing on this album with the melodic power of a classic Journey banger like Separate Ways (Worlds Apart) . It’s all so much hot air. And if this album’s ballads slipped Cain’s mind, it’s hardly surprising.

16. Journey: Journey (Columbia, 1975)

“A strong beginning” said Rolling Stone magazine of Journey’s debut album. It certainly sounded as if some strong stuff was being smoked when they recorded it. With two former members of Santana in Neal Schon and Gregg Rolie, and an accomplished drummer, Englishman Aynsley Dunbar, who had played for John Mayall , Jeff Beck and Frank Zappa , this was a new band with an impressive pedigree. 

Their musicianship dazzled on the instrumentals Kohoutek and Topaz, the latter written by rhythm guitarist George Tickner, who left the group after this album. But all that jazz-rock fusion showboating wears thin over 35 minutes.

15. Journey: Next (Columbia, 1977)

The band’s third album was the last before Steve Perry joined, and in its opening track from there was a hint of what was to come. Spaceman was a simple ballad, although Perry would never have sung, as Gregg Rolie did, “ I’m a cosmopolitan, right-handed wingless man .”

Another significant track was Hustler , as Journey moved towards a more straightforward hard rock sound, with shades of Deep Purple . And as the band’s first phase ended, they delivered the most bizarre song they ever recorded - People , a trippy number with Schon playing spaced-out licks and Rolie singing like John Lennon .

14. Steve Perry: Traces (Fantasy, 2018) 

“I know it’s been a long time comin’,” Perry sang in the first line of the opening song, No Erasin’ . No shit. The release of Traces came 24 years after his previous solo album, and 22 years since his Journey swan song Trial By Fire .

Perry’s comeback, at the age of 69, was greeted as the AOR equivalent of the Resurrection, and amid such hysteria, Traces proved underwhelming, its blend of soft rock, pop and soul drifting into blandness here and there. But in No Erasin’ , the old magic was still there in what may be the last great song he’ll ever sing.

13. Journey: Generations (Sanctuary, 2005)

Singer Steve Augeri’s first album with Journey, 2001’s Arrival , was the best they ever made without Steve Perry. The follow-up, Generations , also had its moments - notably Faith In The Heartland and The Place In Your Heart , both of which were re-recorded with Arnel Pineda on 2008’s Revelation .

But in 2006 Augeri was out of the band. A serious throat infection had damaged his voice, and he was dismissed amid rumours that he had lip-synced on stage. His exit may have been ignominious, but Augeri’s contribution to Journey’s legacy should not be underestimated.

12. Journey: Freedom (BMG, 2022)

On Journey’s first album in more than a decade, only Neal Schon and Jonathan Cain remain from the band’s glory days. What’s more, two key contributors to this album - bassist Randy Jackson and drummer/songwriter/co-producer Narada Michael Walden - have since departed.

But as our own Geoff Barton stated: “ Freedom  passes the  Classic Rock  AOR test with flying colours.” The opening song Together We Run is quintessential Journey, and the epic Beautiful As You Are delivers a grand finale. And as Schon told Classic Rock , there is more to come. “As long as I’m here,” he said, “we’re gonna keep creating.”

11. Journey: Revelation (Frontiers, 2008) 

Lightning can strike twice. In 2005, Foreigner found in Kelly Hansen a singer whose voice was a close match for that of the great Lou Gramm. And two years later, Journey discovered a young Filipino guy who could sing like Steve Perry.

It was a big ask for Arnel Pineda to make the giant leap from Journey covers band to the real thing, but he performed heroically on the aptly named Revelation - from the triumphant anthem Never Walk Away to the beautiful ballad Turn Down The World Tonight . Revelation became the band’s first million seller without Perry. For Pineda, there was surely no greater vindication.

10. Steve Perry: For The Love Of Strange Medicine (Columbia, 1994)

Perry’s first solo album Street Talk was a huge hit in 1984. Ten years later, his second solo record reached the US top 20 but failed to make much of an impact in a world dominated by alternative rock.

For The Love Of   Strange Medicine  had some fine songs - the dynamic opening one-to punch of You Better Wait and Young Hearts Forever , and the epic title track. But the ballads were unremarkable, and the album, as a whole, was somewhat overwrought and overproduced. Within two years, Perry’s return to Journey yielded the comeback album Trial By Fire . But the reunion wouldn’t last.

9. Journey: Trial By Fire (Columbia, 1996)

The second coming of Steve Perry ended in disappointment. With the definitive Escape -era line-up reunited, Journey should have delivered a great album. They managed only half that. On opener  Message Of Love  and the ready-made wedding song  When You Love A Woman , Journey achieved something close to peak form. 

But the big rock epics,  Castles Burning  and  Can ’ t Tame The Lion , were all bluster. Trial By Fire  hit No.3 in the US, but the band’s comeback tour was aborted after Perry injured his hip in a hiking accident. Tragically, he never sang for Journey again.

8. Journey: Arrival (Columbia, 2001)

They were big shoes to fill, but New Yorker Steve Augeri proved a more than capable replacement for Steve Perry in Journey. With the new singer performing at such a high level, Arrival was the band’s best album since Raised On Radio .

Four tracks came right out of the top drawer: powerful opener Higher Place , one of several songs on the album co-written with Night Ranger’s Jack Blades; Signs Of Life , an anthem for the brokenhearted; and two majestic ballads,  All   The Way  and  Loved By You. Augeri had passed the test. And Journey had proved there was life after Steve Perry.

7. Journey: Departure (Columbia, 1980)

At the dawn of the 80s, Journey still sounded, and looked, somewhat dated. Van Halen ’s  Women   And   Children First  was released in the same month as  Departure  – March 1980. But where Van Halen sounded like the future, with the image to match, Journey were stuck in the 70s. 

But no matter, a great song will always hit the spot, however old-fashioned the delivery. And there are many on Departure, including the jubilant  Any Way You Want It . Departure  was aptly titled. With Gregg Rolie set to quit, this was the last hurrah of the old Journey. Within a year the flares were gone and Journey were setting the template for 80s arena rock.

6. Journey: Evolution (Columbia, 1979)

Steve Perry’s pain was Journey’s gain. The band’s first Top 20 single,  Lovin ’ ,   Touchin ’ , Squeezin ’, was written after the singer saw his girlfriend kissing another guy. Perry described the song as “love justice”, but it was the sweetest kind of revenge; with its slinky blues groove and a killer ‘ na-na-na ’ coda, the song became a genuine rock standard.

Parent album  Evolution  was the second of two that Journey recorded with producer Roy Thomas Baker, whose previous clients Queen are echoed in the knowingly titled pomp-rock fanfare  Majestic . Also featured here is  Daydream , a long-forgotten masterpiece.

5. Journey: Infinity (Columbia, 1978)

Steve Perry was not a unanimous choice as Journey’s new singer. But when Perry presented the bluesy  Lights  to the band, everyone sensed the possibilities. Tellingly,  Lights  was chosen as  Infinity ’s opening track – an introduction to the new Journey – and it remains one of the band’s best-loved songs, as does this album’s  Wheel In The Sky .

Under pressure from Columbia Records, who’d done their bit by hiring Queen’s producer Roy Thomas Baker, the refocused Journey delivered their first set of accessible mainstream rock songs. The payoff was instant.

4. Steve Perry: Street Talk (Columbia, 1984) 

The dreaded solo album signals the end for many a band. Steve Perry returned to Journey after making  Street Talk , but the balance of power had shifted; Perry would remodel Journey’s music on this album’s soul-influenced soft rock.

Perry relished the freedom of a solo project, crafting slick adult pop songs inspired by vintage soul music:  I Believe  a Motown tribute,  Captured By The Moment  mourning Sam Cooke and other lost heroes. The single Oh Sherrie hit number three on the US chart, powering Street Talk  to platinum status. The album is widely acknowledged as an AOR classic.

3. Journey: Raised On Radio (Columbia, 1986)

With Steve Perry heartbroken by his mother’s terminal illness, and bassist Ross Valory and drummer Steve Smith leaving due to “creative differences”, 1985 was Journey’s annus horribilis. But out of turmoil came the last classic Journey album.

After Perry’s solo debut  Street Talk  went platinum, the singer took control of the group. Neal Schon was sidelined as Perry’s pop and soul influences prevailed. Raised On Radio  was recorded three times before Perry was satisfied. But every nickel and dime they spent is audible in the deluxe soft rock of  Girl Can ’ t Help It  and  I ’ ll Be Alright Without You .

2. Journey: Frontiers (Columbia, 1983)

After the huge success of 1981’s Escape , Journey hit another home run with Frontiers . The album reached No.2 in the US and included two classic hits:  Separate Ways (Worlds   Apart) , one of the heaviest and most emotive tracks the band have ever recorded, and  Faithfully , the greatest power ballad of all time.

Journey never rocked harder than on  Frontiers , with Neal Schon really ripping on  Edge Of The Blade  and  Rubicon . The album would have been even better if  Ask The Lonely  and  Only The Young , two brilliant tracks, hadn’t been dropped in favour of  Troubled Child  and  Back Talk  the latter a real stinker. (The two discarded songs appeared on the album’s 2006 reissue.)

1. Journey: Escape (Columbia, 1981)

The greatest AOR album of all time, Journey’s first US No.1 made them stadium-filling superstars. And pivotal to its success was their new keyboard player: Jonathan Cain co-wrote every song on  Escape . “What changed about Journey,” Cain said, “is that I started writing about the people that cared about the band.” 

Don ’ t   Stop Believin ’, an evocative tale of ‘ streetlight people, living just to find emotion ’, became an American classic.  Open   Arms  – rejected by his previous band The Babys – was a monster hit. With nine million copies now sold,  Escape  is Journey’s definitive statement.

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Freelance writer for Classic Rock since 2005, Paul Elliott has worked for leading music titles since 1985, including Sounds, Kerrang!, MOJO and Q . He is the author of several books including the first biography of Guns N’ Roses and the autobiography of bodyguard-to-the-stars Danny Francis. He has written liner notes for classic album reissues by artists such as Def Leppard, Thin Lizzy and Kiss, and currently works as content editor for Total Guitar . He lives in Bath - of which David Coverdale recently said: “How very Roman of you!”

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Artwork may be designed to show off music, but some album cover designers have attracted fame thanks to their iconic work. Here we look at 13 of the best.

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An album’s artwork may be designed to show off a band and its music, but in some cases album cover designers have themselves attracted a degree of fame thanks to their iconic design work. Whether helping to shape the vision of a label, like Reid Miles (Blue Note) or Vaughan Oliver (4AD), or establishing a style that cemented most people’s thoughts of a decade’s worth of music (like Hypgnosis, in the 70s), album cover designers deserve to be hailed for creating mini masterpieces that make an art form out of the album cover.

Here we look at 13 of the most iconic album cover designers of all time.

Reid Miles (1927-1993)

The moody photography of Francis Wolff and the artistic genius of Reid Miles became hugely influential in the world of music and graphic design, and turned Blue Note album covers into enduring cultural gems .

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Chicago-born Miles, who had been an Esquire magazine journalist before working in music, created a “hip” brand identity for Blue Note, which was the epitome of modern, cool, and progressive. Miles was not a jazz fan and was thus able to stand back and analyze what would make a great cover, irrespective of the musician involved.

He had small budgets and worked speedily. As he once said: “Fifty bucks an album… they loved it, thought it was modern, they thought it went with the music… one or two colors to work with at that time, and some outrageous graphics!”

In the 60s, Miles began to concentrate on photography and he became a hugely successful figure in advertising. However, his modern jazz designs – some with stunning and wild typographical expression, such as Lee Morgan’s The Rumproller – created a superb legacy, marking Reid Miles out as one of the earliest album cover designers to take note of.

Barney Bubbles (1942-1983)

Londoner Barney Bubbles, who changed his name legally from Colin Fulcher, trained at Twickenham Art College and worked at Terence Conran’s groundbreaking consultancy, before moving into record design.

During the 70s and early 80s he created record sleeves, label logos, and music-related visuals for innovative musicians such as Elvis Costello , Nick Lowe, Billy Bragg, and Ian Dury, for bands such as Hawkwind, and for companies including Stiff Records and the weekly NME . He also worked on music visuals, including the striking Specials video for “Ghost Town.”

His early work included the cover for the triple-album Glastonbury Fayre , which opens out from a gatefold to a huge six-panel poster. Bubbles would incorporate different art styles and photography – as on the beautiful cover for Costello’s Armed Forces – and created album sleeves of cryptic intricacy. Bubbles, who often worked using obscure pseudonyms (there may be some unknown Bubbles albums still out there), took his own life, at the age of 41, on what would have been his late parents’ wedding anniversary.

Hipgnosis (1968-1983)

Hipgnosis – a term mixing “hip” with “gnosis” (meaning “mystic thought”) – was coined by Pink Floyd’s Syd Barrett for the design pairing of English art student friends Storm Thorgerson and Aubrey Powell, when the band asked them to design the cover for their 1968 album, A Saucerful Of Secrets . In the following decade, the company became pre-eminent among the most forward-thinking album covers designers in the world.

Hipgnosis went on to produce nearly 200 covers, some of which were the most radical album sleeves in music history, including Black Sabbath ’s escalator robots (for Technical Ecstasy ) and Peter Gabriel’s melted grilled-cheese face (for his self-titled 1980 solo album). Powell said: “We always tried to think laterally and not go for the obvious. When we saw Sgt Pepper’s , we went, ‘Oh, my gosh, we can do this, but let’s think differently.’”

Their album cover for The Dark Side Of The Moon , featuring white light splitting as it hits a black prism, is one of the most famous images in music. As the desire for lavish album covers waned in the early 80s, Hipgnosis switched to advertising and film work.

Storm Thorgerson (1944-2013)

When Hipgnosis came to an end in 1983, Storm Thorgerson started a company making concert films and music videos, including works for Robert Plant , Kajagoogoo and Big Country . The former Cambridge graduate, responsible for so many great Pink Floyd covers as part of Hipgnosis, continued to work on album covers in the 90s, many of which displayed his outlandish photographic images. Thorgerson insisted on doing almost all his photographic shoots on older equipment, largely ignoring the advent of digital technology.

Among his later triumphs were album covers for Catherine Wheel, Phish and The Cranberries . His creativity was not halted by the arrival of the CD, and his design for Pulse , the Pink Floyd live CD, featured a flashing light on its spine.

Roger Dean (born 1944)

Roger Dean, the celebrated artist, designer, architect, and publisher, created some of the most famous prog rock covers of the 70s, especially for the band Yes, starting with the album Fragile . Dean also designed the classic Yes “bubble” logo, which first appeared on the album Close To The Edge .

His images were ambitious and unusual. His cover for Tales From Topographic Oceans (1973) was a landscape painting based on English coasts taken from Dominy Hamilton’s postcard collection, mixed with representations of the Mayan temple at Chichen and the plains of Nazca. As with so much of Dean’s great art, the result was incongruous but powerful.

Dean also supplied the original Virgin Records logo in 1973 and based his cover of Steve Howe’s first solo album ( Beginnings , 1975) on the landscape seating he designed for Ronnie Scott’s jazz club.

Vaughan Oliver (Born 1957)

Vaughan Oliver studied graphic design at Newcastle Polytechnic before creating designer drink labels. He moved into the music design business in the 80s, earning a strong reputation for his album covers for British independent record label 4AD. Oliver said of his work with Pixies: “Working with the Pixies over the last 30 years has always been full of natural inspiration for me as art director and designer. Their lyrics are packed with strange and wonderful imagery.”

His imaginative typographical work has also been featured on albums for Cocteau Twins, Scott Walker , His Name Is Alive, Heidi Berry, and Throwing Muses. He has also done the artwork for an album by acclaimed film and TV director David Lynch. Despite all his triumphs, Oliver insists that he stands apart from album cover designers: “I don’t see myself as an artist; I’m a graphic designer.”

Peter Saville (born 1955)

Manchester-born Peter Saville was a co-founder of Factory Records, and though his early work included album covers for several bands, the most celebrated are those for New Order and Joy Division. “I had the opportunity to make the kind of objects I wanted to see in my life,” Saville said about the creative freedom he enjoyed.

For his iconic sleeve for Joy Division’s 1979 record Unknown Pleasures , he based the design on the first pulsar, from 1919. For other sleeves, he used hieroglyphic visuals, juxtaposed antique images with postmodern ones (as on Joy Division’s Closer ), and almost always brought to bear his expertise on modern typography.

Saville lost interest in album design and went on to numerous triumphs in other fields, including designing the 2010 England football strip, making adverts for Dior and becoming creative director of the city of Manchester.

Stanley “Mouse” Miller (born 1940)

California-born artist Stanley “Mouse” Miller cut his teeth as a hot-rod painting sensation modifying dragster cars. He then moved into designing the psychedelic posters which were a feature of the San Francisco landscape in the 60s. He is best known for being the creator of the famous “skull and roses” logo adopted by Grateful Dead.

“I found the original image in the stacks of the San Francisco Public Library,” said the painter. “It was created by an artist named Edmund Sullivan to illustrate a poem in the Rubaiyat Of Omar Khayyam . I thought, ‘Here’s something that might work for the Grateful Dead.’”

His work with the Dead continued through many classic albums, including Workingman’s Dead and American Beauty . He also designed iconic album covers for Steve Miller and Journey.

David Stone Martin (1913-1992)

Chicago-born David Stone Martin studied at the city’s Art Institute before making his name as an album cover designer and artist, something that grew out of a friendship with pianist Mary Lou Williams. His album portraits, mostly drawn in distinctive, heavy black-ink lines, include Count Basie , Charlie Parker , Billie Holiday , Art Tatum, John Coltrane , Ella Fitzgerald , Dizzy Gillespie, Stan Getz , and Duke Ellington . He did most of the covers for the Asch, Clef, and Jazz At The Philharmonic releases of the post-war era.

Martin went on to create covers for Life and Time magazines, including memorable ones featuring Eugene McCarthy and Chairman Mao. Cementing his reputation as one of the great album cover designers, his work is included in the collections of the Museum Of Modern Art and the Smithsonian Institution.

John Berg (1932-2015)

Brooklyn-born John Berg worked as a cartoonist and was hired by Columbia Records in 1961 after a spell working for Esquire magazine. Berg, who had never worked on a record album before, made more than 5,000 artworks over the next quarter of a century, including iconic covers for musicians as diverse as The Byrds, Simon And Garfunkel, Bessie Smith, Bob Dylan , and Chicago.

As art director he won four Grammy awards and commissioned covers from some of the foremost artists of the period – including Edward Sorel and Tomi Ungerer – and from top-class photographers such as Richard Avedon.

His judgment was severe and often incisive. When he was creating a cover for Born To Run he rejected the somber photograph that Bruce Springsteen had chosen, saying it made the singer look like a “John Updike-type author.” Berg went through the contact sheets and found an intimate image by Eric Meola of Springsteen laughing as he leaned on Clarence Clemons’s shoulder. It was a typically shrewd move by Berg – and one of the greatest of all album covers was born.

Peter Blake (born 1932)

Peter Blake, who has an indelible place as one of the most famous album cover designers in history, actually went into the world of art by chance. He attended a technical school and was heading for a career as an electrician when he decided to take an exam in drawing. He passed with flying colors and was offered a place at an art school in Kent.

Blake will forever be associated with his work on one of the most important covers of all time : Sgt Pepper’s Lonely Hearts Club Band . For just £200, Blake turned Paul McCartney ’s rough sketch of a bandstand into a three-dimensional set in his studio. The set, which included flowerbeds and statues and a cardboard cut-out of what Blake called “an audience that could include anyone they wanted”, was the setting for The Beatles in their remarkable outfits.

Blake later created the cover for the Band Aid single “Do They Know It’s Christmas?” and worked with superstar modern bands such as Oasis. When he designed The Who ’s Face Dances in 1981, he commissioned leading British painters, including David Hockney and Patrick Caulfield, to paint portraits of the band members. A rarity among album cover designers, Blake has continued working into his 80s, including on artwork for St Paul’s Cathedral.

Click here for an interactive Sgt Pepper cover to discover who’s who.

Cal Schenkel (born 1947)

Cal Schenkel was a college dropout with just a semester of art courses behind him when he met Frank Zappa . He soon became Zappa’s “art engineer”, responsible for a host of fantastic album covers, among them the Sgt Pepper parody We’re Only In It For the Money . He went on to design dozens of albums for Zappa, including Cruising with Ruben & The Jets , and his work was a forerunner of some new wave and punk designs.

Schenkel has collaborated with key figures in the musical avant-garde of the modern age, including Tom Waits . When he was working with Captain Beefheart , Schenkel bought a carp from the market, hollowed out the head, and affixed it to Beefheart’s face for the cover of Trout Mask Replica . In recent years he has worked for publishing firms.

HR Giger (1940-2014)

Unique among album cover designers, HR Giger won an Oscar for his “xenomorph” creature in Alien , and continued in the film business for more than four decades, including working for Ridley Scott’s 2012 hit, Prometheus . Giger, who had studied architecture in Zürich, also designed video games and worked in interior design.

The surrealist Swiss painter was in demand in the music business. Among his many triumphs was the 1973 cover for Emerson, Lake & Palmer’s album Brain Salad Surgery , which keyboardist Keith Emerson said the band chose “because it pushed album cover art to its extreme.” He also changed Debbie Harry ’s popular blonde girl image with his cover for KooKoo , and the singer liked it so much she subsequently hired Giger to design two of her music videos. He died in 2014 from injuries sustained in a fall.

Looking for more? This history of album artwork takes an in-depth look at album cover designers and how their visions have changed the way we listen to music.

Ridley Kemp

January 10, 2020 at 8:36 pm

Weird not to see Chris Bilheimer on this list. He’s one of the all-time greats.

June 10, 2020 at 6:54 am

It’s also weird not to see Ruby Muzur on this list.

February 17, 2021 at 11:32 pm

No Alex Steiweiss? Useless list.

December 27, 2021 at 2:23 am

Central Station Design for a lot of classic Happy Monday, Black Grape, madchester, lots of Factory Records stuff now called Central Station Art they do motion graphics and title design for movies.

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The List of Journey Albums in Order of Release Date

Sold over 80 million albums worldwide, including 48 million albums in the United States, Journey is one of the greatest rock and roll band of all time released 15 studio albums, five live albums, 11 compilation albums, and 51 singles since 1975.

Formed in San Francisco in 1973 by former members of Santana, Steve Miller Band, and Frumious Bandersnatch. Journey had their biggest commercial success between 1978 and 1987, when Steve Perry was lead vocalist; they released a series of hit songs, including “Don’t Stop Believin'” (1981). The epitome of all that is big, bold, and exhilarating about arena rock of the ‘70s and ‘80s, Journey’s “Don’t Stop Believin’” feels both iconic and indestructible. Journey had even more flash when they formed in 1973 as a jazz-rock showcase for ex-Santana guitarist Neal Schon and other musicians from Bay Area bands. Between “Lovin’, Touchin’, Squeezin’” in 1977 and their commercial peak with Escape and 1983’s Frontiers, Journey seemed unbeatable, thanks to Perry’s precise vocals and Schon’s guitar heroics. Journey enjoyed a successful reunion in the mid-1990s and have since regrouped twice; first with Steve Augeri from 1998 to 2006, then with Arnel Pineda from 2007 to the present. Originally a progressive rock band, Journey was described by AllMusic as having cemented a reputation as “one of America’s most beloved (and sometimes hated) commercial rock/pop bands” by 1978, when they redefined their sound by embracing pop arrangements on their fourth album, Infinity. The band currently consists of guitarist/vocalist Neal Schon (the only constant original member), keyboardists/vocalists Jonathan Cain and Jason Derlatka, drummer/vocalist Deen Castronovo, and lead vocalist Arnel Pineda. So, if you are a die heart fan of Journey Albums then check out here we have list of Journey albums in order of release so far.

Journey Albums Available on:  Apple Music

All Journey Studio Albums in Order of Release Date

1. journey (1975).

Journey’s self-titled album, released in 1975, marked the band’s debut in the music scene. This iconic record showcased the band’s early sound, blending elements of progressive rock and jazz fusion with a touch of hard rock. The album features a collection of ten tracks that beautifully exhibit the musicianship and songwriting prowess of the band members.

From the energetic and catchy “Of a Lifetime” to the intricate and melodic “Kohoutek,” Journey’s self-titled album takes listeners on a captivating musical journey. The standout tracks include the emotionally charged ballad “Lights” and the epic closer “To Play Some Music,” which showcases the band’s instrumental virtuosity.

With powerful vocals by Gregg Rolie, mesmerizing guitar work by Neal Schon, and solid rhythm section contributions from Ross Valory and Aynsley Dunbar, Journey’s debut album laid the foundation for their subsequent success. It’s a remarkable album that captures the essence of the band’s early sound and sets the stage for their evolution into one of the most influential rock bands of the late 1970s and 1980s.

2. Look into the Future (1976)

“Look into the Future” is the sophomore studio album released by the American rock band Journey in 1976. With this album, Journey further solidified their sound, showcasing their evolving musical prowess and innovative songwriting.

The album features a dynamic blend of progressive rock and hard rock elements, creating a distinctive sonic landscape. “Look into the Future” encompasses intricate guitar work by Neal Schon, soulful vocals by Gregg Rolie, and the powerful rhythm section of Ross Valory on bass and Aynsley Dunbar on drums.

The tracks on the album exhibit a range of emotions, from the introspective and atmospheric title track “Look into the Future” to the energetic and riff-driven “On a Saturday Nite.” Other standout songs include the hauntingly melodic “Midnight Dreamer” and the epic and ambitious “I’m Gonna Leave You.”

“Look into the Future” showcases Journey’s artistic growth and sets the foundation for their subsequent successes. It remains a testament to the band’s musical vision and serves as a vital chapter in their discography, capturing the essence of their early years and foreshadowing their future triumphs in the world of rock music.

3. Next (1977)

“Next” is the seventh studio album released by the American rock band Journey in 1977. This album marked a transitional period for the band as they shifted towards a more progressive and jazz-influenced sound. The album features a blend of melodic rock tracks and instrumental pieces, showcasing the band’s musical versatility and technical prowess. Songs like “Spaceman” and “Nickel and Dime” highlight the band’s signature catchy hooks and harmonies, while tracks like “Karma” and “I Would Find You” delve into more complex musical arrangements and exploratory solos. “Next” showcases the evolving songwriting skills of the band’s members, particularly guitarist Neal Schon and keyboardist Gregg Rolie. With its diverse range of musical styles and solid performances, “Next” laid the groundwork for the band’s subsequent success in the 1980s.

4. Infinity (1978)

Journey’s album “Infinity,” released in 1978, marks a pivotal point in the band’s career. This record showcased a shift in their musical style, transitioning from a progressive rock sound to a more accessible and radio-friendly approach. “Infinity” introduced Steve Perry as the new lead vocalist, adding a dynamic and powerful element to the band’s sound.

The album features some of Journey’s most iconic tracks, including the chart-topping hit “Wheel in the Sky” and the anthemic “Lights.” “Infinity” captures the essence of late ’70s rock, blending melodic hooks, catchy guitar riffs, and soaring vocal harmonies. The album’s production is polished, highlighting each instrument’s contribution and emphasizing the band’s tight musicianship.

With “Infinity,” Journey began their journey (pun intended) toward becoming one of the most successful rock bands of the ’80s. This album laid the foundation for their future releases and set the stage for their signature sound, characterized by Perry’s distinct vocals and the band’s ability to craft unforgettable melodic rock songs.

5. Evolution (1979)

Evolution, released in 1979, marks a significant milestone in the musical journey of the iconic American rock band, Journey. This album showcases the band’s evolving sound, blending elements of hard rock, progressive rock, and pop sensibilities into a cohesive musical experience. Evolution captures Journey’s transition from their earlier progressive rock sound to a more radio-friendly style that would define their subsequent success.

The album’s standout tracks, such as “Lovin’, Touchin’, Squeezin'” and “Just the Same Way,” demonstrate the band’s ability to craft infectious melodies and memorable hooks while maintaining their signature guitar-driven sound. With Evolution, Journey strikes a perfect balance between melodic rock anthems and introspective ballads like “Patiently” and “Don’t Stop Believin’,” which would become an enduring rock classic.

This album showcases the band’s musical prowess and the distinct vocal talents of Steve Perry, establishing Journey as a force to be reckoned with in the rock music landscape. Evolution acts as a stepping stone, paving the way for the band’s monumental success in the following decade, making it an essential chapter in their musical evolution.

6. Departure (1980)

Journey’s album “Departure,” released in 1980, marked a significant turning point in the band’s sound and showcased their evolving musicality. This album captured Journey’s transition from their progressive rock roots towards a more accessible, melodic rock sound that would later define their success. The album features the powerful and dynamic vocals of Steve Perry, complemented by Neal Schon’s mesmerizing guitar solos and the tight rhythm section of Ross Valory on bass and Steve Smith on drums. Standout tracks such as “Any Way You Want It” and “Where Were You” exemplify the band’s ability to craft catchy hooks and anthemic choruses. With its polished production and infectious energy, “Departure” solidified Journey’s place in the mainstream rock scene and set the stage for their subsequent commercial triumphs in the 1980s.

7. Dream, After Dream (1980)

“Dream, After Dream” is a captivating musical journey released by the progressive rock band Journey in 1980. Serving as the soundtrack for the Japanese film of the same name, this album showcases the band’s versatility and artistry. With its atmospheric soundscapes and intricate compositions, “Dream, After Dream” takes listeners on a mesmerizing adventure through various musical landscapes.

The album features a fusion of progressive rock elements and melodic hooks, highlighted by Neal Schon’s masterful guitar work and Gregg Rolie’s soulful keyboards. Songs like “Destiny” and “Sandcastles” exude a sense of ethereal beauty, while tracks like “Little Girl” and “Silent Dream” exhibit the band’s ability to create poignant and emotive ballads.

“Dream, After Dream” is a testament to Journey’s ability to push boundaries and experiment with their sound, all while maintaining their signature blend of rock and melodic sensibilities. It stands as a hidden gem in the band’s discography, showcasing their musical prowess and creativity beyond their more well-known hits.

8. Escape (1981)

Journey’s “Escape,” released in 1981, is a quintessential rock album that captivated audiences with its energetic and melodic sound. The band’s seventh studio album marked a significant turning point in their career, propelling them to the height of their popularity. Packed with anthemic hits and memorable hooks, “Escape” showcases Journey’s mastery of catchy rock tunes. The album features timeless tracks like “Don’t Stop Believin’,” a stadium rock anthem that continues to resonate with listeners to this day. Other standout songs include the power ballad “Open Arms” and the driving rockers “Stone in Love” and “Who’s Crying Now.” With its polished production and strong songwriting, “Escape” solidified Journey’s status as one of the most influential bands of the era and remains a cherished album among rock enthusiasts.

9. Frontiers (1983)

Frontiers is the eighth studio album by the American rock band Journey, released in 1983. It marked a significant shift in the band’s sound, embracing a more polished and commercial approach. The album showcases Journey’s signature blend of melodic rock and arena-ready anthems, with a touch of pop sensibility. Frontiers features a collection of memorable tracks, including the chart-topping power ballad “Faithfully” and the energetic rockers “Separate Ways (Worlds Apart)” and “Stone in Love.” The album’s production is slick and polished, with the band’s trademark guitar work, soaring vocals, and keyboard-driven hooks taking center stage. Frontiers solidified Journey’s status as one of the premier rock bands of the ’80s, capturing the spirit of the era while delivering memorable and catchy songs that have stood the test of time.

10. Raised on Radio (1986)

“Raised on Radio” is the ninth studio album by the American rock band Journey, released in 1986. The album marked a significant transition for the band, as it was their first release without their original lead vocalist Steve Perry. Instead, keyboardist Jonathan Cain and guitarist Neal Schon took over the majority of the lead vocal duties.

“Raised on Radio” showcased a more radio-friendly sound, incorporating elements of pop and AOR (album-oriented rock). The album spawned several hit singles, including “Be Good to Yourself,” “I’ll Be Alright Without You,” and “Girl Can’t Help It,” which all received substantial airplay on rock and pop radio stations.

Despite the changes in lineup and musical direction, Journey maintained their signature melodic rock sound on “Raised on Radio.” The album features strong hooks, soaring guitar solos, and Cain’s prominent keyboard work. While it received mixed reviews upon its release, “Raised on Radio” remains a memorable chapter in Journey’s discography, showcasing their ability to adapt to the evolving music scene of the 1980s.

11. Trial by Fire (1996)

“Trial by Fire” is the ninth studio album by the American rock band Journey, released in 1996. It marked the band’s first studio release in ten years, following a lengthy hiatus. This album was highly anticipated by fans, as it saw the return of lead vocalist Steve Perry after his departure from the band.

“Trial by Fire” showcases Journey’s signature melodic rock sound, blending powerful guitar riffs with Perry’s soaring vocals. The album features a mix of anthemic rockers and heartfelt ballads, capturing the band’s ability to create both energetic and emotionally resonant music.

Notable tracks from the album include the chart-topping ballad “When You Love a Woman” and the uplifting rock anthem “Message of Love.” With its polished production and memorable hooks, “Trial by Fire” reaffirmed Journey’s status as one of the premier rock bands of the era.

Overall, “Trial by Fire” stands as a triumphant comeback for Journey, showcasing their enduring talent and ability to create captivating rock music that resonates with audiences.

12. Arrival (2001)

Arrival, released in 2001, is an extraordinary album by the Swedish rock band Journey. It marked a significant comeback for the group after a lengthy hiatus, showcasing their timeless sound and remarkable musicality. The album seamlessly blends melodic rock with elements of AOR and progressive rock, creating a captivating and immersive experience for listeners. Each track on Arrival is a testament to Journey’s exceptional musicianship, with soaring guitar solos, intricate keyboard arrangements, and the iconic vocals of lead singer Steve Perry. From the anthemic opener “Higher Place” to the heartfelt balladry of “All the Way,” Arrival demonstrates the band’s ability to craft memorable hooks and emotionally resonant lyrics. It is a triumphant return that solidified Journey’s status as one of the greatest rock bands of all time and continues to captivate fans around the world.

13. Generations (2005)

Journey’s album “Generations,” released in 2005, marked a significant milestone in the band’s discography. This album showcased the seamless transition from the iconic Steve Perry era to the talented vocalist Jeff Scott Soto. “Generations” is an exceptional blend of classic rock and contemporary elements that captures the essence of Journey’s timeless sound.

The album boasts powerful anthems like “Faith in the Heartland” and “The Place in Your Heart,” which are reminiscent of the band’s signature melodic rock style. Tracks like “Never Too Late” and “Where Did I Lose Your Love” showcase the band’s ability to craft emotionally charged ballads that tug at the heartstrings.

With “Generations,” Journey managed to bridge the gap between their rich musical heritage and a fresh, revitalized sound. The album is a testament to the band’s resilience and enduring musical prowess, solidifying their status as one of the most influential rock acts of all time.

14. Revelation (2008)

Revelation is the eleventh studio album by the legendary rock band Journey, released in 2008. The album marked a significant moment in the band’s discography as it was their first release with lead vocalist Arnel Pineda, who joined the group in 2007.

Revelation showcases Journey’s signature sound of melodic rock fused with soaring guitar solos and powerful vocals. The album features a mix of new original tracks as well as re-recorded versions of some of their classic hits, including “Don’t Stop Believin'” and “Wheel in the Sky.” Pineda’s vocal range and energy bring a fresh dynamic to the band’s music, breathing new life into their beloved songs.

With its well-crafted compositions and memorable hooks, Revelation captures the essence of Journey’s timeless appeal while also embracing a contemporary sound. The album received critical acclaim and resonated with both longtime fans and new listeners, solidifying Journey’s enduring legacy as one of rock music’s most influential acts.

15. Eclipse (2011)

Eclipse, released in 2011, is a captivating musical journey that showcases the immense talent and versatility of the Swedish rock band, Journey. With this album, Journey takes listeners on a sonic adventure filled with powerful anthems and heartfelt ballads. The album is a seamless blend of melodic rock, pulsating rhythms, and captivating guitar solos.

Eclipse introduces a new chapter in the band’s musical evolution, as they explore deeper and darker themes while staying true to their signature sound. The lyrics touch upon introspective topics such as personal struggles, love, and self-discovery. The album’s production is polished and refined, highlighting the band’s impeccable musicianship and Steve Perry’s iconic vocals.

Eclipse boasts a collection of standout tracks, including the adrenaline-fueled “City of Hope,” the hauntingly beautiful “Human Feel,” and the epic anthem “Edge of the Moment.” Each song carries a distinct energy, showcasing the band’s ability to craft memorable melodies and deliver them with passion and precision.

Overall, Eclipse is a testament to Journey’s enduring legacy as one of the greatest rock bands of all time. It’s a remarkable album that resonates with fans, old and new, and solidifies the band’s ability to create timeless music that transcends generations.

16. Freedom (2022)

“Freedom” is a captivating musical journey that emerged from the depths of 2022. This album, created by an enigmatic artist, unveils a unique blend of introspection and liberation, entwined with captivating melodies and thought-provoking lyrics. The tracks oscillate between moments of vulnerability and empowering resilience, inviting listeners to embark on an emotional expedition.

Each song in “Freedom” carries its distinct essence, painting a vivid picture of the artist’s evolution and growth. From the opening notes, the album takes hold of your senses, transporting you to a realm where constraints dissolve, and limitless possibilities abound. The lyrics explore themes of self-discovery, breaking free from societal expectations, and embracing personal truths.

Throughout this musical odyssey, the artist’s dynamic vocals and masterful instrumentation serve as guides, leading the listener through peaks of exhilaration and valleys of introspection. “Freedom” is not just an album; it’s an embodiment of the human spirit’s quest for emancipation, reminding us that our journeys to liberation are as unique as the melodies that resonate within us.

How many albums does Journey have?

American rock band Journey has released FIFTEEN studio albums, FIVE live albums, ELEVEN compilation albums, and FIFTY-ONE singles since 1975.

List of Journey Albums in Order of Release Date

Here is the list of Journey Album in Order of Release Date:

Studio albums:

1. Journey — April 1, 1975

2. Look into the Future — January 1, 1976

3. Next — February 1977

4. Infinity — January 20, 1978

5. Evolution — March 23, 1979

6. Departure — February 29, 1980

7 . Dream, After Dream — December 10, 1980

8. Escape — July 17, 1981

9. Frontiers — February 22, 1983

10. Raised on Radio — April 21, 1986

11. Trial by Fire — October 22, 1996

12. Arrival — December 1, 2000

13. Generations — August 29, 2005

14. Revelation — June 3, 2008

15. Eclipse — May 24, 2011

16. Freedom — July 8, 2022

Live albums:

1. Captured — January 30, 1981

2. Greatest Hits Live — March 24, 199

3. Live in Houston 1981: The Escape Tour — November 2005

4. Escape & Frontiers Live in Japan — March 29, 2019

5. Live in Concert at Lollapalooza — December 9, 2022

Compilation albums:

1. In the Beginning — November 1979

2. Star-Box — August 26, 1988

3. Greatest Hits — November 11, 1988

4. The Ballade — 1991

5. Time 3 — December 1, 1992

6. The Journey Continues — March 6, 2001

7. The Essential Journey — October 16, 2001

8. Open Arms: Greatest Hits — May 19, 2004

9. Don’t Stop Believin’: The Best of Journey — October 12, 2009

10. Greatest Hits 2 — November 1, 2011

11. Greatest Hits I & II — 2011

Soundtracks:

1. Dream, After Dream — December 10, 1980

Conclusion:

Journey’s conclusion is a testament to their legendary status. With albums like “Escape,” “Frontiers,” and “Raised on Radio,” the band solidified their place in rock history. Each album delivered unforgettable hits like “Don’t Stop Believin’,” “Separate Ways,” and “Wheel in the Sky,” showcasing their iconic sound and powerful lyrics. Journey’s journey may have come to an end, but their music continues to inspire and resonate with fans around the world.

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