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Upcoming concerts (23) See all

The Parkway Theater

Livermore Valley Performing Arts Center

Montalvo Arts Center

Lobero Theatre

Luckman Fine Arts Complex

Taos Center for the Arts

Musical Instrument Museum (MIM)

As If! The 90's Fest

The Flying Monkey

South Orange Performing Arts Center (SOPAC)

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With a Grammy and 20 years experience in the music industry under her belt, Paula Cole is one of the most experienced singer/songwriters out there right now. Although over the years Cole’s had problems with record labels going out of business, and other barriers in her career, she has without fail, made it out the other end of every obstacle even stronger than before.

The venue was intimate, and therefore there wasn’t a bad view in the house, everyone could see and hear Cole perfectly. The speakers were positioned well so that even though we were on the side, the acoustics were great. She’s a humble artist, and when she took to the stage with nothing but a warm hello and her guitar, the audience hushed in anticipation. What we then heard was more than we were expecting. She opened with Feelin Love, which was sang beautifully, and I realised that she’s one of the very few artists who sound even better live than on their studio records.

Paula played a great selection of her tracks, from old to new, and it was especially great when she played some new tracks. Although she’s been performing for years, this shows in experience rather than a tired performance, she really was at the top of her game.

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A lovely and intimate evening of gorgeous music with a fabulous ensemble of players, lead by the incomparable Paula Cole. Her rhythm guitarist travels with Meshell Ndegeocello - enough said. Her bass guitarist was quiet, confident and terrific...and her percussionist/drummer was fabulous! The Towne Crier staff was attentive and on time, kind and courteous. All of this combined made for a fantastic concert experience.

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Old Town School of Folk Music

National Sawdust

New Jersey Performing Arts Center (NJPAC)

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Paula Cole tour dates and tickets 2024-2025 near you

Want to see Paula Cole in concert? Find information on all of Paula Cole’s upcoming concerts, tour dates and ticket information for 2024-2025.

Paula Cole is not due to play near your location currently - but they are scheduled to play 23 concerts across 2 countries in 2024-2025. View all concerts.

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• Minneapolis, MN, US
• Livermore, CA, US
• Saratoga, CA, US

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Paula Cole Announces US Tour Dates, New Album 'American Quilt' Out Now

Watch Cole's stunning live performance videos for “Wayfaring Stranger,”  “Black Mountain Blues,” and "God's Gonna Cut You Down."

Today, Grammy-winning songwriter and producer Paula Cole announced a run of US tour dates. Following the release of her acclaimed album American Quilt, the Grammy-winning songwriter and producer is embarking on a 23-date tour, beginning on August 8 at Cain Park in Cleveland Heights, Ohio and concluding at Stone Mountain Arts Center in Brownfield, Maine on November 18. Twelve evenings will be a double bill with songwriter Madeleine Peyroux. Tickets are currently available for purchase here .

Released in May, American Quilt has been acclaimed by outlets including Rolling Stone, USA Today, and No Depression. Forbes.com writes, "Cole is back with the powerful and gritty American Quilt..." American Songwriter also praised album writing, "Throughout, the 11-track collection contains the folkloric roots of American music. Cole's radiant vocals pull the underlying humanity of a nation divided."

Watch Cole's stunning live performance videos for "Wayfaring Stranger," "Black Mountain Blues," and "God's Gonna Cut You Down."

With a musical catalog defined by honest and deeply personal lyrics carried by her powerful, radiant voice, Cole has always had a gift for discerning the underlying humanity in stories from her own life as well as those around her, and channeling those emotional elements into captivating music. On American Quilt, Cole applies this natural insight to American history and musical roots traditions by interpreting a selection of classic songs - each of which provide an entry point for rediscovering the overlooked stories and figures that populate America's interwoven cultural lineage.

The album was produced by Cole, who was the first woman nominated (without collaborators) as Producer of the Year at the 1997 Grammy awards. She garnered a total of seven Grammy nominations that year and won "Best New Artist" for her second album and major-label debut, This Fire, with its timeless hits, "Where Have All the Cowboys Gone?" and "I Don't Want to Wait" (later the theme song for hit TV series Dawson's Creek). Today, as a visiting scholar at Berklee College of Music, Cole tells "all my female students, 'Start thinking like a producer, think about how you want the whole track to sound, be a voice.'"

"Together these songs make an American Quilt," says Cole, "a patchwork of heritage, a stitched-together-history of culture both painful and beautiful. I hope the listener will step inside the canoe and float down the Missouri River of their mind. I hope they will hear the gospel of the country, and taste the liquor in the speakeasies. I hope they will feel the freedom in the jazz of the cities, heed the call to morality in the spirituality of a day's hard work, and the call to the Great Beyond from the Appalachians."

As on previous albums, Cole was joined by a longtime "family" of musicians, including esteemed drummer Jay Bellerose and guitarist Kevin Barry, collaborators since the trio's days at Berklee. American Quilt follows 2019's acclaimed album of originals, Revolution, deemed by PopMatters as "an exceptional piece of work, a timely reminder of how soulful and perceptive a writer and singer Cole is and has always been."

Tour Dates:

08/08 - Cleveland Heights, OH @ Cain Park

08/10 - Ocean City, NJ @ Ocean City Music Pier

08/27 - Rockport, MA @ Shalin Liu

08/28 - Natick, MA @ Natick Center for the Arts

09/10 - New York, NY @ City Winery

09/19 - Manchester, NH @ The Rex Theatre

09/22 - Harrisburg, PA @ Whitaker Center*

09/24 - Tiffin, OH @ The Ritz Theatre*

09/25 - Dekalb, IL @ Egyptian Theatre*

09/26 - Chicago, IL @ City Winery

09/27 - Minneapolis, MN @ Pantages Theatre*

09/28 - Stevens Point, WI @ Stevens Point Country Club

09/30 - Kansas City, MO @ Helzberg Hall (at Kauffmann Center)*

10/01 - Nashville, TN @ Brooklyn Bowl Nashville*

10/02 - Atlanta, GA @ Variety Playhouse*

10/08 - Seattle, WA @ Benaroya Hall*

10/13 - Santa Cruz, CA @ Rio Theatre*

10/14 - Ronhert Park, CA @ The Green Music Center*

10/15 - Berkeley, CA @ Freight & Savage*

10/16 - Beverly Hills, CA @ Saban Theatre*

11/04 - Hoover, AL @ The Library Theatre*

11/05 - Hoover, AL @ The Library Theatre*

11/11 - Portland, OR @ The Old Church

11/18 - Brownfield, ME @ Stone Mountain Arts Center

* With Madeleine Peyroux

Photo Credit: Ebru Yildiz

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Luckman Fine Arts Complex | Los Angeles, CA

Latest setlist, paula cole on april 11, 2024.

Maurer Hall, Old Town School of Folk Music, Chicago, Illinois

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Chicago Concert Reviews

We’ve got the windy city covered., “i don’t want to wait” icon paula cole, fresh off “lo,” enthralls old town school on tour opener.

Posted by Andy Argyrakis

Almost a decade has passed since Paula Cole released an entirely original pop/rock album following a string of jazz, folk and social justice-themed projects, but “Lo” finds her seamlessly picking up where she left off as a both a thought-provoking troubadour and boundary-blurring producer.

In fact, the “Best New Artist” Grammy Award-winner also made history as the first ever solo female to be nominated for the latter during an unstoppable stretch in the 1990s, starting out backing Peter Gabriel and rising to being a headliner on the Lilith Fair.

The fact it was the very first night of this new tour made it all the more special, particularly when she debuted the likes of “The Replacements & Dinosaur Jr.,” “Follow The Moon,” “Invisible Armor,” “Green Eyes Crying” and “Wildflower,” boldly living up to her biographical description of being a “truth-teller, provocateur, feminist, and brilliant autobiographical writer who has pushed for personal honesty and social change.”

Even one of her most humongous hits, “Where Have All the Cowboys Gone? 2.0,” fit the bill as a tongue-in-cheek take on gender stereotypes, which may have went over the heads of many listeners swept into the multi-platinum mania of “This Fire,” but was nonetheless communicated with clarity and accepted as intended on this nearly two-hour night.

Cole continued intermingling the distant and recent past thanks to the soulful “I Believe In Love,” the stunningly stripped down “Happy Home,” her hometown story “Gloucester Harbor Shore” and the Wurlitzer glow of “Strong Beautiful Woman,” fresh off its TikTok resurgence, always managing to come across as timeless.

The headliner left everyone with an unplugged and enthralling interpretation of the fitting “Flying Home,” complimenting the long-awaited return to her already accomplished singer/songwriter roots and fully realizing them on the road.

For additional information on Paula Cole, visit PaulaCole.com .

Upcoming concert highlights at the Old Town School Of Folk Music include Ladysmith Black Mambazo (Apr. 13); Cheryl Wheeler (Apr. 13); Oumou Sangaré (Apr. 14); Graham Parker (Apr. 18); Joe Pug (Apr. 18-19); The Weight Band (Apr. 20); Willie Nile (Apr. 20); Hamza Akram Qawwal & Brothers (Apr. 21); Raul Midón (Apr. 21); QWANQWA (Apr. 24); Kara Jackson (Apr. 25); Larry Campbell & Teresa Williams (Apr. 26); David Wilcox (Apr. 27) and Alex Cuba (Apr. 28). For additional details, visit OldTownSchool.org/Concerts .

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• Emmylou Harris

Paula Cole Premieres “Wayfaring Stranger,” One Patch From Her Upcoming LP ‘American Quilt’

by Madeline Crone April 1, 2021, 8:02 am

Paula Cole vehemently opposes the divide of genres. The Grammy-winning songwriter and producer says, “I feel like it’s part of my mission to talk about this constructed division, to deconstruct and unify the human family through music.”

Videos by American Songwriter

“I’m in a very prolific part of my life,” Cole tells American Songwriter over the phone one March morning. She’s officially an empty nester and filling the space with productivity she hasn’t experienced in several years as an independent artist.  

Following her 2016 double jazz album  Ballads,  the artist realized her work was not done. She poured years of pent-up jazz influence—her first love—into 31 tracks and still had strong tracks leftover. The hesitation that held Cole from recording her first all-jazz album for decades led her to broaden the scope for her next. Cole’s forthcoming project,  American Quilt,  paints a detailed portrait of her whole musical story. Throughout, the 11-track collection contains the folkloric roots of American music. Cole’s radiant vocals pull the underlying humanity of a nation divided. 

“The mantle of jazz weighed heavy on me; I suffered imposter syndrome,” she says. “As a white person and a young person, I didn’t feel entitled to it for a long time. But after putting the work in, it was finally time to put my own expression in, and that album was successful. But it didn’t feel right to make another one of just jazz. I knew I needed to incorporate the folk aspects to represent myself better.”

Cole was raised on folk, Americana, and country music. Her father was a bassist in a polka band. As opposed to jazz, her native music came more easily from memory. “I’m a mixture, even genetically,” she says. “I was raised on all of it. I’m not too fond of the ideas and labels that separate them anyway. So if I am making music and honoring my musical family and all of its roots, it needed to be everything.” 

In January 2020, right before the pandemic hit, she went into the studio with folk songs like “Shenandoah,” “Black Mountain Blues,” which she learned from Bessie Smith and Janis Joplin, and “Wayfaring Stranger,” released March 19 as an entrance single . 

Her longtime friend and mentor Emmylou Harris turned her on to the 18th-century mountain tune on her 1980 album,  Roses in the Snow.  Her performance  captured a moment within the melodic delivery that emerged one day as Cole sat at a piano during a soundcheck. “It just leaped out of me,” she says. “It sprang from my subconscious because it’s part of it. I knew then I needed to record it”

Harris—who she notes as “one of the most important voices for America”—convinced Cole to stick with her guns when she was ready to drop from the music industry. “Wayfaring Stranger” resonates for her on a personal level, marking how far she’s come in her artistry. But it also captures the spirit of transcendental storytelling this album evokes. 

Cole says, “These songs are oral history encompassed in a hymn where it was born and brought overseas. Here it was mixed with pioneers, native Americans, onboard clipper ships. The melody keeps being recycled, preserving history in a way. Each tune here is a patchwork of a musical lineage that tells a fuller story.”

“Wayfaring Stranger” was produced and arranged by Paula Cole for her eleventh studio album  American Quilt  and features Jay Bellerose (drums), Kevin Barry (guitar), Ross Gallagher (upright bass), and Kathleen Parks (violin).

Watch an exclusive video of Paula Cole’s Live at The Cabot performance of “Wayfaring Stranger” below.  American Quilt is due out May 21.

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Canaan Smith Had to Go Home to Make His Next Album, ‘High Country Sound’

© 2024 American Songwriter

Press Releases Paula Cole Announces New Album Lo  All Releases

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4 December, 2023 Print

Paula Cole Announces New Album Lo

Stream New Track “The Replacements & Dinosaur Jr.”  Here

Extensive Headlining US Tour Dates Also Announced

Grammy-winning  singer-songwriter and producer   Paula Cole  will release  Lo , her first collection of entirely new, original songs in nearly a decade, on  March 1, 2024.  Today, Paula shares the first single from the album,  "The Replacements & Dinosaur Jr.”  - a heartfelt tribute to her friend and artistic mentor,  Mark Hutchins , who left us too soon, aged 51. The song pays homage to Hutchins’ musical influences, spanning from The Replacements and Dinosaur Jr. to The Beatles, XTC, Daniel Lanois, and A Tribe Called Quest. This song, like the forthcoming album, beautifully blends vulnerability with joy, staying true to Paula's signature authentic and soul-stirring style.

Paula recalls,   "Mark exploded my mind.  I literally heard the Beatles first with Mark.  Also The Replacements, Dinosaur Jr., A Tribe Called Quest, The Pixies, and a lot of gorgeous early-90’s alternative music folks might not associate with me. We connected in our love for Peter Gabriel’s music. I was mourning, honoring, celebrating Mark when I wrote this.  I wanted to acknowledge him and his lasting influence in my life. Mark should have had an enormous career. I’m so grateful. The song needed to be fun, like he was."

Stream "The Replacements & Dinosaur Jr.”

https://sym.ffm.to/pc_replacementsanddinosaurjr

The album features longtime Cole collaborator  Jay Bellerose  (Robert Plant & Alison Krauss, Bonnie Raitt, Elton John) on drums, plus  Ross Gallagher  (Joe Henry, Marc Ribot) on upright bass, Chris Bruce (Meshell Ndegeocello, Bettye LaVette, Tom Waits) on guitar, and  Rich Hinman  (Maren Morris, Sara Bareilles) on pedal steel and guitar. The album was produced by Cole and recorded at The Village recording studio in Los Angeles by nine time Grammy-winning engineer, Mike Piersante.

Paula has also announced an  extensive US tour  which will kick off April 11 in Chicago, and feature many of the musicians who perform on  Lo  in her backing band. See below for a full list of dates.

A truth-teller, provocateur, feminist, and brilliant autobiographical writer who has pushed for personal honesty and social change, Cole wrote all the songs on  Lo , as a way to navigate her opening to trust again after life’s indelible blows. Weaving the personal with the universal, she wrestles with questions of identity and intimacy, history and our collective failure to learn from it, ultimately showing the album to be a window into her own psyche. 

Paula Cole is a  Best New Artist Grammy-winner and was the first woman nominated in her own right for a Grammy for "Producer of the Year." She has in recent years honored her love for jazz and folk standards, and songs for social justice with her releases  ‘Ballads’ ,  ‘American Quilt ’ and  ‘Revolution’  for which NPR called her a “ boundary-pushing feminist trailblazer,”  for having  “long incorporated powerful social statements into her emotional hit songs.”  Her beloved anthems  "Where Have All the Cowboys Gone? " and  "I Don't Want to Wait"  are still playlist and radio perennials. 

Stay tuned for what is sure to be a big year for Paula Cole, see tour dates  here  and stream “The Replacements & Dinosaur Jr.”  here . 

‘LO’ TRACKLISTING

1. Follow The Moon

2. The Replacements and Dinosaur Jr.

3. Take It Take It Take It

4. Invisible Armor

5. Monday, Tuesday, Wednesday

6. Green Eyes Crying

7. Calling All Saviors

8. Golden Apples Of The Sun-Fahrenheit 451

9. Letter From A Quarry Miner

10. Wildflower

11. Flying Home

PAULA COLE US TOUR DATES

4/11 Chicago, IL, Old Town School of Folk Music

4/12 Minneapolis, MN, Parkway Theater 

4/20 Livermore, CA, Livermore Valley PAC

4/21 Saratoga, CA, Montalvo Arts Center Carriage House

4/24 Santa Barbara, CA, Lobero Theater

4/26 Los Angeles, Luckman Fine Arts Complex at Cal State

4/27 Taos, NM Taos Center For The Arts

4/29 Phoenix, AZ

5/31 Plymouth, NH, The Flying Monkey

6/1 South Orange, NJ, SOPAC

6/2 NYC, Sony Hall

6/20 Old Saybrook, CT, The Katharine Hepburn Cultural Center

6/21 Nashua, NH, Nashua Center For The Arts

6/22 Brownfield, ME, Stone Mountain Arts Center

6/23 Newport, RI, Jane Pickens Theatre

7/12 New Hope, PA, New Hope Winery

7/13 Washington D.C., Kennedy Center Millenium Stage Series

FOR PRESS INQUIRIES : Matt Hanks,  [email protected]  / Lena Wright,  [email protected]

An Evening with Paula Cole

Bankhead Presents

The Bankhead Presents  An Evening with Paula Cole

Elegant. Electrifying. Pop.

Get ready to be enthralled by the raw power of Paula Cole’s live performance here in the Tri-Valley! With her soulful voice and electrifying stage presence, she’s sure to leave you breathless. Don’t miss this chance to witness one of music’s greatest talents in person!

Especially for our community, $25 seats are available in the front row. Order by phone only. Call the box office at 925.373.6800 for availability.

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Home to ten Resident Companies with over 270 combined years of artistic experience, the Bankhead Theater’s state-of-the-art facilities enable these organizations to grow artistically and institutionally, develop audiences and collaborate on key projects while maintaining their respective missions and identities.

Cantabella Children’s Chorus

Cantabella Children’s Chorus is a non-profit organization located in the Livermore Tri-Valley. CCC strives to foster and promote the appreciation of choral music in the community through performances at various local corporate and civic functions and churches but above all to have fun.

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Del Valle Fine Arts

Del Valle Fine Arts has been presenting outstanding classical music concerts in Livermore for over 35 years. This highly-regarded series offers dazzling performances by acclaimed professional chamber music groups and soloists from throughout North America and beyond. A particular objective of DVFA is to introduce young persons to the appreciation of fine music. To that end, children are admitted free to its concerts, and full-time students above high school can procure tickets at a special reduced price.

Livermore-Amador Symphony

Livermore-Amador Symphony – The symphony offers four concerts a year, as well as a Pops fundraiser. Symphony Guild – If you enjoy LAS concerts, join like-minded people of the Symphony Guild and support this community orchestra! Guild members encourage interest in the symphony and sponsor fund-raising activities. The Livermore-Amador Symphony has received funding from: Lawrence Livermore National Security, LLC, City of Livermore Commission for the Arts, City of Livermore Tourism and Special Event Fund, Livermore Cultural Arts Council, Clorox Company Technical Center-Pleasanton, Target and Livermore Rotary.

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Livermore Valley Opera combines the talents and expertise of professional music, stage and chorus directors, principal singers, musicians, and designers with the dedication and practical abilities of a volunteer board, adult chorus, stage crew, props master, stitchers, and set builders. Each fall and spring, LVO presents locally produced, fully staged operas with orchestra. Additionally, LVO presents special concerts, events and fundraisers in the winter and “Opera in the Vineyard” in the summer. LVO promotes local talent and attracts outstanding Bay Area singers, directors and conductors.

Pacific Chamber Orchestra

The Pacific Chamber Orchestra (PCO) is a 40 piece symphony orchestra composed of professional musicians from throughout the Bay Area. It was founded over 20 years ago by its talented conductor and musical director, Lawrence Kohl. The orchestra combines the precision of a small ensemble with surprising dynamic range and power. PCO is notable for innovative and insightful interpretations of music of all eras.

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The Rae Dorough Speaker Series features leading thinkers in science, literature and the arts who discuss topical issues of particular interest to the Livermore community in the intimacy of the Bankhead Theater.

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The Sycamore Strings Academy (formerly Suzuki Strings Academy) carries on a tradition from 1984 of quality music education in the Tri-Valley area. The Academy includes certified Suzuki instruction on string instruments, licensed Kindermusik classes and a popular guitar program. Students perform across the region in year-round concert series.

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Formerly Pleasanton Playhouse, Tri-Valley Repertory Theatre presents a variety of audience-pleasing musical theater. As a non-profit, volunteer regional arts organization, we continue our mission to provide affordable quality theatre, training and cultural experiences, with a focus on children and family participation.

Valley Concert Chorale

The Valley Concert Chorale is a chorus of about 40 singers, many of whom live in the Tri-Valley area, including Livermore, Pleasanton, San Ramon and Danville. VCC’s director is John Bush and featured pianist is Daniel Glover. If you would like to sing with VCC, why not arrange for an audition? You can audition at any time, and then join the chorus at the beginning of the next quarter.

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Valley Dance Theatre is a non-profit organization committed to providing exceptional dance instruction and productions to the Tri-Valley Area. Their focus is in classical ballet and modern dance. Each year they present a full-length Nutcracker with a live orchestra, and a Spring show with varying themes.

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Dedicate one of the decorative paver blocks that frame and define the entry from the Livermore Valley Plaza to the Bankhead Theater. Each size allows you to personalize your dedication and/or message. Once you’ve placed your order we’ll contact you to help you choose the exact message for the paver you’d like to donate. LOGO & BRICK ART Permanently commemorate a company or brand, feature your family crest or create your own custom design while supporting the arts with an engraved logo or artistic brick. The image will be etched in black on a sand-colored paver (6×12 or 12×12) or light gray granite tile (24×24). They are visible to thousands of people each year attending a variety of events and performances on the Livermore Valley Plaza and in the Bankhead Theater. 24″ x 24″ – Madden Family Courtyard – $1,500 12″ x 12″ – Livermore Valley Plaza $1,000 Logo Art Brick – Livermore Valley Plaza $500 6″ x 12″ – Livermore Valley Plaza $375 6″ x 9″ – Livermore Valley Plaza $150 PERSONALIZED SEATS Seat donations will be recognized by a commemorative medallion on your chosen chair in the Bankhead Theater as well as on the Donor Wall in the Lobby. Grand Tier Seats $5,000 Central Tier Seats $2,500 Upper Tier Seats $1,000 Please note: donating a personalized seat does not guarantee the right to sit in that seat for a given performance.

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With a legacy gift to Livermore Valley Arts, you can be sure your charitable intentions will be realized while achieving the most favorable income tax benefits available. We are happy to meet with you to talk about your intentions and situation. However, we strongly recommend you consult with your estate planning professional or tax advisor to fulfill your goals for your financial portfolio and tax needs. Making a legacy gift to the Center also qualifies you to join the Legacy Society, a group of philanthropic and pioneering members who share a strong bond with LVPAC and a desire to ensure a meaningful, lasting home for the arts in Livermore Valley. If you have already included LVA in your plans (or if you intend to), please let us know. Contact Chris Carter, Executive Director, at [email protected] or call (925) 583-2311. We accept a range of planned giving options: In Your Will The simplest way to leave a planned gift is to make a bequest including specific language in your will or living trust naming LVA as the recipient. The following is an example of suggested language to include in your will/trust: “I give and bequeath to the Livermore Valley Performing Arts Center, a California non-profit corporation, located at 2400 First Street, Livermore, CA 94550, the sum of $____, or ______% of my estate, to be used for the accomplishment of its general purpose (or for a specific purpose as indicated).” Charitable Gift Annuities A charitable gift annuity (CGA) is the easiest way to create dependable income for life and help the Center. Please note that LVA does not administer CGAs but can recommend an administrator. Charitable Trusts A Charitable Remainder Trust or Charitable Lead Trust allows you to receive an estate or gift tax deduction and create a source of income for you or your loved ones while supporting the Center. Please note that LVA does not administer these trusts but can recommend an administrator. Real Estate/Appreciated Assets A variety of assets can be donated such as real estate, appreciated securities, and tangible personal property such as art or jewelry. Donating appreciated assets can help offset income and capital gains taxes. If you are contemplating gifting an investment property or a vacation home, a gift of real estate offers an excellent option for tax-wise giving. You can also include the Center as a beneficiary of real estate or appreciated assets in your will. Please be aware that as part of our gift acceptance policy, all gifts of real estate, appreciated assets and tangible personal property are examined on a case-by-case basis. Retirement Plan Donations or Life Insurance Policies You can name Livermore Valley Arts as the beneficiary of your IRA, 401k or 403b retirement plan or life insurance policy. This is a simple, effective way to support the arts while reducing or eliminating significant, often unanticipated tax penalties.

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Paula Cole Concert Setlists & Tour Dates

Upcoming shows.

• Date and Venue Doors Scheduled
• Apr 27 2024 Taos Community Auditorium Taos, NM, USA Add time Add time Add times

Paula Cole at Maurer Hall, Old Town School of Folk Music, Chicago, IL, USA

• The Replacements & Dinosaur Jr.
• Follow the Moon
• Invisible Armor
• I Believe in Love
• Green Eyes Crying
• Where Have All the Cowboys Gone?
• Gloucester Harbor Shore
• Strong Beautiful Woman
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Paula Cole at Lyric Theatre, Stuart, FL, USA

• I Wish I Knew
• Wayfaring Stranger
• Mother, Son and Holy Ghost
• Throwing Stones
• Feelin' Love
• I Don't Want to Wait

Paula Cole at Cary Memorial Hall, Lexington, MA, USA

• Blues In Gray
• I Believe in Love / Sexual Healing

Paula Cole at South Orange Performing Arts Center, South Orange, NJ, USA

• Hush, Hush, Hush.

Paula Cole at The Orange Peel, Asheville, NC, USA

• I Am So Ordinary
• Mississippi

Paula Cole at City Winery, Atlanta, GA, USA

• Saturn Girl
• New York City
• Salt of the Sea

Paula Cole at Franklin Theatre, Franklin, TN, USA

Paula cole at bank of new hampshire stage, concord, nh, usa, paula cole at riviera theatre, north tonawanda, ny, usa, paula cole at pleasantville music festival 2022.

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Most played songs

• Where Have All the Cowboys Gone? ( 94 )
• I Don't Want to Wait ( 88 )
• Carmen ( 60 )
• Mississippi ( 50 )

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Artists covered

Ryan Adams Harold Arlen Burt Bacharach Toni Basil The Beatles Paula Cole Band Bob Dylan Marvin Gaye Bobbie Gentry Billie Holiday Jazz Carole King Lead Belly John Lennon Joni Mitchell Dolly Parton Édith Piaf Pink Floyd Prince R.E.M. Simon & Garfunkel Bessie Smith Ralph Stanley Billy Taylor Tom Waits Neil Young

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369 people have seen Paula Cole live.

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Jun 02 2024

About paula cole.

Paula Cole’s eleventh studio album, “Lo” is devastatingly personal and utterly gorgeous. Her first album of original compositions in five years, “Lo”’s eleven songs, written entirely by Cole, navigate her opening to trust again after indelible blows of life. As the first woman to ever be nominated for the Best Producer Grammy in her own right, Paula Cole returns to the helm of recording as sole producer. On “Lo”, her loyal bandmates of many years (musicians that are stars unto themselves) join Cole in the studio. “Lo” was recorded entirely live, featuring full band performances from Jay Bellerose (drums), Chris Bruce (guitars), Ross Gallagher (upright and electric bass, backing vocals) and Rich Hinman (pedal steel, guitars). It was recorded and mixed by nine-time Grammy-award-winning-engineer, Mike Piersante, whose unique sound is the canvas for “Lo.” The autobiographies that are the songs of “Lo”, are the newest Polaroid snapshots of Cole’s life.

The focus is her most recent period of years, saying goodbye to her friend and early collaborator, Mark Hutchins, on “The Replacements & Dinosaur Jr.”, reflecting on her childhood’s psychological influence in “Follow The Moon”, her primary relationship, in which she wrestles inner demons in “Green Eyes Crying”, lays down her “Invisible Armor” to find hope, rebirth, acceptance in “Monday, Tuesday, Wednesday,” and physical intimacy in “take it take it take it”. Cole faces her identity in the spine-chilling, redemptive “Wildflower”. “Lo” is a window to Paula Cole’s psyche. Continuing her social-justice writing through music, Cole’s “Lo” reveals songs “Calling All Saviors” (a catchy pop gem), and “Letter From A Quarry Miner” (written from a North American quarryman, to his European family during The Great Depression in 1932.) Cole weaves in the words of W. B. Yeats in “Golden Apples of the Sun ” while honoring Ray Bradbury in “Fahrenheit 451”. The song is a poem, touching on the concept of the anthropocene and the frightening prospect of erasing history. With her eleventh studio album, “Lo”, Cole eloquently weaves the personal with the universal, the shy with the provocative. She concludes with the uplifting “Flying Home”, an homage to Max Erhmann’s “Desiderata”.

From whispering poetry in a low alto range, to opening her throat in primal scream, Paula Cole’s voice is more commanding than ever, revealing battle scars, deep wisdom, the soulfulness of gospel, the urgency of rock, and the sensitivity of folk. Cole plays piano, Rhodes, acoustic guitar, clarinet and sings her artfully arranged background-vocals. She is a poet with a funky groove.

Cole has been a truth-teller, a provocateur, a feminist, a rebel, and a brilliant autobiographical writer who has pushed for personal honesty and social change. An artful weaver of genre, she is difficult to categorize – she is simply Paula Cole. From her debut “Harbinger”, in her androgynous combat boots and sensitive songs, to the everlasting hits of “This Fire”, to her genre-busting “Amen” (a neo-soul-touched tour de force) to a vibrant line of independent recordings on her own 675 Records label, she has released music for over three decades, recorded and performed with greats such as Peter Gabriel, Dolly Parton, Missy Elliot, Meshell N’Degeocello, Melissa Etheridge, Herbie Hancock, Sarah McLachlan, Terri Lyne Carrington,

Emmylou Harris, Nona Hendrix, Paul Buchanan of The Blue Nile, to John Paul White and Jason Isbell. She was an instrumental force behind the historic Lilith Fair. Her songs have been covered by artists from Herbie Hancock and Annie Lennox, to Lissie, to HAIM, sampled by hip hop artists, and performed by choirs. Paula Cole has pushed buttons and boundaries, declared truths and followed her own path of iconic vision.

Cole will be on tour in 2024 with concerts surrounding the release of “Lo”. Look for upcoming tour dates and announcements across Cole’s social media platforms.

Per New York City’s guidance, Sony Hall is requiring all guests, staff & musicians ages 12+ to be fully vaccinated against Covid-19 to enter. Children ages 5 to 11 must have received at least one dose. Proof of vaccination may include your physical CDC card, photo of your CDC card, NYC Covid Safe App, or the NYS Excelsior Pass. In addition to the vaccination policy, New York City continues to encourage masks for all indoor gatherings, except while you are actively eating and drinking.

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Paula cole tour 2024.

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About Paula Cole

Paula Cole (born April 5, 1968) is an American singer-songwriter. Her single "Where Have All the Cowboys Gone?" reached the top ten of the Billboard Hot 100 in 1997, and the following year she won a Grammy Award for Best New Artist. Her song "I Don't Want to Wait" was used as the theme song of the television show Dawson's Creek .

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Paula cole announces new album ‘lo’.

Grammy-winning singer-songwriter and producer Paula Cole will release Lo, her first collection of entirely new, original songs in nearly a decade, on March 1, 2024. Today, Paula shares the first single from the album, “The Replacements & Dinosaur Jr.” – a heartfelt tribute to her friend and artistic mentor, Mark Hutchins, who left us too soon, aged 51. The song pays homage to Hutchins’ musical influences, spanning from The Replacements and Dinosaur Jr. to The Beatles, XTC, Daniel Lanois, and A Tribe Called Quest. This song, like the forthcoming album, beautifully blends vulnerability with joy, staying true to Paula’s signature authentic and soul-stirring style.

Paula recalls, “Mark exploded my mind. I literally heard the Beatles first with Mark. Also The Replacements, Dinosaur Jr., A Tribe Called Quest, The Pixies, and a lot of gorgeous early-90’s alternative music folks might not associate with me. We connected in our love for Peter Gabriel’s music. I was mourning, honoring, celebrating Mark when I wrote this. I wanted to acknowledge him and his lasting influence in my life. Mark should have had an enormous career. I’m so grateful. The song needed to be fun, like he was.”

The album features longtime Cole collaborator Jay Bellerose (Robert Plant & Alison Krauss, Bonnie Raitt, Elton John) on drums, plus Ross Gallagher (Joe Henry, Marc Ribot) on upright bass, Chris Bruce (Meshell Ndegeocello, Bettye LaVette, Tom Waits) on guitar, and Rich Hinman (Maren Morris, Sara Bareilles) on pedal steel and guitar. The album was produced by Cole and recorded at The Village recording studio in Los Angeles by nine time Grammy-winning engineer, Mike Piersante.

Paula has also announced an extensive US tour which will kick off April 11 in Chicago, and feature many of the musicians who perform on Lo in her backing band. See below for a full list of dates.

A truth-teller, provocateur, feminist, and brilliant autobiographical writer who has pushed for personal honesty and social change, Cole wrote all the songs on Lo, as a way to navigate her opening to trust again after life’s indelible blows. Weaving the personal with the universal, she wrestles with questions of identity and intimacy, history and our collective failure to learn from it, ultimately showing the album to be a window into her own psyche.

Paula Cole is a Best New Artist Grammy-winner and was the first woman nominated in her own right for a Grammy for “Producer of the Year.” She has in recent years honored her love for jazz and folk standards, and songs for social justice with her releases ‘Ballads’, ‘American Quilt’ and ‘Revolution’ for which NPR called her a “boundary-pushing feminist trailblazer,” for having “long incorporated powerful social statements into her emotional hit songs.” Her beloved anthems “Where Have All the Cowboys Gone?” and “I Don’t Want to Wait” are still playlist and radio perennials. Stay tuned for what is sure to be a big year for Paula Cole, see tour dates here and stream “The Replacements & Dinosaur Jr.” now.

‘LO’ TRACKLISTING: 1. Follow The Moon 2. The Replacements and Dinosaur Jr. 3. Take It Take It Take It 4. Invisible Armor 5. Monday, Tuesday, Wednesday 6. Green Eyes Crying 7.  Calling  All Saviors 8. Golden Apples Of The Sun-Fahrenheit 451 9. Letter From A Quarry Miner 10. Wildflower 11. Flying Home

PAULA COLE US TOUR DATES 4/11 Chicago, IL, Old Town School of Folk Music 4/12 Minneapolis, MN, Parkway Theater 4/20 Livermore, CA, Livermore Valley PAC 4/21 Saratoga, CA, Montalvo Arts Center Carriage House 4/24  Santa  Barbara, CA, Lobero Theater 4/26 Los Angeles, Luckman Fine Arts Complex at Cal State 4/27 Taos, NM Taos Center For The Arts 4/29 Phoenix, AZ 5/31 Plymouth, NH, The Flying Monkey 6/1 South Orange, NJ, SOPAC 6/2 NYC, Sony Hall 6/20 Old Saybrook, CT, The Katharine Hepburn Cultural Center 6/21 Nashua, NH, Nashua Center For The Arts 6/22 Brownfield, ME, Stone Mountain Arts Center 6/23 Newport, RI, Jane Pickens Theatre 7/12 New Hope, PA, New Hope Winery 7/13 Washington D.C., Kennedy Center Millenium Stage Series

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An extraordinary songwriter with a gorgeous voice.

— Rolling Stone

Paula is an original voice both in what she is saying and how she is saying it.

—Peter Gabriel

A fantastic artist.

—Herbie Hancock

In 1996, Paula Cole released her self-produced second album, This Fire . It was an double-platinum smash, and lead single “Where Have All the Cowboys Gone?” catapulted into the top 10 of Billboard’s Hot 100. Her songwriting was especially loved by traditionalists, feminists, and the LGBTQIA community. Cole was nominated for seven Grammys and became the first solo woman to be nominated for Producer of the Year. Her second single, the anthemic “I Don’t Want to Wait,” dominated charts for a year and was the well-loved theme song for the television show Dawson’s Creek .

Cole’s songwriting pushes boundaries and touches hearts and minds. Her live performances are movements of passion. She was a seminal figure in the formation of the first Lilith Fair and has performed the world over.

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