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Bon Jovi  

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Bon Jovi (formed in 1983) is an American hard rock band known for their arena-filling live shows and instantly recognisable worldwide hit single “Livin’ on a Prayer”, hailing from Sayreville, New Jersey.

Originally comprised of Garden State natives, frontman Jon Bon Jovi, keyboard and backing vocalist David Bryan, drummer Tico Torres, lead guitarists Richie Sambora, and bassist Alec John Such, the group has remained a fairly solid lineup since its formation. The band began playing around New Jersey, opening for touring bands, which is how they caught the attention of record executive Derek Shulman. He subsequently signed Bon Jovi to Mercury Records and released their debut, self-titled album in January 1984. Peaking at No. 43 on the Billboard 200, the record introduced the band’s huge, dramatic and heavy guitar-driven sound, which resulted in the band opening for the Scorpions in the U.S. and Kiss in Europe.

After a disappointing second album “7800° Farenheit” was released in 1985, Bon Jovi issued their breakthrough album “Slippery When Wet” in August 1986. Holding the top spot of the Billboard 200 for a remarkable eight weeks, the record was led by the No. 1 knockout singles “You Give Love a Bad Name” and “Livin’ on a Prayer”, turning the group into household names the world over. The group’s 130-show supporting tour became a huge success and earned the band nearly $30,000,000. Building on this success Bon Jovi’s fourth, “New Jersey” once again found the top of the charts aided by the No. 1 singles “Bad Medicine” and “I’ll Be There for You”. With a reputation as one of the best and most intense touring bands in the world, Bon Jovi set off on a 232 show tour which included a show in the Soviet Union.

The constant cycle of recording and touring began to take its toll on the group and in 1990 Bon Jovi took a hiatus to focus on family and individual pursuits. After a conversation about the longevity of the group in St. Thomas, the members agreed to start making a new album. That new album proved to be “Keep the Faith” released in November 1992. Marked by its mature, thoughtful lyrics, the album was succeeded by the compilation “Cross Road”, which featured the band's most successful single to date, “Always”. Bassist Alec John Such was subsequently fired from the band and unofficially replaced by Hugh McDonald.

Following another huge worldwide tour, Bon Jovi issued their sixth album “These Days” in 1995, followed by “Crush” in 2000, and “Bounce” in 2002. In 2003 the band reworked a number of their biggest hits and compiled them onto the studio album “This Left Feels Right” in November. Prior to the arrival of their 10th studio album, “Have a Nice Day” in 2005, Bon Jovi was bestowed with the Award for Merit at the American Music Awards in 2003. Playing to nearly two million fans the world over, the “Have a Nice Day” Tour grossed nearly $200 million, following close behind successful tour by The Rolling Stones and Madonna.

The full-length “Lost Highway” followed in June 2007, led by the singles “(You Want to) Make a Memory” and “Lost Highway”. Following the subsequent tour, Jon Bon Jovi and Richie Sambora were inducted into the Songwriter’s Hall of Fame in 2009, the same year they released their 12th studio album, “The Circle”.

Live reviews

funny because in google before you click to this site. It says

BON JOVI is on tour and has one

Coming up. But then when you go to

The actual site It states there are

NO Bon Jovi yours coming up.So why are they Conradicting themselves here on Song kicks ????. the only

thing is Jon Bon Jovi has only been

Playing at small Venues. Along with the band that is backing him up "kings of suburbia" He hasn't done anything with the Bond Jovi

band members since he recorded a

Shot concert on April 29,2021 for

Druve-Ins and Theaters. Now the only thing he is doing is for a vacation company called "RUNAWAY TOURS" for Halloween And it is only 2 nights He is gonna do a short gig and then take pictures and maybe answer some questions there's some questions for a couple of nights this is mainly just a vacation package to Miami, Florida That is outrageously expensive Is nothing like a tour concert. This thing hes doing now is a couple of $1000 plus And you have to pay for your plane fare and your food. And as for the Night of 29th and 30th And the 31st of October. But the hotel is only for 2 nights. And they still haven't booked up completely. The 1st one they did a few months ago booked up really fast for all that's for all 3 of the prices prices but this time they're not booking everything up. Most people can't afford several $1000.

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I've been going to Bon Jovi gigs in UK since 1986. I was 15, already had both their previous albums. First UK tour, they played a tiny local theatre, which was half empty as they were barely known over here back then! I've been to every UK tour since, except one..even saw them at Donnington "Monsters of Rock", which is now Download. Manchester, Stoke City Stadium, Coventry; I've loved every concert, but I have to say, Coventry is a lousy venue!! It's a nightmare to get to and the lack of parking is a complete ball ache. PLEASE do more dates at Manchester and replace Coventry with the Stadium in Stoke, now called The BET 365 Stadium and is home to Stoke City fc, so same size as Coventry. Loads of parking, and not clogging up motorway slip roads to get there either. Other than that, cannot fault ANY concet I've seen; Jon is so professional. 2 concerts, on 2 consecutive tours, it belted it down with rain and they carried on, towelling off inbetween. Jon even laughed while singing the line "til the heavens burst" during "Always" Phil X is a great guitarist too. I've seen Kiss, Halestorm, Def Leppard, TOTO, Tina Turner, Guns n Roses, plus many more and Bon Jovi will always be top of my list. Lifelong fan, 37 years on from my first concert and 39 yeats since my first album "Bon Jovi". Keep on rocking!

Bon Jovi remains, to this day, a musical icon. The band is one of the most successful and famous rock bands of all time and, judging on the ridiculously large crowd that excitedly came to see the band perform live, they will never, ever lose their star. Years after their formation in 1983, Bon Jovi’s hits are still classics that everyone, young and old, can’t fail to recognise. And this is precisely why it was so brilliant to watch them perform live, in a packed out arena of thousands of fans. The energy was out of this world, and the fans were so excited that they could barely contain themselves. Even the sound check guy got an ear deafening scream when he appeared on stage. When Jon Bon Jovi himself appeared, the world exploded. Proving that he still got it, Jon Bon Jovi put his famous vocals to test with a big opener: ‘Always’. The crowd went wild. We were treated to all the hits, spanning all the decades. ‘Who Says You Can’t Go Home’ was a notable one, with the whole crowd singing along, but it was ‘Livin’ on a Prayer’ that, of course, brought the house down.

I Love Bonjovi!!!Have been a fan since 1984, seen them 9 times in concert, have all their music old and new, 3 shows I went to see them by myself, this show I went by myself, and as always it was awesome!!!! Jon is amazing, I loved what he did when he quizzed the audience about the radio station, lol I just can't get over that, as any woman I wish that was me lol,they always put on a great performance, and make you feel good, I also loved when he would turn to the back of the stage and kick box into the video at the end of the song he did this 3 times, I give them 10 stars on this show, Philx was really good, I could see how much he really enjoys what he is doing, the stage was phenomenal, with the slinky lights, and how this house is not for sale picture of the album was included awesome!!!! I also have to say how much I missed seeing Richie, but, they're performance proved they've moved on, got it together and Jon Bonjovi, Tico, and David, I remember you guys in your 20's,30's,40's, I just can't believe its been over 30 years, you guys are amazing!!

Some bands never lose their appeal due to the fact their hit singles still seem relevant and able to play on radios years later. They turn from songs into much loved anthems and are passed down between families and friends. New Jersey glam rock outfit Bon Jovi definitely sit within this category thanks to their runaway success in the 80s.

Years later they are still packing out arenas with fans old and new who are all enthusiastic and ready to bellow along to those recognisable choruses. Although it is over thirty years since the band first formed, all the musicians remain so lively and passionate onstage most noticeably Jon himself who conducts his crowd like a pastor addressing his faithful church commune. He preaches, they agree although there are no hallelujahs just great rock choruses on the likes of 'Always' and 'Bad Medicine'. They leave stage in a barrage of lights and guitar riffs yet the crowd knows they will be returning for the synonymous 'Livin' On A Prayer' which unites the thousand strong audience in one almighty singalong.

Bon Jovi has been rocking it around the world since the eighties and hasn't given up yet.

They've been touring huge arenas for years and even in their ripe old age they still manage to put on over a two hour long performance that will leave you breathless and will have you singing along and dancing all night to the hits from Slippery When Wet all the way up to their latest album What about Now.

They'll make you feel like you've been time warped to the land of neon t-shirts and big hair! You'll want to go bust out your members only jacket and flock of seagulls haircut after you see them. Bringing back a blast from the past you'll be able to see the hits like "Wanted Dead or Alive" and "Living on a Prayer" just like they were in the eighties.

Bon Jovi can still hit every note perfectly and does it with a flair that only he can bring. Richie Sambora never misses a note in any of his solos and can still rock out with the best of them even going as far as doing a ten minute long guitar solo in the middle of their set.

We paid for general admission seating so we couldn't get anywhere near the stage. The screen would have been fine, but the sound system was horrible and we could barely hear him. From what we did hear, the sound was entirely muffled.

In addition, people smoked all around us and there was no fresh air. Our 10 and 8 year old boys were miserable. There were a lot of people complaining but no one from Dick's Sporting Goods was there. There were only volunteers and no one knew how to address the issue. We decided to leave after 15 minutes of the music starting. And speaking of the music starting, he started 2 1/2 hours late.

It was the worst concert I've ever experienced. And not only did we put $280 for four tickets, we paid for a hotel room so we could go to the concert.

My first concert was 95 wembley stadium. Ab absolutely mega l cant explain to people just how mega it was you wouldn't be able to understand or appreciate it unless you ate a fan of theirs. It was just electric. I was so excited it was Wembley stadium.l had never been anywhere as big as that. I remember going to the seats the sound of the music booming out. I think it was vanhalen jump.l was so excited l got to a bit where you could stand and l looked over the bars and felt as though l was going to fall into the crowd. I felt like l was walking on air and no l hadn't been drinking.it was just amazing l went with my mum who has now passed away. A memory l will hold in my heart forever.

What can i say, the show was fantastic, mind i have not been to a bad one yet, and i have been going since 1995, the shows get better and better, we always get vip, we have stood in que's for hours and had gold circle, also being at the front, but know we like a bit of comfort , so we go vip, which is fabulous , of you have not been to a Bon jovi concert you are missing out, the only thing i was dissapointed about was how long it took them to come to England and then there was only a choice of 3 venue' one up north and 2 down south, also jon i do miss the fireworks at the end bring them back , but all in all fab as always, just dont leave it so long next time xxxxxxxxx

Fortunate enough to be in a hospitality box, with a very good (close) view.

The biggest issue, was the terribly poor sound quality. I don't know if this was because of where our box was (to the side) or whether the sound was generally very poor.

when he spoke, we could not make out a single word he said.

again, when he sang, were it not for us knowing the words to his most famous songs, we would not have had a clue what he was singing.

visually, excellent, atmosphere was tremendous, but the sound was terrible.

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About bon jovi.

Bon Jovi is an American rock band from Sayreville, New Jersey. Formed in 1983, Bon Jovi consists of lead singer and namesake Jon Bon Jovi, pianist and keyboardist David Bryan, drummer Tico Torres, lead guitarist Phil X, and bassist Hugh McDonald. The band's lineup has remained mostly static during its history, with the only exceptions being the 1994 dismissal of bass player Alec John Such, who was unofficially replaced by Hugh McDonald, and the departure of longtime guitarist and co-songwriter Richie Sambora in 2013. Phil X and McDonald both became official members in 2016. In 1986, Bon Jovi achieved widespread global recognition with their third album, Slippery When Wet. The band's fourth album, New Jersey was equally successful in 1988. After touring and recording non-stop during the late 1980s, the band went on hiatus following the New Jersey Tour in 1990, during which time Jon Bon Jovi and Richie Sambora both released successful solo albums. In 1992, the band returned with the album Keep the Faith. Their 2000 single "It's My Life", which followed a second hiatus, successfully introduced the band to a younger audience. Bon Jovi have been known to use different styles in their music, which has included country for their 2007 album Lost Highway. Thus far, Bon Jovi has released 13 studio albums, plus six compilations and three live albums. The band has sold more than 130 million records worldwide and performed more than 2,700 concerts in over 50 countries for more than 34 million fans. Bon Jovi was inducted into the UK Music Hall of Fame in 2006. The band was also honored with the Award of Merit at the American Music Awards in 2004, and as songwriters and collaborators, Jon Bon Jovi and Richie Sambora were inducted into Songwriters Hall of Fame in 2009.

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Bon Jovi Announce Additional Tour Dates Due To Popular Demand

The band added Montreal and Boston dates to its original run of shows

In January, GRAMMY-winning rock brigade Bon Jovi announced plans to head around the world for the ‘Bon Jovi 2020 Tour’ starting this June. With the Rock and Roll Hall of Famers set to play for fans in arenas across the country, joined by support from GRAMMY-winning singer-songwriter Bryan Adams , the tour quickly sold out at several locations along the run of shows.

Now, due to popular demand, the group has announced that it will add two additional dates to the summer trek, including a second night at Boston’s TD Garden on Friday, July 17 and a Saturday, July 11 th show at Montreal’s Bell Centre.

The band’s larger stretch of performances kicks off with a June 10 show at the Tacoma Dome in Tacoma, Wa., and will extend through late-July, finishing up with back-to-back nights at Madison Square Garden in New York City on July 27 and 28.

Early ticket access will become available to Bon Jovi fan club members and American Express card members on Monday, March 2 at 10 a.m. local time and will run through Thursday, March 5 at 10 p.m. local time. Live Nation pre-sales will begin Thursday, March 5 at 10 a.m. local time and will close at 10 p.m. Public on-sale begins on Friday, March 6 at 10 a.m. local time here .

All online ticket purchases will come with a physical copy of Bon Jovi’s highly-anticipated upcoming full-length, Bon Jovi 2020 .

Bon Jovi received their first GRAMMY nod in 1996 for their “Live From London” music video which landed them a nomination in the Best Music Video, Long Form category. A decade later, the group took home their first GRAMMY in the Best Country Collaboration with Vocals category for “Who Says You Can’t Go Home.”

Bon Jovi 2020 is due out on May 15 via Island Records.

Photo: Jeff Kravitz/FilmMagic

GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly . Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly .

"Hip-hop. Ice Cube . This is for hip-hop," he said. "This is for Snoop Dogg , Doggystyle . This is for Illmatic , this is for Nas . We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal , Anna Wise and Thundercat ). He also won Best Music Video for the remix of Taylor Swift 's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN ., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers .

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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Photo:  Rachel Kupfer  

A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea

James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.

It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown . The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.

Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.

Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton , who created P-funk, an expansive, Afrofuturistic , psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic . Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis , Silk Sonic , and Omar Apollo; and Kendrick Lamar , Flying Lotus , and Thundercat , respectively.

In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.

Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels , while its sparkly sprinklings can be heard in pop from Dua Lipa , Doja Cat , and, in full "Soul Train" character, Silk Sonic . There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin ’s global sonic collage.

There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music , Amazon Music and Pandora .

Say She She

Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.

While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism . Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and " Norma " is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers , from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."

Moniquea 's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’ s "Get It Right" and Gladys Knight ’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.

Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat .

Shiro Schwarz

Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.

Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.

L'Impératrice

L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.

During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo , is a sunny, playful French disco journey.

Franc Moody

Franc Moody 's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.

Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether .

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Photo: Steven Sebring

Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage

"One foot in the past and one foot into the future," Billy Idol says, describing his decade-spanning career in rock. "We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol."

Living Legends is a series that spotlights icons in music still going strong today. This week, GRAMMY.com spoke with Billy Idol about his latest EP,   Cage , and continuing to rock through decades of changing tastes.

Billy Idol is a true rock 'n' roll survivor who has persevered through cultural shifts and personal struggles. While some may think of Idol solely for "Rebel Yell" and "White Wedding," the singer's musical influences span genres and many of his tunes are less turbo-charged than his '80s hits would belie.  

Idol first made a splash in the latter half of the '70s with the British punk band Generation X. In the '80s, he went on to a solo career combining rock, pop, and punk into a distinct sound that transformed him and his musical partner, guitarist Steve Stevens, into icons. They have racked up multiple GRAMMY nominations, in addition to one gold, one double platinum, and four platinum albums thanks to hits like "Cradle Of Love," "Flesh For Fantasy," and "Eyes Without A Face." 

But, unlike many legacy artists, Idol is anything but a relic. Billy continues to produce vital Idol music by collaborating with producers and songwriters — including Miley Cyrus — who share his forward-thinking vision. He will play a five-show Vegas residency in November, and filmmaker Jonas Akerlund is working on a documentary about Idol’s life. 

His latest release is Cage , the second in a trilogy of annual four-song EPs. The title track is a classic Billy Idol banger expressing the desire to free himself from personal constraints and live a better life. Other tracks on Cage incorporate metallic riffing and funky R&B grooves. 

Idol continues to reckon with his demons — they both grappled with addiction during the '80s — and the singer is open about those struggles on the record and the page. (Idol's 2014 memoir Dancing With Myself , details a 1990 motorcycle accident that nearly claimed a leg, and how becoming a father steered him to reject hard drugs. "Bitter Taste," from his last EP, The Roadside , reflects on surviving the accident.)

Although Idol and Stevens split in the late '80s — the skilled guitarist fronted Steve Stevens & The Atomic Playboys, and collaborated with Michael Jackson, Rick Ocasek, Vince Neil, and Harold Faltermeyer (on the GRAMMY-winning "Top Gun Anthem") —  their common history and shared musical bond has been undeniable. The duo reunited in 2001 for an episode of " VH1 Storytellers " and have been back in the saddle for two decades. Their union remains one of the strongest collaborations in rock 'n roll history.

While there is recognizable personnel and a distinguishable sound throughout a lot of his work, Billy Idol has always pushed himself to try different things. Idol discusses his musical journey, his desire to constantly move forward, and the strong connection that he shares with Stevens. 

Steve has said that you like to mix up a variety of styles, yet everyone assumes you're the "Rebel Yell"/"White Wedding" guy. But if they really listen to your catalog, it's vastly different.

Yeah, that's right. With someone like Steve Stevens, and then back in the day Keith Forsey producing... [Before that] Generation X actually did move around inside punk rock. We didn't stay doing just the Ramones two-minute music. We actually did a seven-minute song. [ Laughs ]. We did always mix things up. 

Then when I got into my solo career, that was the fun of it. With someone like Steve, I knew what he could do. I could see whatever we needed to do, we could nail it. The world was my oyster musically. 

"Cage" is a classic-sounding Billy Idol rocker, then "Running From The Ghost" is almost metal, like what the Devil's Playground album was like back in the mid-2000s. "Miss Nobody" comes out of nowhere with this pop/R&B flavor. What inspired that?

We really hadn't done anything like that since something like "Flesh For Fantasy" [which] had a bit of an R&B thing about it. Back in the early days of Billy Idol, "Hot In The City" and "Mony Mony" had girls [singing] on the backgrounds. 

We always had a bit of R&B really, so it was actually fun to revisit that. We just hadn't done anything really quite like that for a long time. That was one of the reasons to work with someone like Sam Hollander [for the song "Rita Hayworth"] on The Roadside . We knew we could go [with him] into an R&B world, and he's a great songwriter and producer. That's the fun of music really, trying out these things and seeing if you can make them stick. 

I listen to new music by veteran artists and debate that with some people. I'm sure you have those fans that want their nostalgia, and then there are some people who will embrace the newer stuff. Do you find it’s a challenge to reach people with new songs?

Obviously, what we're looking for is, how do we somehow have one foot in the past and one foot into the future? We’ve got the best of all possible worlds because that has been the modus operandi of Billy Idol. 

You want to do things that are true to you, and you don't just want to try and do things that you're seeing there in the charts today. I think that we're achieving it with things like "Running From The Ghost" and "Cage" on this new EP. I think we’re managing to do both in a way. 

** Obviously, "Running From The Ghost" is about addiction, all the stuff that you went through, and in "Cage" you’re talking about  freeing yourself from a lot of personal shackles. Was there any one moment in your life that made you really thought I have to not let this weigh me down anymore ? **

I mean, things like the motorcycle accident I had, that was a bit of a wake up call way back. It was 32 years ago. But there were things like that, years ago, that gradually made me think about what I was doing with my life. I didn't want to ruin it, really. I didn't want to throw it away, and it made [me] be less cavalier. 

I had to say to myself, about the drugs and stuff, that I've been there and I've done it. There’s no point in carrying on doing it. You couldn't get any higher. You didn't want to throw your life away casually, and I was close to doing that. It took me a bit of time, but then gradually I was able to get control of myself to a certain extent [with] drugs and everything. And I think Steve's done the same thing. We're on a similar path really, which has been great because we're in the same boat in terms of lyrics and stuff. 

So a lot of things like that were wake up calls. Even having grandchildren and just watching my daughter enlarging her family and everything; it just makes you really positive about things and want to show a positive side to how you're feeling, about where you're going. We've lived with the demons so long, we've found a way to live with them. We found a way to be at peace with our demons, in a way. Maybe not completely, but certainly to where we’re enjoying what we do and excited about it.

[When writing] "Running From The Ghost" it was easy to go, what was the ghost for us? At one point, we were very drug addicted in the '80s. And Steve in particular is super sober [now]. I mean, I still vape pot and stuff. I don’t know how he’s doing it, but it’s incredible. All I want to be able to do is have a couple of glasses of wine at a restaurant or something. I can do that now.

I think working with people that are super talented, you just feel confident. That is a big reason why you open up and express yourself more because you feel comfortable with what's around you.

Did you watch Danny Boyle's recent Sex Pistols mini-series?

I did, yes.

You had a couple of cameos; well, an actor who portrayed you did. How did you react to it? How accurate do you think it was in portraying that particular time period?

I love Jonesy’s book, I thought his book was incredible. It's probably one of the best bio books really. It was incredible and so open. I was looking forward to that a lot.

It was as if [the show] kind of stayed with Steve [Jones’ memoir] about halfway through, and then departed from it. [John] Lydon, for instance, was never someone I ever saw acting out; he's more like that today. I never saw him do something like jump up in the room and run around going crazy. The only time I saw him ever do that was when they signed the recording deal with Virgin in front of Buckingham Palace. Whereas Sid Vicious was always acting out; he was always doing something in a horrible way or shouting at someone. I don't remember John being like that. I remember him being much more introverted.

But then I watched interviews with some of the actors about coming to grips with the parts they were playing. And they were saying, we knew punk rock happened but just didn't know any of the details. So I thought well, there you go . If ["Pistol" is]  informing a lot of people who wouldn't know anything about punk rock, maybe that's what's good about it.

Maybe down the road John Lydon will get the chance to do John's version of the Pistols story. Maybe someone will go a lot deeper into it and it won't be so surface. But maybe you needed this just to get people back in the flow.

We had punk and metal over here in the States, but it feels like England it was legitimately more dangerous. British society was much more rigid.

It never went [as] mega in America. It went big in England. It exploded when the Pistols did that interview with [TV host Bill] Grundy, that lorry truck driver put his boot through his own TV, and all the national papers had "the filth and the fury" [headlines].

We went from being unknown to being known overnight. We waited a year, Generation X. We even told them [record labels] no for nine months to a year. Every record company wanted their own punk rock group. So it went really mega in England, and it affected the whole country – the style, the fashions, everything. I mean, the Ramones were massive in England. Devo had a No. 1 song [in England] with "Satisfaction" in '77. Actually, Devo was as big as or bigger than the Pistols.

You were ahead of the pop-punk thing that happened in the late '90s, and a lot of it became tongue-in-cheek by then. It didn't have the same sense of rebelliousness as the original movement. It was more pop.

It had become a style. There was a famous book in England called Revolt Into Style — and that's what had happened, a revolt that turned into style which then they were able to duplicate in their own way. Even recently, Billie Joe [Armstrong] did his own version of "Gimme Some Truth," the Lennon song we covered way back in 1977.

When we initially were making [punk] music, it hadn't become accepted yet. It was still dangerous and turned into a style that people were used to. We were still breaking barriers.

You have a band called Generation Sex with Steve Jones and Paul Cook. I assume you all have an easier time playing Pistols and Gen X songs together now and not worrying about getting spit on like back in the '70s?

Yeah, definitely. When I got to America I told the group I was putting it together, "No one spits at the audience."

We had five years of being spat on [in the UK], and it was revolting. And they spat at you if they liked you. If they didn't like it they smashed your gear up. One night, I remember I saw blood on my T-shirt, and I think Joe Strummer got meningitis when spit went in his mouth.

You had to go through a lot to become successful, it wasn't like you just kind of got up there and did a couple of gigs. I don't think some young rock bands really get that today.

With punk going so mega in England, we definitely got a leg up. We still had a lot of work to get where we got to, and rightly so because you find out that you need to do that. A lot of groups in the old days would be together three to five years before they ever made a record, and that time is really important. In a way, what was great about punk rock for me was it was very much a learning period. I really learned a lot [about] recording music and being in a group and even writing songs.

Then when I came to America, it was a flow, really. I also really started to know what I wanted Billy Idol to be. It took me a little bit, but I kind of knew what I wanted Billy Idol to be. And even that took a while to let it marinate.

You and Miley Cyrus have developed a good working relationship in the last several years. How do you think her fans have responded to you, and your fans have responded to her?

I think they're into it. It's more the record company that she had didn't really get "Night Crawling"— it was one of the best songs on Plastic Hearts , and I don't think they understood that. They wanted to go with Dua Lipa, they wanted to go with the modern, young acts, and I don't think they realized that that song was resonating with her fans. Which is a shame really because, with Andrew Watt producing, it's a hit song.

But at the same time, I enjoyed doing it. It came out really good and it's very Billy Idol. In fact, I think it’s more Billy Idol than Miley Cyrus. I think it shows you where Andrew Watt was. He was excited about doing a Billy Idol track. She's fun to work with. She’s a really great person and she works at her singing — I watched her rehearsing for the Super Bowl performance she gave. She rehearsed all Saturday morning, all Saturday afternoon, and Sunday morning and it was that afternoon. I have to admire her fortitude. She really cares.

I remember when you went on " Viva La Bam "  back in 2005 and decided to give Bam Margera’s Lamborghini a new sunroof by taking a power saw to it. Did he own that car? Was that a rental?

I think it was his car.

Did he get over it later on?

He loved it. [ Laughs ] He’s got a wacky sense of humor. He’s fantastic, actually. I’m really sorry to see what he's been going through just lately. He's going through a lot, and I wish him the best. He's a fantastic person, and it's a shame that he's struggling so much with his addictions. I know what it's like. It's not easy.

Musically, what is the synergy like with you guys during the past 10 years, doing Kings and Queens of the Underground and this new stuff? What is your working relationship like now in this more sober, older, mature version of you two as opposed to what it was like back in the '80s?

In lots of ways it’s not so different because we always wrote the songs together, we always talked about what we're going to do together. It was just that we were getting high at the same time.We're just not getting [that way now] but we're doing all the same things.

We're still talking about things, still [planning] things:What are we going to do next? How are we going to find new people to work with? We want to find new producers. Let's be a little bit more timely about putting stuff out.That part of our relationship is the same, you know what I mean? That never got affected. We just happened to be overloading in the '80s.

The relationship’s… matured and it's carrying on being fruitful, and I think that's pretty amazing. Really, most people don't get to this place. Usually, they hate each other by now. [ Laughs ] We also give each other space. We're not stopping each other doing things outside of what we’re working on together. All of that enables us to carry on working together. I love and admire him. I respect him. He's been fantastic. I mean, just standing there on stage with him is always a treat. And he’s got an immensely great sense of humor. I think that's another reason why we can hang together after all this time because we've got the sense of humor to enable us to go forward.

There's a lot of fan reaction videos online, and I noticed a lot of younger women like "Rebel Yell" because, unlike a lot of other '80s alpha male rock tunes, you're talking about satisfying your lover.

It was about my girlfriend at the time, Perri Lister. It was about how great I thought she was, how much I was in love with her, and how great women are, how powerful they are.

It was a bit of a feminist anthem in a weird way. It was all about how relationships can free you and add a lot to your life. It was a cry of love, nothing to do with the Civil War or anything like that. Perri was a big part of my life, a big part of being Billy Idol. I wanted to write about it. I'm glad that's the effect.

Is there something you hope people get out of the songs you've been doing over the last 10 years? Do you find yourself putting out a message that keeps repeating?

Well, I suppose, if anything, is that you can come to terms with your life, you can keep a hold of it. You can work your dreams into reality in a way and, look, a million years later, still be enjoying it.

The only reason I'm singing about getting out of the cage is because I kicked out of the cage years ago. I joined Generation X when I said to my parents, "I'm leaving university, and I'm joining a punk rock group." And they didn't even know what a punk rock group was. Years ago, I’d write things for myself that put me on this path, so that maybe in 2022 I could sing something like "Cage" and be owning this territory and really having a good time. This is the life I wanted.

The original UK punk movement challenged societal norms. Despite all the craziness going on throughout the world, it seems like a lot of modern rock bands are afraid to do what you guys were doing. Do you think we'll see a shift in that?

Yeah.  Art usually reacts to things, so I would think eventually there will be a massive reaction to the pop music that’s taken over — the middle of the road music, and then this kind of right wing politics. There will be a massive reaction if there's not already one. I don’t know where it will come from exactly. You never know who's gonna do [it].

Living Legends: Nancy Sinatra Reflects On Creating "Power And Magic" In Studio, Developing A Legacy Beyond "Boots" & The Pop Stars She Wants To Work With

Graphic: The Recording Academy

Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

The 2023 GRAMMY Award nominees for Best Country Solo Performance highlight country music's newcomers and veterans, featuring hits from Kelsea Ballerini, Zach Bryan, Miranda Lambert, Maren Morris and Willie Nelson.

Country music's evolution is well represented in the 2023 GRAMMY nominees for Best Country Solo Performance. From crossover pop hooks to red-dirt outlaw roots, the genre's most celebrated elements are on full display — thanks to rising stars, leading ladies and country icons.

Longtime hitmaker Miranda Lambert delivered a soulful performance on the rootsy ballad "In His Arms," an arrangement as sparing as the windswept west Texas highlands where she co-wrote the song. Viral newcomer Zach Bryan dug into similar organic territory on the Oklahoma side of the Red River for "Something in the Orange," his voice accompanied with little more than an acoustic guitar.

Two of country's 2010s breakout stars are clearly still shining, too, as Maren Morris and Kelsea Ballerini both received Best Country Solo Performance GRAMMY nods. Morris channeled the determination that drove her leap-of-faith move from Texas to Nashville for the playful clap-along "Circles Around This Town," while Ballerini brought poppy hooks with a country edge on the infectiously upbeat "HEARTFIRST."

Rounding out the category is the one and only Willie Nelson, who paid tribute to his late friend Billy Joe Shaver with a cover of "Live Forever" — a fitting sentiment for the 89-year-old legend, who is approaching his eighth decade in the business. 

As the excitement builds for the 2023 GRAMMYs on Feb. 5, 2023, let's take a closer look at this year's nominees for Best Country Solo Performance.

Kelsea Ballerini — "HEARTFIRST"

In the tradition of Shania Twain , Faith Hill and Carrie Underwood , Kelsea Ballerini represents Nashville's sunnier side — and her single "HEARTFIRST" is a slice of bright, uptempo, confectionary country-pop for the ages.

Ballerini sings about leaning into a carefree crush with her heart on her sleeve, pushing aside her reservations and taking a risk on love at first sight. The scene plays out in a bar room and a back seat, as she sweeps nimbly through the verses and into a shimmering chorus, when the narrator decides she's ready to "wake up in your T-shirt." 

There are enough steel guitar licks to let you know you're listening to a country song, but the story and melody are universal. "HEARTFIRST" is Ballerini's third GRAMMY nod, but first in the Best Country Solo Performance category.

Zach Bryan — "Something In The Orange"

Zach Bryan blew into Music City seemingly from nowhere in 2017, when his original song "Heading South" — recorded on an iPhone — went viral. Then an active officer in the U.S. Navy, the Oklahoma native chased his muse through music during his downtime, striking a chord with country music fans on stark songs led by his acoustic guitar and affecting vocals.

After his honorable discharge in 2021, Bryan began his music career in earnest, and in 2022 released "Something in the Orange," a haunting ballad that stakes a convincing claim to the territory between Tyler Childers and Jason Isbell in both sonics and songwriting. Slashing slide guitar drives home the song's heartbreak, as Bryan pines for a lover whose tail lights have long since vanished over the horizon. 

"Something In The Orange" marks Bryan's first-ever GRAMMY nomination.

Miranda Lambert — "In His Arms"

Miranda Lambert is the rare, chart-topping contemporary country artist who does more than pay lip service to the genre's rural American roots. "In His Arms" originally surfaced on 2021's The Marfa Tapes , a casual recording Lambert made with Jack Ingram and Jon Randall in Marfa, Texas — a tiny arts enclave in the middle of the west Texas high desert.

In this proper studio version — recorded for her 2022 album, Palomino — Lambert retains the structure and organic feel of the mostly acoustic song; light percussion and soothing atmospherics keep her emotive vocals front and center. A native Texan herself, Lambert sounds fully at home on "In His Arms."

Lambert is the only Best Country Solo Performance nominee who is nominated in all four Country Field categories in 2023. To date, Miranda Lambert has won 3 GRAMMYs and received 27 nominations overall. 

Maren Morris — "Circles Around This Town"

When Maren Morris found herself uninspired and dealing with writer's block, she went back to what inspired her to move to Nashville nearly a decade ago — and out came "Circles Around This Town," the lead single from her 2022 album Humble Quest .

Written in one of her first in-person songwriting sessions since the pandemic, Morris has called "Circles Around This Town" her "most autobiographical song" to date; she even recreated her own teenage bedroom for the song's video. As she looks back to her Texas beginnings and the life she left for Nashville, Morris' voice soars over anthemic, yet easygoing production. 

Morris last won a GRAMMY for Best Country Solo Performance in 2017, when her song "My Church" earned the singer her first GRAMMY. To date, Maren Morris has won one GRAMMY and received 17 nominations overall.

Willie Nelson — "Live Forever"

Country music icon Willie Nelson is no stranger to the GRAMMYs, and this year he aims to add to his collection of 10 gramophones. He earned another three nominations for 2023 — bringing his career total to 56 — including a Best Country Solo Performance nod for "Live Forever."

Nelson's performance of "Live Forever," the lead track of the 2022 tribute album Live Forever: A Tribute to Billy Joe Shaver , is a faithful rendition of Shaver's signature song. Still, Nelson puts his own twist on the tune, recruiting Lucinda Williams for backing vocals and echoing the melody with the inimitable tone of his nylon-string Martin guitar. 

Shaver, an outlaw country pioneer who passed in 2020 at 81 years old, never had any hits of his own during his lifetime. But plenty of his songs were still heard, thanks to stars like Elvis Presley , Kris Kristofferson and Waylon Jennings . Nelson was a longtime friend and frequent collaborator of Shaver's — and now has a GRAMMY nom to show for it.

2023 GRAMMY Nominations: See The Complete Nominees List

• 1 Bon Jovi Announce Additional Tour Dates Due To Popular Demand
• 2 GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
• 3 A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
• 4 Living Legends: Billy Idol On Survival, Revival & Breaking Out Of The Cage
• 5 Hear All Of The Best Country Solo Performance Nominees For The 2023 GRAMMY Awards

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‘Keep The Party Going,’ a Jimmy Buffett tribute concert at Los Angeles, CA’s Hollywood Bowl featuring big names like Paul McCartney ,  The Eagles ,  Bon Jovi ,  Jackson Browne , and  Sheryl Crow  on Thursday, April 11, has shockingly affordable last-minute tickets available.

At the time of publication, our team found some seats going for as low as $68 before fees on Vivid Seats.

When we last reported on the concert, tickets started at $272 before fees.

That’s a whopping $204 in savings.

Better yet, lower-level promenade seats can be scooped up for a cool $231 before fees.

The show, which will celebrate the legacy of Buffett, who passed in September 2023 at the age of 76, also has  Zac Brown ,  Brandi Carlile ,  Kenny Chesney ,  Eric Church , Jack Johnson and more on its star-studded bill.

In total, 17 acts — plus, unnamed special guests — will take the stage.

For more information, we have everything you need to know and more about the ‘Keep The Party Going’ concert below.

All prices listed above are subject to fluctuation.

Keep The Party Going tickets

A complete breakdown of all the best ticket prices by section at the Hollywood Bowl (versus what they cost on March 15, 2024) can be found below.

(Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and include additional fees at checkout .)

Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand. 

They offer a 100% buyer guarantee that states your transaction will be safe and secure and your tickets will be delivered prior to the event.

Keep The Party Going lineup

As noted above, 17 acts are scheduled to take the stage at the April 11 event.

Unfortunately, the “more special guests” have yet to be announced.

In any event, if you want a closer at who is confirmed for the concert, here are all the Keep The Party Going artists that have been announced, per Buffett’s Instagram:

View this post on Instagram A post shared by Jimmy Buffett (@jimmybuffett)

Jimmy Buffett set list

While we’re not sure whether McCartney and co. will play hits from their own catalogs or from Buffett’s — we’re leaning toward the latter — here’s a look at what Jimmy played at a February 2023 concert at the Hard Rock Live in Hollywood, FL, courtesy of  Set List FM :

01.) Changes in Latitudes, Changes in Attitudes” 02.) “Pencil Thin Mustache” 03.) “Fins” 04.) “Grapefruit—Juicy Fruit” 05.) “Growing Older but Not Up” 06.) “Volcano” 07.) “Son of a Son of a Sailor” 08.) “It’s 5 O’Clock Somewhere” 09.) “Come Monday” 10.) “Cheeseburger in Paradise” 11.) “Trying to Reason With Hurricane Season” 12.) “Coconut Telegraph” 13.) “Little Martha” (The Allman Brothers Band cover) 14.) “Knees of My Heart”

15.) “The Wino and I Know” 16.) “He Went to Paris” 17.) “One Particular Harbour” 18.) “A Pirate Looks at Forty” 19.) “Back Where I Come From” (Mac McAnally cover) 20.) “Margaritaville”

21.) “Last Mango in Paris” 22.) “Tin Cup Chalice” (Jimmy Solo)

Want to dig a little deeper and see what Buffett has played at other shows or go as far back as his first concert in 1970?

Set List FM  has everything you need.

Classic rockers on tour in 2024

Quite a few of Buffett’s contemporaries from his ’70s heyday are still out and about.

Here are just five of our favorites you won’t want to miss live in the near future.

•  Rolling Stones

•  Aerosmith

•  Willie Nelson with Bob Dylan and Robert Plant

•  Bruce Springsteen and the E Street Band

•  Billy Joel

Who else is on the road? Take a sneak peek at our list of the  52 biggest classic rockers on tour in 2024 here  to find out.

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CLEVELAND, OH - APRIL 14: Inductee Jon Bon Jovi attends the 33rd Annual Rock & Roll Hall of Fame ... [+] Induction Ceremony at Public Auditorium on April 14, 2018 in Cleveland, Ohio. (Photo by Theo Wargo/Getty Images For The Rock and Roll Hall of Fame)

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