star trek enterprise sound effects

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The Soundscape for Science Fiction fans

Star Trek's Enterprise engine noise has been a recurring request. A slight problem delayed its release: our user interface had more sliders than it needed to recreate the sound! ;) So, instead of designing just an engine noise, we decided to throw some extra sounds and turn the engine noise into a fully featured intergalactic experience. This soundscape has all the background noises needed to immerse yourself in a classic Sci-Fi movie soundtrack. For the TOS fans, we even added those fluttery vintage synth tones, reminiscent of how the future was perceived like... back in the sixties!

If you plan to listen to the soundscape for more than 24 hours in a row - there is a YouTube Video that has the engine sound playing for a full day - make sure to turn the Animate feature on! If you are after that exact same sound as the video - only without the YouTube distortion - try our White Noise generator instead, and this particular Star Trek Ambient Engine Noise setting.

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Star Trek: Enterprise

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Star Trek: Enterprise , titled simply Enterprise for its first two seasons, is an American science fiction television series created by Rick Berman and Brannon Braga. It originally aired from September 26, 2001, to May 13, 2005, on UPN. The sixth series in the Star Trek franchise, it is a prequel to Star Trek: The Original Series , set in the 22nd century, a hundred years before the events of The Original Series and just prior to the formation of the United Federation of Planets. It follows the adventures of the Enterprise, Earth's first starship capable of traveling at warp five, as it explores the galaxy and encounters various alien species.

Following the culmination of Star Trek: Deep Space Nine and with Star Trek: Voyager scheduled to end, UPN asked Braga and Berman to create a new series to continue the franchise. Rather than setting it in the 24th century alongside Deep Space Nine and Voyager, the duo decided to set Enterprise in an earlier period, allowing them to explore new parts of the Star Trek fictional universe. Wanting a more basic, relatable, character-driven series, Berman and Braga concentrated on a core trio of characters: Captain Jonathan Archer (played by Scott Bakula), Commander Trip Tucker (Connor Trinneer) and Sub-commander T'Pol (Jolene Blalock).

The show broke with Star Trek convention in several respects. In addition to dropping the Star Trek prefix, Enterprise used the pop-influenced song "Faith of the Heart" (performed by Russell Watson) as its theme. It was filmed on the Paramount lot in Los Angeles, California, on the same stages that housed the Star Trek series and films since the abandoned Star Trek: Phase II in the late 1970s.

The first two seasons were characterized by stand-alone episodes that explored topics like humanity's early relations with the Vulcans, and first encounters with the Klingons and Andorians, aliens already familiar to the Star Trekfranchise. Seeking to attract a wider audience, UPN called for changes for its third season. The series was renamed (from simply Enterprise to Star Trek: Enterprise) and reconceived to focus on action-driven plots and a single, serialized storyline: the crew's mission to prevent the Earth being destroyed by a newly introduced alien species, the Xindi. In 2005, UPN cancelled the series after its fourth season, despite a fan-led campaign to continue it. The cancellation marked the first time in 18 years that no new Star Trek episodes would be produced, the beginning of a hiatus that lasted until the launch of Star Trek: Discovery in 2017.

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Star Trek Sound Effects

Star trek sound effects mainly from the original series. Some of the Next Generation era effects and sounds thrown in for good measure. Transporters, phasers computers alerts and more !

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STAR TREK: SOUND EFFECTS – OST 1988

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Douglas Grindstaff’s Sound Effects for the Original ‘Star Trek’

by Michael Kunkes

The original  Star Trek  series, which ran on NBC from 1966 to 1969, boldly went where no series had gone before in terms of sound effects editing.  The universe of the USS Enterprise was alive with sound, much of it musical in nature: computer banks, phasers, transporters, photon torpedoes, communicators, and alien and creature vocals.  Much of that was due to the singular vision of writer/producer Gene Roddenberry, along with the inventiveness of Douglas H. Grindstaff, who served as the show’s supervising sound effects editor for the entire 80-episode run.

Grindstaff, who entered the industry in 1954 after service in the Korean War, won five Emmy Awards for his television sound work as well as the Motion Picture Sound Editors’ Lifetime Achievement Award in 1998.  He also headed the sound departments at Paramount Studios, Lorimar Telepictures, Columbia Studios and Pacific Sound before his retirement in 1990.

“When I went to work on the series, Gene described to me what he wanted the Enterprise to sound like,” Grindstaff recalls.  “I asked him if he didn’t think we were getting a little too ‘cartoony’ with the sound effects, and he told me, ‘Doug, I want you to think like an artist and paint everything with sound.’  That’s what he wanted, and that’s why the show sounded the way it did.  He had a very strong vision; you had to give him what he wanted, but you also had to use your own instinct about what should be.  You were either on his wavelength or you weren’t.”

Grindstaff and his crew built their tracks mainly from some material in the Paramount and Desilu sound effects libraries, as well as their own personal libraries.  Additional sounds came from Paramount’s 1953 version of  War of the Worlds .  Sadly, the library he meticulously created, bundled and catalogued is now lost to history.

Working with small TV budgets, Grindstaff maximized what he had.  For example, to create the shimmering, musical sound of the Enterprise transporter, he blended together a few musical effects and electric generator sounds.  Then, on a Moviola, he would create his own fades by shaving the mag sound with a razor blade at the desired point, a technique he learned from the late George Emich, who was Fred Astaire’s music editor at RKO, and who is co-credited with applying the click track to music editing.  “I created my own fades because I didn’t trust the mixers to get it the way I wanted it,” Grindstaff laughed.  “We also did all our own Foley and ADR looping.”

Other sounds were just as inventive.  At Roddenberry’s insistence, each planet visited by the Enterprise had to have its own sound, and for these, Grindstaff would use variations of an orchestra tuning up.  In one legendary episode, “The Trouble with Tribbles,” Grindstaff used screech-owls, doves and rat “vocals” for the voices of the furry pets, who came aboard the Enterprise and began reproducing at an alarming rate.  “I had to go from a single Tribble to the sounds of thousands of them filling the ship,” he says.  “I ran them backwards and forwards, put them on the variable speeder and edited loops, so I could have multiple tracks and mix them at different levels for different spots in the ship.”

The schedule was brutal.  “You were making things every week, and that was the tough part,” he recalls.  “I’d try and get as much ready as I could a couple of weeks before we got an episode, so that when the show was turned over to the editors, I had the sound effects pretty well set, and could tell them the right spots to put everything.  I also always insisted on having a sound effects editor at every mix.”

Nearly ten years after the Enterprise concluded its five-year mission, Grindstaff was offered a job by Roddenberry on Star Trek: The Motion Picture (1979).  He turned it down.  “Not long before that, I had gone to see Star Wars , and I flipped out,” he says.  “I just said to myself, ‘Man, we blew it; we should have made a Star Trek movie a lot sooner.’  But I sure intend to go see this one.”  Was he aware that he was creating something entirely new in sci-fi sound effects?  “Hardly; I was too busy working for Gene.”

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Star Trek Sound Effects

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Track listing [ ]

See also [ ].

• Star Trek Generations (soundtrack) , which included 23 tracks of sound effects created for Star Trek Generations .
• Douglas Grindstaff also released 3 Albums titled Star Trek: Classic Sound Effects which are not licensed by Paramount.
• Star Trek: The Original Series Soundtrack Collection CD 5 also contains 10 sound effects which have been used in the show and another 8 unused that haven't.
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Star Trek Sound Effects (From the Original TV Soundtrack)

September 1, 1987 69 Songs, 40 minutes ℗ 1987 GNP Crescendo Records

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Soundtrack Information

Star Trek: Sound Effects

GNP Crescendo (GNPD 8010)

Release Date: September 1, 1987

Formats: CD, Digital, Cassette, Vinyl

• Star Trek (1966) [TV Series]
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Star Trek TNG U.S.S. Enterprise NCC-1701-D Bluetooth® Speaker With Sleep Machine, LED's & Sound Effects

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Rock out and sleep soundly with the Star Trek: The Next Generation ™ Bluetooth® U.S.S. Enterprise 1701-D!

Celebrate star trek: the next generation by spacing out to your favorite music playing through a starship u.s.s. enterprise ncc-1701-d bluetooth ® speaker..

The FAMETEK™ Enterprise 1701-D Bluetooth ® Speaker/Sleep Assistant connects to any smartphone, tablet or PC. It helps you concentrate at work or pump up your exercise routine by cranking out your favorite music via Bluetooth®. At night it will help hum you to sleep with 60-minutes of warp engine white noise. Imagine going to sleep in your crew quarters while the ship steadily moves at warp 4.2.

The speaker system incorporates massive audio™ brand 2.5-inch speakers for great sound quality and power. the 1701-d 12-inch-long scaled replica features beautifully colored led’s on the bussard collectors, warp engine field grills, saucer impulse engines, main impulse engine, and the deflector dish. the leds easily turn on and off to fit the mood when playing music, white noise, or in play mode., the enterprise d sports 5 sound effects, including warp drive, photon torpedoes firing, engine hum, and auto destruct. majel barrett  roddenberry voices the incoming transmission sound.  a simple tap on the bridge button invokes sound effects any time. retailer packing makes the sound effects available for in-store demo’s., the enterprise d sits atop a new smokey black transparent stand shaped like the star trek tng combadge. it can be easily separated from the base for a quick flight around the house, or the galaxy, when no one is looking., the fametek™ enterprise d bluetooth speaker delivers a powerful music experience in a show accurate model.  we take pride in our attention to cosmetic detail, great sound quality and fun features.  enterprise 1701-d bluetooth sit as focal point in any collection, office, or living space.  a must have collectable for star trek fan looking for a practical experience. music beaming out of the enterprise d will likely prove the envy of any crewmates wandering down the corridor., checkout our enterprise bluetooth speaker  frequently asked questions here  .

• Star Trek TNG U.S.S. Enterprise NCC-1701-D Bluetooth® Speaker
• 60 Minute Engine noise emulator
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• Connects to your phone or device wirelessly using Bluetooth® 4.1
• Auto-reconnects to last connected device
• Engine noise emulator plays for an hour before auto-shutoff
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• Speaker: Single Full Range 45mm driver
• Includes stand modeled after Combadge
• Wireless Range: 33 ft. (minimum)
• Bluetooth and power LED indicators
• Batteries: Rechargeable 800MAh Lithium-ion
• One charge lasts 6-8 hours playing music at an average volume
• Recharges using DC 5V 1A source (micro-USB to USB charging cable included)
• Dimensions: 12" long scaled replica, 12 1/2" x 7" tall x 9" wide on display
• Weight: 1 lb.
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This Star Trek Enterprise Bottle Opener Makes Sounds Effects With Each Open

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Debi mazar turned down a role in ‘the wedding singer’ and still regrets it, ‘star trek: strange new worlds’ renewed as ‘lower decks’ sets ending after 5 seasons.

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Star Trek: Strange New Worlds has been renewed for a fourth season ahead of the show’s Season 3 premiere which is slated for 2025 and currently in production. Additionally, the previously announced fifth season of Star Trek: Lower Decks will serve as its final. New episodes of the final season, currently in production, will arrive this fall.

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“Our incredible cast, crew and artists have given you everything they have because they love the characters they play, they love the world we’ve built, and more than anything we all love love love Star Trek. We’re excited for the world to see our hilarious fifth season which we’re working on right now, and the good news is that all previous episodes will remain on Paramount+ so there is still so much to look forward to as we celebrate the Cerritos crew with a big send-off,” they added.

Star Trek: Lower Decks is an animated comedy series following the support crew serving on one of Starfleet’s least important ships, the U.S.S. Cerritos. The crew residing in the “lower decks” of the U.S.S. Cerritos includes the voices of Tawny Newsome, Jack Quaid, Noël Wells and Eugene Cordero; the bridge crew is voiced by Dawnn Lewis, Jerry O’Connell, Fred Tatasciore and Gillian Vigman.

The series is produced by CBS’ Eye Animation Productions, CBS Studios’ animation arm; Secret Hideout; and Roddenberry Entertainment. Executive producers include Alex Kurtzman, Mike McMahan, Aaron Baiers, Rod Roddenberry and Trevor Roth. Titmouse serves as the animation studio for the series which streams exclusively on Paramount+ in the U.S. and Latin America and is distributed by Paramount Global Content Distribution.

It stars Anson Mount, Rebecca Romijn, Ethan Peck, Jess Bush, Christina Chong, Celia Rose Gooding, Melissa Navia and Babs Olusanmokun, along with special guest stars Paul Wesley and Carol Kane. The series is produced by CBS Studios, Secret Hideout and Roddenberry Entertainment. Alex Kurtzman, Akiva Goldsman, Jenny Lumet, Henry Alonso Myers, Aaron Baiers, Dana Horgan, Davy Perez, Frank Siracusa, John Weber, Rod Roddenberry and Trevor Roth serve as executive producers.

“On behalf of the cast and crew of Strange New Worlds, we are thrilled and grateful to continue our voyages together. We can’t wait for you to join us and the crew of the Enterprise on another season of exploration and adventure,” said Akiva Goldsman, Henry Alonso Myers and Alex Kurtzman in a statement.

The expanded world of Star Trek on Paramount+ also includes the fifth and final season of Star Trek : Discovery, currently airing; the original film Star Trek : Section 31 starring Michelle Yeoh, which recently wrapped production; and the new original series Star Trek : Starfleet Academy, slated to begin production later this year.

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