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The full cast of Tour de France

Here you will find an overview of the cast of the movie Tour de France from the year 2016, including all the actors, actresses and the director. When you click on the name of an actor, actress or director from the movie Tour de France-cast you can watch more movies and/or series by him or her. Click here for more infomation about the movie.

We have made an overview that includes: actors , directors , the production team , the camera team , writers and other crew members .

Rachid Djaidani

Rachid Djaidani

Actors & actresses.

Gérard Depardieu

Gérard Depardieu

Sadek

Louise Grinberg

Nicolas Marétheu

Nicolas Marétheu

Mabô Kouyaté

Mabô Kouyaté

Yasiin Bey

Raounaki Chaudron

Alain Pronnier

Alain Pronnier

Luc Pagès

Movie Editing

Nelly Quettier

Nelly Quettier

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TOUR DE FRANCE

by  Rachid Djaïdani

Far'Hook is a twenty-year-old rapper. Following a settling of scores, he's obliged to leave Paris and lay low for awhile. His producer, Bilal, suggests that Far'Hook take his place accompanying his father Serge on a tour of all of the ports of France, following the path taken by the painter Joseph Vernet. Despite the shock between generations and different cultures an improbable friendship develops between the promising rapper and this builder from the North of France, during an adventure that will lead them to Marseille for a final concert, one of reconcialtion.

more about: Tour de France

Tour de France: For a change of scene

Tour de France : For a change of scene

CANNES 2016: Rachid Djaïdani throws his heart and soul into this journey towards tolerance carried on the solid shoulders of Gérard Depardieu and a rapper unlike any other   

16/05/2016 | Cannes 2016 | Directors’ Fortnight

Rachid Djaïdani • Director

Interview: Rachid Djaïdani • Director

"Give us good intentions"

CANNES 2016: French director Rachid Djaïdani talks about the film he presented in Directors’ Fortnight this year, Tour de France    

Le Groupe Ouest reveals its 2022 Annual Selection

Le Groupe Ouest reveals its 2022 Annual Selection

Among the auteurs selected for the Breton writing residency are Elie Grappe, Rachid Djaïdani and Élisabeth Vogler; eight projects are in the showcase, including five first features   

28/03/2022 | Industry | Market | France

82 French films are travelling to Hollywood

82 French films are travelling to Hollywood

The 21st edition of the ColCoa ("City of Lights, City of Angels") festival will take place in Los Angeles between 24 April and 2 May   

24/04/2017 | Festivals | USA/France

Filming soon set to start on Normandie Nue by Philippe Le Guay

Filming soon set to start on Normandie Nue by Philippe Le Guay

François Cluzet, François-Xavier Demaison, Arthur Dupont and Grégory Gadebois feature in the cast of this Les Films des Tournelles production being sold by SND   

28/02/2017 | Production | France

The first clapperboard slams for Cédric Kahn’s The Prayer

The first clapperboard slams for Cédric Kahn’s The Prayer

Anthony Bajon, Damien Chapelle, Alex Brendemühl and Louise Grinberg star in this Les Films du Worso production to be sold by Le Pacte   

13/02/2017 | Production | France/Belgium

Balanced nominations for the Lumières

Balanced nominations for the Lumières

Elle , A Woman’s Life , Staying Vertical , Last Days of Louis XIV , Ogres and Nocturama in the running for Best Film   

16/12/2016 | Awards | France

Claudio Giovannesi's Fiore wins the Grand Prix at the Brussels Mediterranean Film Festival

Claudio Giovannesi's Fiore wins the Grand Prix at the Brussels Mediterranean Film Festival

The jury also opted to single out Tramontane by Lebanese director of Armenian heritage Vatche Boulghourjian   

12/12/2016 | Cinémamed 2016 | Awards

The programme of the 16th Brussels Mediterranean Film Festival revealed

The programme of the 16th Brussels Mediterranean Film Festival revealed

A selection of over 70 films will reflect the sheer cinematic diversity of the 20 countries lining the shores of the Mediterranean, from Italy to Lebanon, and from Greece to Egypt   

10/11/2016 | Festivals | Belgium

Edouard Waintrop  • General Delegate, Directors’ Fortnight

Interview: Edouard Waintrop • General Delegate, Directors’ Fortnight

"You have to be able to slip from one world to another"

Edouard Waintrop, General Delegate of the Directors’ Fortnight, breaks down his 2016 selection   

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cast of tour de france (film)

TOUR DE FRANCE

Festivals / Awards

Director’s Fortnight – Cannes 2016 – Official selection

Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet. Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and the bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.

Reserved for Professionals

Un femme qui tire Gérard Depardieu vers elle

Other credits

  • Production: Les Films des Tournelles
  • Coproduction: Cité Films – mars Films – AOC Films - Useful
  • Script writers: Rachid Djaïdani
  • Photo: Luc Pages
  • Music: Clément Animalsons Dumoulin

cast of tour de france (film)

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Wout van Aert wins stage 2

‘Tour de France: Unchained’ Will Turn You into a Cycling Fan

The new Netflix series is road cycling’s best opportunity in decades to expand its audience

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Heading out the door? Read this article on the Outside app available now on iOS devices for members! >","name":"in-content-cta","type":"link"}}'>Download the app .

It’s been two decades since road cycling grabbed the collective attention of mainstream America, and those of us who pedaled a bike during the Lance Armstrong era remember our sport’s bizarre dalliance with Jane and John Q. Public. Cyclists graced the covers of glossy magazines . Hollywood A-listers dropped by the Tour de France . Dave from accounting bought a shiny Trek and started using words like “peloton” and “echelon” in meetings. Yeah, stuff got weird.

We all know what happened next: Lance’s doping confession zapped cycling’s growing popularity just as it was nearing a critical mass. After the dust settled, many fans—myself included—assumed road cycling would fade back into niche-sport anonymity for good, never again to be packaged and sold to a broad U.S. audience.

Well, we were wrong. On Thursday, streaming giant Netflix released Tour de France: Unchained , an eight-part cycling docuseries that takes viewers inside the 2022 Tour. I received advanced screeners for Unchained , and I watched each episode multiple times. My takeaway: Unchained is precision crafted to transform mainstream viewers into cycling fans. It’s preferential spot on one of the largest media platforms in history makes Unchained road cycling’s best opportunity since Lance to reach a broad American audience. Dave from accounting may have to dust off his old Trek.

The wide appeal of  Unchained is no accident, of course. The program is the cousin of Netflix’s wildly popular auto-racing series Formula 1: Drive to Survive , which has been credited with F1 racing’s global surge in visibility. The success of Drive to Survive already spawned Netflix’s two sister series: Break Point takes viewers inside professional tennis, and Full Swing  shines a spotlight on the professional golf tour. Unchained shares plenty of connective tissue with all three series . It was shot and edited by French production company QuadBox, which is a joint venture between filming firm Quad and Drive to Survive producer BoxtoBox Films (which also produced Break Point and Full Swing ). Yann Le Bourbouach, a QuadBox executive producer, told me that his staff had just one goal when they started brainstorming a cycling project back in 2018: “What we tried to achieve in this documentary is to appeal to a broad audience and not the hardcore fan.”

“Perhaps it is a bit pedological for the hardcore fans,” Le Bourbouach told me. “But I would love for people to see that a victory at the Tour de France occurs because of the work of many.”

You can read my interview with Le Bourbouach here .

So, why is Unchained so effective at reaching casual viewers? Like  Drive to Survive, Unchained blends human-interest narratives with inside-the-game access that brings the athletes and competition to life. Each episode focuses on a different collection of riders, coaches, and directors at the race, and then explores a familiar hero’s tale of adversity, setback, and ultimate triumph. The first episode charts the improbable comeback of Team Soudal—Quick Step’s Dutch sprinter Fabio Jakobsen , who starts the 2022 Tour just 22 months after he was nearly killed in a crash at the Tour of Poland. Another episode discusses French cycling’s repeated heartbreak (a French rider hasn’t won the Tour since 1985) by profiling two Frenchmen: Groupama-FDJ’s star-crossed racer Thibaut Pinot and AG2R-Citröen’s fanatical director Julien Jurdie. Lots of credit goes to Unchained’s producers for choosing the correct riders and directors to train their cameras on before and during the Tour: Danish rider Jonas Vingegaard , the race’s ultimate winner, is the focal point of another episode.

These human stories suck audiences in with humor, personality, and heart-tugging anecdotes of personal loss and struggle. Sprinkled amongst these tales is the explainer stuff to help casual viewers understand bike racing’s more enigmatic nuances, like drafting, teamwork, and how a rider actually wins the Tour. Rather than bash viewers over the head with clumsy diagrams and oratories on strategy, Unchained presents this information subtly and with care. In episode one, retired French rider Steve Chainel delivers the basics, and after that, it’s up to the viewer to pick things up as the series goes along. Want to know about teamwork? A sentence here and a line of dialogue there will tell you what you need to know. Sneeze, and you might miss it.

I found Unchained’s interpretation of cycling to be a welcomed salve to the goofy visuals and confusing explainers that pop up each year in the Tour’s American telecast. Diagrams may help casual fans to better understand the sport, but rarely do they entice total newbies to follow it. By weaving this information into the human narratives, Unchained incepts bike fandom into the brains of anyone who cares to see whether or not Jakobsen will overcome the demons from his horrific crash. It is the perfect entry point for a regular person to learn about bike racing and the Tour.

This type of sports storytelling is not new, of course, and Unchained,   Drive to Survive, and Netflix’s other sports documentaries are simply carrying on the tradition of legendary producers Roone Arledge and Dick Ebersol , architects of the modern Olympics telecast. But many of us who grew up watching NBC’s primetime Olympics coverage long ago tired of the cheesy and formulaic human-interest schtick that producers cram between the competitions. The storytelling in Unchained  is far more ambitious than the Olympics stuff. It’s raw at times. When a character cries, the audience has enough backstory to understand the weight of the moment. You can tell that the producers and camera people spent ample time with the athletes and team directors to cultivate their trust. Cameras are rolling when things go right, and when shit hits the fan.

There’s a big difference between cyclists and race-car drivers, so Unchained is also vastly different from Drive to Survive.  The latter series hoovers up the drama generated by those adrenaline-filled personalities that drive the cars, own the teams, and talk epic amounts of trash. Cycling has a different vibe. As someone who covered the sport for nearly 20 years, I would struggle to fill one page with one-the-record smack talk I heard—most of it was from one source: British sprinter Mark Cavendish. In cycling, the star athletes tend to keep their emotions and disagreements close to the vest. But Unchained does capture enough moments of tension and disagreement to keep hardcore fans satiated.

🔥À demain. 9h. 👋 @NetflixFR pic.twitter.com/CSiiKthHqc — Tour de France™ (@LeTour) June 7, 2023

We see Vingegaard snap at his teammate Wout van Aert after van Aert drops him—and everyone else—to win stage four. British star Geraint Thomas disagrees with Team Ineos’ proposed plan for his teammate Tom Pidcock to attack on legendary climb l’Alpe d’Huez for a stage win—a move that Thomas believes will leave him vulnerable. And then there is the episode about Belgian sprinter Jasper Philipsen, who can’t seem to get out of his own way on a bike. That’s an episode you won’t want to miss.

The series isn’t perfect, and there are several characters who elude the cameras. Two-time defending champion Tadej Pogačar is a bit player in the series, despite his gravitas in the sport. And  Unchained is solely a story about the men’s Tour—there are no storylines around the women’s race. Le Bourbouach discussed both absences in our interview .

Of course, whether  Unchained grows cycling’s fanbase will likely depend more on Netflix’s recommendation algorithm than on the quality of the storytelling. That said, I am cautiously optimistic. I will endorse the series to those coworkers, family members, and fellow shoppers at Trader Joe’s in my life who have not yet caught the bike bug, and I cannot wait for my brother-in-law to refer to his daily commute as a “parcourse.” Unchained has all of potential to suck them in, tell them a good story or two, and sent them out into the world ready to go bonkers for the Tour de France.

  • Road Biking
  • Tour de France

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Season 1 – Tour de France: Unchained

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First Look at 1998 Tour de France Film ‘The Racer’ (EXCLUSIVE)

By Stewart Clarke

Stewart Clarke

International Correspondent

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First Look at 1998 Tour de France Film ‘The Racer’

With the 2019 edition of the Tour de France having drawn to a close, the first image of “The Racer,” a film set during the notorious 1998 edition of the iconic bike race, has been released.

The real-life Tour de France was tainted by doping scandals in 1998, subsequently earning the nickname the Tour de Dopage. The opening stages of the world’s biggest bike race took place in Ireland in that year, before moving to France.

Kieron J. Walsh’s “The Racer” follows fictional Belgian rider Dom Chabol. He has been a domestique, a support rider in cycling parlance, for years. With the Tour about to start he is dropped from his team. After a doping issue disqualifies a teammate, he finds himself back in the saddle and with a shot at achieving his secret desire to wear the yellow jersey, which is sported by the race leader.

Louis Talpe, who starred in ABC biblical series “ Of Kings and Prophets ,” plays Chabol. The cast also includes Tara Lee (“ A Date for Mad Mary ”), Matteo Simoni (“Gangsta”), Iain Glen (“Game of Thrones”), and Karel Roden (“The Bourne Supremacy”).

Filming took place in Ireland and Luxembourg. Blinder Films coproduces with Calach Films and Caviar Films. Kinepolis Film Distribution (KFD) will release the film in the Benelux. U.K.-based Independent is handling international sales.

Screen Ireland, Film Fund Luxembourg, Eurimages, Screen Flanders, the BAI Sound & Vision Fund, and Irish broadcaster RTE all supported the film.

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Tour de France: Unchained

Where to watch

Tour de france: unchained.

2023 ‘Tour de France : Au cœur du peloton’

Through tears and triumph, this series follows several cycling teams as they compete in the 2022 installment of the world's most grueling bike race.

Producers Producers

James Gay-Rees Yann Le Bourbouach Paul Martin Amelia Hann Nicolas Duval Adassovsky Stephanie Fox

QuadBox France Télévisions Amaury Sport Organisation

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Spoken languages.

English French

Popular reviews

Olsbols1202

Review by Olsbols1202 ★★★★ 2

Never expected a series about men cycling to be so intense. Nice to see so many guys in touch with their emotions👬

psiw

Review by psiw ★★★★

wout van cute

ralookahbootah

Review by ralookahbootah ★★★★★

this made me a hardcore tour de france fan and has me googling if i can become a professional cyclist at 24

kate

Review by kate ★★★★★

in 8 episodes i went from not giving a fuck about biking to being obsessed

Tabbel

Review by Tabbel ★★★★

Drama, Drama, Drama 🧡🚴🏼‍♀️

Franky Jones

Review by Franky Jones ★★★★

SeitanicSamurai

Review by SeitanicSamurai ★★★★ 1

I’m now hooked into the current tour and thinking about taking my personal cycling up a level, exhilarating and intense and emotional. Who you got this year vingegaard or pogacar?

Clément Chocat

Review by Clément Chocat ★★★★★

Bon, voilà un log très spécial pour moi aujourd'hui. Je termine le visionnage de cette superbe saison 1, qui me donne les clefs pour comprendre encore un peu mieux mon grand père qui, durant les 25 années de ma vie, et les 77 de la sienne, aura dédié son existence à ce sport et me transmettre sa passion.

Quand je vois Van Aert, Philipsen ou Pinot, je suis ému simplement d'entendre dans ma tête ses commentaires tout en retenue de son emotion et je l'imagine devant sa TV à s'émerveiller sur chaque coup de pédale au bout de l'effort dans la souffrance de ces mecs qui sont tout simplement les plus grands sportifs de tous les temps.

Ravi que Netflix…

brenda

Review by brenda ★★★

men will do anything except go to therapy

maddywg

Review by maddywg ★★★★

Is he hot? or is he just emaciated? A question you will ask yourself 1000 times

Laura

Review by Laura ★★★★★ 4

qu'est-ce que j'aime ce sport :)

JCL

Review by JCL ★★★★

Awesome footage of the biggest cycling race in the world

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cast of tour de france (film)

Roll up, roll up for Part 2 of our Cannes Film Festival preview, this time with a focus on international, mainly non-English-language fare. If you didn’t catch Andreas’ English-language-focused Part 1 , check it out.

As the fest basks in the warm glow of the Oscar wins for 2023 Palme d’Or winner Anatomy of a Fall and Grand Jury Prize winner The Zone of Interest , delegate general Thierry Frémaux and his team are furiously tying up the 2024 Official Selection.

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Cannes 2024: What’s In The Mix? (Part One)

Awards Season

2024 Awards Season Calendar – Dates For Writers Guild, Tonys & More

The registration deadline was March 15, with March 22 the official cut-off for submissions to arrive at the festival headquarters for screening by the selection committee.

A number of Cannes habitués are out of the frame this year, including Pedro Almodóvar, who is in production on Julianne Moore and Tilda Swinton picture The Room Next Door , and Ruben Östlund, who is in development on airplane disaster movie  The Entertainment System Is Down .

RELATED: Cannes Palme d’Or Winners: Photos From Every One Of The Festival’s Top Films Through The Years

Will this leave space for Cannes first-timers, both established and emerging? Below are our updates.

Hotly tipped French movies referenced in part one of our preview included Audrey Diwan’s reimagining of  Emmanuelle , which has yet to decide between Cannes or Venice; François Ozon’s 24th feature When Fall Is Coming ; Leos Carax’s medium-length work It’s Not Me ; Nathalie Merlant’s The Balconettes; Arnaud Desplechin’s Filmlovers! ; and Palme d’Or winner Jacques Audiard’s intriguing crime-musical Emilia Perez , starring Zoe Saldana and Selena Gomez.

A younger generation of French hopefuls include Delphine and Muriel Coulin with Vincent Lindon-starring father-and-son drama The Quiet Son , Ludovic and Zoran Boukherma with coming-of-age tale And Their Children After Them, Antoine Chevrollier with Block Pass, and Céline Sallette with Niki . France-based Italian director Giovanni Aloi’s crime thriller  Hunting Ground is also submitted.

Fingers are also crossed for Mauritius-set, French colonial-era slavery drama No Chains, No Master s, the directorial feature debut of screenwriter Simon Moutaïrou, whose writing credits include hit thriller Black Box and the political drama Goliath .

A posthumous Cannes selection could also be on the cards with the submission of late director Sophie Fillières’ This Life of Mine , starring Agnès Jaoui as a woman whose sense of self starts to unravel as she turns 55. Filllières died shortly after completing the shoot and her children have dedicated themselves to finishing post-production.

Beating Hearts

Gilles Lellouche’s modern Romeo and Juliet tale  Beating Hearts ( L’Amour Ouf ), starring Adèle Exarchopoulos and Three Musketeers heartthrob François Civil, was also being pushed as a potential Cannes title at the Unifrance Rendez-Vous in Paris in January, but it’s not certain post-production will be completed in time.

Another big-budget French production tipped for a potential splash is Matthieu Delaporte and Alexandre de la Patellière’s The Count Of Monte Cristo starring Pierre Niney, which is due to hit French cinemas on June 28.

Other movies produced out of France that are ready and submitted include exiled Russian director Kirill Serebrennikov’s Joseph Mengele thriller Disappearance , starring German actor August Diehl as the notorious Nazi doctor, and South African filmmaker Pia Marais’ Amazon Forest-set contemporary missionary and illegal logging drama Transamazonia .

Out of Italy, there is still a question mark over whether Paolo Sorrentino will return with Parthenope , having previously debuted six films in Competition including Oscar winner The Great Beauty .

Other potential Italian returnees include directorial duo Fabio Grassadonia and Antonio Piazza with Mafia tale Lettere A Catello , starring Toni Servillo and Elio Germano. Their films Salvo and Sicilian Ghost Story played in Cannes Critics’ Week.

Further Italian titles confirmed as in the running include Michele Placido’s Eternal Visionary starring Fabrizio Bentivoglio as Italian playwright Luigi Pirandello on a soul-searching train journey to Stockholm.

The intriguing English-language Italian-produced Opera! a contemporary re-telling of Orpheus and Eurydice, has also been submitted. Directed by famed opera world duo Davide Livermore and Paolo Gep Cucco, cast includes Vincent Cassel, Fanny Ardant, Caterina Murino and Roissy de Palma.

Other high-end Italian auteur fare currently in post-production includes Gabriele Salvatores’ immigration drama Napoli – New York , developing a treatment written by Federico Fellini in the 1940s and featuring Pierfrancesco Favino in the cast, but we haven’t heard back yet whether this is eyeing Cannes.

In an update since part one, we’ve heard that Johnny Depp’s Italian painter biopic  Modi   is firmly in post and will not be ready for Cannes.

However, we’ve had it confirmed that Portuguese Cannes habitué Miguel Gomes’ ambitious new multilingual work Grand Tour is completed and angling for a Cannes splash. The British Empire drama stars Crista Alfaiate as a jilted bride who pursues her runaway civil servant fiancé (Gonçalo Waddington) across Asia.

cast of tour de france (film)

As per part one, UK Cannes aspirants include Andrea Arnold’s Bird and Athina Rachel Tsangari ’s Harvest with Caleb Landry Jones; for the latter we have since heard that Sixteen Films is working hard to have finished for a potential Cannes berth. Few British companies have stronger ties to Cannes than Ken Loach and Rebecca O’Brien’s outfit.

A second Sixteen Films production, Scotland-based Portuguese filmmaker Laura Carreira’s debut feature  On Falling , about a migrant warehouse worker in Edinburgh, is also eyeing a Cannes debut.

Emma Mackey, Vicky Krieps and Fiona Shaw drama Hot Milk marks the directorial debut of Ida and She Said scribe Rebecca Lenkiewicz. The anticipated Film4-backed project has been submitted to Cannes and likely many a festival would be happy to have it this year.

Irish director Aislinn Clarke’s second feature Fréwaka , which has been billed as the first-ever Irish-language horror, is angling for a Midnight slot.

Nordic submissions include Magnus von Horn’s black-and-white drama The Girl With the Needle , inspired by the real-life story of child killer Dagmar Overbye. Von Horn’s first film The Here After played in Directors’ Fortnight while his second film Sweat received the Cannes 2020 pandemic-era label.

Also completed and in the running are Danish filmmaker Frederik Louis Hviid’s The Quiet Ones , inspired by a real-life 2008 heist and starring Reda Kateb, Gustav Giese and Amanda Collin.

Hot first film submissions from the region include Norwegian director Lilja Ingolfsdottir’s divorce drama Loveable , produced by The Worst Person in the World ‘s Thomas Robsahm.

Benelux hopefuls include Japan-set child custody drama A Missing Part by Guillaume Senez and starring Romain Duris; Fabrice Du Welz’s crime thriller Maldoror , featuring Béatrice Dalle in the cast; and César Diaz’s Mexico 86 , starring Bérénice Bejo as a Guatemalan rebel activist reunited with her son a decade after she fled to Mexico leaving him behind.  

Emerging director Leonardo Van Dijl’s sports-world abuse drama Julie Keeps Quie t is being tipped for Critics’ Week or Un Certain Regard.

Tallulah Schwab’s surreal English-language, Netherlands-Belgian co-production Mr. K , starring Crispin Glover as a travelling magician stuck in a Kafkaesque nightmare when he is unable to leave a bizarre labyrinthine hotel, is another buzzy submission out of the region.

German comedy 2:1 , starring Sandra Hüller, has a summer release and seems a long shot but actress of the moment Hüller did get her big Cannes break in another German comedy, Toni Erdmann .

Out of Eastern & Central Europe, frontrunners include Georgian director Dea Kulumbegashvili’s second feature Those Who Find M e, about a dedicated obstetrician-gynecologist whose life falls apart when she is accused of negligence following the death of a newborn child in her care.

Ildiko Enyedi’s Silent Friend with Tony Leung (supposedly about “tales told from the perspective of a lonely old tree standing in the middle of a botanical garden”) is in production, so a fall festival or 2025 launch is on the cards for this one.

Frontrunners from Asia are Singaporean director Eric Khoo’s Japan-shot Spirit World , starring Catherine Deneuve as a legendary singer who embarks on a journey through the afterlife, and Kiyoshi Kurosawa’s Serpent’s Path , a French adaptation of his eponymous 1988 thriller.

Khoo was last in Official Selection in 2011 with animated Un Certain Regard title Tatsumi and was a Palme d’Or contender with father-and-son drama My Magic in 2008. Kurosawa has debuted seven films in Cannes including Before We Vanish (2017), Journey to the Shore (2016) and Tokyo Sonata (2008).

Out of China, Qiu Sheng’s second solo feature The Father’s Son , inspired by his process of remembering his late father is also in ready and submitted. The filmmaker previously made waves on the festival circuit with Suburban Birds .

There’s also buzz around Philippine filmmaker Janus Victoria’s first feature Diamonds in the Sand , starring Hirokazu Kore-eda collaborator and Shoplifters co-star Lily Franky as a Japanese man who moves to the Philippines in belief he will never be lonely.

Out of Indonesia, director Mouly Surya’s l ong-awaited post-independence epic This City is a Battlefield and Tumpal Tampubolon’s thriller Crocodile Tears could also be in the mix.

Vietnamese filmmaker Minh Quý Trương’s Viêt and Nam , about two coalminers who dream of a better future above ground and overseas, and Myanmar director The Maw Naing ’ s women’s rights drama Ma , inspired by the country’s 2012 garment workers strikes, are also generating buzz.

Upcoming auteur titles from the region that will not be ready include Thai director Pen-ek Ratanaruang’s Bangkok-set psychological thriller Morte Cucina , which is in production, and Bi Gan’s sci-fi work Resurrection , which is in pre-production. There’s a question mark over whether Jia Zhangke’s We Shall Be All will finish post-production in time.

Getting Hayao Miyazaki to an international festival for The Boy and the Heron proved difficult, but the Ghibli founder could be showcased this year on the circuit via an under-the-radar documentary. First aired by Japanese broadcaster NHK late last year, we hear an international version of the doc about the making of Ghibli’s latest hit and the iconic but press-shy company founder could potentially go to a festival or market this year. If it isn’t ready for Cannes, Annecy would make a lot of sense. It’s sure to be lapped up by the studio’s legion of fans.

Kore-eda has been in post since late last year on a Samurai-themed drama series for a streamer. The filmmaker told us last week that he isn’t sure where or when it’ll launch and it’s firmly in post so Cannes seems unlikely, but festivals this year would surely love to have it in some form.

Middle East & Africa

Speculated submissions out of the Middle East and North Africa include Tunisian director Mehdi Barsaoui’s Aïcha , Saudi director Ahd Kamel’s My Driver and I , Ameer Fakher Eldin‘s Yunan and Palestinian director Laila Abbas’ West Bank-set inheritance law comedy-drama Thank You For Banking With Us!

My Driver and I is the debut feature of high-profile Saudi actress Kamel, whose credits include Ramy , Collateral and Wadjda . The coming-of-age tale revolves around the unlikely friendship between a young Jeddah girl and her Sudanese driver, played by You Will Die at 20 star Mustafa Shehata.

If it makes the cut in Official Selection or one of the parallel sections, it will be Saudi Arabia’s first feature film to world premiere at Cannes since the lifting of its cinema ban in 2017.

Yunan is the second feature from Kyiv-born, Syrian-parentage director Fakher Eldin after The Stranger , which debuted in Venice in 2021 and went on to represent Palestine at the Oscars. The new film revolves around a disillusioned, exiled writer who travels to a remote island in the North Sea.

Buzzy submissions out of Egypt include Mohamed Siam’s father-and-son tale Colonia , in which secrets are uncovered in a long night of settling old scores; Khaled Mansour’s Seeking Haven For Mr Rambo , in which a man battles to save his beloved dog; and Omar Brakry’s intriguing silent black-and-white film Abdo & Saneya , about an Egyptian peasant couple which emigrates to New York without any notion of American life in search of a cure for their infertility.

Nabil Ayouch’s upcoming feature Everyone Loves Touda has also been cited on some prediction round-ups, but with the Moroccan director recently posting on Instagram that he is on set with the film, it will be going on our 2025 fest list.

Continental African stories in the mix include Somali-Canadian rapper and singer K’naan Warsame’s feature directorial debut  Mother, Mother  starring Maan Youssouf Ahmed as a struggling widowed cattle herder who takes an unexpected route when offered the right of revenge against her son’s killer.

Latin America

We hear Karim Aïnouz’s Brazil-shot erotic thriller Motel Destino is ready for a Cannes shot . A question marks hangs over Argentinian filmmaker Lucrecia Martel’s long-awaited hybrid project Chocobar (which has been years in the making and on many annual Cannes lists) , about murdered indigenous leader Javier Chocobar.

There’s also a question mark over Mexican director Michel Franco’s Dreams, which he shot last summer under the radar in San Francisco with Jessica Chastain, Isaac Hernandez and Rupert Friend.

Mexican director Carlos Reygadas’ Wake of Umbra has been cited on some Cannes prediction list but Polish producer Klaudia Śmieja-Rostworowska at Madants told Deadline that the movie is currently shooting its Polish part.

We’ve also heard that Brazilian director Walter Salles is currently in post on I’m Still Here and will not be ready for Cannes. The political drama tells the true story of housewife-turned-activist Eunice Paiva whose opposition politician husband disappeared at the beginning of Brazil’s 21-year military regime in 1964.

Andreas Wiseman, Liz Shackleton and Zac Ntim contributed to this article.

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Marisa Abela in Back to Black (2024)

The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.

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  5. Tour de France (film)

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  12. 'Tour de France: Unchained' Will Turn You into a Cycling Fan

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    Back to Black: Directed by Sam Taylor-Johnson. With Lesley Manville, Jack O'Connell, Eddie Marsan, Marisa Abela. The life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.