The Tour To End All Tours
The Swedish heavy metal band and hard rock veterans Sabaton have their sight set on Avicii Arena for a long-awaited concert!
Do you want to maximize your event experience?
Experience Sabaton on 28 April 2023, in your own exclusive suite for 16 people! Entry is via the Premium-entrance where hosts will welcome you and take you to your suite. The evening starts with a welcome drink and when you sit down by the table, you'll enjoy a two-course dinner. The event will be enojyed directly from your seats in your suite.
It can hardly be better than that!
The suite is available for you and your company two hours before and one houre after the event.
Welcome for an unforgettable experience!
Unit in the American Express Lounge
Experience Sabaton on 28 April 2023, in a lounge sofa or bar stool unit! Entry is via American Express Premium entrance where hosts will meet you and take you to the lounge. The evening starts with a welcome drink and when you sit down by the table, you'll enjoy a two-course dinner. The event will be enjoyed directly from your sofa or bar stool unit.
The American Express Lounge is available for you and your company two hours before and one houre after the event.
Do you have any questions regarding our premium experiences - don't hesitate to contact us at [email protected]
Dates & times
Friday April 28, 2023
Before the visit
Premium experience, american express lounge , we are fans of fans.
The shopping mall for fans. What are you a fan of? Fashion? Baking? Sushi lunches? At Globen Shopping, you'll find everything to grow and deepen your interests.
Res hit från hela Sverige
Att ta tåget är inte bara smidigt, det är också ett klimatsmart alternativ. Köp på sj.se eller i SJs app .
Upcoming events
Arctic Monkeys
European Tour 2023
GLORIA THE TOUR
Eros Ramazzotti
Battito Infinito World Tour
CIRQUE DU SOLEIL
The Tour To End All Tours
The Swedish heavy metal band and hard rock veterans Sabaton have their sight set on Avicii Arena for a long-awaited concert!
Do you want to maximize your event experience?
Experience Sabaton on 28 April 2023, in your own exclusive suite for 16 people! Entry is via the Premium-entrance where hosts will welcome you and take you to your suite. The evening starts with a welcome drink and when you sit down by the table, you'll enjoy a two-course dinner. The event will be enojyed directly from your seats in your suite.
It can hardly be better than that!
The suite is available for you and your company two hours before and one houre after the event.
Welcome for an unforgettable experience!
Unit in the American Express Lounge
Experience Sabaton on 28 April 2023, in a lounge sofa or bar stool unit! Entry is via American Express Premium entrance where hosts will meet you and take you to the lounge. The evening starts with a welcome drink and when you sit down by the table, you'll enjoy a two-course dinner. The event will be enjoyed directly from your sofa or bar stool unit.
The American Express Lounge is available for you and your company two hours before and one houre after the event.
Do you have any questions regarding our premium experiences - don't hesitate to contact us at [email protected]
Dates & times
Friday April 28, 2023
Before the visit
Premium experience, american express lounge , we are fans of fans.
The shopping mall for fans. What are you a fan of? Fashion? Baking? Sushi lunches? At Globen Shopping, you'll find everything to grow and deepen your interests.
Res hit från hela Sverige
Att ta tåget är inte bara smidigt, det är också ett klimatsmart alternativ. Köp på sj.se eller i SJs app .
Upcoming events
Arctic Monkeys
European Tour 2023
GLORIA THE TOUR
Eros Ramazzotti
Battito Infinito World Tour
CIRQUE DU SOLEIL
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Sabaton tour dates 2024
Sabaton is currently touring across 1 country and has 12 upcoming concerts.
Their next tour date is at Rosemont Theatre in Chicago, after that they'll be at The Armory in Minneapolis.
Currently touring across
Upcoming concerts (12) See nearest concert
Rosemont Theatre
Wings Event Center
Saint Louis Music Park
Propst Arena at the Von Braun Center
Ameris Bank Amphitheatre
Mobile Civic Center Arena
PNC Music Pavilion
Ford Center
The Theater at MGM National Harbor
Empower Federal Credit Union Amphitheater at Lakeview
Past concerts
Everwise Amphitheater at White River State Park
Covelli Centre
MGM Music Hall at Fenway
View all past concerts
Recent tour reviews
I attended Sabaton’s concert in the UK in 2023. The concert was amazing. The drummer (Hannes) and guitarists (Tommy, Chris, Pär) are all extremely talented. I also love Joakim’s voice. I think that Sabaton are actually even better in person!
Sabaton are very sweet people who really care about their fans and know how to interact well with their audience. The audience was encouraged to join in on songs like The Red Baron and Swedish Pagans. The talks in between songs by band members were interesting, well-humoured and friendly. They also took feedback from data they had previously collected from fans who wanted them to play older and faster songs so they played Into The Fire.
The showmanship was amazing. There were coloured lights and confetti, fire and smoke and of course the tank that Hannes sits on to play the drums. The screen behind the band made it easier to see the band but also showed cool visualisers for some songs. During some songs there were even people on stage playing some of the people from the songs, for example, there was a guy in a red plane for The Red Baron and a guy playing a scientist (Fritz Haber) for Father. For Christmas Truce everyone turned their phone lights on and it was beautiful.
When they went off the stage, there was still a lot of hype and everyone shouted “SABATON! SABATON!” and their encore was 3 songs but after that Man Of War played through the speakers when Sabaton were done performing. There was also a really amazing breakdown after the performance when they were saying goodnight before Man Of War started playing through the speakers.
Also, Sabaton have earplugs as part of their merch for only £10. They are very high quality and they made the concert not sound too loud but at the same time I could hear everything easily and the audio quality was fantastic. Also, the earplugs are very comfortable. They are also washable and reusable.
I would absolutely love to see Sabaton live again and I would highly recommend their concert for any other fans!
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Honestly one of the best shows I've ever been to. Both Sabaton and Hammerfall killed it. Insane energy all night, with a constant pit all night long and crowdsurfers too.
Both bands sounded great live, and played a perfect mix of old and new songs. Venue was pretty solid too. A little old, but the well-sloped floor with great visibility and amazing sound made it all worth it.
Enjoyed every minute of the show. Would definitely go see them again Even got to meet, shake hands, and get photos with Hammerfall for free after the show :)
A great bill with Kreator opening up for Sabaton. And Kreator absolutely killed it. Great live show. The sound was fantastic and the band was tight and on point throughout. The crowd was amped, very fired up from the first note to the last. A violent pit moshed in front of the band in the strong metal venue. Kreator, one of the Teutonic Big 4, are a must see. Great live metal band.
Sabaton isn't really my style of metal, but the crowd loved them and they put on a very strong show. Very interactive with the audience, and there is plenty of fist pumping, clapping along, and singing along to the chorus.
The 2 bands together made for an awesome show.
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Sabaton took over a Swedish island in the dead of winter and it was as crazy as it sounds
What happened when the world's biggest power metal band invaded a tiny Swedish island?
Stand on Visby’s rocky beach and gaze out across the roiling sea, and it’s easy to imagine a fleet of wooden ships heaving into view over the horizon, bearing an army of snarling invaders ready to subjugate its inhabitants, or worse.
Dating from the Viking Age, this picture-postcard medieval town is the biggest settlement on the Swedish island of Gotland – a hunk of rock measuring 100 miles by 30 miles, located halfway between mainland Sweden to the west and Latvia to the east. Visby has been fought over down the centuries by the Swedes, the Danes, the Hanseatic League and more, and it has the ruined city walls to prove it.
Another army has invaded Gotland today. This one numbers just five people, and furs and armour have been replaced by puffer jackets and beanie hats to protect against the fearsome wind battering them. They’ve been standing with their backs to the waves for the last 15 minutes for a photoshoot, and the cold is getting to them.
Sabaton may be the most successful Swedish metal band of the 21st Century, but they clearly haven’t inherited their ancestors’ hardy genes. “I think we’ve done enough,” says the band’s usually laidback bassist and Joint Chief Of Staff Pär Sundström tetchily. “We have a show to play.”
A gig is fairly unusual in Gotland. In a few hours, Sabaton will play the local ice hockey arena, the fourth gig of a 20-date tour of some of Sweden’s furthest-flung outposts. The last vaguely famous rock group to come to Visby were Swedish glam-metal C-listers Hardcore Superstar. That was in 2021. The next one is… well, there is no ‘next one’, beyond a few low-level Swedish bar acts.
“We called the people who ran the venue and said, ‘We want to do a show,’” says Pär, grumpiness gone. “They said, ‘When?’ and we said, ‘February.’ They said, ‘Why would you want to be here in February? Nothing happens!’”
So why do you want to be here in February? “Why not?” he says, with the grin of man who has made it this far without other people telling him how to do things, and isn’t about to start listening to them now.
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A 2,000-capacity ice hockey hall on a windswept Baltic island is a long way from the kind of places that Sabaton normally play these days. In April, they kick off a full European tour with four UK arena dates, featuring support from Babymetal and Finnish panto-metallers Lordi.
“We’re only the third Swedish band to headline Wembley Arena, after Abba and Roxette,” says singer Joakim Brodén proudly, as we sit in the lobby of the waterfront hotel that has been commandeered as a temporary barracks by the band and several of their 50-strong crew and entourage.
They arrived here yesterday via ferry from the Swedish mainland. This is a scaled-down operation by their standards: just the three articulated trucks and two tour buses carrying the band, their equipment and their stage set. The crew for their upcoming UK shows and the European arena tour that follows currently numbers 141, including drivers, caterers and the people who take care of the laundry.
Visby itself is a beautiful town. A cathedral whose origins date back to the 13th century looms over cobbled streets and charming old buildings. Crumbling fortifications and the ruins of churches offer glimpses of past glories and the fates that befell them. Still, the people who said that nothing happens in Visby in February weren’t lying. Aside from the odd bar and restaurant, pretty much everything else is closed.
This the first time Joakim has been to the island, but Pär came here regularly as a teenager. Every summer, Visby holds one of the biggest medieval events in Europe, its population of 24,000 swelling to upwards of 100,000 for one epic week of fighting, jousting and drinking. The young Pär’s interest in live action role-playing drew him to medieval re-enactment circles, which in turn brought him here as a teenager.
“I came here for several years,” he says, sitting on the tour bus a couple of hours before the show. “I didn’t know anybody, I came over on the ferry on my own. There was so much going on. There were knights jousting in the moat next to the walls. It’s a party island in the summer. I’ve spent more than a month of my life here, but I’ve never been sober before.”
History and location aside, Visby is a typical stop-off on this tour. Eighty per cent of Sweden’s population of 10 million lives in the lower third of a country that measures almost 1,000 miles from top to bottom but just 300 miles at its widest point. Most bands play Stockholm, Gothenburg, Malmö and maybe a couple of other medium-sized cities in the south and call it a tour. This run of shows is the polar opposite of that.
The idea was to bring the Sabaton show to people who might not otherwise be willing or able to travel see them. The first gig of this leg was in Övertorneå, a tiny town in the far north of the country on the border with Finland. The population of Övertorneå is 1,900, and 1,500 turned up to the gig.
“Nothing has ever happened up there on that scale,” says Pär. “It was lovely, we had the whole city backing us up.” This is actually the second leg of a similar, 30-date tour of off-the-beaten-track Swedish towns that Sabaton played in 2022. According to Pär, that original run was a direct response to being unable to tour internationally during the pandemic. They decided to do this second leg the day they played the final show of the first run.
“It was the best tour we’ve ever done,” says the bassist, who lives in Cyprus for much of the year. “We did it after being locked in for so long. That last night was emotional, people were crying. I didn’t want it to end.”
By the time this second leg finishes, they’ll have hit such second- and third-tier towns as Kiruna (pop. 20,000), Eskjö (pop. 9,000) and Uddevalla (pop. 35,000). As the band’s de facto manager, Pär took a hands-on approach, working with their booking agent on everything from routing the tour to booking the venues – something that keeps costs down, and also allows the band to retain control over what they do.
“It’s a lot of work,” he concedes. “But at the same time you get so much out of it. We’ve got no one telling us, ‘No, you shouldn’t play in this place or that place, you can’t do this or that.’ It’s the way we’ve done things for our entire career.”
Rock and metal bands can follow one of two career paths these days. The most familiar, and clichéd, path is to take the traditional swashbuckling approach, heavy on the sex’n’drugs’n’rock’n’roll, hoping charisma and the odd half-decent tune can magically translate into record sales, streams and YouTube views (spoiler: it rarely does). The other is to recognise the music business for what it is – i.e. a business – and approach it accordingly.
In Sabaton’s case, this has meant everything from teaming up with videogame company World Of Tanks to launching a range of band-branded of underpants. This way of doing things may lack rock’n’roll’s traditional pirate glamour but, as Sabaton have proved, it’s far more likely to result in a successful and sustained career (in fairness, it does help that they write epic tunes with the kick of a howitzer too).
This tour is part of that approach. It’s hard to think of any other band who would spent several weeks schlepping around the backwaters of Sweden, but then Sabaton seem to relish challenges – and Pär Sundström especially. Like Gene Simmons in camo trousers, the bassist has essentially willed his band to success.
The most unlikely thing about Sabaton’s upcoming UK tour isn’t that Babymetal are supporting Sabaton in the UK – there’s a long-standing mutual respect there, with the Swedes supporting their Japanese counterparts in Tokyo in 2018 and Joakim appearing on Babymetal’s 2019 song Oh! MAJINAI .
No, the most unlikely thing is that Sabaton are headlining multiple arenas in Britain in the first place. The idea of a power metal band playing such large venues in the UK would have been unthinkable in 2006, when they first toured the country as unknown openers on a three-band bill featuring Edguy and headliners Dragonforce.
“I’d never heard of them before we played with them the first time,” says Dragonforce guitarist Herman Li, talking to Hammer from his adopted home of LA via Zoom. “The UK media wanted nothing to do with the kind of music we both played, but I could see they had something about them.”
Sabaton were never Mötley Crüe, though they had fun on the road. They’d guzzle vodka and Red Bull then wonder why they couldn’t get to sleep. “We were in party mode, going out every night after the show, trying to find an afterparty with the fans,” says Pär.
There were moments of drunken foolishness, naturally, like the time Joakim and Pär crashed on a fan’s couch after getting turned away from a party in a hotel after a gig in Glasgow. As if it wasn’t bad enough waking up the next day to a row between the fan and his wife, who wanted to know who the hell these hairy Swedes were and why they were sleeping on her floor, they realised that their bus had left for the next gig in Inverness without them. Cue a wallet-emptying £280 cab ride to ensure they made the show on time. For musicians as ambitious as Sabaton were even back then, that kind of behaviour simply wasn’t sustainable.
“There’s nothing wrong with having a great party after every gig when you do 15 shows a year, but all of a sudden you find yourself doing 170 shows in 12 months, and it’s not so smart anymore,” explains Joakim. The tipping point for the singer came during a gig in the late 2000s. “I was super-hungover and I was puking between the songs,” he says. “That was when I thought, ‘No, I can’t do this anymore.’”
Even before that, Joakim and Pär had realised that the old rock’n’roll clichés weren’t conducive to a career in the increasingly tough post-Napster world of 2000s metal. “Even on that first tour, Pär had a laptop,” says Herman Li, whose band toured with Sabaton for a second time in 2009. “I was pretty much managing Dragonforce, and we’d both spend all our time looking for somewhere we could plug in and get online. No other musicians apart from us were doing that at that point.”
Some things haven’t changed. Anyone stepping into Sabaton’s dressing room at the ICA Maxi Arena today will be greeted by the sight of five men tapping away on their laptops. No one is vomiting in the corner or falling face-first into a pile of drugs; instead guitarist Chris Rörland is working on designs for new guitar picks. The vibe is less ‘Bacchanalian rock’n’roll orgy’, more ‘slightly odd IT company who are a month behind on the office rent’.
Something stranger is happening a few doors down. Half a dozen people wearing assorted olde worlde costumes are sneaking into a small storage room. There’s a woman dressed in a flowing peasant dress and a couple of guys in what look like handmade tunics. Someone else is in the regalia of a medieval Christian priest, replete with robes and crucifix. In the middle of them all is a man in a chair, having black warpaint applied to his face.
These are a bunch of local medieval re-enactors who have been roped in to spring a surprise on the support band, Hulkoff, by lining up behind them onstage and dancing at the conclusion of their set.
“It is a big deal that Sabaton are playing Visby,” says one of the re-enactors. His name is Richard, and he’s a big fan of the band. “It’s weird that they’ve come here now, because no bands come here in the winter. But I’d say there are plenty of people here who will come to the gig who don’t like metal but know Sabaton.”
Much of Sabaton’s popularity in their homeland stems from 2012’s Carolus Rex, a concept album inspired by the 18th-century Swedish king Charles XII released in both English- and Swedish-language editions. The latter was novel enough to reach beyond the boundaries of the metal scene, ultimately ensuring a tour like this can happen now.
“In Sweden, there are enough people who aren’t metalheads who would come to our shows, but I don’t think there are too many countries like that,” Joakim reasons. “Finland, maybe, but nowhere else. Not the UK.”
Sabaton’s high profile in their home country has its downsides. In January 2023, Swedish Sceptics Association, an organisation founded in the early 80s and dedicated to promoting the veracity of scientific research, announced that they were honouring Sabaton with their Enlightener Of The Year award in recognition of the band “[combining] its artistic work with public education” - a reference to the factual accuracy of their lyrics and videos.
Yet within days the organisation announced that the award was being “reviewed”. It transpired that they had been made aware of an interview Pär had given after playing Crimea in 2015, in the wake of Russia’s annexation of the Ukrainian peninsula. “If you go to [Crimean city] Sevastopol, you hardly feel they feel occupied,” the bassist told Sweden Rock magazine in 2016, adding, “All these years they’ve felt like Russians but treated like a small piece of Ukraine.”
Unsurprisingly given recent events, this unearthed quote caused a media furore, prompting Pär to issue a statement saying that his original quotes were referring to “how I experienced the situation there and then”, adding, “That someone invades or occupies another country is against international law.”
It was a clear response, but one that could have gone further in condemning Vladimir Putin’s illegal occupation of the country. This may be coloured by the fact that Sabaton have a sizable Russian following. “Yeah, we have a lot of fans in Russia,” says Pär now. “But we have a lot of fans in Ukraine too, and I can see from Spotify they are listening to our songs while their country is at war. I have friends on both sides, fans who are being called up to fight. A lot of fans [in Ukraine] have asked us to write about this battle.”
And will you? “Not now. It’s a current event, we don’t write about active politics. Maybe in the future, but now not now. It’s extremely heavy.”
The Swedish Sceptics Association completed their review and decided to stick to their original plan and give the band their award. “When the media in Sweden write about Sabaton, they get shitloads of traffic,” says Pär. “Five guys singing about war, wearing camouflage, it was the perfect thing to write about. It’s a storm in a teacup.”
Sabaton have a warehouse containing all their old stage props. This includes their very first stage set, a riser with ramps, pillars, ladders and room for drums and keyboards that they bought from a long-forgotten Swedish band and was used for three shows and the video for 2009’s single 40:1 . “It looked huge when we got it,” says Joakim. “Today, it’s like, ‘OK, not so big.’”
Their most famous prop is the two-ton tank that’s been used as a riser used by drummer Hannes Van Dahl since 2015. There are actually two tanks, nicknamed Walther and Audie – the former after German WWII General Walther Wenck, the latter after decorated US soldier-turned-Hollywood actor Audie Murphy, subjects of the Sabaton songs Hearts Of Iron and To Hell And Back respectively.
Two tank risers may seem like overkill to some, but it enables the band to send one ahead to the next gig in classic military fashion. The tank(s) will naturally be part of their upcoming arena shows, but Pär and Joakim are cagey about what else the gigs involve. The bassist dangles the words “theatrics” and “drama”.
“We want to bring in a bit of real acting,” he says. “We want to bring in real humans to the show to illustrate the subjects of the songs a bit more.”
There’s no tank here in the ICA Maxi Arena and certainly no actors hamming it up, just museum-style figures dressed in the livery of Caroleans – 17th- and 18th-century Swedish soldiers – dotted between the pillars that circle the stage and Sabaton themselves. This is a scaled-down performance by Sabaton standards.
“It doesn’t make sense financially to bring all that stuff on this tour,” says Joakim. “But we’re giving people a different kind of Sabaton show.”
The 2,000-odd Gotlanders here tonight don’t seem to miss the heavy ordnance onstage. The arrival of a band whose last four albums all reached No.1 in the Swedish charts is a big deal.
“The last band I saw play here was Europe about 10 years ago,” an audience member named Anna tells Hammer. Her sparkly high street top and high-heeled boots would put her in a very small minority at a regular Sabaton gig, but the crowd here is split 60-40 between people who look like metal fans and people who don’t.
“I knew the name Sabaton, but I’m not that familiar with their music. He likes them, though,” she adds, gesturing to her boyfriend, whose Sabaton-branded tricorn hat suggests he’s very much in the metal-loving 60% of this audience.
The presentation may be stripped down, but anthems such as The Lion From The North , The Red Baron and Bismarck remain as brilliant and bombastic as always, even if half a dozen songs and all of Joakim’s between-song banter is delivered in Swedish and goes over our heads. Still, their gig, their rules.
An hour after the show, the arena has emptied and Sabaton’s crew are packing up their gear. The band themselves are in various states of undress backstage, the prospect of a 6am alarm call to catch the ferry back to the mainland hanging over them. There are three more weeks of this tour left before it winds up in the city of Lund, a bustling metropolis of 90,000 people.
“And then there’ll be no more places left for us to play in Sweden,” booms Joakim, only half joking. And after that? There’s one more standalone single scheduled around the UK tour in April (Joakim and Pär refuse to say what it’s called, though the singer says it will “surprise people”), plus a movie (they’re equally tight-lipped about details for this).
The follow-up to 2109’s The Great War and its 2022 companion, The War To End All Wars , is a way off yet, but it’s unlikely to complete a World War I-themed trilogy of albums.
“I’d be surprised if we never touched WWI again, but I’d also be very surprised if our next album was another WWI album,” says Joakim.
And what of a potential collaboration with their soon-tobe touring partners Babymetal? It’s a rare moment where Joakim and Pär don’t present a united front.
“Musically, it would be hard because of what we do and what they do,” says Joakim. “It can be done, definitely,” counters his bandmate, “we just need to find the right time.” All of that’s in the future. Gotland has been taken, but there are more far-flung towns to conquer, more audiences to pound into submission, and anyway, those tanks won’t roll themselves out of storage. It’s all quiet on the Baltic front right now, but that peace won’t last.
Stories From The Western Front is out now via Nuclea
Dave Everley has been writing about and occasionally humming along to music since the early 90s. During that time, he has been Deputy Editor on Kerrang! and Classic Rock , Associate Editor on Q magazine and staff writer/tea boy on Raw , not necessarily in that order. He has written for Metal Hammer, Louder, Prog, the Observer, Select, Mojo , the Evening Standard and the totally legendary Ultrakill . He is still waiting for Billy Gibbons to send him a bottle of hot sauce he was promised several years ago.
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Sabaton Concert Setlists & Tour Dates
The tour to end all tours tour, upcoming shows.
- Date and Venue Doors Scheduled
- May 04 2024 Wings Event Center Kalamazoo, MI, USA Doors 6:00 PM – Start time: 7:33 PM (Est.) 6:00 PM 7:33 PM Estimated
- May 05 2024 Saint Louis Music Park Maryland Heights, MO, USA – Find tickets Add time Tickets Add time Add times
- May 07 2024 Propst Arena Huntsville, AL, USA – Find tickets Add time Tickets Add time Add times
- May 11 2024 Ameris Bank Amphitheatre Alpharetta, GA, USA Add time Add time Add times
- May 12 2024 Mobile Civic Center Mobile, AL, USA Doors 7:00 PM – Scheduled: 8:00 PM 7:00 PM 8:00 PM
- May 14 2024 PNC Music Pavilion Charlotte, NC, USA – Find tickets Add time Tickets Add time Add times
- May 17 2024 Ford Center Evansville, IN, USA Doors 6:30 PM – Start time: 8:03 PM (Est.) 6:30 PM 8:03 PM Estimated
- May 19 2024 The Theater at MGM National Harbor National Harbor, MD, USA – Find tickets Add time Tickets Add time Add times
- May 21 2024 MVP Arena Albany, NY, USA Doors 6:30 PM – Start time: 8:03 PM (Est.) 6:30 PM 8:03 PM Estimated
- May 22 2024 Empower Federal Credit Union Amphitheater at Lakeview Syracuse, NY, USA – Find tickets Add time Tickets Add time Add times
Sabaton at Minneapolis Armory, Minneapolis, MN, USA
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Sabaton at Rosemont Theatre, Rosemont, IL, USA
Sabaton at everwise amphitheater at white river state park, indianapolis, in, usa.
- The March to War
- Ghost Division
- The Last Stand
- Swedish Pagans
- The Red Baron
- Stormtroopers
- Carolus Rex
- Resist and Bite
- The Attack of the Dead Men
- Primo Victoria
- Soldier of Heaven
Sabaton at Covelli Centre, Youngstown, OH, USA
Sabaton at mgm music hall at fenway, boston, ma, usa, sabaton at cross insurance center, bangor, me, usa, sabaton at santander arena, reading, pa, usa, sabaton at prudential center, newark, nj, usa, sabaton at toyota presents the oakdale theatre, wallingford, ct, usa.
- To Hell and Back
Sabaton at Tegeraarena, Leksand, Sweden
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Most played songs
- Primo Victoria ( 1090 )
- Ghost Division ( 984 )
- Carolus Rex ( 817 )
- Swedish Pagans ( 751 )
- To Hell and Back ( 666 )
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Alterium Apocalyptica Back to Basics Beneath My Sins Beyond the Black Brothers of Metal Christmas Metal Symphony Corax Desert Follow the Cipher Forja Graveshadow Hangärhead Justice Nocny Kochanek Power Nation RADIO TAPOK Red Rum Septris Snowy Shaw Stormhold The Indiana Sabaton Tribute Van Canto Wisdom
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Artists covered
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Gigs seen live by
7,084 people have seen Sabaton live.
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Billie Eilish Announces HIT ME HARD AND SOFT: THE TOUR
2024/25 DATES REVEALED FOR NORTH AMERICA, EUROPE, UNITED KINGDOM, IRELAND, AND AUSTRALIA
American express card member presale starts april 30 and general on-sale begins may 3, third studio album hit me hard and soft out on may 17 [darkroom/interscope records].
Following the news of her highly anticipated third studio album HIT ME HARD AND SOFT , set for release on May 17 [pre-order/add/save HERE ], Billie Eilish has announced arena dates, produced by Live Nation, for her HIT ME HARD AND SOFT: THE TOUR . Starting in September 2024 , Eilish will embark on her North American leg of the tour which runs through to the end of December 2024 . The tour will continue in Australia starting February 2025 ahead of her European, U.K., and Ireland arena dates starting in April until late July . For a full list of tour dates, see below or visit billieeilish.com
Tickets for BILLIE EILISH: HIT ME HARD AND SOFT: THE TOUR will be available starting with the American Express® Presale beginning Tuesday, April 30 , with additional presales running throughout the week. Any remaining tickets will be available during the general on-sale starting Friday, May 3 on billieeilish.com . On-sale start times vary by market, check local listings for more information.
American Express® Card Members can purchase tickets before the general public beginning Tuesday, April 30 (while supplies last) – this is one of the many entertainment benefits American Express Card Members can access. Presale start + end times will vary by market, check your local listings at billieeilish.com for more information.
SUSTAINABILITY EFFORTS
Billie Eilish will continue her long-standing partnership with environmental nonprofit REVERB on this tour, building on the success of previous efforts, which resulted in over $1 million donated to environmental, greenhouse gas reduction, and climate justice projects, more than 150,000 fan actions, and much more. Sustainability efforts on this tour will include reducing greenhouse gas pollution, decreasing single-use plastic waste, supporting climate action, and updating concession offerings to promote and encourage plant-based food options with Support+Feed .
In keeping with her commitment to making a difference in the environmental impacts of her music and touring, a portion of the proceeds from ticket sales in North America will go to REVERB and its ongoing effort to help support organizations across the country addressing the impacts of food insecurity and the climate crisis.
ECO-VILLAGE
The Billie Eilish REVERB Eco-Villages will be set up at 2 locations in the main concourse of every show where fans can take part in the tour’s sustainability efforts, connect with nonprofits, and take meaningful action for people and the planet.
SUPPORT+FEED
For collective action at the intersection of climate and food, Support+Feed will be launching a 360 campaign throughout the tour. Following the success in 2022, Support+Feed will offer an expanded version of the Support+Feed Pledge inspiring fans to eat one plant-based meal a day for 30 days with digital elements and community activations. Fans will also have the opportunity to participate in Plant-based Food Drives in a selection of cities alongside the tour to raise awareness and gather food to distribute to local communities.
Fans are encouraged to join the effort to make the HIT ME HARD AND SOFT: THE TOUR more sustainable. Where possible, take public transportation and carpool to and from the shows to help reduce greenhouse gas pollution and encourage more public transportation options. Fans will receive information via email about public transportation options before the show.
Venue partners are also helping to lessen the environmental footprint of the tour. In addition to efforts to decrease waste through reducing or eliminating single-use plastics and diverting landfill waste with compost and recycling, venues will be offering plant-based food options at all shows.
FAN PARTICIPATION
Bring an empty reusable water bottle or donate for a custom RockNRefill Nalgene bottle to fill up at the free water refill stations located at each venue. The RockNRefill bottles and refill stations are located at the Eco-Villages in the main concourse at all shows. Fight fast fashion by opting for thrifted, upcycled, or borrowed clothes instead of buying new clothing to wear to shows.
HIT ME HARD AND SOFT: THE TOUR – NORTH AMERICA*
Sun Sep 29 – Québec, QC – Centre Videotron Tue Oct 01 – Toronto, ON – Scotiabank Arena Wed Oct 02 – Toronto, ON – Scotiabank Arena Fri Oct 04 – Baltimore, MD – CFG Bank Arena Sat Oct 05 – Philadelphia, PA – Wells Fargo Center Mon Oct 07 – Detroit, MI – Little Caesars Arena Wed Oct 09 – Newark, NJ – Prudential Center Fri Oct 11 – Boston, MA – TD Garden Sun Oct 13 – Pittsburgh, PA – PPG Paints Arena Wed Oct 16 – New York, NY – Madison Square Garden Thu Oct 17 – New York, NY – Madison Square Garden Fri Oct 18 – New York, NY – Madison Square Garden Sat Nov 02 – Atlanta, GA – State Farm Arena Sun Nov 03 – Atlanta, GA – State Farm Arena Wed Nov 06 – Nashville, TN – Bridgestone Arena Fri Nov 08 – Cincinnati, OH – Heritage Bank Center Sun Nov 10 – Saint Paul, MN – Xcel Energy Center Mon Nov 11 – Saint Paul, MN – Xcel Energy Center Wed Nov 13 – Chicago, IL – United Center Thu Nov 14 – Chicago, IL – United Center Sat Nov 16 – Kansas City, MO – T-Mobile Center Sun Nov 17 – Omaha, NE – CHI Health Center Omaha Tue Nov 19 – Denver, CO – Ball Arena Wed Nov 20 – Denver, CO – Ball Arena Tue Dec 03 – Vancouver, BC – Rogers Arena Thu Dec 05 – Seattle, WA – Climate Pledge Arena Fri Dec 06 – Seattle, WA – Climate Pledge Arena Sun Dec 08 – Portland, OR – Moda Center Tue Dec 10 – San Jose, CA – SAP Center at San Jose Wed Dec 11 – San Jose, CA – SAP Center at San Jose Fri Dec 13 – Glendale, AZ – Desert Diamond Arena Sun Dec 15 – Inglewood, CA – Kia Forum Mon Dec 16 – Inglewood, CA – Kia Forum Tue Dec 17 – Inglewood, CA – Kia Forum
HIT ME HARD AND SOFT: THE TOUR – AUSTRALIA
Tue Feb 18, 2025 – Brisbane, Australia – Brisbane Entertainment Centre Wed Feb 19, 2025 – Brisbane, Australia – Brisbane Entertainment Centre Fri Feb 21, 2025 – Brisbane, Australia – Brisbane Entertainment Centre Sat Feb 22, 2025 – Brisbane, Australia – Brisbane Entertainment Centre Mon Feb 24, 2025 – Sydney, Australia – Qudos Bank Arena Tue Feb 25, 2025 – Sydney, Australia – Qudos Bank Arena Thu Feb 27, 2025 – Sydney, Australia – Qudos Bank Arena Fri Feb 28, 2025 – Sydney, Australia – Qudos Bank Arena Tue Mar 4, 2025 –Melbourne, Australia – Rod Laver Arena Wed Mar 5, 2025 – Melbourne, Australia – Rod Laver Arena Fri Mar 7, 2025 – Melbourne, Australia – Rod Laver Arena Sat Mar 8, 2025 – Melbourne, Australia – Rod Laver Arena
HIT ME HARD AND SOFT: THE TOUR – EUROPE/U.K./IRELAND Wed Apr 23, 2025 – Stockholm, Sweden – Avicii Arena
Thu Apr 24, 2025 – Stockholm, Sweden – Avicii Arena
Sat Apr 26, 2025 – Oslo, Norway – Telenor Arena Mon Apr 28, 2025 – Copenhagen, Denmark – Royal Arena Tue Apr 29, 2025 – Copenhagen, Denmark – Royal Arena
Fri May 2, 2025 – Hannover, Germany – ZAG Arena Sun May 4, 2025 – Amsterdam, Netherlands – Ziggo Dome Mon May 5, 2025 – Amsterdam, Netherlands – Ziggo Dome Wed May 7, 2025 – Amsterdam, Netherlands – Ziggo Dome Fri May 9, 2025 – Berlin, Germany – Uber Arena Thu May 29, 2025 – Cologne, Germany – Lanxess Arena Fri May 30, 2025 – Cologne, Germany – Lanxess Arena Sun June 1, 2025 – Prague, Czech Republic – O2 Arena Tue June 3, 2025 – Kraków, Poland – Tauron Arena Wed June 4, 2025 – Kraków, Poland – Tauron Arena Fri June 6, 2025 – Vienna, Austria – Stadthalle Sun June 8, 2025 – Bologna, Italy – Unipol Arena Tue June 10, 2025 – Paris, France – Accor Arena Wed June 11, 2025 – Paris, France – Accor Arena Sat June 14, 2025 – Barcelona, Spain – Palau Sant Jordi Sun June 15, 2025 –Barcelona, Spain – Palau Sant Jordi
Mon Jul 7, 2025 – Glasgow, UK – OVO Hydro Tue Jul 8, 2025 – Glasgow, UK – OVO Hydro Thu Jul 10, 2025 – London, UK – The O2 Fri Jul 11, 2025 –London, UK – The O2 Sun Jul 13, 2025 – London, UK – The O2 Mon Jul 14, 2025 – London, UK – The O2 Wed Jul 16, 2025 – London, UK – The O2 Thu Jul 17, 2025 – London, UK – The O2 Sat Jul 19, 2025 – Manchester, UK – Co-op Live Sun Jul 20, 2025 – Manchester, UK – Co-op Live Tue Jul 22, 2025 – Manchester, UK – Co-op Live Wed Jul 23, 2025 – Manchester, UK – Co-op Live Sat Jul 26, 2025 – Dublin, Ireland – 3Arena Sun Jul 27, 2025 – Dublin, Ireland – 3Arena
*The tour wants to give fans, not scalpers, the best chance to buy tickets at face value. To make this possible they have chosen to use Ticketmaster’s Face Value Exchange. If fans purchase tickets for a show in the U.S. or Canada and can’t attend, they’ll have the option to resell them to other fans at the original price paid. To help protect the Exchange, the tour has requested all tickets be mobile only and restricted from transfer. This applies to all shows except those in Colorado, Illinois, and New York where Face Value Exchange cannot be mandated. Please note, a valid bank account or debit card within the country of your event is required to sell on the Face Value Exchange. More information on how the Ticketmaster Exchange works is available here .
Billie Eilish’s forthcoming album, HIT ME HARD AND SOFT was written by Billie Eilish and FINNEAS , her brother and long-time collaborator, who also produced the album. HIT ME HARD AND SOFT will be available on all digital platforms, and in a continued effort to minimize waste and combat climate change; across all physical formats in limited variants on the same day, with the same track-listing and using 100% recyclable materials. For more information on all sustainable practices for this album release, please visit https://store.billieeilish.com/pages/sustainability
HIT ME HARD AND SOFT is out everywhere on May 17.
Pre-order/add/save HERE.
High Res Images HERE
Photo credit for album artwork and press photo is William Drumm
OFFICIAL WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | TIKTOK | YOUTUBE
About Live Nation Entertainment
Live Nation Entertainment (NYSE: LYV) is the world’s leading live entertainment company comprised of global market leaders: Ticketmaster, Live Nation Concerts, and Live Nation Sponsorship. For additional information, visit www.livenationentertainment.com .
For all media inquiries, please contact:
Alexandra Baker | [email protected]
Jamie Sward | [email protected]
For all Live Nation Concerts inquiries, please contact:
Monique Sowinski | [email protected]
Maya Sarin | [email protected]
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There is a strict purchase limit of 4 tickets per account on this tour. We reserve the right to cancel your orders and tickets, and to prevent you, without notice, from making future purchases on our site if you try to exceed the posted ticket limits. Sale Schedule. The following presales start on Tuesday, April 30th: Artist Presale
Starting in September 2024, Eilish will embark on her North American leg of the tour which runs through to the end of December 2024. The tour will continue in Australia starting February 2025 ahead of her European, U.K., and Ireland arena dates starting in April until late July. For a full list of tour dates, see below or visit billieeilish.com